''I always knew police were evil I knew it I had a feeling."
— Critic, Transformers
And the good guys are the auto-bots and they kick ass and one of them's a hummer I'm totally buying a hummer today.
— Critic, Transformers
"Immediately a pool of disappointing memories came flooding back to me and I just knew I had to watch this stinker again."
Huey, Dewey, and Louie: Just believe in yourself!
Critic: Well I don't-
Miss Piggy: We care about you!
Critic: Well maybe I-
Critic: Maybe I'm being too harsh on this special. After all, they are trying to get across a very moral lesson.
ALF: Drugs aren't your pal, pal. They're your enemy.
Critic: A very sound point. Any objections?
Ghost: But I make him feel good.
Critic: He's got me there. [starts smoking]
— reviewing the drug special.
"Good God, I just pissed myself! That is the scariest thing in my entire life!"
— His reaction to the Cloverfield trailer.
"I apologize from everyone in America. I deeply deeply apologize I mean my brain sometimes dies on me. Stupid white American, haha don't know anything. J-just don't, uh, don't..." *runs the fuck away*
— Upon insulting a guy in a kilt.
"So when we heard they were actually making a live action movie based on Teenage Mutant Ninja Turtles, we proudly pissed our pants with joy, shit ourselves with excitement, vomited up vast amounts of excrement, shit on it, rolled around in it, put it back in our mouths and proceeded to vomit it up again in roaring anticipation. ...okay maybe only I did that.
"They kicked ass back then and I'm sure they're gonna kick ass now."
"You know... I'm starting to realize these movies aren't the masterpieces that I remember them to be.
"So let's sit back and enjoy ''Teenage Mutant Ninja Turtles III." [five minutes later] *sobbing angrish ensues*
— Critic, reviewing Teenage Mutant Ninja Turtles films.
"I used to have a Ninja Turtle doll... that I shot!"
"But not today. Today, seeing as it's Halloween, I'm going to stand up for myself, gonna confront my fears and I'm gonna watch this scene all the way through." [he doesn't manage it]
— Critic, the Top Eleven Scariest Moments.
"But luckily all that violence and gore had no disturbing side-effects on our decent childhoods."
*shoots his gun while drinking from a skull*
"I'm sorry, I have to do that every twelve minutes.
— Critic, Street Fighter review.
"And as both you and I know, there is no comparison. I am by far the greater talent."
— Critic, first AVGN rant.
"I can't do it! I can't make fun of Sesame Street, it's the first show I ever saw! I'm sorry about the gay joke, Bert and Ernie, whatever your sexual preference is is none of my business. I'm sorry, Big Bird! I'm sorry everybody! *cries* I love you all! You're all so beautiful and innocent to me! YOU! ARE! CHILDHOOD!"
— Critic, in the Follow That Bird review.
"When you're a kid all you can think about is being in high school. When you're in high school all you can think about is being in college. When you're in college all you can think about is being an adult. And when you're an adult all you can think about is being a kid again. LIFE FUCKING SUCKS!"
— Critic, in the Saved by the Bell review.
"I'll do anything! Shave your back, do your taxes, prostitute myself for money! Just please not another song!"
Critic, The Tom and Jerry Movie
"It's vague, it's confusing, and it's just a mess. Much like my sex life. Erm, I mean, uh... did I say that out loud? I, uh.." *uses a neuralizer on the audience* "And that's why I'm the greatest lover ever!"
"And let me tell you something. That tie? Never comes off."
— Spoony, SWS2
"I had issues."
— Critic, Old vs. New: Willy Wonka
"Please! Anything but this! I can't do it! I can't do it!"
*all the Star Wars characters laughing at him*
[talking about his earlier self] "It's hard to believe that such a handsome man could become even handso- handsom- hands- prettier."
— Critic, Battlefield Earth
"Ah yes, I remember when my old boss used to come down to my old company and spontaneously offer vice-presidency to one of the lower class. Unfortunately I didn't get it. But I showed him." *shows the I QUIT shirtless bit*
Critic, The Flintstones movie
"It's like trying to save a sinking ship with a bandaid. Anything I try to do would be completely pointless. Save me."
Critic, Theodore Rex
"Linkara": (actually Critic pretending to be Linkara) Hello, I'm Linkara, and I totally fucked up. Sorry, I feel like an ass.
Critic: Oh, Linkara, there's no need to be so hard on yourself.
"Linkara": No really, it was totally my fault. I should have known not to upset someone as powerful and handsome as you.
Critic: (pleased and a little bit hopeful) Oh Linkara, are you saying I'm so physically attractive that I'm turning you gay right now?
"Linkara": Yes. Yes I am.
Critic: Well I just don't know what to say. I mean I'm just speechless.
"Linkara": Bat credit card.
