Trish and Don's relationship in Finding Gaia is partly based on the partners' interest in each other's redness/blueness.
The sons of Eńrendil, Elrond and Elros in J. R. R. Tolkien 's The Silmarillion. Elros Tar-Minyatur was the Red Oni, Elrond was the Blue Oni. Elros became the first king of the N˙menor and High King of Men, while Elrond became the wisest of all Noldor in the Middle-Earth.
"Most Wimseys were like the 16th Duke, and his father: 'Bluff, courageous, physically powerful' but not very intelligent; of hearty and voracious appetites of all kinds. They could be 'cruel, yet without malice or ingenuity.' The other type is physically slighter, smarter, with great nervous energy, and 'lusts no less powerful, but more dangerously controlled to a long-sighted policy.' These became churchmen, statesmen, traitors; but sometimes poets and saints.
Lord Peter, of course, is of the second type.
In Camus' The Stranger, the borderline-apathetic narrator Meursault is contrasted with the violent, passionate Raymond.
The book religious subtext intentionally organizes them as this too, since Peter and Lucy represent the better apostles, Peter being named after Apostle Peter, who was the first Leader of the Christian church after Christ ascended and Lucy representing Saint John, who had the most faith in Jesus, just like Lucy has the most faith in Aslan. On the other side, Edmund was intentionally made by the the very own creator to represent Judas, the iconic betrayer, and Susan represents "Doubting Thomas", because she completely loses her faith in Aslan and Narnia, never reaching Aslan's Country (Heaven) again.
In Harry Potter, the Marauders' group has two sets. James Potter and Sirius Black, represented by Red, are dark-haired, rash, prankish, and Hot-Blooded. Remus Lupin and Peter Pettigrew are calmer, quieter, and more collected than them, having blue traits.
Wizards (dangerous fantasy) and Muggles (relatively safe reality)
Gryffindors (hotblooded) and Ravenclaws (intellectual)
Hufflepuffs (just happy to be here) and Slytherins (ruthlessly ambitious)
Ron (emotional and passionate) and Hermione (intellectual and cool)
It fits racially. Ron is a pureblood, and Hermione is a muggleborn.
They may symbolize alchemical Sulfur and Mercury respectfully.
This carries over in a myriad of ways in George R.R. Martin's A Song of Ice and Fire. In addition to grandscale comparisons like the rapidly shifting seasons and entire royal families like the Targaryeans and the Starks, this dynamic also carries out between several sets of important characters:
Robert Baratheon and Eddard "Ned" Stark.
Jaime and Tyrion Lannister.
Arya and Sansa Stark.
Cersei Lannister and Catelyn Stark.
Oberyn and Doran Martell.
The Big Bad Duumvirate of The Thrawn Trilogy consists of the blue Grand Admiral Thrawn and the red Jedi Master Joruus C'baoth. Thrawn is calculating, Affably Evil, a scarily good planner, appreciates art, respects his men and his Commander Contrarian, extremely pragmatic, and has a temper, but overall is A Lighter Shade of Grey compared to, well, any of the Empire's previous leaders. Also, he has blue skin. Joruus C'baoth is domineering, believes himself to always be entirely in the right, treats non Force-Sensitives like puppets, calls the Empire his Empire, flies into a violent rage at random, constantly rejects any authority but himself, and is insane. Joruus fell to the Dark Side long ago, and the Dark Side is often represented with red. The two are often at odds and Thrawn reliably comes off looking better.
In Outbound Flight, the two highest-ranking people on the Trade Federation taskforce sent by Darth Sidious to destroy Outbound Flight are Kinsman Doriana and Viceroy Siv Kav. Kav is Red - he's impatient, he tries to attack Commander Thrawn's little picket force right away, he resists and blusters when Thrawn captures the two, he never learns to pronounce Thrawn's full name properly and continuously underestimates the commander, and he gets killed when he tries to kill Thrawn. Doriana is Blue and a foil, and not only does he live, he plants the seeds to Thrawn's joining the Empire.
It's easy to tell that Timothy Zahn likes playing the calculating type off the irrational type, and the calculating type tends to win.
In the Honor Harrington series, Nimitz is the Red oni to Honor's blue. He's a direct and uncomplicated soul, who is emotionally open (as befits his species), and will obliterate any enemy that comes in reach (particularly doable when you're as formidably armed as he is). Honor is the cooler, less emotionally open (though she's not emotionless) and more intellectual and nuanced member of the pair. She, true to the trope, likes water while Nimitz (being a felinoid) doesn't.
You also get a distinct Red/Blue flavor when Queen Elizabeth and Honor interact.
In The Outsiders, the difference between the greasers and the Socs is described as being that the Socs don't allow themselves to feel emotion, while the greasers feel emotions too violently.
From the realm of Tortall (and the Protector Of The Small series, specifically) come Nealan of Que and Keladry of Mindelan. Neal personifies the Red with his poetry, wild emotions, and inability to suffer any injustice and Kel breathes Blue with her emotionless shell and refusal to let others get to her.
In Death: When there's a pair of murderers, they will likely fall under this trope, like in Seduction In Death and Indulgence In Death. Would it surprise you to know that the Red Oni tends to be the weak spot of the two?
The Jennings series' two main characters, Jennings and Darbishire, follow this dynamic: Jennings is impulsive, brash, and extroverted (red), while Darbishire is calm, timid, and introverted (blue). The two main teachers can also be classified under this trope as Mr. Wilkins is a temperamental and emotional Jerk with a Heart of Gold (red) while admitted Author Avatar Mr. Carter is calm, reasonable, and intellectual (blue).
It's possible that a lot of the success of the Twilight series (Team Jacob and Team Edward, anyone?) is due to Stephenie Meyer's playing off two such extreme examples of Red Oni (Jacob) and Blue Oni (Edward) against each other as love interests.
In Les MisÚrables, Enjolras the fiery revolutionary warrior (red—witness his trademark red vest in The Musical) and Combeferre the gentle progressive philosopher (blue) are presented as ideological foils. Personality-wise, however, the coldly chaste Enjolras is the blue oni to the earthy, loquacious Grantaire's red.
In Hours, Pete is the charismatic extrovert who will leap to try anything he his physically capable of, while his older brother Seth is the brilliant, quiet introvert.
In H. N. Turtletaub's Hellenic Traders series you have the extroverted, military minded serial philandererer Menedemos and his cousin and partner the scholarly, more traditional minded Sostratos.
A very common interaction pattern for Glory in the Thunder. Hayr and Barsamin, Solornel and Rashk, Ismyrn and Katarosi...
Dune: Vladimir Harkonnen (red), Feyd Rautha (blue); House Harkonnen (red), House Atreides (blue).
Coyote: Carlos "Rigil Kent" Montero (red), Wendy Gunther (blue).
Simona Ahrnstedt does this in Íverenskommelser, dividing different couples into different "Onis". Beatrice and Seth are more rebellious and hot-tempered (red), while Sofia and Johan are more conventional and laid-back (blue). Jacques and Vivienne, the other beta couple, are red as well.
"De skandal÷sa" has a similar dynamic between Magdalena/Gabriel (red) and Ossian/Beata (blue). We also get Venus (blue) and Nora (red).
Deltora Quest has Jasmine as the red to Barda's blue. Lief falls somewhere between the two, usually acting as the blue to Jasmine's extreme red, or red to Barda's 'older and wiser' blue.
You could also argue that the city of Del is the red to the city of Tora's blue.