Primary Stylistic Influences:
Secondary Stylistic Influences:
-grunge is a derivative of
Grunge music that became popular in the late '90s. The genre is primarily marked by its use of the apathetic, droning vocals, downtuned guitars and
Hard Rock/
Punk aesthetics commonly associated with Grunge, but also removing the unusual structures and
prog-like time signatures that Grunge artists such as The Melvins were also known for,
then slowing it down but not to the level of
doom metal. In other words, taking, running-with and exploiting the more commercially viable qualities of Grunge while watering down its oddity and offending harshness. Yeah, this genre
doesn't go over well with the underground music scene. Its popularity has occasionally caused it to receive blame for
Alternative Rock to becoming more banal, and losing its experimental qualities. Not to mention the genre's existence has lead to numerous bands previously snatched up by major labels after
Nirvana's breakthrough being unceremoniously dumped
note like Boredoms, Butthole Surfers and Jawbox, to name a few.
The genre has been known to use the rock-like compositions and structure often rejected by their predecessors in Grunge, modernized with brooding lyrics. In this sense, the movement could be considered (
ironically) the
Spiritual Successor to
Hair Metal, whose pop beats and polished production brought heavy rock to a widespread audience (Post-grunge is also well known for its "soul-searching" ballads). Ironically, many post-grunge bands take more influence from Poison, Cinderella and
Whitesnake than
Nirvana; post-grunge players generally think of the old grunge-greats as idols/heroes rather than influences, with more of an interest in stylistic emulation over artistic aspiration (the subtle difference between a direct or indirect influence from grunge can affect how well-received a post-grunge band is, both critically and to their audience). Post-Grunge tends to focus more on lyrical structure than music,
often the opposite stance of early grunge artists. Though the genre is rooted primarily in
Alternative Rock, make no mistake: Post-grunge was tailor-made for the mainstream, and is what helped Alternative become rooted as 'Mainstream' music.
note Notice that Billboard's Hot Mainstream Rock Tracks'
record-holders are almost entirely post-grunge bands. In essence, it took no influence from what Grunge was, but took every influence from what Grunge became: a commercial darling.
The rise of Post-grunge has gone to dominate and even embed itself in the standardly recognized sound of
hard rock as most people can hear, creating the assumption that Post-grunge is, along with Emo and Pop punk, the only form of modern rock. This has had the flip-side effect of some of the more straight-forward, contemporary rock groups
note The kind who take their influence from the deep-seated 70's and 80's hard rock staples (Black Stone Cherry, Rev Theory, Hinder, Saving Abel, Buckcherry, Pop Evil, My Darkest Days, etc.) being lumped in with post-grunge, despite largely having no alternative qualities in their rock
note Nickelback is a particularly odd case of this, taking on a more stadium/pop sound in their later albums and thus joining this group while still carrying the post-grunge label as an Artifact Title, probably because of their lead singer's scratchy voice. There is a bit of cross-over involved as well: Saliva, Shinedown, 3 Doors Down and Daughtry like to dabble in/pay tribute to "regular" hard rock when they can, adding to this confusion. It seems the only way to escape this is to play
very old-fashioned retro-rock, such as
Garage Rock revival, new
Blues Rock,
neo-psychedelia,
traditional-metal revival, or
modernized Power Pop.
For better or worse, the genre's stylings have entered most current popular music to some degree, and it isn't showing any signs of slowing down. Also note that (
repeat after me)
good Post-grunge does exist. Try to avoid the particularly grating examples.
Bands typified as Post-grunge:
First-wave Post-grunge:
New Millennium style post-grunge:
- 3 Doors Down
- 12 Stones
- Aranda (on their second album, "Stop the World")
- Art of Dying
- The Calling
- Cavo (their song "Champagne" was a number one hit on rock radio in 2009).
- Cold
- Crossfade
- Dark New Day (best known for their hit song "Brother;" featured members of Sevendust and Stereomud, and was significantly more grunge-influenced than their parent projects).
- Daughtry (widely recognized as one of the heaviest things to come out of American Idol)
- Decyfer Down
- Default
- Finger Eleven (best known for the hits "One Thing" and "Paralyzer.")
