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* {{Steampunk}}: Along with Film/{{Metropolis}}, one of the UrExample s of this genre.
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added Poor & Hungry

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* PoorHungry: The Gamin walks the streets barefoot in a tattered dress, stopping to look in the window of a pâtisserie while the fat baker carries a tray of cakes and pies inside.
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-->-- The film's introduction.

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-->-- The film's introduction.
introduction
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%%
[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/modern_times.png]]

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%%
[[quoteright:300:https://static.
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/modern_times.org/pmwiki/pub/images/moderntimes.png]]
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%% Image kept with quality upgrade per IP thread: https://tvtropes.org/pmwiki/posts.php?discussion=1647618434092680600
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* PieInTheFace: Happens to the Tramp during the DisastrousDemonstration of the feeding machine.

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* PieInTheFace: Happens to Near the Tramp during end of the the DisastrousDemonstration of the feeding machine.machine, Tramp gets a pie thrown in his face for dessert.
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* GettingCrapPastTheRadar: The Tramp in gets high on cocaine while in prison. It's not referred to as cocaine, only as "nose powder", but there's no other way to interpret that scene! While [[https://productioncode.dhwritings.com/multipleframes_productioncode.php Section I.3 of the Hays Code at the time only specifically forbade portrayal of the drug trade]], using drugs in prison plausibly falls under that.
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* MatchCut: A shot of cows running in a field match cuts into many people exiting a subway.

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* TheSpeedOfSilents: {{Enforced|Trope}} - despite being shot at a modern (sound film) frame rate, the movie is slightly undercranked for a {{Retraux}} fast motion effect.


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* {{Undercrank}}: {{Enforced|Trope}} - despite being shot at a modern (sound film) frame rate, the movie is slightly undercranked for a {{Retraux}} fast motion effect.

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* DepartmentOfChildDisservices: The truant police, who chase the gamin with more dedication and intensity than the FBI chases serial killers. They eventually ruin everything just when it seemed as if the gamin and the Tramp had found jobs and a bit of security.



%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.



* MoodWhiplash: The girls half of the story is quite sad and morose in sharp contrast to the whimsical Tramp side, with her family struggling to survive intense poverty and her father being killed in a sudden burst of violence. It's not until she meets the Tramp that things lighten up.

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* MoodWhiplash: The girls girl's half of the story is quite sad and morose in sharp contrast to the whimsical Tramp side, with her family struggling to survive intense poverty and her father being killed in a sudden burst of violence. It's not until she meets the Tramp that things lighten up.



* SilenceIsGolden: ''Modern Times'' was essentially a silent film with a recorded soundtrack. The only real dialog comes from either recordings or loudspeakers (i.e., not natural speech), Chaplin's way of pointing out his opinion of the artificiality of sound film. Released seven years after the rest of Hollywood had gone over to talkies, and the last major release of a silent film for forty years, until Creator/MelBrooks with ''Film/SilentMovie'' in 1976. Chaplin was particularly adamant since the advent of sound that the Tramp never speak. He finally acquiesces in this film ... only for the Tramp to sing a gibberish song.

to:

* SilenceIsGolden: ''Modern Times'' was essentially a silent film with a recorded soundtrack. The only real dialog comes from either recordings or loudspeakers (i.e., not natural speech), Chaplin's way of pointing out his opinion of the artificiality of sound film. Released seven years after the rest of Hollywood had gone over to talkies, and the last major release of a silent film for forty years, until Creator/MelBrooks with ''Film/SilentMovie'' in 1976. Chaplin was particularly adamant since the advent of sound that the Tramp never speak. He finally acquiesces in this film ... film...only for the Tramp to sing a gibberish song.
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* GettingCrapPastTheRadar: The Tramp gets high on cocaine while in prison. It's not referred to as cocaine, only as "nose powder", but there's no other way to interpret that scene! Quite daring for its time, since UsefulNotes/TheHaysCode (in effect from 1930 to 1968) didn't allow drug references in movies.

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%% * GettingCrapPastTheRadar: The Tramp gets high on cocaine while in prison. It's not referred GettingCrapPastThe Radar: Due to as cocaine, overwhelming and persistent misuse, GCPTR is on-page examples only as "nose powder", but there's no other way until 01 June 2021. If you are reading this in the future, please check the trope page to interpret that scene! Quite daring for its time, since UsefulNotes/TheHaysCode (in effect from 1930 to 1968) didn't allow drug references in movies.make sure your example fits the current definition.
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* TheAllegedHouse: The house that the Tramp and the Gamin share at one point is the very definition of "ramshackle". It doesn't even has water of its own, forcing the Tramp to bathe by dipping in the nearby lake (and "nearby" is "part of the house is in it and the Tramp improvises a diving board out of it").
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* YankTheDogsChain: The Gamin escapes from a couple of police officers who were going to take her to an orphanage early in the movie and after a very long time being homeless or [[TheAllegedHouse just barely}], she gets a nice job as a waitress... and the cops find her again, forcing her to go on the run (this time with the Tramp).

