Animal Man: How can they make me eat meat? I don't eat meat! I don't want to eat meat! I'm a vegetarian.In some stories, a character is very different every time they appear — so different that it's almost a different character with the same name. This is particularly common with long-running shows and comic books and even This Very Wiki, due to the large number of writers on staff. But there are some characters where even the same writer makes them different every time. This is not the same as Character Development — nothing happens in the story to justify the personality change. Writer on Board or Creator Breakdown might, though. Don't get this confused with character depth. Just because you can't predict a character's moves 100% of the time doesn't mean they're inconsistent. Now, if you can predict a character's moves 100% of the time only when you know who's writing, then they're definitely inconsistent. Different writers with different ideas and understandings of the work are also the usual culprit of Continuity Drift. If the writers themselves begin to notice this, they might attempt an Author's Saving Throw. If they can find a way to plausibly reconcile the two depictions, it may even lead to genuine Character Development, acknowledging that real people are complex and full of apparent contradictions. See also Ping-Pong Na´vetÚ. Compare Alternative Character Interpretation, Depending on the Artist, Era-Specific Personality, Same Character, but Different, Interpretative Character, Armed with Canon, Running the Asylum, Character Derailment.
Grant Morrison: No, I'm a vegetarian. You'll be whatever you're written to be.
Grant Morrison: No, I'm a vegetarian. You'll be whatever you're written to be.
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- Under the ironic pen of Paul Magrs in the Big Finish Doctor Who audio Excelis Dawns, Lord Grayvorn is something of an Ineffectual Sympathetic Villain, with strong hints that his unseen army is a lot less impressive than he suggests. In the subsequent audios in the Excelis Trilogy, he's a much more serious threat. It could be that he's Taken A Level In Badass, but even the Doctor doesn't argue much with the idea that he was the planet's most powerful warlord back in the day.
Fanfiction is, by its very nature, this trope. How canon characters are portrayed vary greatly from fanfic to fanfic depending on the writer.
- Due to not having much of an official canon, period, the Haunted Mansion fandom is full of alternate continuities, backstories, mechanics and characterizations for the same familiar house and spooks. Even within the Haunted Mansion and the Hatbox Ghost Fan Verse, characterization can greatly vary. For instance, the Hatbox Ghost is a Grumpy Old Man in most people's comics, but Sidisney tends to ramp up his childish mischief instead. Also, some of the comics by most authors who are nominally included in the Fan Verse have to be discounted in the fanverse's canon.
- Touhou fanworks. It's extremely common to see takes on characters that either hew close to the official details, exaggerate them for parody or drama, or blatantly ignore them. Complicated with endless arguments about what is canon and fanon. One doujin can make one character extremely nice, another a complete jerkass, another an Axe-Crazy mass murderer.
- This is just as pronounced, if not more so, in the My Little Pony: Friendship Is Magic fandom; different authors will very often have different interpretations of the characters and setting, as expected of fanfic. But it gets really extreme when it comes to works about the many Memetic Bystander characters whose personalities are based primarily in fanon rather than canon. Two stories by different authors about characters like Derpy Hooves or Lyra will likely treat the characters very differently.
- The Total Drama fandom does this with select characters, where different authors might have drastically different characterizations for the same people. While almost everyone gets hit with this to an extent, these are some of the most notable examples:
- In general: Should the biographies on the campers written back in season one be followed to the letter, or ignored much like what canon does?
- Ezekiel: Shallow Jerkass or good-at-heart borderline Moe?
- Courtney: Reasonable if a little uptight person or capslocking, sue-crazy sociopath? This would be a case of Ron the Death Eater, except depictions of her in the series following the first season does lean over to the latter, particularly in season two.
- Owen — not so much the guy himself, but what people think of him. Is he still one of the most popular characters in-universe or does everyone feel sympathetic, yet sick of him at the same time?
- Izzy: Truly deranged nutcase or just an energetic Shameless Fanservice Girl who happens to like telling tall tales?
- Gwen: Thanks to the Duncan-kiss incident, she can either be a hero in the right or a devious antagonist depending on the author's character and/or shipping preference. Mostly shipping preference.
- Alejandro: The season's sadistic Big Bad or misunderstood guy who just wants Heather to love him?
- Harry Potter: Screenwriter Steve Kloves has often been derisively called a Harmonian, for the emphasis his films put on Harry and Hermione's relationship, including a slow dance after Ron abandoned them in the forest in the Deathly Hallows movie (though the end stuck with the book's Hermione/Ron marriage).
- Marvel Cinematic Universe:
- Loki's characterization: in the Thor movie writers portray him as an Affably Evil Anti-Villain and tragic figure, where Joss Whedon's version is Faux Affably Evil and almost entirely without redeeming features. Whedon even states on the DVD Commentary that he set out to make Loki less sympathetic. The writers of Thor: The Dark World and Thor: Ragnarok had to merge the two characterizations.
- A smaller version occurred with Tony Stark in the first The Avengers movie. Tony was always snarky, but now being written by Whedon, Author Appeal shines through as his snarks include many movie references.
