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* JerkassHasAPoint: Nellie's betrothed, Arthur, is easy to dislike, what with his antiquated views on marriage and [[KickTheDog cruel remarks]], but it's not like anything he levies against Nellie is ''wrong''. He seems no more happy than she is at being married off to someone they dislike, he simply tries to take the hit with a bit of dignity. He gets ADayInTheLimelight in the spinoff, which makes it clear that he's not a bad person at all, and that there was a time when he did genuinely want to earn Nellie's affection...which was focused entirely on her brother.

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* JerkassHasAPoint: Nellie's betrothed, Arthur, is easy to dislike, what with his antiquated views on marriage and [[KickTheDog cruel remarks]], but it's not like anything any of the criticism he levies levels against Nellie is ''wrong''. He seems no more happy than she is at being married off to someone they dislike, he simply tries to take the hit with a bit of dignity. He gets ADayInTheLimelight in the spinoff, which makes it clear that he's not a bad person at all, and that there was a time when he did genuinely want to earn Nellie's affection...which was focused entirely on her brother.
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* HistoryRepeats: The main theme of ''Reincarnation'', [[spoiler:but with a positive twist in each story told. Nellie falls for her full-blooded brother once again, and tries to begin a sexual relationship with him, but Mell musters the courage to face the problem and Nellie is able to start overcoming her feelings. Yukimasa is once more plagued by a desire to inflict violence, but the vow he engraved upon his soul is keeping him crossing the line. He admits these feelings to Pauline after nearly strangling her in a stupor, and her love for him is such that she's happy to be either his tether – or, if it comes to it, his first and ''only'' victim. Jacopo rescues a runaway Morgana and takes her in, but as they grow closer and feelings begin to develop, their memories resurface and the relived trauma drives them apart. However, this time Jacopo is able to make things right and save the day, and their story ends on a high note – together again, setting off for the homeland they only knew in the illusion that saved his soul.]]

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* HistoryRepeats: The main theme of ''Reincarnation'', [[spoiler:but with a positive twist in each story told. Nellie falls for her full-blooded brother once again, and tries to begin a sexual relationship with him, but Mell musters the courage to face the problem and Nellie is able to start overcoming her feelings. Yukimasa is once more plagued by a desire to inflict violence, but the vow he engraved upon his soul is keeping him from crossing the line. He admits these feelings to Pauline after nearly strangling her in a stupor, and her love for him is such that she's happy to be either his tether – or, if it comes to it, his first and ''only'' victim. Jacopo rescues a runaway Morgana and takes her in, but as they grow closer and feelings begin to develop, their memories resurface and the relived trauma drives them apart. However, this time Jacopo is able to make things right and save the day, and their story ends on a high note – together again, setting off for the homeland they only knew in the illusion that saved his soul.]]
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* StabThePicture:
** In the first chapter, Nellie Rhodes destroys a painting of herself and her brother Mell after seeing him out with The White-Haired Girl on a date.
** A later chapter features a painting of a similar white-haired girl that had been slashed with a knife [[spoiler:later revealed to be a portrait of protagonist Michel. Michel is a transgender man and destroyed the painting in a fit of emotion because it depicted him as a woman.]]
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I Ate What clean up. The trope is when a character eats something, unaware of what they are consuming, and then reacts in disgust after they find out what it is. Misuse will be deleted or moved to another trope when applicable. Administrivia.Zero Context Examples will be removed or commented out depending on the amount of context within the entry.


* IAteWhat: In ''A Requiem for Innocence'', Morgana agrees to eat the meat provided by the Lord in order to save a slave from getting killed. She is initially repulsed by the meat as, while it is not spoiled, it doesn't smell or taste like anything she knows. She soon discovers that she is eating human meat.
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* PlayingTheHeartStrings: The game features several tracks in which the strings highlight the tragedies the characters suffer from. Among them is [[https://www.youtube.com/watch?v=9hoiKTvLXSY "A Noble Death"]], in which the violins' lament hammer down the heart-wrenching scenes unfolding before your very eyes.
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'''Due to the nature of its story, [[Administrivia/SpoilersOff all spoilers are unmarked for the main game and its prequel]], as [[SpoileredRotten it is practically impossible to discuss without spoiling the whole thing]]. If you are the type of reader who is bothered by them, do not read any further than this before playing the game. Administrivia/YouHaveBeenWarned!'''

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'''Due to the nature of its story, [[Administrivia/SpoilersOff all spoilers are unmarked for the main game and its prequel]], as [[SpoileredRotten it is practically impossible to discuss the plot without spoiling the whole thing]]. If you are the type of reader who is bothered by them, do not read any further than this before playing the game. Administrivia/YouHaveBeenWarned!'''