- Fuel
- Hoobastank
- Lifehouse
- Matchbox 20
- Nickelback (probably the most hated example)
- Papa Roach (later work)
- Puddle of Mudd (although they have strong Alt Metal influences as well)
- Red
- Saliva (bordering on nu-metal for their early work)
- Seether
- Sixx:A.M. (a rock trio featuring Nikki Sixx; their sound is far removed from that of Sixx's former band)
- Skillet (Which is also one of the most famous examples of Christian Rock)
- Stereomud
- Tantric (with a heavier emphasis on acoustic guitars than most bands)
- Theory of a Deadman
- The Veer Union
Post-grunge/Alt-metal crossover:
Some post-grunge bands take more after
Tool and
Alice in Chains than
Pearl Jam or
Nirvana, while some like to add a heavier edge to their sound as not to be lumped with their softer post-grunge contemporaries while maintaining their alternative status. Thus, the overlap with
Alternative Metal was inevitable. Note that all or most post-grunge bands fall under the
Hard Rock umbrella (a genre related to alt-metal and
heavy metal), but post-grunge bands with similarities to metal aren't necessarily an example of alt-metal. Given their similar pop-leanings, normally when a post-grunge band makes their sound heavier they become
nu-metal rather than pure alt-metal; achieving the sound of alt-metal requires a distinctly guitar-driven, alternative rock approach with less of the aggression, rap elements and simplicity associated with nu-metal
note Also note that post-grunge/alt-metal bands tend to sound very far from the "normal", Guns N' Roses/Bon Jovi-style hard rock described earlier, aside from the odd Genre Shift. In other words, bands like Papa Roach, who practiced more standard-fare nu-metal early in their career only to switch to post-grunge later, wouldn't be an example of post-grunge/alt-metal crossover. Post-grunge/alt-metal crossover bands melodically tend to follow more in line with classic grunge,
Alternative Rock and NWOBHM on the mid end of the
Mohs Scale of Rock and Metal Hardness. They are generally much more acclaimed and respected than regular post-grunge. These include:
- 10 Years (along with Chevelle, the most Tool influenced of the lot)
- Adelitas Way
- Alter Bridge (made of Creed minus Scott Stapp. Possibly the only post-grunge band in existence who overlaps with progressive rock and speed metal).
- Audioslave (Which is Chris Cornell with Rage Against the Machine backing him.)
- Breaking Benjamin
- Burn Halo
- Chevelle (most obvious example of the Tool influence within Alt-metal/post-grunge)
- Cryoshell (Mixed with Symphonic Metal , and they have a definite Evanescence influence )
- Drowning Pool (third album onward)
- The Exies
- Filter (crosses over with Industrial Metal)
- Flyleaf (a rare female-fronted example of such).
- Godsmack (most obvious example of the Alice in Chains influence within Alt-metal/post-grunge)
- Halestorm (like Flyleaf, they have a female lead singer).
- Onesidezero (another Tool influenced band)
- Sevendust (not always, but a lot of their more radio-friendly material leans towards this)
- Shinedown (varies by the Mohs Scale of Rock and Metal Hardness for which genre they fit in more)
- SOiL (not coincidentally, their original singer Ryan McCombs went on to join Drowning Pool and play on their third album)
- Staind (have had run-ins with the nu-metal label)
- Stone Sour (Slipknot vocalist Corey Taylor occasionally lapses into this genre when singing melodically)
- Taproot (have had run-ins with the nu-metal label)
- Thousand Foot Krutch (as of War of Change, earlier work is Nu Metal)
- Three Days Grace (later work showcases their post-grunge/alternative side more)
- Trapt (as mentioned above about modern rock groups being labeled post-grunge, Trapt is probably one of the many victims of this)
Here's
a way to pass the time: count how many of these bands:
- Come from California, the southern US, or western Canada. There's a good reason for the last one: Nickelback is from Vancouver, and Chad Kroeger loves seeking out bands that sound similar to his own so he can sign them (in the hopes of "bringing back rock n' roll").
- Insist on being called straight-rock, Alternative Rock, or "real" grunge.
- Either have a vocal hatedom, or are (more charitably) viewed as middle-of-the-road, comfort-food rock.
- Have been called Christian Rock at some point. Bonus points if they actually did start out as a Christian rock band (Skillet and Switchfoot are two examples).
- Have a member with a Kurt Cobain-like shaggy hair cut and goatee combo.
- Chad Kroeger actually seemed to evolve into it. When Nickelback first came around, his hair was very long and he had a beard.
- John Foreman from Switchfoot also evolved into it due to pressure from record executives to look edgier. When the band started, Foreman had short, spiked hair with very little gruff. Foreman has had the same look since 2003.
- Sing like Eddie Vedder or (with some bands) Kurt Cobain. Or in light of this, claim their vocalizations were influenced by Jim Morrison.
- Have major radio success.
- You've heard a softer Signature Song of on the radio lately? (possibly an acoustic ballad)
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