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TRS cleanup


A recap film of the first season, titled ''Sound! Euphonium the Movie: Welcome to the Kitauji High School Concert Band'', premiered in Japan on April 23, 2016. A second season for the anime premiered in the Fall2016Anime season, and covers the two sequel novels. This season also received a recap film, ''Sound! Euphonium the Movie: May the Melody Reach You'', on August 30th, 2017. Additionally, due to the anime's success, the series received two new theatrical films: ''[[Anime/LizAndTheBlueBird Liz and the Blue Bird]]'' (2018), which focuses on side-characters Mizore Yoroizuka and Nozomi Kasaki, and ''Sound! Euphonium: The Movie - Our Promise: A Brand New Day'' (2019), which focuses on Kumiko's second year at Kitauji.

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A recap film of the first season, titled ''Sound! Euphonium the Movie: Welcome to the Kitauji High School Concert Band'', premiered in Japan on April 23, 2016. A second season for the anime premiered in the Fall2016Anime Fall 2016 season, and covers the two sequel novels. This season also received a recap film, ''Sound! Euphonium the Movie: May the Melody Reach You'', on August 30th, 2017. Additionally, due to the anime's success, the series received two new theatrical films: ''[[Anime/LizAndTheBlueBird Liz and the Blue Bird]]'' (2018), which focuses on side-characters Mizore Yoroizuka and Nozomi Kasaki, and ''Sound! Euphonium: The Movie - Our Promise: A Brand New Day'' (2019), which focuses on Kumiko's second year at Kitauji.
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* PictureDrama: ''Photo Session e Youkoso,'' a set of three shorts teaching theater manners that were shown before the ''May the Melody Reach You'' movie.

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* PictureDrama: ''Photo Session e Youkoso,'' a set of three shorts [[PublicServiceAnnouncement teaching theater manners manners]] that were shown before the ''May the Melody Reach You'' movie.
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* PictureDrama: ''Photo Session e Youkoso,'' a set of three shorts teaching theater manners that were shown before the ''May the Melody Reach You'' movie.
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TRS has turned Gainaxing into a definition only page. Removing examples.


* ACupAngst: Kumiko is rather conscious of her breast-size, though she does take some comfort in the fact that her friends are even flatter than she is... and then she's floored by [[{{Gainaxing}} a view of Asuka]]. This later comes up again in the second season, as Kumiko compares her chest to Reina's, who is more filled out than she is.

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* ACupAngst: Kumiko is rather conscious of her breast-size, though she does take some comfort in the fact that her friends are even flatter than she is... and then she's floored by [[{{Gainaxing}} a view of Asuka]].Asuka. This later comes up again in the second season, as Kumiko compares her chest to Reina's, who is more filled out than she is.
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** Since Creator/KyoAni [[LightNovel/AmagiBrilliantPark once again]] chose to adapt a single book from an ongoing series, this has to happen. Of particular note is Reina's increased role and importance in the narrative, particularly with regards to Kumiko, which actually changes much of the LesYay between them. By comparison, Kumiko wasn't as fixated on Reina, and indeed the first time they really had a chance to interact on a meaningful level was at the Agata festival. In this way, Reina has been PromotedToLoveInterest.

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** Since Creator/KyoAni [[LightNovel/AmagiBrilliantPark [[Literature/AmagiBrilliantPark once again]] chose to adapt a single book from an ongoing series, this has to happen. Of particular note is Reina's increased role and importance in the narrative, particularly with regards to Kumiko, which actually changes much of the LesYay between them. By comparison, Kumiko wasn't as fixated on Reina, and indeed the first time they really had a chance to interact on a meaningful level was at the Agata festival. In this way, Reina has been PromotedToLoveInterest.
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** The show has put a ''lot'' of effort in showing the intricacies of how a concert band works, particularly the instruments, but also the complex web of interpersonal relationships (and conflicts) that form when one tries to make fifty or more teenagers work together as a harmonious whole. Many viewers with experience playing in a competitive musical ensemble especially appreciated the latter.
** The show also happens in "real time", marching in step with the same timeframe in the real world, enough to count as ViewersAreGeniuses at times. For example, in a brief scene in episode 12, we are shown a shot of the night sky, which coincides with an ''actual'' astronomical event during that time period. [[labelnote:Explanation]]A planetary conjunction between Jupiter and Venus at the start of July 2015.[[/labelnote]]

