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Web Comic: Monster Pulse
Monster Pulse is a Webcomic by Magnolia Porter of Bob White fame.

When walking home one day Bina Blum sees something out of the corner of her eye move behind a building. When she goes to investigate a strange creature jumps into her body and causes her heart to become its own sentient entity outside of her body. A mysterious organization seeks to control the process and use the phenomena for its own gain.

Bina interacts with various other children affected by this strange ability which causes one of their body parts to take on a mind and personality of its own, whilst still functioning somewhat as if the organ were in/attached to the body from which it came, which in Bina's case keeps her alive.


Monster Pulse contains examples of:

  • Action Survivor: Bina, although as the story goes on she is developing a less passive role.
  • Adult Fear: When they find the voice monster, the kids quickly realize that somewhere, there's a baby crying, and no one can hear it.
  • Applied Phlebotinum: The Arma Energy SHELL uses. It is an amazing power source, with the tendency to create new life from existing forms of life, life that is still maturing.
  • Artistic License - Biology: The author has admitted that before designing Rixis she had believed the pupil to literally be a black spot on the eye. If she had known it beforehand he might have turned out different.
  • Animate Body Parts: The premise in a nutshell.
  • Attack Animal: The monsters, as far as the director of SHELL is concerned.
  • Awesome, but Impractical: Bina's monster is her heart. While it is extremely powerful, there's the teeny tiny problem that whenever it fights, she is putting her life on the line.
    • In general, this applies to almost all monsters - if the monster is destroyed, the original person permanently loses said body part. For someone like Julie (hair monster), it'd be inconvenient at most. For someone like Abel (left eye monster), it would create a noticeable disability. For West and Bina (stomach and heart monster, respectively), it would be fatal.
  • Bald Women: Julie, due to her hair turning into a monster.
  • Barrier Warrior: Red's strongest power - even Ayo's strength can't break them. Nancy is dangerous enough to have figured out how to weaponize it.
  • Blackmail: How West gets Lulenski to become The Mole - he took video of her killing Roger. Unusually she doesn't hold a grudge about it, even becoming protective of the kids.
  • Blessed with Suck: Guuzy has elements of this for West - he can't even attempt to eat food without getting ill anymore, so he can't eat. Nor can he really go into social situations where food is involved, because his reaction to food is conspicuous.
  • Blob Monster: Red, Nancy's monster, is made of her blood.
  • Bloody Murder: Nancy's monster is made from her blood, so all of its attacks qualify.
  • Body Horror: While the comic is meant to be all ages, (or at least around the PG rating) Bina's heart graphically bursting out of her chest and turning into a monster may cause a few restless nights for younger readers.
  • Body Motifs
  • Boring, but Practical: Julie's monster is her hair. It's not very powerful, but it's hair, so it can regenerate from pretty much anything.
  • Chekhov's Gunman: Chapter 1 shows a stomach as one of the organs manifested by the initial six ARMA escapees. Chapter 2 shows Lulenski and Roger reminiscing of a kid with curly hair with a monster erupting from his midsection. Chapter 3 finally introduces West and Guuzy, his stomach monster.
  • Chekhov's Skill: West figures out that Greenie can throw his voice and spends their time together practicing it. It comes in handy when Bina and West are held up by the neighborhood patrol and need a quick distraction.
  • Embarrassing First Name: West isn't crazy about Desmond.
  • Emotionless Girl: Violet.
  • Eye Beams: Rixis can fire one at will, though he can only fire so many in a short span.
  • Eyepatch of Power: Abel, due to his left eye becoming Rixis.
  • Fiery Redhead: In a twist on this trope, Julie is shown to have been incredibly shy when she still had her long red hair, it wasn't until losing it and gaining Kera did she become the bold Plucky Girl we know today.
  • Foreshadowing: It's revealed early on that one of six powerful ARMA ghosts was destroyed after possessing someone. Nothing is known about the specifics of who this was or what their monster was, although it's suggested that Abel killed them with Rixis' eye beam.
  • Four-Temperament Ensemble: Bina-Phlegmatic, Julie-Sanguine, Abel- Melancholic, West-Choleric, Lulenski- Supine
  • Friendless Background: West. He was found by an ARMA ghost when he was trying to make a friend in Julie (another found her at the same time), and she later spurs him into action by pointing out that he really wants to have friends.
  • Funny Afro: West, though he's more straight-laced than the trope might imply.
  • Genki Girl: Julie, overlapping with plucky girl at times. She routinely breaks out of shady laboratories, isn't fazed by the idea of organs as monsters walking around (she actually seems thrilled by it) and only panics for a second when threatened by a creepy arm monster before deciding to fight it.
  • Gory Discretion Shot: Roger's death.
  • Healing Hands: A bit more disgusting than usual. Guuzy can produce a substance that rapidly accelerates healing - since he's made from West's stomach, that means he has healing vomit.
  • Heart Is an Awesome Power: It may seem inconvenient for Bina's monster to be her heart, but Ayo is quite strong.
  • Heart Trauma: Bina's heart is literally gone due to transforming into Ayo, which initially freaks her out quite a bit. She can still function normally though, and is even able to feel her pulse.
  • Hollywood Acid: Guuzy produces some extremely powerful acid. It's used to dispose of Roger's corpse off-panel.
