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Heartwarming / Matilda

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  • In the book, after she shows Miss Honey her powers, Matilda runs around her talking non stop about what her powers could mean, and Quentin Blake's illustrations show her jumping around, acting like the child she is for the first time in the story, instead of a miniature adult.
  • Mrs. Phelps the librarian, the first kindly adult to interact with Matilda and introduce her to adult literature after the latter has finished all the children's books. She tries out Great Expectations on a whim but advises Matilda not to be discouraged if it's too hard. Mrs. Phelps is pleasantly surprised when Matilda finishes it.
    • Heck, the reason why she bends the rules to let Matilda take out a library card. (Most kids need permission slips from their parents in real life to get one, but Mrs. Phelps is quite reasonable.) The librarian notes it's quite dangerous for a four-year-old to be walking across the street every day alone, but it's none of her business and Matilda explains her parents don't keep books at home, only the telly and magazines. So she helps her fill one out and tells her she can take as many as she like every week.
    • Matilda talks to her about the books she's read and says that she feels as if she is actually there in the book watching it all happen.
      "A fine writer will always make you feel that," Mrs Phelps said. "And don't worry about the bits you can't understand. Sit back and allow the words to wash around you, like music."
  • The kids all cheering from Bruce when he finishes the last slice of cake.
  • Matilda's brother Michael waving goodbye to her from the back of the car.

"The happiest part of the story is that Matilda and Miss Honey each got what they had always wanted: a loving family."
  • The end of the film version of Matilda features this scene at the end when Matilda's family is forced to leave for Guam:
    Matilda: I love it here! I love my school; it isn't fair! Miss Honey, please don't let them...
    Harry Wormwood: [interrupting] Get in the car, Melinda!
    Matilda: Matilda!
    Harry Wormwood: Whatever.
    Matilda: I want to stay with Miss Honey.
    Zinnia Wormwood: Miss Honey doesn't want you. Why would she want some snotty, disobedient kid?
    Miss Honey: Because she's a spectacularly wonderful child, and I love her!
  • Doubles as a Crowning Moment of Funny, but:
    Matilda: Here, I've got the adoption papers right here!
    Zinnia Wormwood: Where did you get those?
    Matilda: [Gives her a triumphant look] From the library! I've had them since I was old enough to xerox!
  • And the immediately following line from Zinnia: "You're the only daughter I've ever had, Matilda, and I never understood you, not one little bit... Who's got a pen?" It's this woman finally doing something good for her daughter.
    • Similarly, when the papers are signed and the family is driving away, Zinnia genuinely waves goodbye to Miss Honey and Matilda with a cheerful "Ciao!" She really does wish the best for them.
    • Before that, Harry asks Zinnia if leaving Matilda with Miss Honey is the right thing to do, proving he does have some care for Matilda.
  • Watching Matilda find a home and a family with Miss Honey even more satisfying when you take into account several small moments leading up to the finale. One subtle moment happens right before Matilda makes the TV explode. Harry Wormwood confronts her about reading during TV/Dinner time and asks her, "Are you in this family?" Matilda gives a soft, non-committal grunt as an answer; she ISN'T part of that family. Not really. So when she finally moves in with Miss Honey, it's that much more heartwarming.
  • Go on, watch the "Little Bitty Pretty One" scene without smiling. We dare you.
    • Gains an extra heartwarming feel to it upon watching the Matilda's Movie Magic feature on the DVD - apparently Mara Wilson was nervous about dancing on that table because she was the only one dancing, so while they were filming the scene, everyone on the set, except the guy running the camera, danced along with her. Think of that next time you watch that scene, and it will be even harder to not smile and feel like dancing yourself.
  • Mrs. Phelps, the kind old librarian. When Matilda asks for help in finding the children's books, Mrs. Phelps directs her to the right room and offers to find her one with a lot of pictures. She keeps an eye on Matilda as she comes to the library every day, thus providing the only adult supervision the little girl has for the first six years of her life. Then, after Matilda finishes all of the children's books and doesn't know what to do, Mrs. Phelps introduces her to classic literature and later tells her how she can get a library card to take books home, even bending the rules so she can borrow them without limit. She acts like the loving grandparent Matilda more than likely doesn't have.