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'''Due to the nature of the game, [[Administrivia/SpoilersOff all spoilers are unmarked]] as [[SpoileredRotten it is practically impossible to discuss this game without spoiling the whole thing]]. If you are the type of reader who is bothered by them, do not read any further than this before playing the game. Administrivia/YouHaveBeenWarned!'''

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'''Due to the nature of the game, its story, [[Administrivia/SpoilersOff all spoilers are unmarked]] unmarked for the main game and its prequel]], as [[SpoileredRotten it is practically impossible to discuss this game without spoiling the whole thing]]. If you are the type of reader who is bothered by them, do not read any further than this before playing the game. Administrivia/YouHaveBeenWarned!'''


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* ArtShift: In ''Reincarnation''. The character sprites and background graphics lift much heavier from anime than the main game and ''Requiem''.


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* BadFuture: One of the short stories in ''Dreams of the Revenants'' is an elaboration of the A Moment of Hesitation BadEnding. Michel is forever banished from the mansion by Giselle, spinning him back into fate's sphere to live unfettered by Morgana's curse or Giselle's own unresolved despair. Morgana [[EvilCannotComprehendGood can't quite understand this act]], but Giselle is not done. She's determined to make Morgana lose everything too, and by the time she's finished her sorrow and despair and solitude have grown powerful enough to eclipse Morgana's own, leading usurping her mistress as the witch.


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* ContinuitySnarl: In the main game, the recounting of Lord Barnier's death claims the lord begged for his life at the end. His final duel with Jacopo gets major focus in ''Requiem'', and he's given [[VillainousValor a much better showing]] than the narration previously suggested. [[LampshadeHanging Barnier himself takes umbrage with this misrepresentation]] in the backstage extra.
-->'''Barnier''': One must be crying and clawing their attacker, wailing for mercy through a fit of panicked sobs in order to properly count as begging. I did none of that. Yet that was precisely the wording used in the main game... I would like to have a word with the author.
-->'''Ceren''': The main game ''was'' just the short version, so cut 'em some slack. Your character wasn't fully established at that point.


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* EvenEvilHasStandards: The bandit who murdered Ceren's parents is a bit disgusted when one of his dregs develops a thing for the five-year-old girl. In his turn, ''that'' bandit is appalled by the degrading abuse Ceren is subjected to by the others.


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* ForgottenFirstMeeting: Implied in the ''Boy Meets Girl'' short story. A ten-year-old “Michelle” gets lost in town with Georges and runs into a bubbly little girl several years his junior, looking for her father. Her unquestioning acceptance of his cover story (“Michelle” had dressed in male clothing to avoid harassment) is the first instance of validation his budding turmoil surrounding his identity receives. The story ends with “Michelle” musing on a possible reunion with the girl someday, and he makes a note of her eye color – the same jade as Giselle.


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* GutFeeling: In ''Assento Dele'' short story, Georges and "Michelle" both get a bad feeling about the Castagnier family heiress whose portrait they observe. The girl in question ends up being Imeon, Michel's first real friend, and he never learns [[SamusIsAGirl her]] true identity.


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* HistoryRepeats: The main theme of ''Reincarnation'', [[spoiler:but with a positive twist in each story told. Nellie falls for her full-blooded brother once again, and tries to begin a sexual relationship with him, but Mell musters the courage to face the problem and Nellie is able to start overcoming her feelings. Yukimasa is once more plagued by a desire to inflict violence, but the vow he engraved upon his soul is keeping him crossing the line. He admits these feelings to Pauline after nearly strangling her in a stupor, and her love for him is such that she's happy to be either his tether – or, if it comes to it, his first and ''only'' victim. Jacopo rescues a runaway Morgana and takes her in, but as they grow closer and feelings begin to develop, their memories resurface and the relived trauma drives them apart. However, this time Jacopo is able to make things right and save the day, and their story ends on a high note – together again, setting off for the homeland they only knew in the illusion that saved his soul.]]


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* MadLove: [[spoiler:Between Yukimasa and Pauline in ''Reincarnation'' – a nascent SerialKiller repressing his urges with the strength of a HeroicVow made to "angel" in his past life, and a hopeless LoveMartyr willing to be his lover and murder victim both.]]


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* NoodleIncident: A very meta one. In ''Requiem's'' backstage extra, Jacopo rants about the time Michel attacked him with a bottle. Ceren chides him for dredging up this incident, as the game it occurred in was never translated to English, and thus means nothing to the reader.


