Useful Notes: The French Revolution

Storming of the Bastille, 14th of July 1789

"From this place, and from this day forth begins a new era in the history of the world (...)"
Goethe to the defeated German soldiers after the Battle of Valmy note 

The era in French History known for Marie Antoinette allegedly giving her subjects dietary advice. They responded by storming Versailles and putting her and her husband Louis XVI to death by the guillotine. Everyone in this time period wore pastel-colored satin, big fancy wigs, fake beauty marks, and snorted snuff like it was cocaine. Unless they were poor, in which case they wore trousers with tricolor badges and sung "String the aristocrats from the lamp posts!" whilst waving their pitchforks and gnashing their rotting teeth. Don't forget about taking down l'Ancien Régime, a word invented during the Revolution to describe what they were fighting against. It promised Liberty, Equality, Fraternity but led to the rise of Napoleon Bonaparte. He marched across Europe, stopped only by Richard Sharpe or the Russian winter, depending on your nationality.

The more cynical version of the French Revolution is that it wasn't nearly that much fun. Start with a series of nations (Britanny, Gascogne, etc. etc.) that kind of hate and have to share a realm with each other, bound, if at all, by King and Church. Most of France, outside of Paris, don't really feel this unified 'French' identity and nobody's sure if this idea of the "nation" can really replace the centuries old traditions of feudal monarchy backed by the Church, and most are still skeptical that a Republic can govern a large nation since it had hitherto only been observed in Italian City-States and the ancient world which covered a smaller area. Even Jean-Jacques Rousseau, the intellectual spirit behind the Revolution, was skeptical of the last part. There was also the fact that France was drained by three major world wars in the last hundred years, and lots of smaller ones besides (The American Revolution in particular, which basically boiled down to Britain vs France note  to get back for the last one). In addition, there are these expensive-to-make-and-keep royal palaces, a new and very young king and queen who don't have a clue how to run the country, a nobility that did not want to pay exorbitant taxes even if they had money and didn't use it at all, with the emerging middle and lower-classes being asked to foot an exorbitant bill. A feudal nation held in an obsolete Absolute Monarchy that missed the reforms that modernized England in the last hundred years, leaving France with a rigid social system more or less akin to castes. Over and above, there was the escalating famine, where bread is too expensive for the average person in the Parisian Basin to buy. What the great Mirabeau said about the elite of France's slave-run colony in Haiti applies equally to the metropole, "They were sleeping on the slopes of Vesuvius."

Even the King realized this. So in May 1789, he called a meeting of the Estates-General at Versailles, an ancient feudal organization that comprised of France's three ruling classes. The last meeting was in 1614. The First Estate was the Clergy, the Second Estate was the Nobility and the vast majority was the Third Estate. The election of the 1789 Estates General brought people from across France to the government. Several of them being quite young and very few of them having direct experience in handling politics. Almost immediately it became clear that the Third Estate, which comprised of middle-classes, professionals and guild members, were in effect a separate ruling body on their own and that they represented France better than the first two estates. This realization that the fading aristocracy would have little voice and role in a more modern state brought about reactions in the government that only made their opponents bolder. This created the tensions of the Revolution, the proposals of changes were met by reactions which spurred even more radical proposals for changes that provoked even more reactions and so on and so forth. Meanwhile, the people of France, especially in Paris were skeptical of changes happening slowly, and that the Third Estate while having wider representation than the First Two, was still not wide a representation as people expected. So they decided to take up arms. First the Bastille fell, then the King and Queen were dragged from Versailles to Tuileries by the Women of Paris and Nothing Is the Same Anymore.

The French Revolution's liberal and progressive achievements was enshrined in The Declaration of Rights of Man and Citizen. Several basic rights were first outlined here. In a radical idea at the time, divorce was legalized and so was, surprisingly, homosexual sex. Guilds were abolished, allowing more people to enter professions that had previously placed stringent requirements meant to protect its members from competition. Church lands were seized and property put on sale. Clergy were forced to swear an oath to the new constitution. At first the King seemed to be embracing the idea of a constitutional monarchy, even swearing an oath to uphold the constitution. However, in a scathing letter left behind when he escaped Paris during the Flight to Varennes, he made it clear that this was not the case. On the 10th of August 1792, the sans culottes and the National Guard rose in insurrection and attacked the Tuileries Palace and slaughtered the Swiss Guard guarding the royal family. The constitutional monarchy was no more, with the king placed under arrest. This was the start of the First French Republic, a government that, in strict definition, had no legal founding but had the legitimacy of popular sovereignty and could count on this legitimacy only by being, and remaining, revolutionary.

