I am dead, but it's not so bad. I've learned to live with it.
For the film version, go here.A zombie romance novel, written by Isaac Marion, that originally started as a short story called I Am a Zombie Filled With Love that you can read from here. After a worldwide, though gradual Zombie Apocalypse, the Living have been forced to retreat to isolated safe-places as the Dead populate the outside world. Out there is our protagonist "R", a zombie who still, in a way, clings to humanity more than his kin, inhabiting a deserted airport terminal which they only leave to hunt food.But in a hunt gone slightly awry, R eats a young man's brains and fully acquires the man's memories, motivating him to save Julie, his victim's girlfriend, from the rest of the horde and bring her back to his "home" in the airport. After she realizes that he poses no harm to her and is vastly different from what she has known zombies to be, they start an awkward relationship that changes the futile and rigid ways of both the Living and Dead worlds.Don't be scared off by the concept similarities that it has to Twilight, or the review quote on the cover by Stephenie Meyer.A film adaptation was released February 2013. It stars Nicholas Hoult, Teresa Palmer, Rob Corddry, Dave Franco and John Malkovich. For the film version, go here.Marion has since published two prequels: a novella called "The New Hunger" and a short story called "The Boarded Window". A sequel novel is also in the works.
This book contains examples of:
Abduction Is Love: A very mild example, as it was partially done to keep her safe, and in any case, was far more wholesome than the usual stuff zombies try to do to humans.
Also General Grigio, who refuses to fight off a zombie attacker in a fit of despair.
Dem Bones: The oldest zombies are just bones with sinew attached, endlessly reliving the last moments of their lives. They're also the biggest threat, as they've abandoned any humanity and cannot have their zombification reversed.
Easily Forgiven: Julie forgives R so fast for the whole 'eating my boyfriend' incident that one gets the impression that she didn't care much about Perry.
Somewhat justified in the film when she explains to R that it isn't that she doesn't miss Perry, but growing up in the freaking Zombie Apocalypse has made her used to losing people.
Further justified since she admitted herself that near the end, they no longer loved each other and knew that he wanted to die.
Emotions vs. Stoicism: Inverted. It's the protagonists' passion for life that gives them the power to change their world for the better, while the antagonists' stoicism dooms them.
Fantastic Racism: R is put out that Julie does not see the "culturally sensitive implications" of the label "corpse". Sure, the Dead may use it among themselves sometimes, but that doesn't mean the Living get a pass.
Fantasy Forbidding Parent: General Grigio, who basically thinks that any job other than Construction or Security is worthless and discourages all forms of pleasant recreation and emotional attachment.
Ghost Amnesia: The protagonist has more of his humanity left than most zombies, and he can't even remember his own name, just that it started with the letter R.
Happily Adopted: Played with: the child zombies were given to adult zombies, who look after them.
He Who Fights Monsters: General Grigio eventually becomes just as lifeless as the Boneys he's fighting, winding up somewhere between this and the Well-Intentioned Extremist. Perry also becomes zombie-esque when he loses his will to live, giving up on all his passions.
Hearing Voices: Complete with visions, actually. Apparently Perry became an inmate in R's head, as did many of the other people R has eaten over the years.
Humanity Is Infectious: It doesn't take much positive emotion for zombies to be converted to the side of good.
Idiot Ball: Julie firmly grasps it when she tries to escape from an airport infested by zombies without a weapon (or a plan). R saves her, but she reveals her presence to the Boneys, necessitating a swift exodus.
It Can Think: R is the first zombie to string together more than four syllables, but even the Boneys are capable of philosophy.
No Zombie Cannibals: Desperate zombies that have wandered alone for a long time and gone crazy may attack and eat other zombies, but normal zombies only eat living people to sate their need for life energy.
Not So Different: Perry states that him and R are both victims of the plague, and in the end there isn't much difference between the Boneys and Grigio.
Our Zombies Are Different: In this series, anyone who dies (be it of zombie bite, other violence, or natural causes) will become a zombie unless they are debrained. These zombies tend to lack personal recollections but are still capable of (very limited) speech and higher thought and retain a general cultural awareness. They generally lack the coordinated movements and fine motor skills of a living being, and must eat human meat to exist. They eat brains to get high off a person's memories. It is interesting to note that undead children apparently lack the killer instinct of their elders and must be taught to hunt. They apparently originated when the human race's negative emotions reached the bottom of the proverbial emotion barrel, then went through the bottom, unleashing some dark force that turned people into zombies after death. When a zombie (or human) finally, completely gives up all vestiges of humanity, they become a type of uber-zombie called a Boney, so-called because they're almost skeletal, and have no chance at redemption or humanity.
Julie's father is a workaholic and her mother is dead.
Nora's parents were drug addicts who abandoned her in the middle of a Dead-infested city.
Perry's parents died as a result of the apocalypse (Mom) and a construction accident (Dad).
Picky People Eater: To a degree. Body fat is useless and disgusting for zombies to eat, so a fatter person isn't more filling or delicious. R implies that the though of eating fat completely grosses him out. However, it's unlikely that a zombie would outright refuse to eat a fat person.
Pretend We're Dead: Average zombies recognize humans through smell and obvious mannerisms, so Julie is able to escape them by imitating their body language and letting R cover her in his blood. Inverted later in the book when R has to pretend he's alive - by imitating living posture, wearing makeup, and hiding his smell with cologne.
Pretty Boy: R as portrayed by Nicholas Hoult in the movie.
Race Lift: Nora is explicitly black in the books. In the movie, she's white.