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* OddFriendship: Jacopo and Giselle in the years after his life fell apart circa 1869. After ascending the observation tower together and wordlessly sharing the grief its spectre still casts over their wounded hearts, even in ignorance, their fingers touch and each is treated to a vision of the noble soul the other once was. This short story even gets a clever CallBack to the main game: the Maid makes the same confession to Jacopo she once did to Michel – that she had a particular disdain for him, of all the house's masters – knowing the weight of centuries will erode the respect and empathy they shared from her broken mind by the time she tells his story.
** [[spoiler:Yukimasa and Maria in ''Reincarnation''.]]


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** Antonin Bollinger stepped in to save Giselle from execution after their [[RapeAsDrama sexual relationship]] was revealed, convincing his mad wife to settle for exile. Giselle wonders if the monster had a heart after all or was just trying to save face.


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* RiddleForTheAges: Near the conclusion of ''Reincarnation'', the fates of [[spoiler:Ceren, Barnier, and the characters who didn't show up in the DistantFinale are mused upon by Morgana. Save for the White-Haired Girl and (possibly) Georges, there's nothing stopping their souls from beginning new lives; but while the core cast being pulled back together is almost certainly owed to preternatural twists of fate, it's not a sure thing she'll ever again cross paths with those absent.]]


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* SmallRoleBigImpact: Ginevra, the mastermind behind the revolution against Lord Barnier. She doesn't live to see her chosen puppet seize power, but it's only through her plotting Jacopo was able to do so, and all the tragedy that follows springs from that well.


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* TragicKeepsake: If you look closely the background graphic for the lord's bedroom, you can see a lute. Ceren draws attention to this in the backstage extra to imply Jacopo still held to at least one of his former self's passions as the lord, however sad that is.
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** Bestia quickly cements itself as this, but is trying to refrain from succombing to its urges. [[KillEmAll He fails in the end.]]

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** Bestia quickly cements itself as this, but is trying to refrain from succombing succumbing to its urges. [[KillEmAll He fails in the end.]]



* BadassBoast: In ''A Requiem for Innoncence'', Gratien is well-aware of how much of a badass he is, though he does point out that, despite how badass he is, he ''"aint a god"''.

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* BadassBoast: In ''A Requiem for Innoncence'', Innocence'', Gratien is well-aware of how much of a badass he is, though he does point out that, despite how badass he is, he ''"aint a god"''.



* EarnYourHappyEnding: ''Lord almighty!'' It took nearly a millennia for every character involved to finally reach their happy ending, and even this happy ending has a bittersweet aspect to it. After centuries as a pawn of Morgana, Giselle is finally able to meet Michel again. Michel, after helping Giselle to reclaim her true self, decides to do everything in his power to save her from the mansion, leading Morgana to take action, kidnapping Giselle. What follows is a long and arduous quest for the truth, in which everyone's soul is lay bare, revealing for all to see the ugliest truths, but also the very tragic aspect of everything that transpired. After a tenuous travel through an illusion of the past, Michel is able to reveal to Morgana the circumstances surrounding her imprisonment and her death, and is forced to eradicate the White-Haired girl's soul in order for the curse to be lifted. Michel is able to genuinely empathize with Morgana and to assuage her hatred. Morgana's hatred is finally quelled, and she releases the souls she captured inside the mansion, but not without making a point that she doesn't forgive them. Michel reunites with both his brothers and forgive them, their souls being able to move on to their next lives. In the 21st century, a new Giselle remembers everything and looks for Michel where the mansion was once built. Michel shows up, his memories intact despite the fact that his soul was nearly annihilated, and he embraces Giselle.
* EldritchLocation: The manor itself. Not only is it able to move through time and space, it also allows people inside to observe its former masters' past lives. The curse draws people to it, leading to their misery or their death, and Morgana has full control over it, or so she thought. While her curse played a part, the mansion itself merely attracts people through the wishes of its masters, and while they are people who ended up inside to become pawns in the tragedies orchestrated by Morgana, they are also people who came there to found their redemption. And while the mansion was a core aspect of the curse, it is not Morgana who led to the birth of that anomaly: it is the White-Haired Girl.