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* YankTheDogsChain: The Gamin escapes from a couple of police officers who were going to take her to an orphanage early in the movie and after a very long time being homeless or [[TheAllegedHouse just barely}], barely]], she gets a nice job as a waitress... and the cops find her again, forcing her to go on the run (this time with the Tramp).
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* YankTheDogsChain: The Gamin escapes from a couple of police officers who were going to take her to an orphanage early in the movie and after a very long time being homeless or [[TheAllegedHouse just barely}], she gets a nice job as a waitress... and the cops find her again, forcing her to go on the run (this time with the Tramp).

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* ButtMonkey: The Tramp, of course, but the mechanic he works with after returning to the factory even more so.



* CapitalismIsBad: Chaplin was a devote leftist, and the film is perhaps the most clear cut demonstration of that in his work. The factory the Tramp works at openly dehumanises its workers and tries to find ways so that they can work even ''more'', poverty and unemployment is rampant, and even a normal worker is forced to turn to theft to survive.
* ChekhovsGunman: Big Bill, the burly worker at the factory next to the Tramp, shows up much later at the department store, having turned to theft after being laid off.



* CrouchingMoronHiddenBadass: When he goes up against three armed prisoners with nothing but his fists and a nearby door. And ''wins''.

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* CrouchingMoronHiddenBadass: When he the Tramp goes up against three armed prisoners with nothing but his fists and a nearby door. And ''wins''.



* GroundByGears: Subverted. Charlie gets caught inside the machinery, but the gears only move him around without harming him.

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* GroundByGears: Subverted. Charlie gets caught inside the machinery, but the gears only move him around without harming him. Ditto goes for the mechanic later in the movie.



* HopeSpot: Near the end of the film, the Tramp and the girl finally have a stable and happy job working at a cafe as a singer and dancer. Then the police arrive to arrest the girl, and the two are forced on the run again.
* ImagineSpot: An extended one after the Tramp discusses with the girl the happy life they could have in the suburbs.



* MoodWhiplash: The girls half of the story is quite sad and morose in sharp contrast to the whimsical Tramp side, with her family struggling to survive intense poverty and her father being killed in a sudden burst of violence. It's not until she meets the Tramp that things lighten up.



%%* PopCultureOsmosis: The assembly line scene has been parodied and referenced in so many works, that one of the first, [[https://www.youtube.com/watch?v=8NPzLBSBzPI the chocolate conveyor scene]] from the "Job Switching" episode of ''Series/ILoveLucy'', has become equally iconic.



* ThePollyanna: The Tramp refuses to look down in spite of how difficult life is. This is demonstrated perfectly come the ending, when he and the girl are left on the streets again. She's resigned to give up in despair, but he simply tells her they'll be able to get through this.



* SanitySlippage: While Charlie is working at the factory. He begins to try and take a wrench to everything in sight... including a woman's breasts.

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* RunningGag: The Tramp gets arrested no less than four times.
* SanitySlippage: While Charlie is working at the factory. He begins to try and take a wrench to everything in sight... including a woman's breasts. Justified as being a nervous breakdown.


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* WhateverHappenedToTheMouse: What happened to the girl's two younger sisters?

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* TheSingingMute: The Tramp, who bursts into song towards the end of the film.



* SuddenlySpeaking: The Tramp, who bursts into song towards the end of the film.

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* SuddenlyVoiced: The Tramp, who bursts into song towards the end of the film.

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* SuddenlyVoiced: SuddenlySpeaking: The Tramp, who bursts into song towards the end of the film.
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->''Modern Times. A story of industry, of individual enterprise - humanity crusading in the pursuit of happiness.''
-->The film's introduction.

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->''Modern ->''"Modern Times. A story of industry, of individual enterprise - humanity crusading in the pursuit of happiness.''
-->The
"''
-->-- The
film's introduction.introduction.
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->''Modern Times. A story of industry, of individual enterprise - humanity crusading in the pursuit of happiness.''
-->The film's introduction.
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* WithLyrics: "Smile" (a standard popularized by Music/NatKingCole) was adapted from an instrumental theme from this film. It's been covered by Music/MichaelJackson amongst others.

