Webcomic by Kris Straub, a hybrid Science Fiction / Fine Art comic.Originally set in the year 3440 on the Terran Directorate Ship Fuseli, formerly the Crimson Fall, a 'luxury battle cruiser' converted into a museum ship. Originally built so that the crew would get a morale boost of the opulence of the Fuseli, the caviar rations made the crew sluggish and easily overcome. The ship was repurposed as an art museum.The comic was named for the Starslip drive, the main form of FTL for the universe, which actually slips between parallel universes and is normally kept to a very close set of universes where you switch places with a copy of yourself in that universe. Because so many alternate universes use the drive the changes are so small as to be non-existent.Originally named "Starshift Crisis" until a potential copyright issue with the video game StarShift: The Zaran Legacy caused Straub to change it to "Starslip Crisis" in the "Overdrive" storyline. Afterwards all mention of Starshift was changed to Starslip in not only the domain name, but the comic itself. And after "The End of The End" the comic was shortened to simply Starslip, and given an Art Shift to boot.*
The drive now works by moving the ship along two points on a straigher than straight line, with a wonderfully forced explaination for why this is still called a "starslip".The strip began as a send up of artistic and science fiction tropes, but incorporated longer and more complicated storylines—particularly after the Art Shift—while maintaining humor. It ended on June 15, 2012.Main characters include Memnon Vanderbeam, the fussy, arrogant curator of the Fuseli; Cutter Edgewise, the drunk ex-pirate who is now Fuseli's pilot; Mr. Jinx, a cirbozoid, a stoic insectoid with Bizarre Alien Biology, whose race has repeatedly faced extermination at the hands of others.
This webcomic provides examples of:
A.I. Is a Crapshoot: Works in humanity's favor for once-a robot shows up, having last been seen planning a revolt against humanity. At some point between then and now, it downloaded the intelligence of a couple hundred robots buried (alive? Functioning, anyway...) rather than leave them. This caused it's IQ to explode, at which point it reevaluated it's priorities and decided organics were okay after all.
It doesn't last long, as he's blown out an airlock and melts upon reentry into a nearby planet soon after that revelation is made.
Alternate Universe: Starslip drives switch with a double in an alternative universe.
Anachronism Stew: A 2008 series of strips cleverly plays this with Concrete Universe, future CSI-type "historical drama" set in "the twentieth century" which casually mixes technologies, attitudes and stereotypes from "the past"; detectives ride in covered wagons, wield scimitars, and deal with criminals who "smoke booze".
Art Shift: "The End of the End" reboot provided Straub with a convenient place to update the style of the strip to the quality and detail he currently prefers to draw in.
Berserk Button: Teasing Cutter for only having one eye tends to piss him off.
Bizarre Alien Biology: Mr. Jinx's physiology gets increasingly ridiculous as the series progresses, and is frequently lampshaded.
"His" anesthetic saliva and ability to vent chloroform are used frequently.
Body Backup Drive: Quine does this. If his body is killed, a new one is created in a cloning tank on board ship and his consciousness downloaded into it.
Cosmic Retcon: As of January 9 2009, forget everything you know. They've slipped two years into the past, in a world where Starslip Drive has been outlawed.
Perhaps also includes the major plot event when they slipped into a universe where Princess Jovia died several months previous. The Alternate Universe nature of the drive makes it insanely easy to do this, which used to be the titular crisis.
Its not really a cosmic retcon if you keep on adding to the old continuity with major plot points. The Chronomantic is revealed to be Time Traveling Vanderbeam's son.
Crack Pairing: Deliberately invoked to screw with the future. When Deep Time invades, they're invulnerable so long as they know what the future will be. Holiday and Cutter decide that the most random and improbable thing to do to mess with the future is to start making out right there on the spot. And it works.
Creator Cameo: Straub was in attendance at SDCC when the Fuseli accidentally timewarped to 2007, seen here.
Death Is Cheap: For Quine, the cost of death is just the raw materials used by his cloning vat. And clothes. And pain.
Drinking On Duty: Cutter, in this strip, among others. In fact, there is nary a moment when Cutter isn't drinking on duty.
Sure there is. Even Cutter has to sleep sometimes.
Eldritch Location: The Fuseli, if you can believe it. During one arc exhibits start going missing, then turning up in other places badly mangled. It eventually turns out that, due to some bizarre and arcane technical specifications and factory defaults, the bulkheads of rooms connected to the outer hull actually move slowly, and the missing exhibits are simply being scraped off the walls as they pass.
Energy Beings: What mankind evolved into in the "really far future". Deep Time was created to protect the timeline from anything that might endanger that future.
Future Vanderbeam's plan ensured that humanity will never become this, meaning Deep Time will have never existed.
Expy: Zillion seems to share a few traits (mostly cosmetic) with Captain Reynolds, as played by Nathan Fillion.
Just to drive the point even further, Zillion even uses the name "Fillion" as an alias at one point.
For that matter, Admiral Huff of the Spacica calls Admiral William Adama of the Galactica to mind.
Ash Cordry (from another comic of Straub's, FChords) makes a prominent appearance in the Cutter Edgewise, P.I. storyline. He's identical to the original Ash, except he's actually a wig-wearing alien impostor.
Fan of the Past: Memnon is very much a fan of the past (his specific area of interest being late 20th to early 21st century), being an art curator. His art exhibits include the last remaining copy of the Catwoman film as well as World of Warcraft.