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* EarnYourHappyEnding: ''Lord almighty!'' It took nearly a millennia for every character involved to finally reach their happy ending, and even this happy ending has a bittersweet aspect to it. After centuries as a pawn of Morgana, Giselle is finally able to meet Michel again. Michel, after helping Giselle to reclaim her true self, decides to do everything in his power to save her from the mansion, leading Morgana to take action, kidnapping Giselle. What follows is a long and arduous quest for the truth, in which everyone's soul is lay bare, revealing for all to see the ugliest truths, but also the very tragic aspect of everything that transpired. After a tenuous travel through an illusion of the past, Michel is able to reveal to Morgana the circumstances surrounding her imprisonment and her death, and is forced to eradicate the White-Haired girl's soul in order for the curse to be lifted. Michel is able to genuinely empathize with Morgana and to assuage her hatred. Morgana's hatred is finally quelled, and she releases the souls she captured inside the mansion, but not without making a point that she doesn't forgive them. Michel reunites with both his brothers and forgive forgives them, their souls being able to move on to their next lives. In the 21st century, a new Giselle remembers everything and looks for Michel where the mansion was once built. Michel shows up, his memories intact despite the fact that his soul was nearly annihilated, and he embraces Giselle.
* EldritchLocation: The manor itself. Not only is it able to move through time and space, it also allows people inside to observe its former masters' past lives. The curse draws people to it, leading to their misery or their death, and Morgana has full control over it, or so she thought. While her curse played a part, the mansion itself merely attracts people through the wishes of its masters, and while they are people who ended up inside to become pawns in the tragedies orchestrated by Morgana, they are also people who came there to found find their redemption. And while the mansion was a core aspect of the curse, it is not Morgana who led to the birth of that anomaly: it is the White-Haired Girl.



* EvilCannotComprehendGood: Played with when Morgana attempts to convince Michel to curse his family. She understands where his reluctance comes from, but was literally brought back to life by the depths of his hatred, and knows how badly he burns for vengeance no matter what his conscience tells him. Michel, for his part, comes to question whether refusing her offer was truly down to love for his family or fear of crossing that line. Morgana spends years trying to tempt him into following this path, as it is unfathomable to her to her that he might ''genuinely'' simply not wish them ill.
* EvilGloating: The Lord has an habit of looking down on everyone, calling them cur, maggot, worm and the likes. In ''A Requiem for Innocence'', it turns out that the Lord Barnier was the one who originally talked like this, with Jacopo merely mimicking him once he becomes the new Lord.

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* EvilCannotComprehendGood: Played with when Morgana attempts to convince Michel to curse his family. She understands where his reluctance comes from, but was literally brought back to life by the depths of his hatred, and knows how badly he burns for vengeance no matter what his conscience tells him. Michel, for his part, comes to question whether refusing her offer was truly down to love for his family or fear of crossing that line. Morgana spends years trying to tempt him into following this path, as it is unfathomable to her to her that he might ''genuinely'' simply not wish them ill.
* EvilGloating: The Lord has an a habit of looking down on everyone, calling them cur, maggot, worm and the likes. In ''A Requiem for Innocence'', it turns out that the Lord Barnier was the one who originally talked like this, with Jacopo merely mimicking him once he becomes the new Lord.



* FinalSpeech: The White-Haired Girl gives an heartbreaking one to Michel when he, reluctantly, ends their existence at their own request:

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* FinalSpeech: The White-Haired Girl gives an a heartbreaking one to Michel when he, reluctantly, ends their existence at their own request:



** During Michel's last talk with his brothers before being exiled to the mansion, he asked his brothers whether they consider him their brother. Georges quickly answered in a nonchalant manner that he does, whereas Didier was visibly silent. This signals the fact that Didier may not have fully accepted Michel's identity despite everything, which may be one of the contributing factor in him leading the knights to murder Michel later.

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** During Michel's last talk with his brothers before being exiled to the mansion, he asked his brothers whether they consider him their brother. Georges quickly answered in a nonchalant manner that he does, whereas Didier was visibly silent. This signals the fact that Didier may not have fully accepted Michel's identity despite everything, which may be one of the contributing factor factors in him leading the knights to murder Michel later.



* GoMadFromTheIsolation: Becoming a recluse man with almost no contact with the outside world did a number on Michel. While not becoming crazy, he nonetheless became incredibly depressed and jaded. Then he unwittingly ressurected Morgana, thus gaining a new companion, but one that made his situation worse.

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* GoMadFromTheIsolation: Becoming a recluse man with almost no contact with the outside world did a number on Michel. While not becoming crazy, he nonetheless became incredibly depressed and jaded. Then he unwittingly ressurected resurrected Morgana, thus gaining a new companion, but one that made his situation worse.



* GreenEyedMonster: In ''A Requiem For Innocence'', Gratien turns into one, ressenting Jacopo for becoming the new lord while he could have taken his place. While his actions are partially motivated by Jacopo's neglect for the poor, it is made abundantly clear that his main motivation is pure jealousy.

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* GreenEyedMonster: In ''A Requiem For Innocence'', Gratien turns into one, ressenting resenting Jacopo for becoming the new lord while he could have taken his place. While his actions are partially motivated by Jacopo's neglect for the poor, it is made abundantly clear that his main motivation is pure jealousy.



