Protagonist Without A Past
In some games, usually RPGs
, a player character that does not start out in his actual home at the beginning of the scenario will usually have no prior history in the world of the game. He/she/it will never encounter people they know from before or have a hometown to visit. This is entirely justified in cases where the protagonist is in a foreign country or another world, but is decidedly strange in cases in which it appears that the scenario takes place in the protagonist's homeland.
If it is suggested that people in the gameworld should know of the hero, this trope becomes a form of Gameplay and Story Segregation
Compare Gameplay-Guided Amnesia
, where not even the character knows who they're supposed to be.
May overlap with AFGNCAAP
. Occasionally, can be created in-game by player actions with Schrödinger's Gun
Non-Video Game Examples
Anime and Manga
- Jeudi alias Alicia Brandel from Honoo No Alpen Rose, who as a little girl was found in the Swiss countryside alone and without any memories of her past. As a teenager she's forced to run away from a Stalker with a Crush, and then she starts to search for her past and family with her boyfriend Lundi.
- By the creator's own admission, Johnny the Homicidal Maniac, specifically to avoid a terrible Freudian Excuse. He then proceeded to parody the generic past for people like Nny, involving lots of bullying at school and a horrible childhood in a hypothetical scenario... "YAAAARGH!! I have been pantsed!! I kill like the damned now!!!"
- Ebony Dark'ness Dementia Raven Way of My Immortal pops up out of absolutely nowhere. She is never given a past, although a lot off other characters do (even if said past...lacks something), and for all we know, she could be a telepathic alien from Pluto, just called a vampire.
- "V" from V for Vendetta can't so much as remember his name, let alone where he came from before Larkhill
- Grimgor Ironhide appeared out of nowhere for the 6th Edition of Warhammer as the new strongest Orc special character. He and his bodyguard brutally murdered the first orc that asked where he came from and no one has had the stones to ask since!
Video Game Examples:
- The Secret Of Monkey Island starts simply with the hero washing up on a beach with nothing but a silly name and a burning desire to become a pirate.
- In Monkey Island 2: LeChuck's Revenge, his parents are mentioned several times although it is left ambiguous what they actually do. It's further left ambiguous whether Guybrush is a real 17th century adult or just an imaginative kid lost in a "Pirates of the Caribbean"-type ride.
- In Escape from Monkey Island the scene where he is washed ashore is actually shown in the intro, but none of his earlier past is ever mentioned.
- Manny Calavera of Grim Fandango. The fact that he's stuck working for the Department of Death indicates that he did something bad in his life to warrant being there, but he claims not to know what it was.
- It's suggested that he's one of the victims of the Big Bad's scheme to rob people of their #9 tickets. There's also a dead pirate who looks a lot like him in one of the Monkey Island games, giving some clue as to some of the bad things he has to work off.
- In Broken Sword, it's never really indicated what George Stobbart's job is. He has spent most of the series being a tourist. The first game has him mentioning that he studied law. In the third it is explicitly stated that he is an attorney specialising in patent law. By the fourth he's become a bail bondsman.
- Seth, the main character in Atlantis The Lost Tales. He seems to be Atlantean himself but has no connection to anything before the story's beginning.
- Abel from Street Fighter IV is a French youth who was taken in by a mercenary after being rescued from a Shadaloo base as a little boy. His motives to fight in the SF tournament is to search for hints of who he truly is. Many hints point at him being either a clone of the Big Bad Seth, or the person whose DNA was used to create Seth himself.
- The fact that the Point Man of F.E.A.R. doesn't seem to have a history is one of the game's plot points, as many of your increasingly disturbing hallucinations will point out to you.
- We don't know anything from Jack's past in BioShock, and we only know that he's just traveling in a plane, and he's shown to be an outsider to Rapture, practically embodying this trope for the player. This is subverted later in the game, when not only we find out about his past, we find out he himself is a crucial part of the overall plot.
