"Observe, Lord Burghley. I am married... to England."
A 1998 Biopic of the early life of Queen Elizabeth I of England, arguably one of the greatest monarchs to ever sit on that throne, and starring Cate Blanchett in the title role. Broke the usual "period piece" mould of English biographical pictures in that it was directed by an Indian, Shekhar Kapur, took a much more dramatic style of storytelling, and didn't shy away from some historical truths of the era, such as dirt, poverty, and torture.Followed by a sequel, Elizabeth: The Golden Age with the same director and Cate Blanchett once again as the Virgin Queen.
Provides examples of:
Adaptation Dye-Job: Philip II of Spain was blond in real life. In the film he's dark and swarthy.
Age Lift: Sir William Cecil, as noted under Hollywood History, was only 13 years older than Elizabeth. In the film he's in his fifties at least. On the flip side, Kat Ashley was much older than Elizabeth (having acted as her governess). She's portrayed to be similar in age to her.
The sequel features Cate Blanchett and Geoffrey Rush once again, as well as Clive Owen, Tom Hollander, Samantha Morton, Rhys Ifans ...
Arranged Marriage: Averted, perhaps unsurprisingly given Elizabeth was remembered by history as the Virgin Queen. In the film many attempts are made at marrying off Elizabeth to ensure an heir to the throne, but none succeed. Indeed the film's Crowning Moment Of Awesome and Awesome Moment of Crowning, from which the page quote arises, is a Take That to the constant attempts of Lord Burghley to force Elizabeth into precisely this.
Awesome Moment of Crowning: Subverted in that this is real life crowning at the beginning of the movie and the character has to then prove she's fit to rule.
Queen Elizabeth: Go back to your rat hole! Tell Philip I fear neither him, nor his priests nor his armies. Tell him if he wants to shake his little fists at us we'll give him such a bite he's wish he had kept his hands in his pockets!
Don Guerau De Spes: You see a leaf fall, and you think you know which way the wind blows. Well, there is a wind coming, Madame, that will sweep away your pride. Queen Elizabeth: I, too, can command the wind, sir! I HAVE A HURRICANE IN ME THAT WILL STRIP SPAIN BARE IF YOU DARE TO TRY ME!
Badass Preacher: Catholic priests are apparently all trained assassins in the 16th century.
Batman Gambit: The Spanish Armada comes about from one: Anthony Babington was a patsy who was given an unloaded gun, intended to lead Walsingham right to Mary, Queen of Scots as the one who ordered the assassination. As she was the officially recognized ruler of England by the Pope, her execution gives the Spanish an excuse to attack.
Call Back: When Elizabeth is taken to the Tower of London, one of the men interrogating her offers her his cloak. She responds "I shall not forget this kindness". Later when he is one of the men in on the plot against her, before his execution she says "all your many kindnesses are remembered".
Establishing Character Moment: In his introductory scene, Walsingham talks a youthful assassin out of killing him, giving a philosophical reverie about the nature of God and the universe. He then slashes the boy's throat.
Everything's Better with Princesses: Elizabeth is addressed as 'Princess Elizabeth' before being thrown in the tower. In reality she was disinherited and declared illegitimate at age 3 - and was only ever referred to as 'Lady Elizabeth' afterwards.
Expository Hairstyle Change: After she is crowned Queen, Elizabeth is shown with a fringe. As the film goes on, she is shown with her hair up more often than down - to demonstrate the passing of time.
French Jerk: Elizabeth's French suitor, the Duc d'Anjou who embarrasses her publicly at their first meeting. Mary of Guise is the female version.
Averted with the French Ambassador, played by Eric Cantona.
Grand Vizier: Subverted. Walsingham, who has all the defining features of a Grand Vizier, and even appears about to fulfill this trope in one scene, is utterly loyal to Elizabeth and according to the film's postscript served her faithfully for the rest of his life.
Halfway Plot Switch: Twice actually. The first part of the film is about Elizabeth surviving the wrath of her sister, the second about finding a marriage suitor and the third about a conspiracy to remove her from the throne.
The High Queen: A major reason for Elizabeth's transformation at the end of the film. It's referenced directly in the film:
Elizabeth: I have rid England of her enemies. What do I do now? Am I to be made of stone? Must I be touched by nothing?
Walsingham: Aye, Madam, to reign supreme. All men need something greater than themselves to look up to and worship. They must be able to touch the divine here on earth.
Historical Beauty Update: Kat Ashley, played by the young and pretty Emily Mortimer. In reality she was 30 years older than Elizabeth and had been her governess.