** Discussed by the Maid- she points out that the infedility of Lady Rhodes with a painter implies another tragic story that occured before Mell and the White-Haired Girl's own suffering. Since the story isn't about them, so Lady Rhodes' affair is but a story that ripples into Mell's.
* HookerWithAHeartOfGold: In the Witch's era, Maria. That aspect of her becomes much clearer in the ''A Requiem For Innocence'' spin-off, in which she pretty much runs the brothel and do everything in her power to make it a safe place for the girls and Morgana.

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** Discussed by the Maid- she points out that the infedility infidelity of Lady Rhodes with a painter implies another tragic story that occured occurred before Mell and the White-Haired Girl's own suffering. Since the story isn't about them, so Lady Rhodes' affair is but a story that ripples into Mell's.
* HookerWithAHeartOfGold: In the Witch's era, Maria. That aspect of her becomes much clearer in the ''A Requiem For Innocence'' spin-off, in which she pretty much runs the brothel and do does everything in her power to make it a safe place for the girls and Morgana.



* HorrifyingTheHorror: What can possibly scare a seasoned killer without remorse who enjoys the thrill of killing? Himself. Once The Swordsman hears from Michel what he is going to do in his future life, he is completely taken back, as despite his urges not even himself want to become ''this''.
* IAteWhat: In ''A Requiem for Innocence'', Morgana agrees to eat the meat provided by the Lord in order to save a slave from getting killed. She is initially repulsed by the meat as, while it is no spoiled, it doesn't smell or taste like anything she knows. She soon discovers that she is eating human meat.

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* HorrifyingTheHorror: What can possibly scare a seasoned killer without remorse who enjoys the thrill of killing? Himself. Once The Swordsman hears from Michel what he is going to do in his future life, he is completely taken back, as despite his urges not even he himself want wants to become ''this''.
* IAteWhat: In ''A Requiem for Innocence'', Morgana agrees to eat the meat provided by the Lord in order to save a slave from getting killed. She is initially repulsed by the meat as, while it is no not spoiled, it doesn't smell or taste like anything she knows. She soon discovers that she is eating human meat.



* NatureVersusNurture: Bestia's tale plays with this. Initially, it follows the nurture argument, making it seems that Yukimasa only became delusioned about being a beast after being dehumanized and treated like an animal by the villagers. However, as the tale progresses, it is subverted: Yukimasa always has been a sadist in secret and the "beast" fame was convinient for him to show off his real depraved nature.

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* NatureVersusNurture: Bestia's tale plays with this. Initially, it follows the nurture argument, making it seems that Yukimasa only became delusioned about being a beast after being dehumanized and treated like an animal by the villagers. However, as the tale progresses, it is subverted: Yukimasa always has been a sadist in secret and the "beast" fame was convinient convenient for him to show off his real depraved nature.



* RageBreakingPoint: In ''A Requiem For Innocence'', After surviving attempted murder by the hand of his former friend Gratien, Jacopo becomes paranoid, but it is Odilon's death that send him over the edge, and lead him to coldly order the execution of the protesters.

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* RageBreakingPoint: In ''A Requiem For Innocence'', After surviving attempted murder by the hand of his former friend Gratien, Jacopo becomes paranoid, but it is Odilon's death that send sends him over the edge, and lead him to coldly order the execution of the protesters.



** After seeing the White-Haired Girl and Michel's physical similarities, not to mention their names and Michel's appearance in the past, many think that they are the same person reincarnated. While there is a good reason for these similarities, it is not for the reason everyone think it is.

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** After seeing the White-Haired Girl and Michel's physical similarities, not to mention their names and Michel's appearance in the past, many think that they are the same person reincarnated. While there is a good reason for these similarities, it is not for the reason everyone think thinks it is.



** Downplayed with The Swordsman. He is able to function in society and acts normal among other humans, but deep down he has sadistic urges and gets a thrill out of torturing and killing people. Except for his tether, he completely lacks empathy, which he evidenced when he kidnaps Morgana: while he did care for the girl to an extent, he mentions that he "doesn't have a need for two tethers". It is his struggle between his needs to satisfy his urges and his wishes to remain humain that prevent him from falling into depravity, thus creating an equilibrium.

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** Downplayed with The Swordsman. He is able to function in society and acts normal among other humans, but deep down he has sadistic urges and gets a thrill out of torturing and killing people. Except for his tether, he completely lacks empathy, which he evidenced when he kidnaps Morgana: while he did care for the girl to an extent, he mentions that he "doesn't have a need for two tethers". It is his struggle between his needs to satisfy his urges and his wishes to remain humain human that prevent him from falling into depravity, thus creating an equilibrium.