Critic: *expected response*
— Top Next Nostalgia Critic Fuck-Ups
"What the hell was I thinking? I'm really having trouble with stuff Dora The Explorer can figure out?"
Critic, Top Next Nostalgia Critic Fuck-Ups
"In fact, I'm gonna call the director right now and find out! [calls] Hi, this is the Nostalgia Critic and I wanna know what the hell you were thinking of with the ending of My Pet Monster. In fact, what the hell were you thinking with the entire movie in general? [beat] Well... I don't know what I was expecting, I mean... [beat] Yeah, yeah, I saw the cover and I- I still rented it- and I watched it willingly. [beat, starts getting more embarrassed] No, I'm not babysitting anybody I uh- [beat] I'm twenty eight. [beat] W-well it's kinda my job. [beat] Yeah, I watch children's programming and tell people what I think online. [beat] I'm very happy that you pity me. [beat] Yeah, we're done! We're done. Just, uh, thank you for your time and I'm sorry to have inconvenienced you. Okay. Bye."
— Critic, My Pet Monster
But I never intended all this bullshit, never,
And nobody really understood,
Well, how could they?
That all I wanted to was to bring something great,
Why does nothing ever turn out like it should?
Well, what the heck, I went and did my best,
And my God, I really tasted something swell,
And for a moment, why, I made directors cry,
And at least I told them they could go to hell, I did.
And for the first time since, I don't remember when,
I just felt like my critical self again.
And I no- stalgia Critic...
That's right... I AM THE NOSTALGIA CRITIC! Ha-ha-ha!
And I just can't wait until my next review,
'Cos I got some new ideas, that I'd really like to do,
And my God, I'm really gonna give it all my might
...uh oh, I hope there's still time to set things right.
— Poor Critic
"I may be pathetic, but I'm proud."
— Critic, after a breakdown.
"I'm a glutton for fucking punishment."
Critic, The Lost World: Jurassic Park
Vincent Price: Critic, I knew you would blow me off after that last phone call, so I set a time bomb in your house before it was built. Clever me. But don't worry, it's set to go off in exactly fifty seconds. You'd better run, big boy.
Critic: [quickly] I remember it so you don't have to.
Vincent Price: [while Critic tries to run] One, two, skip a few, fifty.
"Okay, was I born a chick? Cos I even knew what these things were at that age. Just cos we're boys doesn't mean we're frigging morons."
Critic, Milk Money
"I'm sorry, is this how white people act? I mean, I'm white and I'm incredibly confused."
Critic, Milk Money
"Yeah, I remember the last time I said this is the nineties, old man to my Dad..." [shakily and looking traumatized] "i-it really was the last time."
"Um, hello everyone, I'm the Nostalgia Critic. I remember it so you don't have to. Uh, they allowed me a short amount of time out of the internet state penitentiary. A- a little surprised to see that place actually existed, but it's apparently next to the State Home For The Ugly. So, uh, they allowed me a short time out to answer your questions about the video I did last week."
Woman: How does it feel to be responsible for the absolute worst Let's Play to ever be put on the internet?
Critic: Bad. Definitely, uh, bad, but hopefully I can make some more funny videos and move on.
Man: I had a robber break into my house, kill my wife and eat my children. He's not as bad as you.
Critic: ...thank you for that. And I'm very sorry for your loss.
Man: Don't give me your pity.
"And it's not like my need to please the masses is going to affect my opinion in any conceivable way! I'm just going to praise it for the fantastic family romp that it is. ...really."
"Now in any other movie I'd say these two were as strongly constructed as a bomb shelter made out of Popsicle sticks, but in this movie it works because... I really want you to like me right now."
"And that's all I've gotta say about that. There, have I restored anything in your guys's eyes?"
Save me, Corporate America!
Critic, Star Trek V: The Final Frontier
Critic: I hoped you learned your lesson.
That SciFi Guy: What lesson? I didn't do anything...
Critic: Do you want to go back to the corner?
That Sci Fi Guy: ...No...
Critic: Remember? Every single time you thought you were done with it, you came up with something better. When you had time to think, time to focus, time to put that extra effort into it. But you had anniversary movies, conventions, other shows, your own life to live. All while trying to write, act and edit a 20 minute video every single week. Face it buddy, you weren't done yet. You just. Hit. Burnout.
Doug Walker: I'm not going back.
Critic: Yeah? Then why don't you just make me go away?
— The Review Must Go On
Peter Soulless: By having grown-up humor, we make it more adult. By modernising the dialogue, we make it more timeless. And by changing the source material, we show how much we want to make it even better.