  • I Did What I Had to Do: Abel, who admits under emotional duress that Rixis, under his orders, killed someone by killing their monster. He's not proud of having done so, although Bina points out the rationalization: he was striking back against SHELL, so the monster likely belonged to someone out to capture and experiment on him.
  • I Just Want to Be Normal: Abel's life as a vagrant clearly wears him down - while he feels it necessary to be a drifter and not get close, there are several scenes where he clearly just wants to live a life like normal kids - he even sneaks into school so that he can learn and get some of the experience.
  • It Never Gets Any Easier: Abel has the strongest reaction to seeing Lulenski kill Roger for this reason.
  • I Work Alone: Abel, at first.
  • Jumped at the Call: West and Julie both are very proactive about investigating anything related to SHELL - West wants to help people, while Julie seems like the likes the action. Comparatively, Bina and Abel prefer to not be nearly as involved.
  • Kid with the Leash: The kids and their respective monsters. West also acts as a surrogate one to Greenie, since her partner is a baby.
  • Loner-Turned-Friend: Abel, after the second time SHELL finds Ayo.
  • Marked Change: Several of the people who get monsters get a distinct mark (suggested to glow slightly) on their bodies from where their monster left their body. Bina has one on her chest, West has one on his abdomen, and Abel has one where his left eye used to be.
  • The Men in Black : Word of God says they're called "SHELL." Between the kidnappings, experiments on monsters, scary opaque glasses, and some ominous overheard conversation, they're not exactly looking like good guys.
  • Mon: A more serious take on the genre.
  • Mobile Shrubbery: Bina and Julie use a recycling bin to bypass security.
  • The Mole: The kids blackmail Dr. Lulenski into becoming one, giving them updates as to what SHELL is doing.
  • Morality Pet: Roger functions as this for Dr. Lulenski...until she is forced to kill him. Red could also be considered one for Nancy, as Nancy only reveals her true feelings while talking to Red.
  • Nothing Is Scarier: Two examples in quick (and effective) succession:
    • After Roger saves Lulenski he starts turning, very slowly. We never see his face in full (it seems to have LEGS), because...
    • Lulenski has a major Freak Out and picks up a rock. The next page is simply the kids staring in horror, with no noise, save the sound effects.
  • Open-Minded Parent: West is fortunate in that both of his parents know and are understanding of his situation with Guuzy - it's not always easy for them to deal with, but they are supportive. Bina's mom is working towards this regarding her daughter and Ayo. Julie's mom is like this as well regarding Julie and Kera, but is hiding that she knows from her children.
  • Organ Autonomy: Practically the entire premise—these organs aren't just autonomous, they're physically separate from the original body! And yet, somehow, the walking, talking organ continues to perform its function just fine—Bina still has blood moving around in her body, West still gets nutrition, etc.
  • Parental Abandonment: Abel's a runaway, so it's unknown whether his parents are out there anywhere.
  • Parents as People
  • Parrot Pet Position: West tries to do this with Guuzy. With interesting results.
  • Secret Keepert: Bina is forced to confide in her mom after her mom sees Ayo. Both of West's parents know about Guuzy and try to help him the best that they can. Julie's older sister, however, not only knows about Kera, but she actively helps out where she can.
  • Secret Secret Keeper: One of the kids has one of these, too. Julie's mom knows about Kera and sometimes talks to her when Julie sleeps.
  • Shell-Shocked Veteran: Abel has apparently been living on the run from SHELL for a long time, and it shows. He has trouble showing emotion and becomes nearly hysterical at the prospect of being found by SHELL. This extends to the point that he is willing to threaten the lives of others to stay hidden from SHELL.
    • Nancy is an even more extreme example: Her Berserk Button is being called "stupid" or looked down upon, with disastrous results. She is easily one of the most violent characters, with a penchant for striking people in neck with her crowbar. She also has paranoia, claiming that everyone is a member of SHELL and even targeting children.
  • Taking the Bullet: Roger saves Lulenski from a Ghost. It seems he would have gained a particularly nasty face-based monster if Lulenski hadn't "stepped in."
  • That Came Out Wrong:
    West: It's been awhile since I've had a boy friend. URK! I meant-
    Abel: It's okay. I know what you meant.
  • Torso with a View: The result of Bina's Arma-fication.
  • Trademark Favorite Food: Rjinder's skin just loves tea.
  • Trauma Conga Line
  • Trial Balloon Question: While out drinking with Ned, Lulenski awkwardly asks if he ever had to kill anyone during his days with a cop. What might seem like random, morbid curiosity is in fact her way of testing whether he'd be a sympathetic confidant...or at least would have any advice for dealing with her own guilt over mercy-killing Roger.
  • Troubling Unchildlike Behavior: Bina gets progressively colder as the series goes along, as her resentment over her circumstances grows.
  • Understanding Parents: Both of West's parents do their best given the situation, as does Bina's mom. Julie's mom is as well; she just uses Obfuscating Stupidity to hide it.
  • Use Your Head: A rocket powered heart monster headbutt attack, no less.
  • The Voiceless: Greenie's kid is an odd example. Since Greenie is the voicebox, it "talks" in place of the kid.
  • Wham Episode: Chapter 4, Page 13-14 is one hell of a reminder that this isn't just a bunch of kids and Grotesque Cute monsters running around. It also might go to show that Anyone Can Die.
  • Wide-Eyed Idealist: West, to the extent that Bina wants to shield him from some of the darker aspects of the world, including that Abel has killed.

MonsterfulFantasy WebcomicsMonster Soup

alternative title(s): Monster Pulse
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