- Sonic the Hedgehog. Other than a mention of his birthplace note in the Japanese manual for the original game, his past isn't elaborated upon at all. Tails also comes close, with slight elaboration. It's not clear how he was born on an island that he was the only inhabitant of, though.
- In the mystery game The 7th Guest, the player assumes the identity of a character known only as Ego. Ego's voice can periodically be heard during the gameplay, questioning why certain things happen or different characters do different things. His comment at the start of the game is "I remember nothing." Ego's identity is eventually revealed to be Tad, the child who is the eponymous 7th guest at this demonic house party. Ego regains his memory at the moment of the final confrontation, and his child self is rescued from the game's villain.
- Portal starts with Chell waking up from suspended animation, and it's easy to go through the whole game without even learning her name. Over two games and a comic, the only reliable character trait we discover about her is that she's incredibly stubborn. Even the turrets get more Character Development.
- Her (probable) history can be reasoned out thanks to two facts. The first game mentions that there is a "Bring Your Daughter to Work" day. In the second game you can find a set of abandoned science fair projects, including one signed "Chell" which used a secret ingredient from Aperture. Assuming it isn't someone with same name, it's likely then that Chell was an employee's daughter (possibly adopted) who was in the facility when GLaDOS came online and has been there ever since.
- In the CRPG Arcanum: Of Steamworks & Magick Obscura it is possible to give the character one creates the special trait "Child of a Hero", one of the effects of which is that the PC becomes twice as unpopular as normal if he/she commits evil deeds. The justification for this is that people know you are the offspring of a hero, and therefore expect you to be goody-goody. In spite of this, the fact that your father is famous is never brought up in conversation. Additionally, the player will (obviously) never encounter anyone they knew before the game started.
- In the same game, dialogue with NPC dwarfs suggest that they place great emphasis on their clan and the sense of belonging it brings. One dwarf party member has a sidequest revolving around discovering the lost clan his ancestors belonged to. Yet if the player character is a dwarf himself, the subject of what clan he belongs to or where their clanhold is never comes up. Even when conversing with the king of the dwarves, who asks the above-mentioned party member which clan he belongs to.
- In addition, one major quest concerns finding the location of the ancestral home of the elves. If you play as an elf, you still have to jump through the hoops to find it out from another elf, and they find it odd you don't know about it yourself.
- In Dungeon Lords, the protagonist begins the came having just stumbled upon someone else's campsite. No inquiry into his/her past is mentioned.
- Averted in Final Fantasy V, where Bartz turns out to have a hometown after all; it's in Lix. And while it does get destroyed much later on, so do half a dozen other places at the same time, and they all come back during the ending.
- Final Fantasy VII plays with the trope; Cloud's last memory of his hometown, Nibelheim, is of the entire town being destroyed in a fire started by the Big Bad. When the party travels there, however, the town is perfectly intact and none of its citizens recognize him. This is later resolved when it's revealed that The Shinra Corporation rebuilt the town and populated it with actors to cover up the failure of the Jenova Project. Also Cloud's memories of certain events in Nibelheim turn out to be not quite correct.
- The four protagonists in the original Final Fantasy I do not have past at all, nor any dialogue, you can choose their names and jobs at the start, and at the end they Retcon the world so they're (and the Big Bad's actions) are erased and never happened in that particular way.
- And then you can play one of these in Dissidia: Final Fantasy (which seems to Retcon the original Final Fantasy's plot into having only one Warrior), and this time, he gets talking cutscenes. In which you discover even he himself doesn't know where he came from (due to the nature of the endless cycle, every time he was resurrected, he would lose more of his memory, and he's been in the conflict since the very beginning). Dissidia 012 reveals that he doesn't have a past, as he was a Manikin infused with memory and personality.
- Averted in Vampire: The Masquerade – Bloodlines. The player character, as a newly sired vampire, has nothing to do with his/her former life out of own will. But at one point in the game one does run into a friend from before the siring, who wonders what happened to the character and offers to help. As, without interference, this friend will indeed call for help, the goal here is to keep up the Masquerade. You're given the option of killing her, talking her out of it or (if possible) using your vampire powers to brainwash her into not doing so.