Modern "interpretations" of the events of the period usually say much more about contemporary politics and bickering than they do about the late 18th century. An example of the variety of viewpoints is: in England "Jacobin" means "Jacobin", in America "Jacobin" means "fanatic", in Austria "Jacobin" means people like Alexander I of Russia, and in France "Jacobin" means "anti-federalists". To this day, the European political spectrum is largely oriented by one's opinions on the French Revolution: the terms "left" and "right" themselves originate in where the delegates sat in the national assembly (other cool terms like Montagnard (Mountaineer) have not survived). Indeed, the French Revolution also affected American politics. Many political clubs developed in America in imitation of the French, much to President Washington's displeasure. The pro-Revolution camp was called "Democrat" by Citizen Genet (a Girondin ambassador who got stranded in America when the Reign of Terror was unleashed). Broadly speaking, liberalism consists in agreeing with it only so far as it went before the Reign of Terror; socialism consists in extending and "perfecting" it; conservatism consists in working within the structures it creates but either thinking it went too far/too fast or disliking it; and reaction consists in trying to do away with it altogether. These notions have slipped a lot with time, the modern meaning of these terms being quite different. Red October and World War II changed these positions (for instance fascism was added, encompassing a combination of socialism's revolutionary spirit with a conservative/reactionary twist on its ideals), but did little to alter the overall orientation.

The rest of Europe, which was still ruled by kings and emperors, were alarmed at what was happening in France. Many of the rest of Europe's great powers eventually invaded France in the French Revolutionary Wars, either to forcibly put the Bourbons back on the throne, prevent the revolution from spreading to their own lands or even to take advantage of the chaos in France. Over the course of the war, the French proved to be anything but Cheese-Eating Surrender Monkeys, repeatedly thrashing everyone from Great Britain to Austria to the Holy Roman Empire to Spain. France modernized its army and gave careers to several Young Future Famous People in the Napoleonic Wars, including Napoleon Bonaparte.

