Targets is a 1968 horror thriller, produced by Roger Corman and directed by Peter Bogdanovich, that focuses on two men in Los Angeles.One is Byron Orlok (Boris Karloff), an aging and beloved horror film actor who has announced his decision to retire from film-making, feeling that Real Life is churning out more and far worse horrors than anything he can hope to put on screen. The other is young Vietnam vet Bobby Thompson (Tim O'Kelly) who unknowingly sets out to prove Orlok's point when he finally snaps under the soulless banality of his existence, gathers up an arsenal, and goes on a shooting spree. Inevitably, the paths of the two men cross...The film is a worthy coda for Karloff's career, a fine directorial debut for Bogdanovich, and a symbolic passing of the torch from one generation of filmmakers to the next.
- Affably Evil: After killing his wife and mother, Thompson, while buying numerous rounds, casually carries on a conversation with the gun store owner.
- Ax-Crazy: Thompson, when he finally snaps.
- Bedmate Reveal: Orlok and Sammy get drunk and end up falling asleep in Sammy's bedroom. Sammy has a bad dream and startles himself awake:Orlok: [suffering from Hangover Sensitivity] Why did you yell?!
Sammy: I was having a nightmare and I woke up next to Byron Orlok!
Orlok: [sourly] Very funny.
- Cane Fu: See directly below.
- Cool Old Guy: Both Boris Karloff and the character he's playing, Byron Orlok. Karloff was a nice guy in Real Life (and he even worked on this film for free when it ran over the two days he owed Corman), and Orlok is pretty much the same.
- Crapsack World: One of Orlok's reasons for retiring is that the real world is becoming more horrifying than the scary movies he made. Considering how Thompson's shooting spree was based on the real-life Whitman shootings, he's depressingly correct.
- Drive-In Theater: Where the climax of the film takes place.
- Dumbass DJ: Orlok has to suffer through an interview with one.
- End of an Age: Orlok's retirement signals an end to the Monster and Mad Scientist era of horror films... with Thompson's shooting spree signaling the beginning of the next wave of horror based on human evils like serial killers.Orlok: The world belongs to the young. Make way for them. Let them have it. I am an anachronism.
- Good Colors, Evil Colors: All of Orlok's scenes are shot in mellow autumnal shades, while Thompson's are cold sterile blues.
- Let Me Tell You a Story: Orlok gives a lovely recitation of the story "An Appointment in Samarra".
- Malevolent Architecture: The decor of Thompson's suburban home could drive anyone crazy.
- Mean Character, Nice Actor: Orlok, obviously. He's built up a career playing monsters and maniacs, but off-camera he's clearly very kind and classy (again, just like Karloff himself). Thompson is the exact opposite; while he maintains the facade of a cheerful, normal, All-American youth, he really seems to be a monster on the inside.
- Meaningful Name: Byron Orlok. The last name is borrowed from Count Orlok of Nosferatu, the first name from Lord Byron.
- Mirror Scare: At one point Orlok is startled by his own reflection, a bit suggested by Karloff himself.
- During the final shooting spree, Thompson is unable to determine which Orlok to shoot at - the one onscreen at the drive-in theater or the one coming right at him.
- Nothing Is Scarier / Reality Has No Soundtrack / Silent Credits: The film has no music soundtrack, except for a tune heard on a car radio.
- Reluctant Psycho: Thompson fumblingly attempts to warn his wife about what is happening to him; when this fails, like his real-life inspiration Whitman, he types up a note calmly detailing what he is about to do.
- Shout-Out: Karloff's earlier films are referenced in this film as being part of Orlok's career; using the footage was part of the deal with Corman.
- At one point Orlok and screenwriter Sammy Michaels (played by Bogdanovich) are watching The Criminal Code (1931)—which starred Karloff and was directed by Howard Hawks—prompting both men to sing the praises of Hawks as a filmmaker.
- Speaking of Sammy Michaels, the character was named for Samuel Fuller, who helped write the film's screenplay.
- The '60s
- Slasher Movie: An early textbook example that features an Ax-Crazy gunman like Bobby Thompson in place of the usual Knife Nut as the Big Bad in later examples.
- Stealth Insult:Kip Larkin: Mr. O, I must have dug your flicks like four zillion times! You blew my mind!Orlok: Obviously.
- Two Lines, No Waiting
- The Vietnam War: Thompson is an early veteran of the war.