Hidden Depths: Cutter, paralyzed by seeing the Spine of the Cosmos in it's proper context, hears Vanderbeam pedanterizing about how it's not being seen in the proper context because they're just seeing a filmed projection of it. He processes this revelation and snaps out of it. The drunkard ex-pirate is the only one for whom this tactic works, suggesting that he actually understands what Vanderbeam's going on about.
Infinite Canvas: "The End of the End", where the Starslip website itself was destroyed.
The archived version doesn't do it justice. On the day it ran, it took up an entire splash page. As an added bonus, the tumbling navigation buttons really worked!
I Surrender, Suckers: Zillion uses this to bait the Xenotrids into range after he, Cutter, and Jynx are shot down.
It Only Works Once: Averted - when the ship finds themselves in the war against Katarakis for the second time, they defeat him in the exact same way they did before travelling back in time (i.e., Jinx wearing the Spine of the Cosmos as a hat.)
Meaningful Name: A quine, in programming terms, is a program that can reproduce itself.
Memnon may also be an example, named after a great king and warrior in The Iliad. Whether this is an ironic Nonindicative Name or Foreshadowing is still up in the air.
And Cutter Edgewise is a pretty deft hand with a laser cutlass.
Metamorphosis Monster: The Jinxlets are adorable little bug creatures that gain nourishment from cuddling. When fed Royal Jelly, however, they turn into terrifying berserker engines of destruction.
Myth Arc: Memnon's secret quest to find a way back to Jovia drives a lot of key plot and character development, and gives us many of the strip's more dramatic moments, but can sometimes be easy to lose sight of amongst all the shorter, more contained story arcs and gags.
Aldus Vanderbeam: I also learned I wasn't good at talking to nude models, art professors, the dean of the art department, and campus police. You will never hear that story.
Ervoth Von Lucifuge: Remember the Harrakon disaster of '37? That was me. And six trained goldfish.
Planet of Steves: Nearly everything on the Cirbozoids' planet is simply named "Cirbozoid", from cities to rivers to their currency to warcries to the planet itself. The planet's moon is called Cirbozoidmoon.
Mr. Jinx: "My family doesn't talk about cousin Cloverfield, sir."*
This strip was put up the day after someone commented on the forums on how the Cloverfield monster reminded him of a Cirbozoid. Straub replied with a linke to the strip and the phrase "CANON'D
".
The mech Vanderbeam pilots to fight an overgrown Jinx is essentially an Evangelion.
It was originally constructed to test a theory that pampered soldiers would fight harder and win more battles so they could get back to the caviar faster. This failed predictably, and it was converted into a museum.
Sufficiently Advanced Aliens: The aforementioned centipedes, who teleport the Paradigm and its crew along with every single celestial object known to mankind to the other end of the galaxy just to be left alone.
Teleporters and Transporters: Subverted — the crew steps onto a "relevator" (with a design reminiscent of the transporters of Star Trek) which turns out to simply shoot down onto Cirbozoid's surface at near-light speed.
Deep Time could also count as a Deconstruction of the Time Police concept since they take the usually noble goal of "protecting the future" common to similar organizations to its logical extreme: making them crazed Knights Templar capable and willing to go to literal war with the past and using every underhanded tactic in the book, ranging from killing innocent people for the sole fact that they don't have any significant impact in future history, abusing Tricked Out Time, as listed below and finally building and activating a giant bomb that destroys the entire timeline it's on and replaces it with one sure to result in the creation of Deep Time's "present".
Tricked Out Time: Memnon uses A2-Z to compute a certain important Starslip path, but instructs him not waste computational time answering questions he answered the first time.
Deep Time especially abuses this. At one point they attack the Fuseli and go back in time to plant hypnotic triggers in every member of the crew. Somemore harshlythan others. One agent goes back in time and FATHERS AND RAISES A CHILD so that the child can grow up, become a guard on the Fuseli, and not be able to make himself shoot his father when the Deep Time agents raid the ship.
True Art Is Angsty /True Art Is Incomprehensible: Many art-centered strips, but especially Xxxyyy (pronounced "zee"), a deconstruction of the modern artist, rebelling against the label, trying hard to create something that will make people wake up and realize she's just a hack. Offensiveness included here because one piece involved driving a species to extinction to use their pelts as a canvas. Oh, and I suppose attempting to blow up a ship with full complement counts, too.invoked
Unwitting Pawn: Katarakis, for the future Vanderbeam. Future Vanderbeam took advantage of Katarakis' ambition (at the cost of his own life) as part of his plan to retgone Deep Time.
Viewers Are Geniuses: Much of the humor can come from artistic related puns, while art context is at least once the key to saving the galaxy.
Vitriolic Best Buds: Type 2: Cutter and 'Beams' almost never stop sniping at each other, but will defend each other against outside criticism, attempt to protect each other, and have plenty of nonromantic (and often promptly lampshaded) Aww, Look! They Really Do Love Each Other moments.
Jinx and just about anyone else might count as Type 1; Jinx is submissive to a ridiculous degree and takes all manner of insults from everyone but Holiday, but the others have gone out of their way to help him on several occasions, and vice versa.
Welcome to the Real World: A haphazardly-plotted Starslip jump caused the Fuseli to crash into the 2007 San Diego Comic-Con.
Year Inside, Hour Outside: When a Deep Time agent needs to think they will time travel away to think and come back a second later. At least one agent wastes his entire lifetime on a stupid idea, asking a friend to stop him from wasting it on that idea.