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* WithLyrics: "Smile" (a standard popularized by Music/NatKingCole) was adapted from an instrumental theme from this film. It's been covered by Music/MichaelJackson Music/MichaelJackson, who said it was his favorite song, amongst others.
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* TheCameo: In the toy Department, the Gamin is excited about some exhibited toys. She picks up one of them, and a close inspection reveals that it is a MickeyMouse doll.

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that's not scatting. they are meant to be actual words in Italian. covered by As Long As It Sounds Foreign


* BawdySong: The Tramp is to sing one as part of a musical act... only he loses the paper on which the lyrics are written, and has to use pantomime and [[{{Scatting}} gibberish]]. He brings the house down.

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* BawdySong: The Tramp is to sing one as part of a musical act... only he loses the paper on which the lyrics are written, and has to use pantomime and [[{{Scatting}} [[AsLongAsItSoundsForeign gibberish]]. He brings the house down.



* {{Scatting}}: The Tramp's song is essentially this.
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dont do this


* NoOSHACompliance: This film provides the image on the trope page. OSHA hadn't been made yet at the time, but any real factory where you might end up being a literal part of the machine traveling between the cogs would have been thought a ''bit'' much, even back then.

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* NoOSHACompliance: This film provides the image on the trope page. OSHA hadn't been made yet at the time, but any real factory where you might end up being a literal part of the machine traveling between the cogs would have been thought a ''bit'' much, even back then.
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misuse. this trope is specifically for mums


* MissingMom: And to make things worse, the father of Paulette Goddard's character gets shot.
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covered by Ground By Gears


* FoldSpindleMutilation: Subverted when The Tramp (and later his boss in mechanics) gets pulled between the gears of a manufacturing machine and comes out just fine.
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* FoldSpindleMutilation: Subverted when The Tramp gets pulled between the gears of a manufacturing machine and comes out just fine.

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* FoldSpindleMutilation: Subverted when The Tramp (and later his boss in mechanics) gets pulled between the gears of a manufacturing machine and comes out just fine.

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adding new tropes


* AccidentalHero: Chaplin thwarts a prison break by dodging bullets and pummeling the escaping prisoners. But he only does so because he was high on [[AddictionPowered cocaine]]--another prisoner hid his stash in the salt shaker to avoid getting busted, and Charlie sprinkles it all over his lunch.

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* AccidentalHero: Chaplin thwarts a prison break by dodging bullets and pummeling the escaping prisoners. But he only does so because he was high on [[AddictionPowered [[PowerUpFood cocaine]]--another prisoner hid his stash in the salt shaker to avoid getting busted, and Charlie sprinkles it all over his lunch.



* AssemblyLineFastForward: The TropeMaker.

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* AssemblyLineFastForward: The TropeMaker. The Tramp has a job tightening some kind of widgets with a wrench. When the conveyor belt speeds up, he winds up jumping on top of it, and he is sucked into the gears of the machinery.



* BittersweetEnding[=/=][[RidingIntoTheSunset Riding Into the Dawn]]: The film ends with the Tramp and the girl on their own, fugitives from the law, walking into the sunrise--although the Tramp is still upbeat enough to not let their troubles get them down.

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* BittersweetEnding[=/=][[RidingIntoTheSunset Riding Into BindleStick: Downplayed. The gamin and the Dawn]]: Tramp wear one of these in the final scene though not on a stick.
* BittersweetEnding:
The film ends with the Tramp and the girl on their own, fugitives from the law, walking into the sunrise--although distance--although the Tramp is still upbeat enough to not let their troubles get them down.



* CrapsackWorld: Pretty much a sign of the times.

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* CrapsackWorld: Pretty much a sign [[TheGreatDepression of the times.times]].



* IntoxicationEnsues: While in prison Chaplin mistakes [[AddictionPowered cocaine]] for salt and ingests a generous dose. In the ensuing frenzy he ends up foiling a prison break and is hailed as a hero.

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* IntoxicationEnsues: While in prison Chaplin mistakes [[AddictionPowered [[PowerUpFood cocaine]] for salt and ingests a generous dose. In the ensuing frenzy he ends up foiling a prison break and is hailed as a hero.



* LuxuryPrisonSuite: Chaplin's character regards his prison as this, though it is only luxurious in comparison to how much worse it was to be living on the streets during UsefulNotes/TheGreatDepression. Of course, the fact that after he accidentally prevents a prison break he's treated extra nicely by the guards and the warden helps.

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* LuxuryPrisonSuite: Chaplin's character regards his prison as this, though it is only luxurious in comparison to how much worse it was to be living on the streets during UsefulNotes/TheGreatDepression.TheGreatDepression. Of course, the fact that after he accidentally prevents a prison break he's treated extra nicely by the guards and the warden helps.