Some basic notes:
  • Louis XVI stayed King until 1792. He called the Estates-General in 1789 and despite recalcitrance, took an oath to abide by the Constitutional Monarchy which, at Mirabeau's insistence, gave him a veto. This did not work out quite as expected since, the King and the Royal Court kept issuing vetoes on every issue (earning him and his wife the nickname "Monsieur and Madame Veto". Mirabeau and Lafayette tried to urge the King to begin reforms but the Queen was paranoid and distrusted both of them.
  • Constitutional Monarchy at the time enjoyed decent support until the death of Mirabeau. The subsequent Flight to Varennes, a horrible PR disaster was the event which really split the existing factions into Constitutional and Republic Lines. At this time, even Robespierre was reluctant about a Republic, he wanted to erode the King's inviolability and put him on trial for his treason, but still backed the 1791 Constitution. The Storming of the Tuileries marked the end of Constitutional Monarchy and the birth of the Republic, which led to calls for a new republican constitution.
  • A faction of the Jacobins, led by Jacques Pierre Brissot came to be called the Girondins or Brissotins. They were the leading voices in the years 1792-early 1793. They were slow to pass reforms, represented and catered to the provincial cities rather than the Parisian sans-culottes/nascent working-class. They also sought to energize the Revolution by declaring war on Austria which Robespierre famously opposed, only to be silenced as it gained support even among extremists like the Hebertists.
  • When the War started losing ground, and General Dumouriez who the Girondins had touted as highly sympathetic to the nation, defected to the enemy along with other noble defections, France found its borders threatened. This led to a city-wide insurrection that put the Jacobins in power, the Girondins imprisoned and the proper beginning of the Reign of Terror, as a wartime measure to meet the armies on France's borders.
  • To meet the challenge of the war, the emergency laws of the Terror were unleashed. The National Convention apppointed the Commitee of Public Safety, essentially the first war cabinet, and provided them mandate to ensure that the government remains "Revolutionary until the Peace". This introduced mass Conscription - the Levee en masse issued by the great engineer Lazare Carnot. This involved able-bodied men, women and children performing all kinds of actions in what is often seen as the first attempt to mount a total war. Women were sent to hospitals and sent to work while the men were sent to fight the War in all kinds of capacities. Such initiative and mobilization would be repeated on a far grander scale during World War II.
  • The Revolutionary government introduced several cultural initiatives that changed the arts and sciences. The most successful were a bunch of units introduced by the National Convention in Year 3 (1795) like the meternote  for lengths, the liter for volumes of liquid, the gram for mass, along with multiples of these units by factors of 2 and 10 like the kilogram (1000 grams), double decaliter (20 liters), or the centimeter (0.01 meters). It since has become quasi universal.
  • It was during the Revolution that the Louvre Palace, already used as a warehouse for the Royal Art collection and a residency for artists patronized by the throne, became the Louvre Museum, opening it to the public and declaring it part of the cultural patrimony. Likewise the Royal Garden became the Jardin des Plantes, headed by Jean-Baptiste Lamarck, who would eventually become a key pre-Darwin evolutionary theorist. That said some artists and scientists suffered during this time, including Chateaubriand (who was a fierce royalist), Beaumarchais (the playwright, author of "The Marriage of Figaro" who moonlighted as an arms dealer for both the American and French Revolutions) and one of the victims of the Terror was the father of Modern Chemistry, Antoine Laurent de Lavoisier himself, because of his past as a tax collector and a Girondin.
  • The Reign of Terror under the Committee of Public Safety, killed 17,000 people by Guillotine after a trial. While unofficial executions may have gone up to 40,000. Towards the final month of Thermidor, it became worse, a period called the "Great Terror". Statistically, and contrary to popular belief, only 8% of the victims were aristocrats (who considering they were 1% of the population did feel a disproportionate impact), 25% of the victims were bourgeois and middle-class, 28% were peasants and working-class and the rest were clergy. During the "Great Terror" after the Law of 22 Prarial, where 1000 people were executed in a single month (matching the executions in Paris the previous year), the victims became 38% Nobility, 26% Clergy, with the wealthy victims discriminated against since the law deprived them of a right to call for witnesses, legal representatives or evidence by which according to Georges Couthon (who drafted the law to the Convention), wealthier accused escaped the blade before.
  • There were only seven prisoners in the Bastille when it was stormed, none of whom were political (the Marquis de Sade had been moved 10 days earlier). Besides, the goal of the rioters wasn't to free them but to get some weapons to defend themselves against royal troops. This event appears to have come about from rumours about said troops preparing a massacre of revolutionaries.
  • There were several different governments during this time:
    • The National Assembly (1789)
    • The National Constituent Assembly (1789-1791)
    • Legislative Assembly (1791-1792)
    • National Convention (1792-1795), of which the Committee of Public Safety was a sub-group, as was the Paris Commune.
    • The Directory (1795-1799)
  • Napoleon Bonaparte ended this when he took direct power. It's not like he caused any more mess. At least he stabilized the country and its institutions and consolidated most of the reforms of the Revolution with his Napoleonic Code(authored by Jean-Jacques-Régis de Cambacérès, a member of the National Convention).

See also,

Tropes as depicted in fiction:

