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Music: Al Stewart
Al Stewart is a British singer/songwriter/guitarist known particularly for exemplifying the 'confessional' school of songwriting in his early years, for writing a large number of songs about history and historical events, and for his single "Year of the Cat".

Official website: http://www.alstewart.com/


Tropes associated with Al Stewart and/or his work include:

  • Author Appeal: very fond of history as a theme:
    • Ancient Greece: "Helen and Cassandra," "Hanno the Navigator"
    • The Middle Ages: "Merlin's Time," "Constantinople," "Nostradamus," "Merry Monks"
    • The French Revolution: "The Palace of Versailles," "Charlotte Corday"
    • Wooden Ships and Iron Men: "Lord Grenville"
    • Nineteenth Century: "Lord Salisbury," "Ellis Island"
    • World War I: "Old Admirals," "Manuscript," "Fields of France," "Somewhere in England 1915"
    • Interwar period: Between The Wars, "Warren Harding," "The Last Day of June 1934," "On the Border," "Josephine Baker," "Immelman Turn"
    • World War II: "Roads to Moscow," "Murmansk Run," "Trains"
    • The latter half of The 20th Century: "Post World War Two Blues," "Shah of Shahs," "Running Man," "Night Meeting," "A Child's View of the Eisenhower Years," "Class of '58," "In Red Square"
  • Bait and Switch: "A Long Way Down From Stephanie" is a heartbroken lament about a lost lover written in Shakesperian style. The last line reveals that Stephanie was his first-grade crush: "And though lost at six, if I should live to be seven, I might forget Stephanie."
  • Been There, Shaped History: Al himself is a real life example. He met Yoko Ono before any of The Beatles and shared a flat with Simon & Garfunkel (and was their roadie on their first big tour).
  • Concept Album: several.
    • Past, Present, and Future is a historical based album with a song for each decade of the twentieth century up to the time it was recorded.
    • Between The Wars does the same for the period 1919-1938.
    • Down in the Cellar is a concept album inspired by wine.
  • Environmental Symbolism: many songs use the ocean as a setting ("Lord Grenville", "Old Admirals", "Murmansk Run", the first verse of "On the Border") or a metaphor ("The Dark and the Rolling Sea", "Midnight Rocks", "Rocks in the Ocean", "Life in Dark Water", “Joe the Georgian”). Also an instance of Author Appeal.
  • Hypocritical Humour: A darker example with "Night of the 4th of May". The narrator begins by telling his girlfriend that he wants an open relationship and goes off with another woman at a party... and then gets huffy because his girlfriend does exactly the same thing.
  • Granola Girl: Heroines like these turn up in a few of his songs, including "Carol," "Year of the Cat," and "In Brooklyn".
  • Lyrical Dissonance:
    • "Post World War II Blues". The tune is bouncy, the lyrics are a catalouge of almost every major tragedy of the post 1945 years.
    • "Last Train To Munich". The music is catchy Django Rheinhard style jazz. The lyrics are about how the narrator is sending his best friend on an espionage mission which will almost certainly lead to his death.
  • Precision F-Strike: On the song "Love Chronicles". Bonus points for using it in its literal sense as well.
  • Sanity Slippage Song: "Terminal Eyes"
  • Shout-Out:
    • "Terminal Eyes," on the album Past Present & Future, is a deliberate imitation of "I Am the Walrus." The liner notes dedicate the song to "egg-men everywhere."
    • "Year of the Cat" mentions Humphrey Bogart and Peter Lorre.
    • "Flying Sorcery" references a lot of aviation history.
    • His historical songs are full of them.
  • Shown Their Work: Exemplifies this trope with his historical songs which are all thoroughly researched and contain all manner of references to obscure individuals and little known historical incidents and anecdotes. He is said to have read over seventy books on the Eastern Front while composing the lyrics to "Roads to Moscow."
  • Tyrant Takes the Helm: The song “Joe the Georgian” is actually about Joseph Stalin's rise to power, re-imagined in a naval setting. While the real life story may be subjective to some, the song definitely isn't.
    We all set off together
    On this sorry ship of state
    When the captain took the fever
    We were hijacked by the mate
    And he steered us through the shadows
    Upon an angry tide
    And cast us one by one over the side
  • Walking the Earth: the narrators of "Apple Cider Re-Constitution," "Timeless Skies," and "Year of the Cat," among others
  • What Might Have Been: Stewart often writes the music and records all of the instrumental tracks for a song—or even a whole album—before writing lyrics. The first set of lyrics for what eventually became "Year of the Cat" told the story of an entertainer struggling with depression who killed himself. The original chorus was "Your tears they fall down like rain/At the foot of the stage."
  • Word Salad Lyrics: Generally Al works hard on the meaning of his lyrics but this trope comes into play in "Red Toupee" which was originally merely meant to be guide lyrics to a backing track from co-writer Peter White. However, they both thought the lyrics sounded so good they kept them as they were.

SteppenwolfRockRod Stewart
SteppenwolfThe SixtiesRod Stewart
SteppenwolfThe SeventiesRod Stewart

alternative title(s): Al Stewart
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