Music: Joanna Newsom
- With my steely will compounded in a mighty mound that's hounded
By the snap your steel string sounded just before your snores unwound it
And in store are dreams so daring that the night can't stop from staring
I'll swim sweetly as a herring through the ether, not despairing— "Cassiopeia"
- The Milk-Eyed Mender (2004)
- Ys (2006)
- Have One On Me (2010)
- Divers (2015)
- Walnut Whales (2002)
- Yarn and Glue (2003)
- Joanna Newsom and the Ys Street Band (2007)
Tropes related to this artist:
- AcCENT Upon the Wrong SylLABle: Used to great effect in most songs.
- This is because she is actually singing in set verse along the lines of a musical variation of Gratuitous Iambic Pentameter.
- Added Alliterative Appeal: The vast majority of her songs utilise this to some extent, and it is is a signature characteristic of her lyrics. In fact, it is a good reason half the lines from her songs are so memorable.
And so, with the courage of a clown, or a cur, or a kite, jerking tight at its tether, bear would sway on her hind legs, the organ would grind dregs of song, for the pleasure of the children who'd shriek, throwing coins at her feet, then recoiling in terror...
- "Clam, Crab, Cockle, Cowrie", "Peach, Plum, Pear", "Baby Birch", "Walnut Whales", "Bridges and Balloons".
- Combined with gorgeous rhyme in "Monkey & Bear":
Do you want to sit at my table? My fighting fame is fabled, and fortune finds me fit, and able.
- And in "The Book Of Right-On":
- An Aesop: "Monkey & Bear" seems to have the structure of one, animals and everything. It also resembles Animal Farm: after Monkey and Bear escape from the humans masters, Monkey starts treating Bear like a slave, telling her that they need her dancing to make money. Monkey slowly becomes more and more human-like in behavior, and Bear doesn't stand up to him... instead, she chooses to cast off her body, limb by limb, and vanish from Monkey's life.
- Animal Motifs: Birds (especially nightjars) show up in the first and last songs on Divers.
- Bears Are Bad News: Subverted in "Monkey and Bear", where the bear is the more agreeable character...
- The Blue Beard: "Go Long", complete with a visit to "a terrible room / Gilded with the gold teeth of the women who loved you".
- Explicitly referred to in-song: "Run away from home, your beard is still blue".
- Bookends: Divers ends with the word "transcend" cut off after the first syllable, and begins with the word "sending". This may be a Shout-Out to Finnegans Wake.
- Cloud Cuckoo Lander: Her reputation tends toward this impression, but if you actually listen to or read one of her interviews, you'll see that this is definitely not the case:
- However, one might argue that she might have felt quite at home in Cloud Cuckoo Land at an earlier stage of her career, which becomes quite apparent in this interview.
- "The big myth about Joanna Newsom is that she is fragile. An extraordinary idea when you think how radical, how ballsy, her choices have been. Her albums conform to no prescribed ideas about how many songs they should contain (the last one had five, this one has 18, songs vary hugely in length — and let’s not forget they’re written on a harp). Does anybody else put superglue on their fingers to make sure the callouses don’t grow soft? Schlep around the world to lead a different symphonic orchestra in playing her songs every night with barely any rehearsal time, everywhere from the London Barbican to the Sydney Opera House? Playing a huge 7-pedalled harp is tough stuff. And who else, aged 18, would go alone to a wild place down by the river, arrange some stones into a circle, and then sit inside that circle and stay there for three days, fasting. (Her friends camped a few miles away and left her small amounts of rice and water while she slept.) Its a determination like none I’ve ever encountered. "
- Common Time
- Concept Album: Ys is loosely based upon the story of the mythological city of the same name.
- Actually, the name of the album was among the last things Joanna decided on. However, it is clear that there are some strong connections between all the songs and the title, particularly relating to imagery of water in excess. This said, it is still not a concept album in the traditional sense.
