Of all unicorns, she is the only one who knows what regret is — and love.
Molly: Then what is magic for? What use is wizardry if it cannot save a unicorn? Schmendrick: That's what heroes are for.
An animated Film Of The Book, based on the novel by Peter S. Beagle, and animated by Rankin/Bass Productions.In a certain lilac wood, the leaves and snow never fall. This eternal springtime is watched over, and caused by, its magical resident—a unicorn. Having never left her forest, the unicorn is surprised to overhear two hunters speaking about the disappearance of the unicorns. In fact, they believe her to be the very last.Unwilling to accept this, the unicorn leaves the safety of her forest and sets out to find others of her kind, following the information given to her by a philosophical butterfly. Along the way, she learns through bitter experience of human cruelty, ignorance and greed. She is mistaken for a horse (much to her displeasure), captured and placed in a circus sideshow, and pursued by a demonic being—the Red Bull, which, according to local legend, is responsible for the disappearance of the other unicorns. She also meets allies who join her in her journey; the incompetent but sweet-natured wizard Schmendrick and Molly Grue, a middle-aged bandit woman with a purer heart than most virgins.Their quest takes them to the barren lands of the embittered King Haggard, master of the Red Bull, and his naive foster son Prince Lír. It is here that the unicorn, superior and aloof to all mortals, is transformed into a mere human, taking the name "Lady Amalthea", forced to see and suffer human weakness and emotion firsthand.One of the overriding themes is the power of memory. The King remembers feeling happy once and tries to recapture it by kidnapping unicorns, the skull remembers wine, Amalthea is in danger of forgetting herself, Molly Grue remembers her lost youth, and the unicorn will forever remember being in love.The film's script was written by Peter S. Beagle himself. In July 2011, he finally got paid.
This film provides examples of:
Adaptation Distillation: The animated version is held in high regard as being faithful to the text, even though significant parts of the book, such as the poetry and songs, were left out.
Animesque: Although always intended for an English-speaking audience, the dirty work of animating the film adaptation was done by a Japanese studio called Topcraft (members of which became founders of Studio Ghibli, incidentally). The anime influence on the movie is unmistakable.
Anti-Magic: Arguably the main power of the Unicorn, which it used several times during the story, in order to destroy magical locks, turn back an enchanted tree to normal, and prevent the use of magic against her.
Anti-Villain: King Haggard, as shown in this scene where he explains why he captured the unicorns. Not from greed, or power... but because they're the only thing that makes him happy.
Anything But That!: Captain Cully's men reaction to his telling his bard to sing a song about "Captain Cully and His Band of Free Men".
Alternately, Lir and Amalthea could be seen as a Beta Couple to Schmendrick and Molly, as they get together sooner and easier, whereas the latter pair doesn't realize they're in love until the very end.
Bittersweet Ending: The unicorn saves her people, at the cost of the happy human life she could have known.
Skull: Oh, no. No, you don't. Not that one. Unicorn! Unicorn! Haggard! Haggard! UNICORN! UNICORN! Haggard, where are you? There they go! Down to the Red Bull! The clock, Haggard! There they go! Unicorn! UNICORN!
Cats Are Mean: Well, not entirely, but the kitchen cat at Haggard's castle is a Trickster, and could give more help than he does.
Cat: No cat out of her first fur has ever given a straight answer to anyone. (removes the eye patch to wink at Molly with an undamaged, working eye.)
Chew Toy: Schmendrick, around other wizards. He eventually says he's tired of being laughed at.
Cloud Cuckoo Lander: The butterfly sings songs, recites poetry, quotes a warning from a matchbox at one point, and occasionally says something useful. It's at least implied, if not stated outright, that verbatim parroting what he's heard others say before is actually the only way any butterfly can talk at all. He seems to understand what the unicorn is after well enough, though.
Counterpoint Duet: "Now That I'm a Woman"/"That's All I've Got to Say"—Amalthea's mixed feelings about being human and Lír's song about failed attempts to court her. Becomes a love duet at the end.
Cursed with Awesome: The unicorn becomes the only one of her kind to have known love, a terrible pain for a pure immortal creature. But also really useful since it is her love for Prince Lir and anguish over his death that gives her the power and motivation to best the Red Bull.
Daydream Believer: Molly and all of Captain Cully's crew believe there really is a Robin Hood. Molly also believes there are unicorns. (She's right.)
Death Seeker: Mommy Fortuna knows full well that the harpy will soon escape and kill her. In fact, that's what she wants to happen; the harpy is immortal, and will never forget the woman who captured and held her. "So there's my immortality, eh?"