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** The show has put story puts a ''lot'' of effort in showing the intricacies of how a concert band works, particularly the instruments, but also the complex web of interpersonal relationships (and conflicts) that form when one tries to make fifty or more teenagers work together as a harmonious whole. Many viewers with experience playing in a competitive musical ensemble especially appreciated the latter.
** The show anime adaptation also happens in "real time", marching in step with the same timeframe in the real world, enough to count as ViewersAreGeniuses at times. For example, in a brief scene in episode 12, we are shown a shot of the night sky, which coincides with an ''actual'' astronomical event during that time period. [[labelnote:Explanation]]A planetary conjunction between Jupiter and Venus at the start of July 2015.[[/labelnote]]
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* SignificantNameShift: There's a fateful moment when Reina and Kumiko hike up a mountain together. Before this, they refer to each other as "Kousaka-san" and "Oumae-san"; afterwards, they drop the honorifics and become much closer, referring to each other by first name only.
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** The anime sticks to Creator/KyotoAnimation's tradition of shows with real life Kansai backgrounds with hardly any Kansai dialect to be heard, even though, unlike ''LightNovel/HaruhiSuzumiya'' and ''Manga/KOn'', this show states outright where it's set. The scene in episode 3 where Asuka speaks on behalf of Kumiko's new euphonium using a Kansai dialect and Kumiko wonders why the euph would speak with an accent might seem jarring, but it makes sense considering that Asuka used the old-fashioned [[UsefulNotes/JapaneseHonorifics honorific "han"]] and [[UsefulNotes/JapanesePronouns first person pronoun "wai" (a variant of "washi")]], both pretty uncommon in modern Kansai.

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** The anime sticks to Creator/KyotoAnimation's tradition of shows with real life Kansai backgrounds with hardly any Kansai dialect to be heard, even though, unlike ''LightNovel/HaruhiSuzumiya'' ''Literature/HaruhiSuzumiya'' and ''Manga/KOn'', this show states outright where it's set. The scene in episode 3 where Asuka speaks on behalf of Kumiko's new euphonium using a Kansai dialect and Kumiko wonders why the euph would speak with an accent might seem jarring, but it makes sense considering that Asuka used the old-fashioned [[UsefulNotes/JapaneseHonorifics honorific "han"]] and [[UsefulNotes/JapanesePronouns first person pronoun "wai" (a variant of "washi")]], both pretty uncommon in modern Kansai.
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Not considered a trope anymore as per TRS


* CryCute:
** Yuko in episode 11 after [[spoiler:Kaori decides not to play the trumpet solo at the concert.]] This after all of making a mountain out of a molehill about it.
** Kumiko in episode 12 after she's unable to play a tough part in the music. [[spoiler:Taki-sensei doesn't say anything about it. Rather, he just tells Asuka to play that part by herself. It's here that she also has a revelation on how Reina felt back in middle school when their band didn't win.]]
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Loads And Loads Of Characters is no longer a trope


* LoadsAndLoadsOfCharacters: Well, it is about a concert band after all. The members of the band total up to over 60, each with their own consistent design and relationships with other band members, which aren't focused on but evident in the background.
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** The anime sticks to Creator/KyotoAnimation's tradition of shows with real life Kansai backgrounds with hardly any Kansai dialect to be heard, even though, unlike LightNovel/HaruhiSuzumiya and Manga/KOn, this show states outright where it's set. The scene in episode 3 where Asuka speaks on behalf of Kumiko's new euphonium using a Kansai dialect and Kumiko wonders why the euph would speak with an accent might seem jarring, but it makes sense considering that Asuka used the old-fashioned [[UsefulNotes/JapaneseHonorifics honorific "han"]] and [[UsefulNotes/JapanesePronouns first person pronoun "wai" (a variant of "washi")]], both pretty uncommon in modern Kansai.

