Western Animation: Happily Ever After: Fairy Tales for Every Child
An animated series that originally aired on HBO and ran for three seasons over 1995-2000. The episodes take different traditional fairy tales and set them in a variety of cultures from all around the world, with an appropriate Race Lift applied to the characters. In Season Three, all the stories have female lead characters, which depending on the source material may or may not be the result of a Gender Flip. Each episode is narrated by Robert Guillaume, with a recurring cast of guest stars including Sinbad, Rosie Perez, and B.D. Wong. And yes, every story ends with the characters living Happily Ever After.Not to be confused with the Filmation movie Happily Ever After.Compare and contrast Faerie Tale Theatre, another cable series that retold fairy tales with an All-Star Cast. (Twenty-four stories were dramatized by both shows.)
This cartoon has examples of:
Action Girl: Breadcrumb of The Three Little Pigs and Goldie from The Steadfast Tin Soldier. Imani, the human star of that same story, arguably becomes this. Vanna of Rip Van Winkle becomes this as well.
Adipose Rex: The Emperor in "The Emperor's new clothes", as well as a few other kings in the series.
Adult Fear: Seeing as this is a fairy tale-based show, this is a given, really. Just the whole idea of having children in danger of being kidnapped or worse runs through out several episodes of the show.
Big Badass Wolves: The Three Little Pigs episode has an educational film about avoiding these.
Big Eater: The two iguanas in the Cinderella episode—they even have a song dedicated to it. Susana the witch from Hansel and Gretel also counts.
Then there's Rip, who wants Vanna to be his "little miracle baker," generally seems to be scarfing down something, and complains quite vocally about his hunger (ironically enough, he doesn't know how to use a microwave).
Bilingual Bonus: The Sleeping Beauty, Hansel and Gretel, and Cinderella episodes make particular use of this. They all have a Latin-American flavor and thus, Spanish words are liberally mixed in with the English tales.
Disney Acid Sequence: Many of the song sequences go into this, especially The Three Bears' Song in Goldilocks and the Three Bears, and the Blues Fairy and Dream Diva's song in Pinocchio and King Midas, respectively (though understandable seeing as how they're both magical). Vanna's "I Am" Song has some, too, as does Rip's.
Faux Affably Evil: Many of the classic fairy tale villains, including the Witch in Hansel and Gretel
Foot Focus: In the Cinderella episode, naturally. Taken to extremes when the camera shows the prince being presented with so many bare feet, he appears to be in physical pain. Vanna gets a bit of this too, being barefoot for some of her episode.
Getting Crap Past the Radar: Vanna's "Hippy, Dippy, a Little Bit Trippy" ballad from the Rip Van Winkle episode counts. In "The Steadfast Tin Soldier," we have the teddy bear warning the clown not to "do anything illegal, like the last time!"
Sly Fox's Magic Mirror in Snow White makes a reference to Sly Fox's "little backside" and powwow dancers "shaking their feathers" in response to her beauty.
Particularly Goldie from The Steadfast Tin Soldier and Rip Van Winkle's Vanna; Breadcrumb from The Three Little Pigs counts, but considering the personalities of her counterparts Emerald Saltpork and Barbie-Que Pepper, it's somewhat subverted.
I Am Song: Rip and Vanna each get one in Rip Van Winkle. There's one in The Princess and the Pauper, and one for White Snow's stepmother Sly Fox in "Snow White," though that's more of a You Are Song. The detective and hare get one in Aesop's Fables, and arguably, so do the ants. The miners in Snow White have a "We Are" song as introduction.
Interactive Narrator: Usually averted, but a few of the more tongue-in-cheek stories have the narrator getting in on the act, such as becoming a golf announcer in "The Frog Princess," and having Henny Penny treat him like the reporter back at the studio.
"Rip Van Winkle" features a female co-narrator.
Karma Houdini: The Tailors in The Emperor's New Clothes, though this is a rare example.
Cinderella's stepsisters, also, because the story takes the route of letting Cinderella forgive those who have wronged her. And half the cast of Aesop's Fables gets one when the mouse suggests that all be forgiven when they steal the book to make the fables end in their favor.
Love Redeems: Happens in "Beauty and the Beast" and to the king in "Rumpelstiltskin".
One-Winged Angel: The Queen in "Snow White" shapeshifts into a bear as a last resort when she's found out for attempting to kill the heroine. However, in order to use such magic she has to go into the spirit world via her mirror. So before she can get back and hurt anyone, the dwarfs trap her there forever by breaking the mirror.
Parental Bonus: The Rip Van Winkle episode, heavily based on the '60s and feminism, has a whole cast's worth with the Women of Thunder Mountain and Vanna's Fairy God-Mentor.
Race Lift: Nearly all the stories have predominantly African-American/Hispanic/Asian casts, depending on the setting. The Asian "Aladdin" episode technically averts this, as the story is supposed to be set in China to begin with.
Also averted with Rip Van Winkle—Rip and Vanna are not only white, but blonde. Presumably, this is because of the tale's focus on women as a minority, not just racial issues.
The "Ali Baba" episode in an interesting case. There is clearly an Arabic setting...but the entire cast is African-American, so it is unclear what race the characters are meant to be.
Rhymes on a Dime: The daily speech of the citizens of Mother Gooseburg Land is like this, though they start to lose this after her decision to retire.
Setting Update: Or sometimes setback - "The Shoemaker's Elves" takes place in Aztec Mexico. All in all, this trope also goes hand in hand with...
The Native American retelling of "Snow White" names the seven dwarfs after minerals and metals, appropriate for a bunch of miners.
In "Beauty and the Beast", Beauty's siblings also have meaningful names — her sister is named Precious and her brother Tree. Precious is sweet and loved but narcissistic, and Tree is strong but also lazy (i.e., "rooted to one spot"). Beauty, who is pretty but also has a kind and lovely spirit, lives up to her name in all the best ways by comparison.
The Trickster: Rumpelstiltskin, Puss in Boots, The Pied Piper, and the beggar in "The Golden Goose" just to name a few.
The Unfair Sex: The third season's constant use of gender-flipping male protagonists into female characters initially comes off as progressive until you realize most of the fairy tales the show previously adapted already had female protagonists to begin with...
This could also be because, in the case of a show that runs on flipping traditional ideas around, gender is one of the easiest ones to flip without running afoul of the Politically Correct Police.
What Happened to the Mouse?: In The Little Mermaid, we see Mija the mermaid trade her voice to the Sea Witch for legs, then the Sea Witch takes the voice for her own, laughs menacingly...and we never see her again. There was no hint of whether she planned to use the voice for her own misdeeds, but that one scene certainly implied it and since Mija wins the Prince's love and her voice back anyway, we'll never know.
Your Normal Is Our Taboo: The Three Little Pigs—in pig-world, it's considered horrific to be thin or clean, which leads to the Camp Piggywood motto of, "You can never be too fat or too dirty." This is also used as justification for why Barbie-Que Pepper's career is suffering at the story's outset.