Critic: No! Every single thing you said, you got backwards. By having grown-up humor, you make it more childish. By modernising the dialogue, you make it more dated. And by changing the source material, you show how much you don't respect what's already perfect! I'm not going to act like everything Seuss wrote was a masterpiece, but when he got it right, he got it right. They don't need to be updated, they don't need to be fixed. They don't even really need to have movies made about them. But if you're going to do it, the very least you can do is understand the source material.
Peter Soulless: Well, of course I understand the source material. They're just simple kids' books.
Critic: No. They're not just simple kids' books. They're stories that we're continuing to read even today. They're stories that we remember years later, even when other stories fade from our memory. They're stories we will never forget, and for good reason. They're stories that helped shaped our childhoods, through well thought-out writing, imaginative drawings, and endearing morals. And the idea of this shaping somebody's childhood, the fact that it even has the same name just makes me sick to my stomach. Maybe these "simple kids' books" are far more adult than you give them credit for. And I guarantee that'll show when years later, both children and adults will still be reading these "simple kids' books", while pandering bullshit disappears from peoples' consciousness, also for good reason. Good art doesn't come from focus groups and statistics. It comes from people who share how they see things in their own unique way.
Evillena: Critic, I think I like your book better than I like the movie.
Critic: So do I, kiddo. So do I.
Four nations exist called Earth, Fire, Wind, and Water
Til Fire decided things should get hotter
Invasions aren’t nice, but then to break the ice
Aang the Avatar rose to make them pay the price
Katara and Sokka help him to keep in the know
Flying what looks like a white Neighbor Totoro
Chased by their foe, a young prince named Zuko
Don’t ask him about his scar or Rufio
The Avatar masters the elements flawlessly
Toughest of Tophs turned a blind eye so cautiously
Avatar State opens at a great rate
But Azula serves his arrowed ass on a plate
Katara revises him and they sing their love song
But Zuko decides this emo shit’s gone too long
He switches sides at the turn of the tide
So now Aang is on fire with his smoking guide
Katara and Zuko beat Azula on the cuff
Mostly because she is cuckoo for Coco Puffs
Aang’s feeling ill ‘cause he don’t want to kill
But the cowardly Lion Turtle says “Hold still…”
He’s given the gift to depower the fire lord
Nation says “Whatever”, Zuko can lead the horde
Go and live happily in the world that is free
Just remember that it’s thanks to baldy
So that is the show and it’s good that you know
Because it is the best as good cartoon shows go
And so now that you heard, go ahead, spread the word
That the best Avatar ain’t that blue pussy turd
— Critic, summing up Avatar: The Last Airbender
"And the absolute biggest dumbass in distress is... BELLA. From Twilight. This has to be the most selfish, male-dependent, uncaring, manipulative, self-centered, pretentious, idiotic, whining little bitch-bag you will ever see in your entire life! And honestly... that wouldn't be too bad a character, that'd be very, very interesting—IF IT WAS INTENTIONAL! But it's not. Bella is supposed to represent the everyday teenage girl. If that's the case, the story really got mixed up who the blood-sucking monster is! She thinks she's tortured, even though really she has no problems. She gets a crush on a boy, and decides she wants to marry him, even though she's not even out of high school yet. She wants to be turned into a vampire, which everyone has said is throwing her life away. But of course, at the enlightening age of 17, she already knows exactly what she wants! Aren't you glad you followed through with every bright idea you had at 17? Aren't you glad you totally committed to something you knew you could never make a mistake on at that age? Oh yeah, 17! Nobody ever fucks up at that age! The boyfriend tries to leave her so he can save her, but she constantly throws herself off cliffs and throws herself in danger... just so he can notice her. GOOD. FUCKING. GOD. That's right girls, if your boyfriend leaves you, do this! (cut to Bella jumping off a cliff) I assure you it won't backfire in the least. Sure you might be dead, but that'll teach him! She then gets another boy involved, who actually seems supportive and attentive, but she dumps him because the other guy looks at her weird. And by God, how can she turn down a boy with no personality that just looks at her weird? Again, one of those brilliant choices you make at 17. So now, a whole war is going on—all because of her. And everyone's going out of her way to try and protect her, and she's simply like, "Yeah, that's cool." Oh, wait, she does try to say once that she's not worth it, but that only lasts a few seconds. She then realizes that she is worth it, and is totally on board with having muscle boys carry her around everywhere! And just as her boyfriend finally agrees to marry her (imagine, a boy being pressured into marriage), she dicks around with the other guy yet again'. Oh my God. I mean... OH. MY. GOD. I have never seen a character more needy and more insecure. She's such a dumbass in distress, that it's actually kinda scary. She is a scary character. In another dimension, maybe she could've been a great Shakespeare villain, this really developed, complex, psychotic mind. But as the everyday, relateable girl that we're all supposed to identify with? She is, and always shall be, the biggest dumbass in distress.
Critic, Top 11 Dumbasses in Distress