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** The anime sticks to Creator/KyotoAnimation's tradition of shows with real life Kansai backgrounds with hardly any Kansai dialect to be heard, even though, unlike LightNovel/HaruhiSuzumiya ''LightNovel/HaruhiSuzumiya'' and Manga/KOn, ''Manga/KOn'', this show states outright where it's set. The scene in episode 3 where Asuka speaks on behalf of Kumiko's new euphonium using a Kansai dialect and Kumiko wonders why the euph would speak with an accent might seem jarring, but it makes sense considering that Asuka used the old-fashioned [[UsefulNotes/JapaneseHonorifics honorific "han"]] and [[UsefulNotes/JapanesePronouns first person pronoun "wai" (a variant of "washi")]], both pretty uncommon in modern Kansai.



* SpiritualAntithesis: The anime adaptation serves as this to [=KyoAni's=] previous music-based work, ''Manga/KOn''. While ''K-On!'' is a very lighthearted comedy centered around the main characters having fun while playing, ''Euphonium'' is more dramatic and focuses on the struggles of becoming a great musician.

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* SpiritualAntithesis: The anime adaptation serves as this to [=KyoAni's=] previous music-based work, ''Manga/KOn''. While Both series focus on high school music clubs; however, while ''K-On!'' is a very lighthearted comedy centered around the main characters [[ThePiratesWhoDontDoAnything goofing off and having fun while playing, only occasionally practicing their musiic]], ''Euphonium'' is more dramatic and focuses on the struggles of becoming a great musician.musician, with more emphasis on actually practicing in order to achieve that.
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Dewicked trope


* {{Meganekko}}: Vice President Asuka.
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Fixing dead link.


** Rikka High School, the school in the city for Kitauji to beat if they want to have even a chance at competing at the Nationals, is a twofer. First, they're clearly based on real-life [[https://www.youtube.com/watch?v=8bAc1Crhw1M Kyoto Tachibana High School]], who are famous for their international-level marching band; for double bonus points, Kyoto Tachibana has been nicknamed "The Orange Demons", whereas Rikka is called "the Blue Devils" in-story. Second, the real-life ''Blue Devils'' are an American drum and bugle corps based out of Concord, CA who are famed for being one of the best even among their fellow World Class peers, having won more Drum Corps International championships than anyone else.

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** Rikka High School, the school in the city for Kitauji to beat if they want to have even a chance at competing at the Nationals, is a twofer. First, they're clearly based on real-life [[https://www.youtube.com/watch?v=8bAc1Crhw1M com/watch?v=ZVJ3Ho83Ksg Kyoto Tachibana High School]], who are famous for their international-level marching band; for double bonus points, Kyoto Tachibana has been nicknamed "The Orange Demons", whereas Rikka is called "the Blue Devils" in-story. Second, the real-life [[https://www.youtube.com/watch?v=FO6d8zDf1Hg real-life]] ''Blue Devils'' are an American drum and bugle corps based out of Concord, CA who are famed for being one of the best even among their fellow World Class peers, having won more Drum Corps International championships than anyone else.
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Romantic Two Girl Friendship has been renamed to Pseudo Romantic Friendship. All misuse and ZC Es will be deleted and all other examples will be changed to the correct trope.


* RomanticTwoGirlFriendship: Kumiko and Reina, Mizore and Nozomi, and many more in Band have this relationship. Discussed in the novels, in which Kumiko muses why the girls are so close to each other and not the boys:
--> "The ratio of girls to boys was usually nine-to-one, but strictly speaking, it was even more lopsided than that. So it wasn't uncommon for girls to end up idolizing someone of their own gender. The objects of such infatuated gazes--ones too fervid to be simple envy-- tended to radiate either pure femininity or possess a boyish stylishness. Unfortunately, the boys in concert bands were rarely seen as actual boys and so were never the object of such idolization."

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* SailorFuku: The school uniforms worn by female students at Kitauji. Initially, the only reason Kumiko chooses to go there is because it's one of the few high schools that still have them (since in RealLife, SailorFuku are being phased out as high school uniforms and are more often worn by middle school students).

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* SailorFuku: The school uniforms worn by female students at Kitauji. Initially, [[SkewedPriorities the only reason Kumiko chooses to go there is because it's one of the few high schools that still have them them]] (since in RealLife, SailorFuku are being phased out as high school uniforms and are more often worn by middle school students).