  • There's a bit where Matilda laughs loudly at a book she's reading. Miss Phelps, rather than shushing her, has a sweet smile about the joy of words.
  • In a Chekhov's Gun, Matilda says she learned how to Xerox at the library, and has kept adoption papers in her mother's purse. Mrs. Phelps likely taught her how to get the right forms and photocopy them. D'aww.
  • The narration about Matilda's relationships with her books, which described the authors as being a way to let her know, "You are not alone."
  • The montage at the end of Miss Honey and Matilda having fun playing blind man's bluff, sewing, dancing, and rollerblading now that The Trunchbull is run out of school and Matilda's parents have fled the country. It's unbelievably sweet.
  • Miss Honey rescuing Matilda from the Chokey—despite how much trouble she could get into because of it. The hug they share is just adorable.
  • Miss Honey trying to help Matilda's home life. When she fails to get through to Mr. and Mrs. Wormwood, she still manages to leave Matilda a book to read, and mouths "tomorrow."
  • When Harry does take Matilda to school and bargained with Miss Trunchbull to send Matilda there in exchange for a car. It's the only time you see a somewhat heartwarming moment between the two. When she hugs him, he does act annoyed but not in a cruel way and even makes the effort to drive her there so she'd know the way. Sure we all know it goes downhill from here, but it's the thought that counts.
    Harry: Hey you! You're going to school.
    Matilda: I am?!
    Harry: First thing tomorrow.
    Matilda gets up and hugs him.
    Harry: Yeah, yeah, yeah. You're going to get a real good education at this place.
  • As horrible parents as they may be, Harry and Zinnia ARE also Sickeningly Sweethearts towards each other. If one ignores their bad behaviour towards Matilda, one can actually find that they can be friendly, sweet and affectionate, even if only with each other.
    • They are also very nice and supportive to Michael. Ironically, if Matilda weren't as smart, determined and self-reliant, she might have become a loved part of the family as well.
    • A few scenes even have a few moments where he's quite civil to her, such as when he's gluing the bumper onto a lemon car.
  • While easy to miss, the moment when the TV explodes has Matilda proclaim that she didn't do it (at least as far as she knows). As abusive as he is, her father doesn't even blame her for it.
  • The fact that Danny DeVito is the film's narrator is pretty heartwarming in itself. With him speaking in a positive, supportive, and sympathetic matter in describing and regarding both Matilda and Miss Honey. Considering how Mr. DeVito also plays Mr. Wormwood and even speaks in the same voice (albeit more cheerful and friendly-sounding). One fun way you can interpret this is that the narrator may actually be Mr. Wormwood himself having eventually grown into a better person at some point after the events of the film and sees telling his daughter's story as a way to atone for not being as decent of a father as he should've been.
  • Miss Honey's Establishing Character Moment. After Matilda has just witnessed the Trunchbull throwing Amanda Thripp over the fence for wearing her hair in pigtails, she worries what her teacher could be like. We see Miss Honey kindly unbraiding Amanda's hair for her, and making sure the girl is okay after how the Trunchbull treated her. She also tells the other children to be nice to Matilda on her first day.
    • It's also a relief that Amanda misses the fence and manages to scoop up a series of flowers as she's landing, which she also looks quite proud about. Then she gives the flowers to Miss Honey, who thanks her and says they are lovely. D'aww...
  • Matilda and her friends doing a normal kid activity: hunting for amphibians in the local pond. Then they look up the newt Lavender caught in a textbook.
  • A random kid saving the newt when the Trunchbull tosses it off her. He quietly catches it and hides it before the Trunchbull can respond.
  • Lavender and Matilda's friendship. Some highlights:
    • Lavender and Matilda meeting in the barn and bonding over their shared fear of the Trunchbull.
    • When the Trunchbull puts Matilda in the Chokey, Lavender sneaks a newt into the lady's water jug. She then signals to Miss Honey where Matilda is, which allows the teacher to rescue her. Matilda returns the favor by refusing to say who really put the newt in the jug when the Trunchbull accuses her. When Lavender thanks her, Matilda says, "Best friends don't tell" with a big smile.