- Have One On Me can also be argued to be a concept album, with some sense of continuous narrative, telling the tale of a woman entering a relationship under false pretenses, following the relationship and the narrator's emotional turmoil, and ending with a breakup; all the relations to fictional and historical tales, such as those of Bluebeard, Dick Turpin, and Lola Montez, can be seen as allegorical in this sense, especially since a great deal of their respective songs are somewhat fictionalised or invented by Newsom.
- It could be seen as Joanna's account of her relationship with Bill Callahan - especially considering all the references to song titles of Callahan's in 'Go Long'
- Dark Reprise: Arguably, "Does Not Suffice" to "In California" on Have One On Me
- Epic Rocking: "Only Skin"
- Lots of her songs, really, but "Only Skin" (at 16:53) is certainly the longest. Other examples include "Emily" (12:08), "Monkey & Bear" (9:28), "Sawdust & Diamonds" (9:55), the Ys Street Band version of "Cosmia" (13:23), "Have One on Me" (11:01), "Baby Birch" (9:30), "In California" (8:41), "Go Long" (8:02), "Esme" (7:56), "Autumn" (8:01), and "Kingfisher" (9:11). So basically, about half the songs on her recent albums. It's also worth noting that Newsom will often rearrange the songs for live performances, and in many of these cases the songs will end up even longer. There is a bootleg on which she performed Ys in its entirety on which "Emily" is almost fifteen minutes long, for example.
- Flower Motifs
- Fractured Fairy Tale: Yes. "Monkey & Bear" and "Colleen" are probably the best examples.
- Grief Song: "Cosmia"
- Historical-Domain Character: Lola Montez in "Have One on Me"
- Incredibly Lame Pun: The title Joanna Newsom & the Ys Street Band is a pun on the name of Bruce Springsteen's E Street Band (as well as to the title of Newsom's preceding album, obviously).
- Loudness War: Averted. Her least dynamic recording (Ys Street Band) still comes out to DR9. Her latest, Divers, is DR10, and some of her recordings reach as high as DR11.
- Meaningful Name: Bear's name is Ursula, from "Ursus": "Bear".
- Military Science-Fiction: "Waltz of the 101st Lightborne".
- Nature Spirit: Colleen is, by all indication, an amnesiac water nymph who got mistaken for a human. She doesn't cope well.
- Never My Fault: Monkey, to Bear.
- Portmanteau: "Waltz of the 101st Lightborne" introduces the world "simulacreage" ("simulacrum" + "acreage"). It probably has something to do with the places accessible by time travel.
- Sesquipedalian Loquaciousness: One line from "Emily" mentions "hydrocephalitic listlessness"... in reference to peonies...
- Small Girl Big Instrument: the Waif-like Joanna is dwarfed by her signature instrument.
- Sophisticated as Hell: Even after a long time of learning prayers and being told to live as a chaste woman, Colleen can't shake her discomfort: "but still... I don't know any goddamn Colleen."
- Uncommon Time
- Her penchant for polyrhythms on her earlier recordings (Peach, Plum, Pear is definitely a prime example) can be considered a variant of this trope.
- She's also fond of throwing time signature changes into otherwise Common Time passages if it suits the lyrics. For example, the verse of "Monkey and Bear" throws a couple of 3/4 measures into an otherwise 4/4 section.
- Unreliable Narrator: Colleen.
- Vocal Evolution: Newsom underwent surgery for vocal cord nodules in early 2009, with the side-effect that her voice and singing style changed considerably. This was furthered by her undergoing some vocal training, resulting in a softer and cleaner singing style (compare her exuberant yet untrained style on The Milk-Eyed Mender's "Peach, Plum, Pear" to the considerably more laid-back and arguably more refined style on Have One on Me's "Kingfisher").
- What Cliffhanger: "Colleen" culminates very vaguely, with the idea that there's a twist somewhere in there (careful examination of the lyrics certainly seems to support this), and then it sort of... just ends.
- World War Whatever: "Waltz of the 101st Lightborne" opens "on the eve of the last of the great wars/ after three we had narrowly won". It seems this version of World War IV involves time travel.