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Monster Pulse is a Webcomic by Magnolia Porter of Bob White fame.When walking home one day Bina Blum sees something out of the corner of her eye move behind a building. When she goes to investigate a strange creature jumps into her body and causes her heart to become its own sentient entity outside of her body. A mysterious organization seeks to control the process and use the phenomena for its own gain.Bina interacts with various other children affected by this strange ability which causes one of their body parts to take on a mind and personality of its own, whilst still functioning somewhat as if the organ were in/attached to the body from which it came, which in Bina's case keeps her alive.
Monster Pulse contains examples of:
Action Survivor: Bina, although as the story goes on she is developing a less passive role.
Adult Fear: When they find the voice monster, the kids quickly realize that somewhere, there's a baby crying, and no one can hear it.
Applied Phlebotinum: The Arma Energy SHELL uses. It is an amazing power source, with the tendency to create new life from existing forms of life, life that is still maturing.
Artistic License – Biology: The author has admitted that before designing Rixis she had believed the pupil to literally be a black spot on the eye. If she had known it beforehand he might have turned out different.
Attack Animal: The monsters, as far as the director of SHELL is concerned.
Awesome but Impractical: Bina's monster is her heart. While it is extremely powerful, there's the teeny tiny problem that whenever it fights, she is putting her life on the line.
In general, this applies to almost all monsters - if the monster is destroyed, the original person permanently loses said body part. For someone like Julie (hair monster), it'd be inconvenient at most. For someone like Abel (left eye monster), it would create a noticeable disability. For West and Bina (stomach and heart monster, respectively), it would be fatal.
Bald Women: Julie, due to her hair turning into a monster.
Barrier Warrior: Red's strongest power - even Ayo's strength can't break them. Nancy is dangerous enough to have figured out how to weaponize it.
Blackmail: How West gets Lulenski to become The Mole - he took video of her killing Roger. Unusually she doesn't hold a grudge about it, even becoming protective of the kids.
Blessed with Suck: Guuzy has elements of this for West - he can't even attempt to eat food without getting ill anymore, so he can't eat. Nor can he really go into social situations where food is involved, because his reaction to food is conspicuous.
Boring but Practical: Julie's monster is her hair. It's not very powerful, but it's hair, so it can regenerate from pretty much anything.
Chekhov's Gunman: Chapter 1 shows a stomach as one of the organs manifested by the initial six ARMA escapees. Chapter 2 shows Lulenski and Roger reminiscing of a kid with curly hair with a monster erupting from his midsection. Chapter 3 finally introduces West and Guuzy, his stomach monster.
Chekhov's Skill: West figures out that Greenie can throw his voice and spends their time together practicing it. It comes in handy when Bina and West are held up by the neighborhood patrol and need a quick distraction.
There is a strength in you. A will. That strength makes it difficult to be near you. You are a kind person, but it is easy to feel that strength and become wary of you. It is, at times, blinding. It makes it more difficult to know the right things to say. Many sense that strength, without understanding what it is.
Eye Beams: Rixis can fire one at will, though he can only fire so many in a short span. He is also limited by available light levels — because his beams come from condensing light, he can't gather energy for more if it's too dark out.
Fiery Redhead: In a twist on this trope, Julie is shown to have been incredibly shy when she still had her long red hair, it wasn't until losing it and gaining Kera did she become the bold Plucky Girl we know today.
Foreshadowing: It's revealed early on that one of six powerful ARMA ghosts was destroyed after possessing someone. Nothing is known about the specifics of who this was or what their monster was, although it's suggested that Abel killed them with Rixis' eye beam.
Funny Afro: West, though he's more straight-laced than the trope might imply.
Genki Girl: Julie, overlapping with plucky girl at times. She routinely breaks out of shady laboratories, isn't fazed by the idea of organs as monsters walking around (she actually seems thrilled by it) and only panics for a second when threatened by a creepy arm monster before deciding to fight it.
Heart Trauma: Bina's heart is literally gone due to transforming into Ayo, which initially freaks her out quite a bit. She can still function normally though, and is even able to feel her pulse.
Hollywood Acid: Guuzy can produce some extremely powerful acid. It's used to dispose of Roger's corpse off-panel.
I Did What I Had to Do: Abel, who admits under emotional duress that Rixis, under his orders, killed someone by killing their monster. He's not proud of having done so, although Bina points out the rationalization: he was striking back against SHELL, so the monster likely belonged to someone out to capture and experiment on him.
I Just Want to Be Normal: Abel's life as a vagrant clearly wears him down - while he feels it necessary to be a drifter and not get close, there are several scenes where he clearly just wants to live a life like normal kids - he even sneaks into school so that he can learn and get some of the experience.
Jumped at the Call: West and Julie both are very proactive about investigating anything related to SHELL - West wants to help people, while Julie seems like she likes the action. Comparatively, Bina and Abel prefer to not be nearly as involved.
Kid with the Leash: The kids and their respective monsters. West also acts as a surrogate one to Greenie, since her partner is a baby.
Marked Change: Several of the people who get monsters get a distinct mark (suggested to glow slightly) on their bodies from where their monster left their body. Bina has one on her chest, West has one on his abdomen, and Abel has one where his left eye used to be.
The Men in Black : Word of God says they're called "SHELL." Between the kidnappings, experiments on monsters, scary opaque glasses, and some ominous overheard conversation, they're not exactly looking like good guys.
Open-Minded Parent: West is fortunate in that both of his parents know and are understanding of his situation with Guuzy - it's not always easy for them to deal with, but they are supportive. Bina's mom is working towards this regarding her daughter and Ayo. Julie's mom is like this as well regarding Julie and Kera, but is hiding that she knows from her children.
Organ Autonomy: Practically the entire premise—these organs aren't just autonomous, they're physically separate from the original body! And yet, somehow, the walking, talking organ continues to perform its function just fine—Bina still has blood moving around in her body, West still gets nutrition, etc.
Secret Keepert: Bina is forced to confide in her mom after her mom sees Ayo. Both of West's parents know about Guuzy and try to help him the best that they can. Julie's older sister, however, not only knows about Kera, but she actively helps out where she can.
Secret Secret Keeper: One of the kids has one of these, too. Julie's mom knows about Kera and sometimes talks to her when Julie sleeps.
Shell-Shocked Veteran: Abel has apparently been living on the run from SHELL for a long time, and it shows. He has trouble showing emotion and becomes nearly hysterical at the prospect of being found by SHELL. This extends to the point that he is willing to threaten the lives of others to stay hidden from SHELL.
Nancy is an even more extreme example: Her Berserk Button is being called "stupid" or looked down upon, with disastrous results. She is easily one of the most violent characters, with a penchant for striking people in neck with her crowbar. She also has paranoia, claiming that everyone is a member of SHELL and even targeting children.
Trial Balloon Question: While out drinking with Ned, Lulenski awkwardly asks if he ever had to kill anyone during his days with a cop. What might seem like random, morbid curiosity is in fact her way of testing whether he'd be a sympathetic confidant...or at least would have any advice for dealing with her own guilt over mercy-killing Roger.