  • Aristocrats Are Evil: A very influential trope at the time and still present in pop-culture depictions, though usually overshadowed by disproportionate focus on Mob Violence.
  • Decided By One Vote: A very popular myth about Louis XVI's execution. Execution was in fact widely ahead, but if you add the "death with delaying conditions" to the opposing votes, it comes to this. It was a close run thing, out of 721 voters, 34 voted for death, by delay, 2 voted for life imprisonment in irons, 319 voted for imprisonment until the end of the war (to be followed by banishment). But a majority of 361 voted for death without conditions, among the people who voted was Philippe-Egalite, duc d'Orleans, the King's Cousin.
  • Eat the Rich: The Ur-Example for this Stock Phrase came about near this time when Jean-Jacques Rousseau reportedly said, "When the people shall have nothing more to eat, they will eat the rich". Anti-rich violence is a popular image of the Revolution and its Truth in Television. One instance is the death of Foullon de Doué, referred to in A Tale of Two Cities. The finance minister was highly unpopular, hated by his own tax collectors and was rumoured to have said, "If those rascals have no bread, let them eat hay!" After 14 Juillet, he tried to flee to his country estate but the mob caught him, dragged him back to Paris at the Hotel de Ville and after several attempts to lynch him on a lamp-post beheaded him and stuffed his mouth with Grass and paraded around Paris on a pike. On the same day, his son-in-law was killed and beheaded as well, and a creative mob decided to make him "Kiss Daddy" by pushing one head against the other.
  • Historical-Domain Character: Marie Antoinette, Robespierre, and Napoleon spend so much time in fictions set in this period, one wonders how they managed to play their parts in history.
  • Historical Hero Upgrade: Quite a few characters get this:
    • The Revolt in the Vendée is often portrayed in a more romantic light by historians and novelists. They cite the large scale killings (130,000 but often inflated to 200,000) committed by the Republican side as an example of Revolutionary violence. In truth, the Republican response was driven by a massacre of Republican Vendeeans committed by Royalist Vendeeans when they killed 200 of them in Machecoul. The Vendean response by the Committee of Public Safety had considerable local support among Republican Vendeeans and peasants who were quite keen on the fact that the government was cutting down on the feudal privileges that the Royalists wanted to reinstate - namely giving out Church property to peasant landholders. One of France's greatest Prime Ministers Georges Clemenceau came from the Vendée and was descended from Republicans who had fought on the side of the Revolution. Undoubtedly there were atrocities committed by the Revolutionary side, but the Vendeeans own atrocities and sparking the response is under-reported by comparison.
    • The Girondins in the Anglo-American media at least are regarded as more positive expressions of Revolution than the Jacobins, citing their moderate constitutional approach and their favoring provincial cities like Lyon and Bordeaux over a centralized Paris. What is usually glossed over is their corruption, their elitism, their laziness in pushing proper reforms and finally their belief in War for Fun and Profit in the name of "spreading the revolution", an action which unleashed 20 years of warfare across Europe.
  • Historical Villain Upgrade: Generally the extremists, whose actions saved France from invasion, ended up with the bad press:
    • Robespierre did some less than commendable things in the name of the Republic, but he was co-author of the Declaration of the Rights of Man, he advocated against the death penalty, even if he helped to turn the first into dead letter and reversed his position on the second. But he was involved in such causes as the abolition of slavery, eliminating the property qualification to be represented in government, and granting rights to Protestants and Jews. Tell that to some fictional portrayals. As per Alfred Cobban, "No one at the time of the Revolution went as far as Robespierre in stating what were later to be recognized as the essential conditions of the democratic state."
    • Jean-Paul Marat perhaps got it worse than anybody else from that period, and went from being an almost godlike figure whose bust replaced crosses in churches to be described as an "angry monster insatiably hungry for blood" after the Reign of Terror was pretty much done and finished. The actual Marat, while not personally attractive, was actually a mix between moderate and extreme and a consistent anti-war activist. His death deprived the sans-culottes and working-class agitators a competent and widely respected voice in government leading to demagogues like Hebert to represent them. The famous post-colonial poet Aimé Cesaire also pointed out that Marat was the only major Revolutionary who stated that France's colonies had the right to self-determination and independence from France, a position that put him way ahead of his time, something that even a consistent abolitionist like Robespierre was ambivalent about.