Inverted with Sir William Cecil who is aged up considerably (in reality he was almost exactly 13 years her senior; Richard Attenborough is nearly 46 years Cate Blanchett's). Ditto for Philip II of Spain who was blond and handsome in real life.
Historical Hero Upgrade: Elizabeth. While not exactly treated as nice, the films manage to cover up much of her dirty laundry.
Walter Raleigh basically steals the life of Francis Drake and becomes the hero who defeats the Spanish Armada, rather than a bit player in the battle.
It wasn't even Drake's moment to shine. Charles Howard, 1st Earl of Nottingham, was the English Lord High Admiral at the time.
A subtle and arguable one, Elizabeth and Walsingham kneeling under a gigantic portrait of Henry VIII and wondering what he, her father, would have done, and if she'd ever live up to his reputation. The reputation of the man who had her mother beheaded so he could marry somebody else, routinely executed his closest advisers and allies, and possibly had as many as 10,000 people put to death during his reign.
Historical Villain Upgrade: Pretty much the entire Catholic Church and Catholics in general get this overhaul in the film. Both Bloody Mary and the Pope live in small, dark, spartan rooms where they give orders to crazed and murderous fanatics. Bloody Mary herself is depicted as a deranged toad of a woman attended by a creepy dwarf maid. This is in contrast to Elizabeth, who is beautiful, brave, stately, and tolerant.
Robert Dudley is actually villainised by converting to Catholicism, the start of his betrayal of Elizabeth. In point of fact, not only did he never betray Elizabeth, he was a staunch Puritan until the day he died, and would never have dreamed of converting to the Catholic faith.
The Duke of Norfolk was actually just a naive and gullible co-conspirator in a couple of plots, the first of which was only to marry Mary, Queen of Scots, which alone was enough to get him jailed for a time (the second was to replace Elizabeth, which of course got his head the chop). He was not the cold and calculating power-hungry mastermind portrayed in the movie.
The sequel basically portrays 16th Century Spain as a whole in the same way. In addition to making Jesuits assassins. Not much mention of English privateers raiding Spanish ships and colonies, one of the main motives for the Spanish campaign. The portrayal of Philip II is pretty much in keeping with traditionalist and biased Anglo-American histories, rather than more balanced modern ones.
To be fair the first film makes specific mention of English Privateers. In fact they are even called Pirates - both by the Spanish ambassador and by the 'actor' playing the Privateer.
Hollywood History: Good God, where to begin? Word of God states that their original intent was to make a film about a conspiracy in Elizabeth's court, rather than an accurate biopic.
William Cecil was not even thirty by the time Elizabeth came to the throne and she did not retire him by making him Lord Burghley, she ennobled him as a reward for his services and he remained her most loyal advisor until his death a few years before the queen's. Similarly, Francis Walsingham was only a few years older than Elizabeth. In the second film, Elizabeth visits him when he is dying. In real life she simply let him die in poverty and didn't go to see him.
Henri of Anjou was probably not a crossdresser and he wasn't homosexual - the number of his female mistresses is almost uncountable; in addition, he and Elizabeth never met. Also, his aunt Mary of Guise died of dropsy (in June 1560, after realizing she had it the previous April) rather than any foul play; this was confirmed by autopsy the day after her death. It is highly unlikely that the two of them were in a sexual relationship.
Mary I was actually very skinny rather than overweight in the film and Norfolk was a weak and easily-manipulated man rather than the film's powerful and scheming counterpart.
Elizabeth knew that Leicester was already married because she had attended his wedding. Moreover, he wasn't banished for being involved in a Catholic plot (because he was a Puritan) but instead because of a scandal over the mysterious death of his second wife.
Bishop Stephen Gardiner died before Elizabeth came to the throne and thus could not possibly have been involved in any plots. The Earl of Arundel was not executed for his role but was instead imprisoned in the Tower of London where he died as a prisoner and the Earl of Sussex was actually a loyal supporter of Elizabeth who would not have tried to overthrow her.
Elizabeth may not have actually had a sexual encounter with the Earl of Leicester and she did not cut her hair to show that she was a virgin. The wig is thought to have been to hide her greying hair and the white make-up to hide scars she got from smallpox.
Throughout the film, bishops are shown wearing black mitres that they never would have worn in real life.
Elizabeth reprimands one of her council members for divorcing twice. In reality, it was more or less impossible to obtain a divorce at this time - something that Elizabeth's father, Henry VIII, knew very well.