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* SkewedPriorities: The primary reason why Kumiko joined the Kitauji high school is that they still have the [[SailorFuku traditional sailor school uniform]].
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* RealityEnsues: You can be the best musician around, and completely motivated to become even better, but it don't mean jack if the rest of the ensemble isn't even half as serious as you are.
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* CoverVersion: Kitauji's piece for the [=SunFes=] in the anime is [[https://www.youtube.com/watch?v=9xfi70IhFFg "Rydeen"]] by Japanese SynthPop group Music/YellowMagicOrchestra, a band widely considered one of the most important and internationally influential Japanese artists of all time. In the book, however, it's an arrangement of "Can't Buy Me Love" by Music/TheBeatles, to whom YMO's influence is often compared in Japan.

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* CoverVersion: Kitauji's piece for the [=SunFes=] in the anime is [[https://www.youtube.com/watch?v=9xfi70IhFFg [[Music/SolidStateSurvivor "Rydeen"]] by Japanese SynthPop group Music/YellowMagicOrchestra, a band widely considered one of the most important and internationally influential Japanese artists of all time. In the book, however, it's an arrangement of "Can't Buy Me Love" by Music/TheBeatles, to whom YMO's influence is often compared in Japan.
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A recap film of the first season, titled ''Sound! Euphonium the Movie: Welcome to the Kitauji High School Concert Band'', premiered in Japan on April 23, 2016. A second season for the anime premiered in the Fall2016Anime season, and covers the two sequel novels. This season also received a recap film, ''Sound! Euphonium the Movie: May the Melody Reach You'', on August 30th, 2017. Additionally, due to the anime's success, the series received two new theatrical films: ''[[Anime/LizAndTheBlueBird Liz and the Blue Bird]]'' (2018), which focuses on side-characters Mizore Yoroizuka and Nozomi Kasaki, and ''Hibike! Euphonium: Chikai no Finale''[[note]] titled ''Sound! Euphonium: The Movie - Our Promise: A Brand New Day'' for North American release[[/note]] (2019), which focuses on Kumiko's second year at Kitauji.

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A recap film of the first season, titled ''Sound! Euphonium the Movie: Welcome to the Kitauji High School Concert Band'', premiered in Japan on April 23, 2016. A second season for the anime premiered in the Fall2016Anime season, and covers the two sequel novels. This season also received a recap film, ''Sound! Euphonium the Movie: May the Melody Reach You'', on August 30th, 2017. Additionally, due to the anime's success, the series received two new theatrical films: ''[[Anime/LizAndTheBlueBird Liz and the Blue Bird]]'' (2018), which focuses on side-characters Mizore Yoroizuka and Nozomi Kasaki, and ''Hibike! Euphonium: Chikai no Finale''[[note]] titled ''Sound! Euphonium: The Movie - Our Promise: A Brand New Day'' for North American release[[/note]] (2019), which focuses on Kumiko's second year at Kitauji.
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* FourTemperamentEnsemble: The second-year students hailing from Minami form this.
** Nozomi (sanguine) is popular, social, and a natural leader.
** Yuuko (choleric) is aggressive, yelling about the solo in season 1 and playing the bad cop to Natsuki's good cop in Liz and the Blue Bird.
** Natsuki (phlegmatic) is lazy and withdrawn, but she's nice and a good friend.
** Mizore (melancholic) has trouble making friends and is depressed by her loss of Nozomi.

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* TheAce: Vice President Asuka is a very skilled player who commands pretty much everyone's respect without even really trying and manages to stay above the various internal squabbles of the band. This, however, hides tha fact [[spoiler: that she's actually rather the BrokenAce and uses her overachieving to shield herself from the problems she experiences.]]

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[[folder:A - F]]
* TheAce: Vice President Asuka is a very skilled player who commands pretty much everyone's respect without even really trying and manages to stay above the various internal squabbles of the band. This, however, hides tha the fact [[spoiler: that she's actually rather the BrokenAce and uses her overachieving to shield herself from the problems she experiences.]]