* ToBeLawfulOrGood: Didier, bearer of the house name, knight and brother of Michel faces an impossible ordeal. In the end, he decides to be lawful, and personally leads the charge to the mansion, in which he kills Michel himself. Later, he is also the one to nail his body to the cross. In both occasions, never once does he remove his helmet. Michel correctly guesses that Didier was in tears the whole time. In the end, Didier ends up alone, as his remaining brother Georges never forgives him for killing Michel, and dies young, eaten up with remorse. His tormented soul finds his way to the mansion as a result.

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* ToBeLawfulOrGood: Didier, bearer of the house name, knight and brother of Michel faces an impossible ordeal. In the end, he decides to be lawful, and personally leads the charge to the mansion, in which he kills Michel himself. Later, he is also the one to nail his body to the cross. In On both occasions, never once does he remove his helmet. Michel correctly guesses that Didier was in tears the whole time. In the end, Didier ends up alone, as his remaining brother Georges never forgives him for killing Michel, and dies young, eaten up with remorse. His tormented soul finds his way to the mansion as a result.



* VitriolicBestBuds: In ''A Requiem for Innocence'', Jacopo and Morgana's relationship in a nutshell. Morgana is not exactly the most affable person, being quite acerbic and caustic, but deep down she developped feelings for him, and while Jacopo is exasperated by her behavior, he keeps looking after her and simply answers in kind and reveals himself to be quite sarcastic.

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* VitriolicBestBuds: In ''A Requiem for Innocence'', Jacopo and Morgana's relationship in a nutshell. Morgana is not exactly the most affable person, being quite acerbic and caustic, but deep down she developped developed feelings for him, and while Jacopo is exasperated by her behavior, he keeps looking after her and simply answers in kind and reveals himself to be quite sarcastic.
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Not So Different has been renamed, and it needs to be dewicked/moved


* NotSoDifferent: In ''A Requiem For Innocence'', Imeon initially appears to have an OddFriendship with Michel, brief as it was. Turns out, their circumstances are uncannily similar.
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* TamperingWithFoodAndDrink: A side story in ''Requiem for Innocence'' recounts how Aimee slowly poisoned Georges through his meals, which is how he finally figured out she was a BitchInSheepsClothing. Georges, facing up to his part as an AccompliceThroughInaction, lets her kill him.

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* TamperingWithFoodAndDrink: A side story in ''Requiem for Innocence'' recounts how Aimee slowly poisoned Georges through his meals, which is how he finally figured out she was a BitchInSheepsClothing. Georges, facing up to his part as an AccompliceThroughInaction, AccompliceByInaction, lets her kill him.
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** Georges also gets this treatment with his Requiem chapter ''The Painting's Soliloquy.'' Most of what we know of Georges from the main game comes from his InnocentlyInsensitive painting of Michel and the fact that he was reincarnated as a painting in the mansion, but his chapter fleshes out his character much more and tells the reader what happened to the Bollingers after Michel's death.

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** Georges also gets this treatment with his Requiem chapter ''The Painting's Soliloquy.'' Most of what we know of Georges from the main game comes from his InnocentlyInsensitive painting of Michel and the fact that he was reincarnated as a painting in the mansion, but his chapter fleshes out his character much more and tells the reader what happened to the Bollingers after Michel's death.

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** Georges also gets this treatment with his Requiem chapter ''The Painting's Soliloquy.'' Most of what we know of Georges from the main game was his InnocentlyInsensitive painting of Michel, but his chapter fleshes out his character much more and tells the reader what happened to the Bollingers after Michel's death.

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** Georges also gets this treatment with his Requiem chapter ''The Painting's Soliloquy.'' Most of what we know of Georges from the main game was comes from his InnocentlyInsensitive painting of Michel, Michel and the fact that he was reincarnated as a painting in the mansion, but his chapter fleshes out his character much more and tells the reader what happened to the Bollingers after Michel's death.
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** Georges also gets this treatment with his Requiem chapter ''The Painting's Soliloquy.'' Most of what we know of Georges from the main game was his InnocentlyInsensitive painting of Michel, but his chapter fleshes out his character much more and tells the reader what happened to the Bollingers after Michel's death.

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'''Due to the nature of the game, the trope page will contain unmarked SPOILERS even after following our usual spoiler policy. If you are the type of reader who is bothered by them, do not read any further than this before playing the game. Administrivia/YouHaveBeenWarned!'''

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'''Due to the nature of the game, [[Administrivia/SpoilersOff all spoilers are unmarked]] as [[SpoileredRotten it is practically impossible to discuss this game without spoiling the trope page will contain unmarked SPOILERS even after following our usual spoiler policy.whole thing]]. If you are the type of reader who is bothered by them, do not read any further than this before playing the game. Administrivia/YouHaveBeenWarned!'''