* MistakenForTerrorist: Some nearby cops interpret The Tramp swinging a red flag as him being a Communist revolutionary rather than him simply gesturing to a driver that it fell off his truck.



* PieInTheFace: Happens to the Tramp during the DisastrousDemonstration of the feeding machine.



* RealMenWearPink: Charlie's cell mate spends his time knitting.



* TalkingThroughTechnique: In one example, some nearby cops interpret The Tramp swinging a red flag as him being a Communist revolutionary rather than him simply gesturing to a driver that it fell off his truck.

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* TalkingThroughTechnique: In one example, some nearby cops interpret TapOnTheHead: The police officer lying on the street together with the Tramp swinging and the gamin, is rendered unconscious by a red flag as him being a Communist revolutionary rather than him simply gesturing light knock to a driver that it fell off his truck.head.
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* SilenceIsGolden: ''Modern Times'' was essentially a silent film with a recorded soundtrack. The only real dialog comes from either recordings or loudspeakers (i.e., not natural speech), Chaplin's way of pointing out his opinion of the artificiality of sound film. Released seven years after the rest of Hollywood had gone over to talkies, and the last major release of a silent film for forty years, until Creator/MelBrooks with ''Film/SilentMovie'' in 1976.

to:

* SilenceIsGolden: ''Modern Times'' was essentially a silent film with a recorded soundtrack. The only real dialog comes from either recordings or loudspeakers (i.e., not natural speech), Chaplin's way of pointing out his opinion of the artificiality of sound film. Released seven years after the rest of Hollywood had gone over to talkies, and the last major release of a silent film for forty years, until Creator/MelBrooks with ''Film/SilentMovie'' in 1976. Chaplin was particularly adamant since the advent of sound that the Tramp never speak. He finally acquiesces in this film ... only for the Tramp to sing a gibberish song.

Changed: 210

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"Singing Simlish" is now "Scatting".


''Modern Times'' is a 1936 American comedy film by Creator/CharlieChaplin that has his iconic [[TheTramp Tramp]] character struggling to survive in the modern, industrialized world. The film is a comment on the desperate employment and fiscal conditions many people faced during TheGreatDepression, conditions created, in Chaplin's view, by the efficiencies of modern industrialization. The movie stars Chaplin, Creator/PauletteGoddard, Henry Bergman, Stanley Sandford and Chester Conklin, and was written and directed by Chaplin.

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''Modern Times'' is a 1936 American comedy film by Creator/CharlieChaplin that has his iconic [[TheTramp Tramp]] {{T|heTramp}}ramp character struggling to survive in the modern, industrialized world. The film is a comment on the desperate employment and fiscal conditions many people faced during TheGreatDepression, conditions created, in Chaplin's view, by the efficiencies of modern industrialization. The movie stars Chaplin, Creator/PauletteGoddard, Henry Bergman, Stanley Sandford and Chester Conklin, and was written and directed by Chaplin.



* BawdySong: The Tramp is to sing one as part of a musical act... only he loses the paper on which the lyrics are written, and has to use pantomime and [[SingingSimlish gibberish]]. He brings the house down.

to:

* BawdySong: The Tramp is to sing one as part of a musical act... only he loses the paper on which the lyrics are written, and has to use pantomime and [[SingingSimlish [[{{Scatting}} gibberish]]. He brings the house down.



* BittersweetEnding[=/=][[RidingIntoTheSunset Riding Into The Dawn]]: The film ends with the Tramp and the girl on their own, fugitives from the law, walking into the sunrise--although the Tramp is still upbeat enough to not let their troubles get them down.

to:

* BittersweetEnding[=/=][[RidingIntoTheSunset Riding Into The the Dawn]]: The film ends with the Tramp and the girl on their own, fugitives from the law, walking into the sunrise--although the Tramp is still upbeat enough to not let their troubles get them down.



* SingingSimlish: The aforementioned song sequence.
* TheSpeedOfSilents: [[EnforcedTrope Enforced]] - despite being shot at a modern (sound film) frame rate, the movie is slightly undercranked for a {{Retraux}} fast motion effect.

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* SingingSimlish: The aforementioned song sequence.
* TheSpeedOfSilents: [[EnforcedTrope Enforced]] {{Enforced|Trope}} - despite being shot at a modern (sound film) frame rate, the movie is slightly undercranked for a {{Retraux}} fast motion effect.
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* GroundByGears: Subverted. Charlie gets caught inside the machinery, but the gears only move him around without harming him.

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