A place which is like the modern-day real world, only a lot more goth. Various supernatural creatures control the world just below the surface, treating humans as cattle at best, and vermin at worst. There's also usually pandemic angst.
The term was coined in the first edition rulebook for White Wolf's Tabletop Game Vampire: The Masquerade
, and has since been applied not only to The World of Darkness
series as a whole, but also to many other works that are similar in tone.
If a film takes place in a Gothic Punk
setting, expect its soundtrack to include something by either Trent Reznor
or Danny Elfman
If this takes place Twenty Minutes into the Future
, and with more robots, it's Cyberpunk
. (Which very quickly became a borderline Discredited Trope
itself and was replaced by Post-Cyberpunk
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- Sort of played in the comic Witchblade. Although New York in the comics is a big, shiny, towering metropolis, evil still manages to lurk deep inside the dark sewers and alleys.
- Speaking of hell, Hellboy!
- The Crow is certainly the Trope Codifier in this genre, if not the Ur Example itself. It differs from most Gothic-Punk settings in that the main evil in this setting is human, and the primary supernatural element of the story (the title bird and the revenant avenger) is on the side of the angels.
- Hack/Slash combines the sensibility with 80s Slasher movies.
- A literal combination of British punk and magic is the Hellblazer series.
- While Neil Gaiman's The Sandman series doesn't quite qualify, it does certainly bring the Goth in Death.
- Lucifer is a lot more punk, exploring what it means to be in rebellion against an omnipotent omniscient being and whether that's futile.
- As the name implies, Gotham City in most of its incarnations, especially within the live-action Batman movies. Both the city and its protector serve as a contrast to the lively, sometimes World of Tomorrow, city of Metropolis. "Gotham" is actually an old name for New York, first used by Washington Irving.
- It's sometimes suggested that Gotham is basically New York at night, and Metropolis NY during the day. Tim Burton's take on the franchise played this trope to the hilt, naturally. Batman Begins downplayed it significantly and The Dark Knight and onwards did away with it altogether, with Gotham becoming a thinly disguised DC Universe equivalent of Chicago.
- The Blade movie trilogy may be the epitome of Gothic Punk, at least in action flick form.
- The movie adaptation of James O'Barr's The Crow comic exposed millions to the Gothic Punk aesthetic.
- The Underworld films exemplify this trope so much that White Wolf accused the filmmakers of ripping off the Old World of Darkness.
- The film Constantine features Keanu Reeves - as an exorcist/demon hunter who's out to save the world from a race of rampant hell-demons.
- Daybreakers takes place in a Twenty Minutes into the Future Earth where the vast majority of the humanity has been turned into vampires. Cue angsting teens, kiosks serving blood coffee, windowless buildings, cars with UV-proof black windows, lots and lots of blue lighting and pretty much everyone dressing in black.
- Anne Rice, Laurell K. Hamilton, and their myriad literary successors.
- The Anita Blake books
- The Dresden Files books and tv series.
- Simon R. Green's Nightside series is like a more upbeat Hellblazer.
- The Blackthorn series by Lindsay J. Pryor combines Paranormal Romance with repressive social models, Gothic nightclubs, and corrupt officials.
- The Pretty When She Dies series by Rhiannon Frater has a vampire necromancer protagonist.
- Magic: The Gathering: The plane of Innistrad mostly seems like a typical Gothic Horror setting, except that the zombies that constantly menace the populace are the product of mad biologists' experiments with the nature of life and death. A few cards suggest that technology and science are deceptively advanced given the generally-grim atmosphere throughout.
- As mentioned above, White Wolf's World of Darkness setting both named and codified the genre.
- The New World of Darkness, by contrast, has taken a deliberate step back from this, or perhaps evolved to Post-Gothic-Punk. The constant angsting has been seriously dialed back, though it still exists in places, and replaced with more of A World Half Full vibe. Furthermore, the antiauthoritarian message spread loud and clear across the very fabric of existence in the oWoD is gone, since the writing staff consider the over-politicization of the former line to have been detrimental to the final product.
- The definite example os this, but Recycled In Space, is Warhammer 40,000.
- While the original Blood was straight-up gothic horror, Blood 2: The Chosen takes place in a future featuring a corporate-looking cult that runs around in hoverjets.
- Vampire the Masquerade Bloodlines provides a great translation of this trope into video game form.
- Dark was an attempt to re-bottle the success of Bloodlines and failed.
- The Devil May Cry series is a wonderful example of the genre with Dante being definitely a rebellious spirit but it's not until DMC Devil May Cry where it really becomes punk.
- The Nasuverse. Tsukihime is this moreso than Fate/stay night, although the Heaven's Feel route of the latter dabbles in it what with Kotomine attempting to unleash Angra Mainyu, an unstoppable world-ending Eldritch Abomination that most people may know better as Ahriman.
- Umineko: When They Cry can be considered this. It's set in the 1980s, but there's definitely a lot more emphasis on the "gothic" than the "punk", taking many plot elements from 18th and 19th-century Gothic novels.
- Sekien No Inganock, a H-Game heavily influenced by this in conjunction with Steam Punk (a rare example that is combined with that trope). Basically, every characters in the game is seeped with gothic drawings, clothes and personality. The protagonist constantly have to slay monsters with his trusty companion spirit. The tone... angsty enough that it makes the daily life looks sad.
- Parodied in Arthur with "Dark Bunny," a caped crusader who fights crime in "a city that's always nighttime".
- In the Teen Titans episode "Fractured", after being endowed with reality-bending abilities, the grunge biker boy Johnny Rancid Gothic Punk-ifies Jump City, much to Raven's delight and later regret, after they've saved the day.