- While the game was still in development, there was a feature that allowed the character to choose a pre-Embrace background that would affect skill distribution (for example, if a normally social Ventrue chose the "Union Leader" background, Physical Attributes would become their new primary). The feature isn't available at first, but a careful bit of code exploration can open it back up to the player.
- Turned on its head in Planescape: Torment: the hero encounters people who remember him all the time... he just doesn't remember them in return. Most of the time, he just plays along. This does allow a few of those people to play him for a fool, though. The best example is Pharod, who will only help you if you go into the catacombs and find the Bronze Sphere. After you bring it back, he reveals that you originally tasked him with finding it and now since you don't remember he was able to make you go find it yourself.
- In The Elder Scrolls III: Morrowind and Oblivion, the character may as well not have existed before the start of the game. No home city, friends, family, etc. In both, you start out in jail for a crime you don't even remember and which the authorities say is "not important". In the former game, the player character is explicitly stated to be an outsider to the island the game takes place on, justifying the trope. In the latter, however, even the prisoner in the cell vis-a-vis yours who taunts you at the very beginning will make statements indicating that you haven't even been conscious in his presence before. It's also hinted that you never committed a crime at all - when asked about it, the emperor says that "perhaps the gods arranged us to meet."(Or, to translate Emperor-speak: "Someone in middle-management fucked up and you got shafted. Sorry.")
- Morrowind establishes that your parents are unknown ("On a certain day to uncertain parents"), and how and why you were moved from the Imperial City's prison to a boat on the way to an island. Beyond that, things are as blank as Oblivion.
- Skyrim continues the tradition with the only aspect of your past being known is that you were crossing the border into Skyrim when you got caught up in an Imperial ambush meant for Ulfric Stormcloak. At the most, Hadvar gives some possible reasons why you've come to Skyrim depending on what race you've chosen.
- The obscure DOS survival horror/fighting game BioForge had a very clever play on this; the game begins with a mad scientist chopping the player up and turning him into a hideous cyborg. As a result, the player begins the game with amnesia. The player's actions throughout the game (whether they spare or kill enemy guards, or use violence or puzzle-solving to progress) determines which of about 20 possible characters kidnapped and experimented on by the bad guys the player will ultimately turn out to have been. The 20 characters (ranging from heroic marines to psychotic killers) are ID files stored on the enemy computer system, you can read them all early in the game, but only get the passcode that tells you which one is really "you" at the very end.
- The protagonist from Neverwinter Nights has no past prior to coming to Neverwinter. The main characters in the expansion packs and sequels get somewhat better characterization.
- You start as a level 1 character who is just graduating from the Neverwinter Academy, so you wouldn't likely have any deeds to your name. However, you apparently never made any friends in the city of Neverwinter or any other place you visit during the game before hand. You're also quite unfamiliar with the rest of the city even though the Academy is inside it's walls.
- The first expansion Shadows of Undrentide is really just like the original game; your character is someone who went somewhere to be trained to be an adventurer and is now "graduating". At least the details are less lame this time. You're learning under an independent master, whereas in the original the academy was set up to train potential heroes to save the city from the plague. That latter is either a really bad excuse or unrealistically Genre Savvy. The second expansion Hordes of the Underdark gets off easily by giving your background as "you're the guy from the other expansion" - even if you're not, and even if you're the guy from the original game, who keeps getting referred to.
- Raidou Kuzunoha the Fourteenth in Raidou Kuzunoha vs. The Soulless Army is given no past before the completion of his training.
- Breath of Fire
- Ryu from Breath of Fire III is - he was pretty much born / awoken when the player first manages to take control of the game, so he doesn't really have a past prior to what the player sees.
- Similarly, Ryu from Breath of Fire IV was half of a botched god-summoning. Everyone knew about the other half.