Schmendrick: Then let the quest end here! I don't think I could change her back even if you wished it! Marry the prince and live happily ever after. Amalthea: Yes! That is my wish! Lír: No. Lady, I am a hero, and heroes know that things must happen when it is time for them to happen. A quest may not simply be abandoned. Unicorns may go unrescued for a long time, but not forever. The happy ending cannot come in the middle of the story. Molly Grue:(quietly to Schmendrick) But what if there isn't a happy ending at all? Schmendrick:(quietly) There are no happy endings, because nothing ends.
Dem Bones: The guardian of the passageway that leads to the Red Bull.
Also for a more scary example, the Harpy has more exposed and human like breasts
Molly Grue's "Where have you been?" speech to the Unicorn will sail right over the heads of youngsters, but adults, especially those who know a thing or two about the lore of unicorns, will get what she is saying. Especially the line "How dare you come to me now, when I am this?"
Gossip Evolution: When the unicorn asks Schmendrick to tell what he knows of Haggard and the Red Bull, he reveals just how garbled accounts have become—"some say the bull is real, the bull is a ghost, the bull protects Haggard or else it keeps him a prisoner in his own castle..."
Haggard: "I know you! I almost knew you as soon as I saw you on the road coming to my door. Since then, there is no movement of yours that has not betrayed you! A pace, a glance, a turn of the head, the flash of your throat as you breathe... even your way of standing perfectly still—they were all my spies!"
Irony: Mommy Fortuna has a carnival of supposed magical creatures that are really ordinary animals bewitched illusions (for example an old lion appears as a Manticore to the people). When Mommy Fortuna catches a real mythical creature (the Unicorn) humans can't see the horn so she must put a fake one on her to make them believe she's a real unicorn.
Also Mommy Fortuna's powers are only to imprison the creatures and create illusions. The line is "she can't turn cream into butter". Her servant Schmendrick is the one who turns out to be able to transform creatures into other forms.
Haggard: They are MINE! They belong to ME! The Red Bull gathered them one-by-one, and I bade him 'drive each one into the sea!' ...I like to watch them. They fill me with joy. The first time I felt it, I thought I was going to die. I said to the Red Bull, 'I must have them! I must have all of them, all there are! For nothing makes me happy... but their shining, and their grace.' So, the Red Bull caught them. Each time I see the unicorns—MY unicorns—it is like that morning in the woods, and I feel young, in spite of myself.
It's All About Me: Haggard's biggest vice—and danger—is his selfishness and obsessiveness.
Jumped at the Call: Both Schmendrick and Molly are willing to travel with the unicorn within hours of meeting her.
Just Like Robin Hood: Captain Cully and his outlaw gang certainly aspire to be, but instead are quite the opposite. They rob the poor because they can't fight back, and pay off the rich to turn a blind eye.
Princess Classic: Amalthea, especially as her humanity becomes more evident, acts like this, and nearly became an actual princess.
Prophecy Twist: The mysterious riddle the cat gives Molly to unravel the way to the Red Bull's lair turns out to be rather literal, and mostly irrelevant: Schmendrick just drinks the water while pretending to turn it into wine and, as the skull itself says, the clock is "just numbers and gears, pay it no mind"; all that really matters is using the "wine" to get the skull to tell them of the passage behind the clock.
Status Buff: Done in one instance by the unicorn to Schmendrick, when he successfully summons an illusion of Robin Hood and his allies.
Sweetie Graffiti: When it opens up to Captain Cully's campfire, you can see a tree with the words CC + MG carved inside a heart.
Talk Like a Pirate: The cat, who also sports an eyepatch and pegleg (the former apparently a complete affectation, since at one point he switches which eye it covers to reveal a perfectly normal eye had been behind it).
There Is Another: Schmendrick and Lady Amalthea discover that there are other unicorns, but they are all captives of King Haggard. The story then becomes about trying to rescue them.
Uniqueness Value: The Last Unicorn is so very, very precious to all involved because she is the last of her kind. After freeing all the other unicorns she remains unique because she's the only one to have ever experienced (and will remember) human emotion.
You Can See Me?: Mommy Fortuna, Schmendrick, Molly, and (terrifyingly) the Red Bull all know the unicorn when they see her. Most ordinary people mistake the unicorn for a white horse, and Mommy Fortuna has to put a fake horn on the unicorn to exhibit her to the public. The cat is also able to see her, because:
Haggard isn't sure at first, but he's spent enough time staring at unicorns that he quickly begins to suspect who Amalthea really is.
You Can Talk?: Molly is only mildly surprised when the cat speaks, in more of a "why are you speaking now" rather than "Oh my God! A talking cat!" This is probably due to the general Medium Awareness in the film.