- Invoked with Vocaloid: In order to give users as much freedom with their song-writing as possible, the official creators generally give Vocaloids little-to-no canon personality. Needless to say, this results in fans portraying any given character as an Axe-Crazy killer one day to the kid-friendly salesperson of vegetable juice the next. May qualify as Fridge Brilliance: since the Vocaloids are musicians (at least in the context of songs that feature them) they may just be playing a role rather than actually acting like that (contrast Hatsune Miku's World Is Mine, where she's portrayed as something of a brat, to her Genki Girl self in PoPiPo).
- Myths and legends are highly subject to this, as they originated from Oral Tradition and thus have no known "original" version. For one specific example, consider the Greek myth of Arachne. The basic details are always the same: Arachne is said to be a better weaver than even Athena (the goddess of weaving) herself, Athena challenges her to a contest to see who's better, and by the end Arachne is a spider. The specifics, however, change from telling to telling.
- In some versions, Arachne is a Jerk Ass who doesn't know when to stop (weaving images mocking the gods into her tapestry, for example); in others she's just a talented weaver who crosses a goddess by virtue of being that good.
- Regarding Athena, sometimes she's a Jerkass God who transforms Arachne out of petty jealousy (and beats her first). Other times (such as the Cryptonomicon) say Athena willingly admits that Arachne is better, only for Arachne's overwhelming hubris to get on her last nerve.
- The character of Arachne's mother: in some versions she's the one who does the the Blasphemous Boast bragging; in others she's the Only Sane Man who tries to rein in her daughter's ego and begs Athena for mercy.
- The transformation itself is subject to this as well. Sometimes it's punishment for her actions, while in others it's comparatively a mercy, Athena choosing to spare Arachne's life and turn her into a form where the whole world can see her beautiful weaving.
- In the darkest version (but arguably the one that portrays Arachne and Athena most favorably), Arachne hangs herself in Athena's temple as a self-imposed penance for defeating her idol whom she worshipped (she would have thrown the match had she known who her opponent was before hand). Athena is saddened by Arachne's death, and touched by her devotee's piety. To memorialize her skill, she changes the noose into a thread, and Arachne's corpse into the first spider.
- King Arthur. Basically every possible interpretation of him has been seen somewhere, from noble warrior with a few minor failings, to a largely inactive figure who sits back and lets the Knights do all the work, to a deeply flawed man who happens to be the hero Logres needs, to a bloody-handed tyrant. This is to say nothing of the lineup of the Round Table, many of whom have been altered so many times and written in so many different ways that only the name remains even semi-constant.
- In the Nart Sagas, Setenaya takes on a multitude of roles, many of them seemingly contradictory. In different tales she may play the part of the wise woman, the innocent maiden, the seductive temptress, the rape victim, the manipulative bitch, the compassionate mother, the quasi-scientist, or the wily sorceress.
- In any theater production, it is common that the way the characters are presented will be different depending on the actor and director. For example, in Oklahoma!!, Jud Fry can be played as a buffoon lacking intelligence, a possessive and evil man, a slightly insane man or a sympathetic and misunderstood man who struggles with depression. Curly could also be played as an overconfident and cocky braggart who is slightly cowardly or a person who is confident and charming. This mostly depends on the depth of the director.
- It can also happen with the choice of actor, too - some characters tend to make a character sound different. Or in the case of a certain character. Brunhilde. They normally had fat or extremely masculine looking women play her, but with a choice of actress, she becomes more attractive.
- There are lots of examples from William Shakespeare. Is Hamlet mad, or just faking it? Does Gertrude drink the poisoned wine deliberately (suggesting a greater understanding of the situation than indicated in the text)? Is Banquo's ghost really there during the feast, or is Macbeth hallucinating? Is Shylock a truly nasty piece of work, or is he an Ineffectual Sympathetic Villain? Is Antonio in love with Sebastian? Just how straight is Kate's end-of-play lecture on wifely submission played? And so on ad infinitum. It all depends on the director and the actor.
- This was the downfall (or, rather, show stopper) of Adolf Hitler in The Producers.
- Adaptation Distillation of Les MisÚrables means characters and relationships are very much up to the actors' interpretations. One example is the relationship between Enjolras and Grantaire - some productions play up their closeness and/or Homoerotic Subtext more than others.
- Invoked by Jenny Everywhere - she's an open source superhero specifically designed for anybody to interpret any way they wish. She is described on The Shifter Archive (a fansite) as having a ready smile, good body image and loads of confidence and charisma, but that could be ignored if the writer chose.
- This creative writing assignment.
- The Nuzlocke Comics involve turning a playthrough of one of the Pokemon games into a comic strip or written story, and there are a lot of variations on the rules of the challenge itself, as well as the setting and the characters involved. Does the term "Nuzlocke" have any meaning within the world itself? Is it a Self-Imposed Challenge, a curse, or simply an unnamed rule of the world? Can trainers understand what their Pokemon are saying? If so, how? Can only some of their Pokemon communicate with them, via human speech or telepathy, or can all of them speak freely?
- Being a symbol of the United States of America, Uncle Sam can be interpreted as anything, ranging from a sinister fascist chessmaster to a poor old man begging for help.