- Both Persona 3 and Persona 4 play with this concept. In both games, you arrive in new towns where next to no one knows you. As both protagonists are silent, there is not much need to discuss their respective backstories. However, the events within the protagonist's childhood in Persona 3 turn out to be VERY important to the overall plot, though he himself doesn't remember them. The protagonist's life up until now in Persona 4, by contrast, is essentially moot and unnecessary to the story overall.
- The manga and anime adaptations of Persona 4 turns the protagonist (called Souji Seta in the manga, Yuu Narukami in the anime) into someone who is accustomed to being a distant loner having to move to different places all his life. Especially the anime goes deeply into his Character Development from making true friends, devoting over half of the airtime on his non-combat-related everyday life.
- Played with interestingly in Digital Devil Saga - the fact no one has a real past turns out to be major plot point, and an easily missable one.
- In Titan Quest, the player-character simply shows up one day at a pier by a river.
- Divine Divinity plays this trope rather blatantly. Your character was just walking in a forest, started fighting an orc, got hit by some magic thing from nowhere, then woke up in some guy's house in a random village. They don't even claim your character has amnesia or anything like that.
- In Final Fantasy XI, your character has "traveled far" from noplace in particular to become an adventurer in the starting nation you choose. After this Hand Wave, the concept is never revisited, yet at the same time your character clearly doesn't have a clue about a thing in Vana'diel.
- The game does mention that the continent on which the game takes place isn't the entire world. Most likely the player came from somewhere else to the continent of adventure.
- Fallout usually averts this, and The Courier of Fallout: New Vegas appeared to be the first example in the series. Subverted as some their past is revealed, mostly confined to plot points pertinent to this game, but a few seeds for Ontological Mystery have been sown and by the Lonesome Road DLC the player is given a glimpse into a major event of the Courier's past.
- It's justified in that the Courier was shot in the head during the game's intro and might have lost a significant amount of his/her memory, and presumably is a stranger in the Mojave having only to deliver their cargo. The dialog tree during Lonesome Road allows you to insist to Ulysses that you don't even remember the place he's lured you to and/or might have mistaken you for someone else, which may very well be true.
- The fifth Geneforge game gives a variant. You're an Amnesiac Hero who clearly has some important past, but all anyone can tell you about it is that you were raving mad and throwing power around in messy displays of violence. No one recognizes you, although you might not look the same as you did. You may be a protagonist from a previous installment in the series. You may be an antagonist. You may be a nobody. The truth is never revealed.
- The player character of the first Knights of the Old Republic is another Amnesiac Hero and almost a completely blank slate. There turns out to be a good reason for that.
- Nightmarishly justified in Dark Souls and Dark Souls II. Your Player Characters did have a past, but the Undead Curse is rotting their minds, starting with the oldest memories. Dark Souls II especially plays up this angle - you no idea who you are. The opening teases you with the image of a woman and a child, but even that vague memory dissolves, lost forever. Wowee gee, isn't Complete Immortality great?
- Practically enforced in Gothic.
- Whenever the hero tries to introduce himself in the first game, whomever he talks to says something like "I don't care who you were".
- In the second game he is recognized for what he did in the first one (and even there Thorus says "Maybe fought by my side or maybe you fought against me. That doesn't matter now."note ), but nobody remembers him before the prison camp. Except one judge seems to recall something, but the hero hastily denies ever meeting him.
- Same in the third game. There are friends and enemies from the earlier games, but nobody on the continent recognizes the hero. Except for... the king, but he only says that prison camp did the hero good.
- Subsequent games were not made by the original team and they were failures. Therefore fans don't recognize The Reveal as canon.
Wide Open Sandbox
- The Crusader game actually had this as a plot point. The Silencer thinks he remembers what his history is...but at the very least he may well have been genetically engineered. Also, if he has a name, no one (except possibly him) knows it.
- The first time the Player in Saints Row is seen, he nearly is run over, and then nearly shot. We learn nothing else about him, except that he doesn't talk much (but when he does...)
- The player character of Minecraft wakes up in the middle of nowhere and starts punching trees.