    • Louis Antoine de Saint-Just is often portrayed in fiction as a violent extremist who wanted anyone of noble birth, even the ones on his side, wiped off the face of the earth. Now, while he did actually say this, he did so in the final years of his life (during the height of the Reign of Terror when they started executing people left and right), and for the most of his life had pretty moderate views.
    • As the history of the French Revolution is a highly contentious and partisan issue, counter-revolutionary rebels such as those of the Vendée also got this, being portrayed as barely human, cruel, ignorant, religously fanatic peasants led by cruel and decadent aristocrats. Thus a number of historical paintings of the Third Republic showed this on a level approaching Gorn e. g. in the case of The Massacre of Machecoul by Francois Flameng and The Death of Bara by Jean-Joseph Weerts.
    • The monarchs and nations fighting against France during the Wars of the French Revolution (often after France declared war on them) also often are portrayed as utter reactionaries hell-bent on undoing every single political and social advance created by the Revolution (or to "turn back the clock to before 1789", in effect ascribing the ideology of the most extreme royalist "ultras" to all of them.note  Some nationalistic historians also like to portray the war as if the very existence of France was at stake, while the monarchic governments in fact pursued widely divergent aims - which e. g. made Prussia and Spain drop out of the coalition in 1795 - and for the sake of the balance of power wanted to preserve France in its established position as a major European power.
  • Impoverished Patrician: A trope that is quite popular in fictional depictions. Some notable examples include:
    • Comte de Mirabeau, the original leader of the Revolution, he rebelled against aristocratic conventions, did time in Bastille for "libertinage" and ultimately even lost his privileges which made him highly empathetic to the common people and their plight. Because of his complex background he became a popular leader and middleman between the aristocrats who were to be gently coerced to losing their privileges and the angry Third Estate.
    • Marie-Josèphe-Rose Tascher de la Pagerie, the future Empress Josephine, also fell to hard times thanks to the Revolution by which her family fortune in Martinique was threatened. In order to hide her aristocratic origins, she apprenticed her son Eugène with a cabinet-maker. Her first husband Alexandre de Beauharnnais was guillotined on a false charge during the Terror which led to her being imprisoned before being released after Thermidor, after which she met Napoleon.
    • The notorious Marquis de Sade was writing the 120 Days of Sodom in the Bastille before being released two weeks before 14 July, 1789. During the revolution, he worked in the popular theaters and became a spokesman in the Radical Paris Section (City Ward) Piques (it was Robespierre's ward!). He was highly popular and well-liked by the sectionnaires and sans-culottes and became a committed radical, even writing a eulogy for Marat which compared him to Jesus. He faced problems when his son, fighting in the French Army, defected to the enemy and he also argued against the Terror which led to his imprisonment. After Thermidor, he was virtually penniless, being forced to sell his remaining estate and barely subsisting until Napoleon whimsically ordered his imprisonment to Charenton after reading ''Juliette''.
    • The legendary Thomas Alexandre Davy de la Palettiere was the son of a French nobleman and a Haitian African slave. In France, he was raised with full privileges and education. During the Revolution, he fell out with his father and he took his mother's family name and called himself Thomas-Alexandre Dumas. He fell into hard times towards the end of the Revolutionary Wars and the Rise of Napoleon (they hated each other) and Dumas was unfairly stranded in an Italian prison for two years which badly affected his health. After his release, Napoleon refused to give him and his wife a pension and when he died, his wife had to raise her young son Alexandre Dumas in poor circumstances for which they blamed Napoleon.
    • In general, during the Revolution, a lot of money and property was transferred from the nobility and clergy to the bourgeosie and - to a lesser degree - the more well-to-do peasants, and a lot of shifts happened in the class structure. Napoleon and the Bourbon and July Monarchy restored some monarchical titles to good and bad effect but it was mostly In Name Only. In some cases, noblemen actually joined the sans-culottes and blended in and threw off their old life, hippie-style.
    • An example of the trickle-down effect: Famous Italian playwright Carlo Goldoni was living in Paris on a pension granted to him by Louis XVI. This was stopped because of the Revolution, and Goldoni died in abject poverty on 6 February 1793 - a day before the National Convention voted to restore the pension, which they had to turn into one for Goldoni's widow.
  • Reign of Terror: The Trope Namer. Mark Twain reflected on the disproportionate focus on the Terror and the association of it with the Revolution a hundred years later:
    "If we really think about it, there were two Reigns of Terror; in one people were murdered in hot and passionate violence; in the other they died because people were heartless and did not care. One Reign of Terror lasted a few months; the other had lasted for a thousand years; one killed a thousand people note , the other killed a hundred million people. However, we only feel horror at the French Revolution's Reign of Terror. But how bad is a quick execution, if you compare it to the slow misery of living and dying with hunger, cold, insult, cruelty and heartbreak? A city cemetery is big enough to contain all the bodies from that short Reign of Terror, but the whole country of France isn't big enough to hold the bodies from the other terror. We are taught to think of that short Terror as a truly dreadful thing that should never have happened: but none of us are taught to recognize the other terror as the real terror and to feel pity for those people."
  • The Revolution Will Not Be Civilized: The overwhelming conservative opinion. It's also how the French Revolution is usually portrayed in fictions, especially anglophone anti-revolutionary popular culture, enshrined in works like A Tale of Two Cities which greatly shaped the collective imagination, focusing disproportionately on Mob Violence. Historians however, differ on why it wasn't civilized.
  • Romanticism Versus Enlightenment: The French Revolution is usually seen as the event that marked the two eras decisively with Romanticism largely being a reaction to the event. Romanticism itself was divided between hostility and enthusiasm for the French Revolution. A good example is Victor Hugo who was critical and dismissive of the Revolution but later came to embrace it.
    • Early Romantic poets such as Wordsworth and Coleridge were initially supportive before becaming disillusioned. Early Romanticist writings across Europe (but especially in England and Germany) and even in France, were prone to nostalgia for the Ancien Regime and the centuries long tradition that the Revolution was radically upsetting. They also saw the Terror as a new form of Intellectually Supported Tyranny and the dangers of cold, excessive, rationalism which tended to clamp down on the individual.
    • Later Romantics such as Percy Shelley, John Keats and Lord Byron who were liberal-leftist felt that the Revolution brought the spirit of change in Europe. They felt that poets and poetry should also be revolutionary, that artists could and should change society with art, a central belief in romantic literature. Some Romantic composers such as Beethoven were initially pro-Revolutionary but turned bitter when Napoleon became Emperor, i.e. a king with a different name. Some other Romantics, even liberals, saw Napoleon as the Romantic Hero, a Badass who by sheer merit and talent, recognized and rewarded by the Revolution, brought modernity to Europe by radically upsetting ideas of aristocracy and monarchy. His youth and good looks, made him closer to a Byronic Hero than Byron himself.
  • Shrouded in Myth: Quite a lot about the French Revolution became the stuff of legend, both positive and negative.
    • The storming of the Bastille and the "battle" of Valmy were much smaller-scale and in significant respects less heroic affairs than they are generally portrayed in the popular image.
    • Robespierre personal papers were burnt by the government after Thermidor. Consequently, we only know him through his speeches, letters and other people's testimonies. This partly explains the contradictory views about him, since we have no way to know him "from the inside".
    • Marie Grosholtz, a wax-maker later became an exile to England, remarried and became Madame Marie Tussaud. During the Revolution, she was briefly imprisoned (sharing a cell with Josephine de Beauharnais) but was spared by Collot d'Herbois. In exchange, according to her, she made death masks of famous victims. In London, Madame Tussaud's wax exhibitions were highly popular and endures to this day. However, historias have generally regarded most, if not all, her "death masks" as fakes, which doesn't stop semi-serious scholars from using them as a source to reconstruct appearances of historical figures.
    • On the side of the counter-revolution, during the Restoration a number of myths were formed to glorify Jean Chouan as a martyr for the rebellion in Mayenne and Brittany. The real Chouan was called Jean Cottereau and he was a smuggler and suspected murderer who rose against the Republic because they were clamping down on his illegal businesses. The restoration transformed him into a Reactionary Fantasy of a Robin Hood who rose against an "unlawful" republic while living in the forest with his merry men.note 
  • Wham Line: Famously discussed by Albert Camus in The Rebel. Louis Antoine de Saint-Just, at the age of 25 one of the youngest members of the National Convention, gave his first speech, marking the real Point of No Return for the revolution:
    "A king should be tried not for the crimes of his administration, but for that of having been king, for nothing in the world can legitimize this usurpation, and whatever illusion, whatever conventions royalty surrounds itself in, it is an eternal crime against which every man has the right to rise up and arm himself... No one can reign innocently: the madness of this is too obvious. Every king is a rebel and a usurper. This man must reign or die."