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* ArcWords: ''Our lives shall be forfeit to the witch's curse.'' Carved into the mansion's cellar floor by medieval Maria, and found by her 1869 counterpart hundreds of years later.

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* ArcWords: ''Our lives shall be forfeit to the witch's curse.'' Carved into the mansion's cellar floor by a dying medieval Maria, and found by her 1869 counterpart hundreds of years later.counterpart, which doesn't bode well for her either - she dies not too long after.
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* ArcWords: ''Our lives shall be forfeit to the witch's curse.'' Carved into the mansion's cellar floor by medieval Maria, and found by her 1869 counterpart hundreds of years later.
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Cleaning up Intersex wicks


** Antonin Bollinger is the {{abusive|Parents}} father to Michel Bollinger. Raising his {{Intersex}} child as a daughter, he [[PoliticallyIncorrectVillain declares him cursed when Michel comes out as a trans male]], and has him locked up. Allowing Aimee Joubert to torture him, Antonin also repeatedly rapes Giselle, a servant of his, and carves the word HARLOT into her crotch. Eventually ordering Michel executed and sending Michel's own beloved brother Didier to do the job, Antonin shows no love or concern for anything but his own reputation.

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** Antonin Bollinger is the {{abusive|Parents}} father to Michel Bollinger. Raising his {{Intersex}} Intersex child as a daughter, he [[PoliticallyIncorrectVillain declares him cursed when Michel comes out as a trans male]], and has him locked up. Allowing Aimee Joubert to torture him, Antonin also repeatedly rapes Giselle, a servant of his, and carves the word HARLOT into her crotch. Eventually ordering Michel executed and sending Michel's own beloved brother Didier to do the job, Antonin shows no love or concern for anything but his own reputation.
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** The Fifth Door tells [The true story of Michel and Giselle without the fabrications that were cooked up by Morgana to distort the tale into a fairy-tale fantasy.

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** The Fifth Door tells [The the true story of Michel and Giselle without the fabrications that were cooked up by Morgana to distort the tale into a fairy-tale fantasy.
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-->'''White-Haired Girl:''']] Your life bore many similarities with Morgana's. You were both abused, imprisoned, called a witch. But while Morgana sought vengeance...you watched your own mother burn your crucified body...and you wished for release, rather than vengeance.

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-->'''White-Haired Girl:''']] Girl:''' Your life bore many similarities with Morgana's. You were both abused, imprisoned, called a witch. But while Morgana sought vengeance...you watched your own mother burn your crucified body...and you wished for release, rather than vengeance.
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* DamselOutOfDistress : To Morgana's surprise, Giselle manages to escape her and to join Michel in his time of need after the door to his soul is forced open. Michel and Giselle discover that as much as the mansion is Morgana's domain, it is also theirs.

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* DamselOutOfDistress : DamselOutOfDistress: To Morgana's surprise, Giselle manages to escape her and to join Michel in his time of need after the door to his soul is forced open. Michel and Giselle discover that as much as the mansion is Morgana's domain, it is also theirs.



* Played with, subverted, and eventually inverted with Michel and Giselle. Initially, their respective traumas and internal biases make their first month together ''horrible'', with Michel openly threatening her with a knife and Giselle bringing bandits to kill him out of desperation. Unlike the previous doors, Michel finally realizes that they've been hurting each other and decides they need to sit down and communicate. Their mutual willingness to put an end to their disput like adults is what proves they make much healtheir couple than the previous protagonists. Unfortunately, its Michel's attempts to communicate with his ''mother'' that leads to their real tragedy, as she's much less willing to actually listen than Giselle.

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* ** Played with, subverted, and eventually inverted with Michel and Giselle. Initially, their respective traumas and internal biases make their first month together ''horrible'', with Michel openly threatening her with a knife and Giselle bringing bandits to kill him out of desperation. Unlike the previous doors, Michel finally realizes that they've been hurting each other and decides they need to sit down and communicate. Their mutual willingness to put an end to their disput dispute like adults is what proves they make a much healtheir healthier couple than the previous protagonists. Unfortunately, its it's Michel's attempts to communicate with his ''mother'' ''[[AbusiveParents mother]]'' that leads to their real tragedy, as she's much less willing to actually listen than Giselle.



* QuestForIdentity: The primary purpose of the first half of the visual novel. :After the fourth door, rejecting the initial fabricated story is essential for getting on the path to the true ending.

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* QuestForIdentity: The primary purpose of the first half of the visual novel. :After After the fourth door, rejecting the initial fabricated story is essential for getting on the path to the true ending.



* RapeAsBackstory: [[Giselle was raped and abused by Michel's father when she worked as a maid for him.