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[[folder:S - Z]]


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* IdiosyncraticEpisodeNaming: Every episode of both series is named in the same format as the title: a Japanese word followed by an English loanword. For example, the first episode of season 1 is named "Yōkoso Hai Sukūru" ("Welcome to High School"), while the first episode of season 2 is named ""Manatsu no Fanfāre" ("Mid-Summer Fanfare").

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* IdiosyncraticEpisodeNaming: Every episode of both series is named in the same format as the title: a Japanese word followed by an English loanword. For example, the first episode of season 1 is named "Yōkoso Hai Sukūru" ("Welcome to High School"), while the first episode of season 2 is named ""Manatsu "Manatsu no Fanfāre" ("Mid-Summer Fanfare").

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[[folder:Novels]]
# ''Sound! Euphonium: Welcome to the Kitauji High School Concert Band'' (JP 2013/EN 2017)
# ''Sound! Euphonium 2: The Hottest Summer of Kitauji High School's Wind Ensemble Club'' (2015)
# ''Sound! Euphonium 3: The Greatest Crisis of Kitauji High School's Wind Ensemble Club'' (2015)
# ''Sound! Euphonium: Secret Story of Kitauji High School's Wind Ensemble Club'' (2015)
# ''Sound! Euphonium Series: Welcome to the Rikka High School Marching Band (part 1)'' (2016)
# ''Sound! Euphonium Series: Welcome to the Rikka High School Marching Band (part 2)'' (2016)
# ''Sound! Euphonium Kitauji High School's Concert Band Diary'' (2016)
# ''Sound! Euphonium Kitauji High School Concert Band, Second Turbulent Movement (part 1)'' (2017)
# ''Sound! Euphonium Kitauji High School Concert Band, Second Turbulent Movement (part 2)'' (2017)
# ''Sound! Euphonium: True Stories from the Kitauji High School Concert Band'' (2018)
# ''Sound! Euphonium: The Kitauji Concert Band's Decisive Final Movement (part 1)'' (2019)
# ''Sound! Euphonium: The Kitauji Concert Band's Decisive Final Movement (part 2)'' (2019)
[[/folder]]
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The original indentation was correct. The three-bullet sections are specific examples of the above two-bullet example. Added a colon to make this more clear.


** Whenever Kumiko wants to talk to Asuka privately, Asuka jokingly deflects by asking if she needs relationship advice.
** Played straight in a flashback at the beginning of S2 E3.

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** Whenever Kumiko wants to talk to Asuka privately, Asuka jokingly deflects by asking if she needs relationship advice.
**
advice:
***
Played straight in a flashback at the beginning of S2 E3.



** In S2 E10, Asuka teasingly asks if Kumiko is finally going to confess her love, before Kumiko shuts her down with "That isn't it."
** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".

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** *** In S2 E10, Asuka teasingly asks if Kumiko is finally going to confess her love, before Kumiko shuts her down with "That isn't it."
** *** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".

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*** Played straight in a flashback at the beginning of S2 E3.

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*** ** Played straight in a flashback at the beginning of S2 E3.



*** In S2 E10, Asuka teasingly asks if Kumiko is finally going to confess her love, before Kumiko shuts her down with "That isn't it."
*** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".
*** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".

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*** ** In S2 E10, Asuka teasingly asks if Kumiko is finally going to confess her love, before Kumiko shuts her down with "That isn't it."
*** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".
***
** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".
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Add Asuka's relationship advice Running Gag

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** Whenever Kumiko wants to talk to Asuka privately, Asuka jokingly deflects by asking if she needs relationship advice.
*** Played straight in a flashback at the beginning of S2 E3.
----> '''Kumiko''' Do you have some time later?
----> '''Asuka''' ''Nani nani''? Do you need relationship advice?
----> '''Kumiko''' Could you not do that? This is serious.
*** In S2 E10, Asuka teasingly asks if Kumiko is finally going to confess her love, before Kumiko shuts her down with "That isn't it."
*** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".
*** Subverted in the last episode of S2, when Kumiko responds with a Blunt "Yes".

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Correct grammar and include more details in Amazingly Embarrassing Parents


* AmazinglyEmbarrassingParents: Asuka's mother is overbearing and demanding of the school staff to make them bend to her whims in relation to her daughter. [[spoiler:After slapping Asuka across the face, the girl has to lead her out of the teachers' lounge without flinching, indicating that this is not the first time something similar has happened between them.]]