Works that are set in this time period are:

Anime and Manga

Art and Architecture
  • Much of the work of Jacques-Louis David, an active participant in the revolution who produced official propaganda paintings and private portraits of many of the "celebrities" of his day. Particularly well-known are the iconic Marat assassiné and his quick sketch of Marie-Antoinette just before her execution. His massive Serment du jeu de paume (1791) to commemorate the Tennis Court Oath of 1789 was never finished, in part because many of the politicians on it fell into disgrace and were guillotined.
  • The revolution was rediscovered in a big way by historical painters during the Third Republic, which often invoked its memory.
  • The Arc de Triomphe, or to give it its full name: the Arc de triomphe de l'Etoile in Paris commemorates the Wars of the French Revolution as well as the Napoleonic Wars. Of special note is the group of figures "The Depart of the Volunteers of 1792" by Francois Rude.
  • The Panthéon was set up as a burial place for "the great men" of France during the Revolution. Inside several groups of figures were added during the Third Republic, including "The Battle of Valmy", Le Vengeur, "The National Convention", and "The generals of the Revolution", as well as a painted tryptich Vers la gloire by Edouard Detaille in honour of the armies of the revolution.

Comic Books
  • Batman: Reign of Terror: An Elseworlds story set during the French Revolution with Bruce Wayne as a French nobleman who becomes a masked crimefighter carrying convicted innocents out of France, a la The Scarlet Pimpernel.
  • The Sandman story "Thermidor" is a dark tale set in the aftermath of the French Revolution.
  • The Sky over the Louvre, by French bande-dessinee artist Bernar Yslaire and famous screenwriter Jean-Claude Carriere (who also wrote the famous film Danton). Commissioned by the Louvre itself, this comic explores the founding of the museum during the Revolution through the Odd Friendship between Robespierre and painter Jacques-Louis David.

Fan Fiction

Film
  • Start the Revolution Without Me
  • La Marseillaise (Jean Renoir film). 1938 film which chronicles the early years from Bastille to the Storming of Tuileries and ending at the Battle of Valmy. Features costumes by Coco Chanel, a shadow theatre scene by exiled German animation pioneer Lotte Reiniger and amazing battle scenes. The linking thread is the development and Memetic Mutation of the song that would become France's National Anthem in a fictionalized portrayal of the volunteer battalion from Marseilles that brought it to Paris.
  • Reign of Terror/The Black Book a 1949 B-Movie done in a Film Noir style. The reign is used as a stand-in for the Red Scare during The Hollywood Blacklist and features an impressive lack of historical accuracy of any kind.
  • Danton (1983), directed by Andrzej Wajda and starring Gérard Depardieu as Danton in the face-off with Robespierre. It is based on the play "The Danton Case" by Stanislawa Przybyszewska which Wajda had alread produced on stage in Warsaw in 1975. The film was originally commissioned by the Mitterand government, but Wajda presented a much too dark image of the year 1794 for their liking, likening Paris during the Terror with Poland during the repression of the Solidarity movement.
  • Napoléon (1927), a huge French silent movie directed by Abel Gance, who himself appears in the film as Saint-Just. As Napoleon is the hero, he gets inserted into scenes not based on history, such as the already completely inaccurate scene of the first performance of the Marseillaise in Paris which finishes with captain Bonaparte shaking Rouget de Lisles's hand and congratulating him for his good work for the republic.
  • Marie Antoinette
  • The French Revolution (1989 movie, Robert Enrico). The film was produced for the 200th anniversary of the French Revolution. Noteworthy for being surprisingly neutral in regards to the events.
  • Orphans of the Storm (though the original novel which was adapted was not set in this time period)
  • The Affair Of The Necklace about a scandal involving Marie Antoinette. Pre-revolution, but helped to lower her reputation in the eyes of the public.
  • Scaramouche
  • Stay Tuned: The protagonist fall into this setting on one of the channels.
  • Les Belles de nuit (1952), a René Clair comedy starring Gérard Philipe as a music teacher going back in time in his dreams, also stops during the French Revolution.
  • Jefferson in Paris, a biopic of Thomas Jefferson during his time as Ambassador in France, showing the events leading up to the French Revolution.
  • Brotherhood of the Wolf, at the beginning.
  • The Lady and the Duke, a French film by Eric Rohmer, starring Lucy Russell and Jean-Louis Dreyfuss showing the events from the perspective of Philippe Egalite, Duc d'Orleans and his mistress Grace Elliott.
  • Farewell, My Queen a 2012 French film starring Diane Kruger as Marie Antoinette. It explores Versailles in the first three days of the Revolution.
  • La Nuit de Varennes ("The Night of Varennes"), a film by Ettore Scola which tells the story of the Flight to Varennes and the early phase of the French Revolution as seen through the eyes of the passengers of a stage coach that happens to follow on the tracks of the royal family's coach. The passengers mixes fictional characters such as a lady of Marie-Antoinette's court (Hanna Schygulla) with real-life writers Rétif de la Bretonne (Jean-Louis Barrault), Thomas Paine (Harvey Keitel), and Giacomo Casanova (Marcello Mastroianni).
  • The Married Couple of the Year Two, a comedy starring Jean-Paul Belmondo as a man who returns to Nantes during the Terror to get a divorce from his estranged wife and gets between the fronts of various revolutionary and royalist factions. One of the few movies involving the Revolution that does not contain a single scene set in Paris.
  • Chouans!, a 1988 film by Philippe de Broca, tells the story of an aristocratic family in Brittany torn asunder between its royalist and republican members.
  • History of the World Part I lampoons many of the clichés about the French Revolution in the relevant section.