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* RapeAsBackstory: [[Giselle Giselle was raped and abused by Michel's father when she worked as a maid for him.
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* AgeGapRomance: Jacopo and Morgana; the former was twenty-two when he fell for her at twelve. He's determined to keep his feelings in check until she's older, but theirs is a [[StarCrossedLovers doomed romance]] regardless. Ceren and Lord Barnier also have a clear age gap between them in the prequel, but there's ''so much else'' wrong with these two twisted people that this trope is not the first thing that springs to mind when he tries to unpack it.

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* AgeGapRomance: Jacopo and Morgana; the former was twenty-two when he fell for her at twelve. He's determined to keep his feelings in check until she's older, but theirs is a [[StarCrossedLovers doomed romance]] regardless. Ceren and Lord Barnier also have a clear age gap between them in the prequel, but there's ''so much else'' wrong with these two twisted people that this trope is not the first thing that springs to mind when he Jacopo tries to unpack it.

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* AgeGapRomance: Jacopo and Morgana; the former was twenty-two when he fell for her at twelve. He's determined to keep his feelings in check until she's older, but theirs is a [[StarCrossedLovers doomed romance]] regardless. Also the case for Ceren and Lord Barnier in the prequel, but there's ''so much else'' wrong with these two twisted people that this trope is the least disturbing part of their union.

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* AgeGapRomance: Jacopo and Morgana; the former was twenty-two when he fell for her at twelve. He's determined to keep his feelings in check until she's older, but theirs is a [[StarCrossedLovers doomed romance]] regardless. Also the case for Ceren and Lord Barnier also have a clear age gap between them in the prequel, but there's ''so much else'' wrong with these two twisted people that this trope is not the least disturbing part of their union.first thing that springs to mind when he tries to unpack it.
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* AgeGapRomance: Jacopo and Morgana; the former was twenty-two when he fell for her at twelve. He's determined to keep his feelings in check until she's older, but theirs is a [[StarCrossedLovers doomed romance]] regardless. Also the case for Ceren and Lord Barnier in the prequel, but there's ''so much else'' wrong with these two twisted people that this trope is the least disturbing part of their union.
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** Exploited by Michel himself a bit later. He has Nellie wait outside his room while he draws the truth of Morgana's imprisonment from a panicking Mell, which completely smashes the princely image Mell's sister had of him and comes close to destroying their relationship. He then helps Nellie to [[RebuiltPedestal rebuild that pedestal into something more realistic]], which ends Mell's involvement in Morgana's ordeal and [[HeelFaceTurn completes his character arc.

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** Exploited by Michel himself a bit later. He has Nellie wait outside his room while he draws the truth of Morgana's imprisonment from a panicking Mell, which completely smashes the princely image Mell's sister had of him and comes close to destroying their relationship. He then helps Nellie to [[RebuiltPedestal rebuild that pedestal into something more realistic]], which ends Mell's involvement in Morgana's ordeal and [[HeelFaceTurn completes his character arc.arc]].
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** Discussed by the Maid- she points out that the infedility of Lady Rhodes with a painter implies another tragic story that occured before Mell and the White-Haired Girl's own suffering. Since the story isn't about them, so Lady Rhodes' affair is but a story that ripples into Mell's.


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* Played with, subverted, and eventually inverted with Michel and Giselle. Initially, their respective traumas and internal biases make their first month together ''horrible'', with Michel openly threatening her with a knife and Giselle bringing bandits to kill him out of desperation. Unlike the previous doors, Michel finally realizes that they've been hurting each other and decides they need to sit down and communicate. Their mutual willingness to put an end to their disput like adults is what proves they make much healtheir couple than the previous protagonists. Unfortunately, its Michel's attempts to communicate with his ''mother'' that leads to their real tragedy, as she's much less willing to actually listen than Giselle.
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No longer a trope.


* YourCheatingHeart: Aimee is Georges' fiancee. She cheats him with his brother, Didier. When the truth is revealed, the relation between the two brothers is damaged, but they eventually manage to repair it.

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* HardTruthAesop: In the last door, when Michel hears the Swordsman's story and is asked what Yukimasa should do with his life now, he states that he had always believed [[BeYourself that people should be themselves no matter what]] but after listening to his tale, he says that sometimes your true self is something that will harm others and if it can't be changed, then it should be at least kept at bay and not indulged in.
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* DiscOneFinalBoss: Lord Barnier in ''A Requiem for Innocence''; [[ProtagonistJourneyToVillain Jacopo]] then takes over his role in the story both literally and figuratively.
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* {{Adorkable}}: The reclusive Michel, seeing springtime snow for the first time, is heartbreakingly endearing. Morgana has shades of this too, when she's not a malevolent specter.

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