At the start of the film, the execution of Nicholas Ridley is shown with two other people of which one must be Hugh Latimer. However, their companion, an unnamed woman, is made up because Ridley and Latimer weren't burnt with anyone else.
Sir Thomas Elyot is drowned by Ballard for being a Reverse Mole. However, the real Elyot died at his estates in Cambridgeshire in 1546.
In the second film, Elizabeth frequently consults Dr John Dee over various matters. However, Dr Dee was abroad at this time and didn't return to England until more than a year after the Spanish Armada.
In the second film, nearly everything that Walter Raleigh does was actually done by Sir Francis Drake. Raleigh was kept in England when the Armada attacked because the Queen did not want him to be killed. Defeating the Armada was Drake's moment of triumph but he is hardly in the film.
The Earl of Nottingham states that the Spanish Armada have destroyed several English ships. In reality the English didn't lose a single ship.
Philip II of Spain is shown as a hunched and shadowy figure with a dark beard who is an incompetant king and a religious fanatic. The real Philip was known as being highly intelligent and had several successes with his foreign policies. He was also tall, blond and handsome.
The Infanta of Spain was not a child at the time of the Armada but was in fact twenty-one.
Sir Walter Raleigh was not knighted to keep him in England but to reward his services. He was also knighted on his ship and not against his will. Also, although Raleigh was imprisoned by Elizabeth, it didn't happen until several years after the Armada.
Raleigh was not a pirate, Drake was.
Mary, Queen of Scots gaoler, Amyas Paulet, actually treated her rather well.
Walter Raleigh quite famously had a strong West Country accent that meant some courtiers had difficulty understanding him. Francis drake also had the same accent. In the second film, Mary, Queen of Scots is portrayed with a Scottish accent when she would have had a French one as result of living in France for years since she was a child.
Frequently men at court are shown wearing long cloaks and carrying swords in the Queen's presence. Swords weren't allowed in court and the real Elizabeth actually banned long cloaks in case an assassin was hiding a weapon under it.
At one point a man is hanged using the 'long drop' method with a trapdoor. This method of execution was not invented until the Nineteenth Century.
Raleigh did not have an affair with Bess Throckmorton until three years after the defeat of the Spanish Armada.
And in the sequel where King Philip, his daughter and their retinue are walking along a shipyard where the Armada is being built.
One Steve Limit: The first film has Mary Tudor, Elizabeth's sister and Mary of Guise, as well as a mention of Mary, Queen of Scots. The second addresses this with Elizabeth's lady-in-waiting Bess - nicknamed so because she has the same name as the Queen.
Pimped Out Cape: Elizabeth's gold and ermine coronation cape. She actually breaths a sign of relief when it's taken off and the weight is off her.
The Purge: Elizabeth, through Walsingham, has all her enemies like the Duke of Norfolk and Mary of Guise assassinated in the end of the film.
The same goes for inner enemies like Mary Stuart in the sequel.
Rapunzel Hair: One of Cate Blanchett's more remembered roles with hair like this.
Reality Is Unrealistic: Presumably the reason why the second film claims that several English ships were destroyed during the Spanish Armarda, when in reality, England didn't lose a single ship in the entire battle!
Requisite Royal Regalia: Of course Elizabeth wears the whole shebang during her coronation, but one of the most significant ones is the ring that is taken off Mary when she does and is delivered to Elizabeth.
Take a Level in Badass: Elizabeth. From condemned, helpless princess to iron-fisted queen of England in the space of under two screen hours.
The actual time span was 20 years.
Token Good Teammate: The Earl of Arundel from the first film. He bore The Queen no ill will but was devoutly Catholic.
He's heavily implied to have been this to Mary as well, since we're first introduced to him offering reasonable advice, being deeply apologetic when attempting to get a confession from Elizabeth and then offering his cloak to her when she's sent to the Tower, not out of pity, but because he didn't want her to be cold.
Troll: Walsingham is quite clearly doing this, when he unlocks the prominent Catholic men he's shut away so they wouldn't strengthen opposition:
Gardiner: I'm sure this infernal work has not saved your bastard Queen.
Walsingham: Her Majesty... has won the argument.
Gardiner: ...By what count?
Walsingham: <slight pause, considering> By five, Your Grace.
Camera shows six men were locked down there.
While rehearsed, Elizabeth herself was clearly having some fun trolling the Lords whilst getting the Act of Uniformity passed.
Woman in White: Elizabeth twice, notably at the end and as well when she is taken into the Tower for questioning. That one is actually historically true as Elizabeth is recorded to be wearing a pure white gown when being questioned.