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* AmazinglyEmbarrassingParents: Asuka's mother is overbearing and demanding of tries to force the school staff to make them bend to her whims in relation to her daughter. Specifically, she demands that the Vice Principal and Taki-sensei accept Asuka's club resignation, even though Asuka herself clearly doesn't want to quit. She even plays the Single Mother card to get them to acquiesce. [[spoiler:After slapping Asuka across the face, the girl woman has to be lead her out of the teachers' lounge without flinching, indicating that this is not by the first time something similar has happened between them.]]hand. ]]
---> '''Asuka's mom:''' I raised her by myself. With no one else's help. By myself! So my daughter's future is my decision. The club is doing nothing but dragging her down!
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Adding Senior Year Struggles to the main page

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* SeniorYearStruggles: A recurring theme throughout the series.
** In S1 E7, "Crybaby Saxaphone", Kumiko's senpai and 3rd year sax player Aoi is called out by the band director for not practicing or playing at the level needed for the band to make Nationals. She makes the tough decision to quit band altogether in order to focus on studying for her college entrance exams.
** Asuka's entire arc in S2 essentially boils down to this. After failing to even make it out of Prefectuals in her first two years, Asuka finally has a chance to make it to Nationals and play in front of her dad. Unfortunately, her mom wants her to quit band in her senior year so she can focus on her entrance exams.
** This trope is emphasized even more in Liz and the Blue Bird, as the Minami Quartet are all seniors. Mizore and Nozomi have to figure out whether they want to apply for music school or a normal college. Mizore is talented enough that the Woodwind instructor Niiyama specifically recommends her to consider music school, but she mainly just wants to go wherever Nozomi is going. Nozomi, on the other hand, flirts with the idea of applying for music school but realizes that she doesn't actually want to go pro.
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Adding Cram School trope to the main page

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* CramSchool: Aoi, Kumiko's childhood friend and senior saxophone player, is seen leaving band early in order to attend Cram School. Later, in S1 E12, after she quits band, Aoi bumps into Kumiko on her way to Cram School in the evening, when Kumiko is walking home from band practice.

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* CoverVersion: Kitauji's piece for the [=SunFes=] in the anime is [[https://www.youtube.com/watch?v=9xfi70IhFFg "Rydeen"]] by Japanese SynthPop group Music/YellowMagicOrchestra, a band widely considered one of the most important and internationally influential Japanese artists of all time. In the book, however, it's an arrangement of "Can't Buy Me Love" by Music/TheBeatles, to whom YMO's influence is often compared in Japan.



** Kitauji's piece for the [=SunFes=] in the anime is [[http://youtu.be/r23gU7JzGNc Rydeen by YMO]], considered a cult classic among synthpop enthusiasts. In the book however it's an arrangement of "Can't Buy Me Love" by Music/TheBeatles.
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I play oboe! Before, it said that Mizore's reed is sharp and can cut her lips, which isn't necessarily untrue, but not the biggest issue. Also, it called it a mouthpiece and not a reed. I'm just kinda nitpicking here. Band nerd.


* ArtisticLicenseMusic: In minute instances. In spite of being faithful to the intricacies of ensemble music, former band players can still pick out minor things like clarinet players emphatically bobbing their heads while playing, which doesn't quite happen because the instruments are more restrictive than they appear, or even Mizore's over-handling of her oboe mouthpiece, which is ''very'' sharp and can cut her lips. A more nitpicky example of the liberties taken by the adaptation can be watched [[https://www.youtube.com/watch?v=a802q2-UpGU here]].

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* ArtisticLicenseMusic: In minute instances. In spite of being faithful to the intricacies of ensemble music, former band players can still pick out minor things like clarinet players emphatically bobbing their heads while playing, which doesn't quite happen because the instruments are more restrictive than they appear, or even Mizore's over-handling of her oboe mouthpiece, reed while playing, which is ''very'' sharp would actually damage the reed and can cut her lips.sound quality. A more nitpicky example of the liberties taken by the adaptation can be watched [[https://www.youtube.com/watch?v=a802q2-UpGU here]].

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