Satire And Switch
A parody/satire and switch describes a shift in the story from being a parody/satire, to becoming a straight form of the subject of the parody/satire. The work may have begun humorously subverting tropes before playing them straight later on. This could have been intended from the beginning (which would make it a bait and switch) or it may have developed as the story continued. This could be a result of the story being an Indecisive Parody, where the line between parody and notparody was not very clear from the start. This can also naturally result in a Misaimed Fandom as well as a Broken Base, due to fans having differing opinions on whether the shift was for the better. If the parody/satire initially served the purpose of making an intellectual point via critiquing and criticizing the subject of its parody/satire, the parody/satire shift can also result in a Broken Aesop. Compare Cerebus Syndrome, Decon-Recon Switch.
- At first, Empowered was a strictly humourous series that parodied (among other things) various tropes of superhero comics. Later on, it began to add serious elements to the story, becoming more like a straight superhero comic (with added humour) than a parody.
- The original Teenage Mutant Ninja Turtles went from being a parody of Ninja mania to being a straight Science Fiction example of it.
- Enchanted is this applied to Disney Princesses.
- Hot Fuzz is a great example, although it remains funny throughout.
- The film version of Kick-Ass is arguably this.
- Behind the Mask: The Rise of Leslie Vernon
- Discworld began as a parody of the Fantasy Kitchen Sink and fantasy in general, and then evolved into a whole universe with its own mythology. For example, in The Colour of Magic, Rincewind meets a surprisingly-puny Eldritch Abomination as part of a passing joke. One book later, the creatures of the Dungeon Dimensions are treated as a serious threat.
- And later still, when the books become more based around using humour and parody to discuss aspects of the human condition like death, justice and the nature of belief, even the Dungeon Dimension creatures are phased out in favour of more concrete threats and villains.
- No Need for Bushido began as a spoof of action-adventure comics, but quickly morphed into a generally straight but very tongue-in-cheek example.
- Moral Orel starts off as a Black Comedy parodying religious cartoons such as Davey and Goliath. Then Cerebus Syndrome sets in, and the hypocrisy and awfulness of the characters ceases to be treated as a joke, causing the series to branch off in a completely separate direction.