Film / The Man Who Knew Too Little

Wallace: Was that a tear? ...How do you people do it? Did you... poke yourself in the eye? Or are you thinking right now: "My dog is dead"?
Lori: What's the matter with you? Are you enjoying this?
Wallace: Enormously. "My dog is dead." [pokes himself in the eye] "My dog is dead."

A 1997 film written by Robert Farrar (adapted from his novel Watch That Man) and starring Bill Murray, which combines And You Thought It Was a Game with Mistaken for Badass.

Wallace Ritchie (Murray) is an American vacationing in London, hoping to spend his birthday with his brother Jimmy (Peter Gallagher). Unfortunately, James has an important business dinner; in order to get rid of Wallace for the evening, he signs him up for an evening with the Theatre of Life, an experimental hyper-realistic audience-participation theater.

Wallace receives information, via a phone call, about the character he should play; unknown to him, the calls get mixed up, and he instead receives instructions intended for a real hit-man. Hilarity Ensues.

Wallace proceeds to ham his way through the underworld of secret agents and espionage. He almost immediately decides to break from "the script" and help the person he was ordered to kill: Lori (Joanne Whalley), a call-girl with a heart of gold who's trying to blackmail the Defence Minister she's been sleeping with. Along the way, Wally accidentally convinces his "superiors" that he's a loose cannon who knows of their devious scheme to restart the Cold War by blowing up the dignitaries at a historic peace accord. And all the while, Wallace thinks the bullets, Truth Serums, car chases and dead bodies are All Part of the Show.

It should be noted that, beyond the similar titles title which is obviously a reference (and superficial plot similarities), this film has nothing to do with Hitchcock's thriller The Man Who Knew Too Much.

This film provides examples of:

  • The Butcher: Boris Blavasky. In this case, it has a dual meaning — "Butcher" because his work as a spy/hitman is so brutal and messy, but also because "butcher" is actually his day job.
    Sergei: Why so gloomy? Is better than being butcher.
    Boris: I like being butcher. You know exactly who you are killing... and why.
  • Cleanup Crew: Averted. Boris wants to use his favourite "messy" interrogation technique, but his assistants dissuade him, because "It is fun for you, but we have to clean up afterward!"
  • Contrived Coincidence: One right after the other. This movie pretty much runs on it.
  • One Dialogue, Two Conversations: Ninety-four solid minutes of this trope.
  • Performance Anxiety:
    James: [Wallace] got the lead part in the school play, but on opening night... I never knew it was possible for someone to forget so much so quickly without a severe blow to the head.
  • The Precarious Ledge: Played with and Lampshaded: "There's a hallway! We can walk"
  • Professional Killer: Spencer, Boris, and The Plumbers. All are Hitmen rather than Assassins.
  • Reactive Continuous Scream: Happens when Wallace and Lori find a dead body.
  • Shaggy Dog Story: Often cited as a flaw in the film is that Wallace never realises the whole thing is real, leaving the movie feeling like a long joke with some amusing bits along the way but no actual punchline.
  • Sociopathic Hero: Viewing the events of the movie from the point of view of the actual spies can lead to a wildly different interpretation of Wallace. He comes off as an absurdly skilled (even by badass standards) rogue agent who is doing everything he does just for laughs, and that it's so easy for him, he can afford to goof around and just do whatever amuses him at the time. Among his many deeds include pretending like he's going to execute Lori, for no reason whatsoever, playing with a dead body and applauding it for being so remarkably dead, and running over traffic cones while fleeing assassins, simply because he's always wanted to do it and now seemed like a good time. Basically, to those not in on the joke (everyone but Wallace), he might as well be the super-spy version of The Joker.
  • Shout-Out: The man disguised as a waiter who approaches Wallace in the end of the film is addressed as "Venkman."
    • When Boris leaves his minions alone with Wallace he instructs them "...and watch that man." — referencing the source material of the film.
  • Standard Snippet: Korobeiniki, a traditional Russian folk song, features in this film. Of course, most of you know it as "The Tetris Theme".
  • That Came Out Wrong: Boris the Butcher, searching for Wallace backstage where the Russian dancers are setting up, runs into the Camp Gay director.
    Director:: Excuse me, no entry without a pass.
    Boris: I am looking for a tall American man.
    Director: Aren't we all, darling. But I must ask you to leave.