Literature
  • A Tale of Two Cities
  • The Scarlet Pimpernel
  • Scaramouche
  • The Pink Carnation series.
  • A Place of Greater Safety by Hilary Mantel chronicles the Revolutionary from the perspective of the early friendship between Camille Desmoulins, Georges Danton and Maximilien Robespierre.
  • Honor Harrington takes place in the Napoleonic Wars IN SPACE! and thus has the entire plot in the background.
  • Alexandre Dumas wrote a number of novels set in the era:
    • Mémoires d'un médecin ("Memoirs of a Physician", but also known as the Marie-Antoinette series) is a tetralogy dealing with the years leading to, and during the Revolution. The first book, Joseph Balsamo famously featured a secret society who meet in a mountain and promise to usher in the Revolution. It is followed by The Queen's Necklace, Ange Pitou (also known as "The Storming of the Bastille"), and La Comtesse de Charny. The story is then continued in Le Chevalier de Maison-Rouge. In order to show the amount of research he put into his novels, Dumas also did a non-fiction book with the account of how he retraced the Flight to Varennes, discovering errors in famous historians' accounts and interviewing the few surviving eye-witnesses he could still find in the region.
    • Blanche de Beaulieu is a love story between General Marceau and a young aristocrat against the backdrop of the war in the Vendée. The author's father, revolutionary General Thomas-Alexandre Dumas, also makes an appearance.
    • The Woman with the Velvet Necklace, takes place during the Terror. In reference to Moral Event Horizon, it mentions the execution of King Louis as "the single most important event in human history to date."
    • Alexandre Dumas finally wrote a trilogy of novels about royalist conspirators during the Revolution and Napoleonic Wars: Les Blancs et les Bleus, Les Compagnons de Jéhu (adapted into a French television series in 1966) and Le Chevalier de Saint-Hermine. The last one was left unfinished and was only rediscovered in 1990; in 2005 it became a bestseller in France.
  • Honoré de Balzac wrote the novel Les Chouans about royalist underground fighters in Brittany. It was adapted into a movie in 1947.
  • Italo Calvino's surrealist novella The Baron in the Trees deals with the influence of The Enlightenment and the finale features the Italian campaign of the French Revolutionary Wars and Napoleon's retreat. Voltaire and Napoleon Bonaparte appear in the book.
  • Victor Hugo while initially conservative and skeptical about the Revolution came to see it as an essential fact of the modern world:
    • Les Misérables, though not actually set during the French Revolution, makes constant references to it (though the July Revolution was highly inspired by the Revolution as well); the revolutionary Enjolras is based on Louis Antoine de Saint-Just.
    • Ninety-Three his final novel is set during the Reign of Terror. Though it was actually inspired by Hugo's experiences during the Paris Commune.
  • A significant part of TheRedLion.
  • The Way to the Lantern
  • French writer Anatole France's The Gods Are Athirst explores the Terror from the perspective of a Robespierre fanatic.
  • Alejo Carpentier, the Cuban author wrote two classics about the impact of the French Revolution on Latin America.
    • The Kingdom of This World deals with the Haitian Revolution.
    • Explosion in a Cathedral note  deals with Victor Hugues, an obscure Revolutionary, who brought the Emancipation Decree of 1794 to the former slave-run sugar-owning colonies and started several Slave Liberation(s) in the Caribbean.
  • Heinrich von Kleist's novella The Betrothal in St. Domingo is set during the revolution in Haiti. His essay On the Gradual Production of Thoughts whilst Speaking uses Mirabeau's famous answer to the royal order to dissolve the Estates General as a prime example.
  • Stefan Zweig's series of historical miniatures Sternstunden der Menschheit includes the posthumously added story "Das Genie einer Nacht" ("The genius of a night") about the writing of the Marseillaise by Rouget de Lisle.

Live-Action TV

Music

Theatre
  • Danton's Death (play by Georg Büchner)
  • Marat/Sade by Peter Weiss
  • Andrea Chénier, an opera by Umberto Giordano based on the life and death of the poet André Chénier.
  • Dialogues of the Carmelites, an opera about the "Compiègne Martyrs", 16 nuns who were guillotined in 1794. Written by Francis Poulenc based on a screenplay by Georges Bernanos based on the novella The Last on the Scaffold by Gertrud von Le Fort.

Video Games

Web Comics

Web Original

Western Animation

Alternative Title(s):

French Revolution