"We're not anti-boy, we're pro-girl."
—Molly Neuman
Riot Grrrl =
Punk Rock +
Feminism (not the
straw kind, mind you).
Riot Grrrl was an underground musical movement popular in
The Nineties that combined speedy
Hardcore Punk with lyrics addressing feminist issues - rape, domestic abuse, sexuality, female empowerment, and other important matters.
The movement coalesced around the
Seattle-Olympia metropolitan area in Washington, largely due to its extensive DIY infrastructure (and The Evergreen State College in Olympia), with its roots in the unorganised collective outrage drawn by the
Anita Hill judiciary hearings
in 1991. Its name comes apocryphally comes from a letter Bratmobile member Jen Smith wrote to Allison Wolfe, stating
We need to start a girl riot. The phrase itself was the name of a zine started by Wolfe, Molly Neuman and Bikini Kill members Kathleen Hanna and Tobi Vail.
Riot grrrl bands largely drew their inspiration from female-fronted punk and alternative bands and female artists of the past, such as
The Runaways, The Raincoats, X-Ray Spex, The Slits, X,
Patti Smith, Lydia Lunch, Crass and
Kim Gordon. Their music was based around
Three Chords and the Truth, eschewing complex musicianship in favour of raw production, aggressive sounds and lyrics dealing largely with politics, society and feminism. The movement relied heavily on promotional means pioneered by punk rock bands in the past, such as publishing various zines, photocopied handbills, collage-based booklets and cassette culture. Said zines had a definite political bent, featuring commentary and experiences on various important issues such as sexism, mental illness, body image and eating disorders, sexual abuse, racism, rape, discrimination, stalking, domestic violence, incest and homosexuality.
While many bands in the genre were all-female, some bands had male members too (Bikini Kill, Huggy Bear).
Predictably, the mainstream totally misinterpreted the Riot Grrrl movement's political stances and sensibilities, making them out to be
Straw Feminist misandrists and generally
not caring enough to do the research. They also lumped various female-fronted
Alternative Rock bands with the movement even if they didn't belong to it, such as
Hole,
The Breeders, The Gits, 7 Year Bitch, Babes in Toyland and even
No Doubt. The sheer lack of care or research became so excessive Bikini Kill entered a media blackout around 1993. Kathleen Hanna encouraged all the bands to do the same, but not many followed through.
The movement splintered by the middle of the nineties, disillusioned with its misrepresentation in the mainstream media and feeling that its radical politics had been subverted or co-opted as "girl power" by various female-fronted bands.
Bands generally associated with Riot Grrrl include:
A few bands have a disputed or tenuous connection with Riot Grrrl.
L7 probably has the strongest claim to association with the movement due to organising the Rock for Choice benefit concert. Other female punk bands that are political but didn't identify with the movement, no matter how much dumb journalists wanted them to, included: 7 Year Bitch, Babes in Toyland, Jack Off Jill, Spitboy and Adickdid.
Also,
Hole have absolutely nothing to do with the genre.
Courtney Love hated the scene, accusing it of misandry and claiming the ESC cared more about dogma than encouraging free thinking. And despite the fact that she mocked the riot grrrls in the Hole song "Rock Star" (originally named "Olympia"), some people still tried to pretend Hole was a riot grrrl band. Go figure.