    • In the climax, a dizzied Trunchbull charges at Lavender like a bull. Matilda quickly uses her powers to send Lavender upwards, getting her out of danger. Then she reassures Lavender it's okay to let go of the ceiling pipe and brings her down safely. Given her saying, "Pretty cool, huh?" to Lavender's amazement about being able to "do that", it's possible she'll let in her best friend on the truth.
  • Miss Honey goes Mama Bear in the climax when Miss Trunchbull threatens her students, trying to take the fall for Matilda going to the house and standing up to her. Then when the Trunchbull grabs a boy to toss him out the window, Miss Honey tries to tell her not to, and gives a relieved smile when Matilda uses her powers to make him fly instead and return him to the classroom.
  • There is also The Reveal of why Miss Honey works at a school where her aunt, former guardian, and abuser is the principal: someone has to protect the kids. She obviously can't do much more than verbally oppose the Trunchbull, but Miss Honey tries her best. Matilda points out she could go to another town or "run away," but Miss Honey says, while serving Matilda tea, that she loves teaching too much, and working with children.
  • Related to the above, the sheer number of times that the kids and Miss Honey stand together in solidarity. While none dare to oppose Miss Trunchbull openly or directly until the climax, they regularly make gestures of support in ways big and small. Highlights include Miss Honey doing her best to both protect the children and to inject as much fun into the hazardous education as possible, the cheers Amanda gets when she survives the Trunchbull's assault and her subsequently encouraging her classmates to show off their spelling, and ''the entire school cheering Bruce Bogtrotter along and giving him the Heroic Willpower needed to finish the Trunchbull's enormous cake. As easy as it is for cruelty and oppression to turn victims against each other, everyone in Crunchem Hall knows they're in this together and refuse to abandon each other in their times of need.

  • In The Musical we have Matilda rescuing her father from the Mafia with her wit. Wormwood, too prideful to admit his evident gratitude, allows Matilda and actually, even if uneasily, reciprocates Matilda's handshake and allows her to stay with Miss Honey.
    • And before that, Mr. Wormwood did rush to the library to collect Matilda and has a moment of conscience upon leaving Matilda with Miss Honey, a stranger.
      • A more subtle one in between these two: a Running Gag in the musical version is Mr. Wormwood misgendering Matilda because he wanted another son. Then, right when he's protesting leaving her with Miss Honey, he calls her a girl. After she's been saying "I'm a girl!" all play, it's nice to know that, in some small way, he acknowledged her.
  • Michael waving good-bye to his sister. While he was a bully in the movie, he was pretty all right, if not mildly crooked, in the book. While his and Matilda's relationship was never explored, it's pretty refreshing to know that Matilda had one family member she got along with.
  • In The Musical, Miss Honey pulls Matilda aside during class and apologizes that she wasn't able to move her up to a more advanced grade, but knows that Matilda will probably be bored in class so she asks if she would like to have some more complicated books to read while Miss Honey teaches the rest of the class. There's a Beat, with Miss Honey probably wondering if she's said something wrong, and then Matilda gives her a hug so big that she's nearly knocked over with surprise. It's clearly the nicest thing that anyone has ever done for Matilda, and Miss Honey realizes just how much this means to her, but doesn't quite know how to respond.
    Miss Honey: ...*That* is the biggest hug in the world. [Beat]. Matilda, I think you're going to hug all of the air out of me.
  • Miss Honey and Matilda cartwheel in the musical finale, a visual cue of childlike happiness.
  • The very beginning of "Revolting Children". After seeing Bruce be utterly dejected and depressed all act, to see him suddenly shoot up and start singing a triumphant anthem is incredibly uplifting, if a little narmy.
  • In the resolution of the musical, Matilda, having enough of revenge, convinces the Mafia to spare her father. Mr. Wormwood, having a semblance of humanity, allows his daughter to stay with Miss Honey, and not just to lighten his burden but out of some genuine regard for her welfare.
  • As per usual, Mrs. Phelps, the local librarian, gets to provide some heartwarming moments. Not only does she foster Matilda's love of reading—something common to every version of the story—but she also eagerly asks for Matilda to tell her the stories that she dreams up and hangs on every word. Given that Matilda feels completely isolated from her family and isn't in school yet, Mrs. Phelps is the only person in the world who makes her feel like she has something important to say, giving her a voice and confidence in herself.