Series / Monsters

A horror anthology show in a similar vein to Tales from the Darkside, it shared the same producer (Richard P. Rubenstein), and in some ways succeeded the show (which had ended the same year in which Monsters began). It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters (with very few exceptions) featured a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or Greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions, which might in some instances lighten the audience's mood (often deceptively) but in many cases added to the overall eeriness of the production.

The Title Sequence of the show is a cheesy-yet-perversely surreal take on a Sitcom intro, which begins with a seemingly innocuous family discussing what to watch on television. They are revealed to be hideous humanoid creatures with Extra Eyes and elongated, deformed faces who snack on candied insects, yet they are all live and dress in a typical Eighties suburban setting.

The show was also known to have had celebrity guests before they became famous, including Steve Buscemi, Lili Taylor, Matt LeBlanc, David Spade, Gina Gershon and Richard Belzer.

Not to be confused with the manga and anime series Monster, the 2003 film Monster, or the 2010 film Monsters.


  • An Aesop: A few stories contain these.
  • Asshole Victim: Quite a few. A nice example would have to be Timothy Danforth from the episode "Cellmates." An arrogant, selfish, Spoiled Brat Rich Bastard who insists that his father will pull strings to get him out of a Mexican jail after he kills a child with his expensive sports car in a hit-and-run affair. Oh... not on this show...
  • Body Horror: "The Farmer's Daughter".
  • Bottle Episode: For budgetary reasons, almost every episode took place in only one or two rooms.
  • The End of the World as We Know It: "Waiting Game" starts off with this when a nuclear bomb goes off And somehow creates vampires.
  • Everything's Deader with Zombies: "The Hole", an episode set during The Vietnam War, had zombie-infested Vietcong tunnels with a heavily-implied side of Gaia's Vengeance.
  • Fallen Angel: "Hostile Takoever" features a Fallen Angel who calls himself "Obeah" and looks more like a conventional demon than an angel after falling into Hell.
    Obeah (disguised as the janitor): I had a pretty bad fall. Maybe you've read about The Bible? That's what they call it. A Fall. I'd say I was pushed!
  • Fantastic Racism: "One Wolf's Family", a comedy written by Paul Dini, dealt with a family of werewolves, where the father is enraged to learn that his daughter is going to marry a werehyena. By contrast, their nosy neighbor makes veiled insults to the fact the family is rather ethnic.
  • Fate Worse Than Death: "Half as Old as Time" involved an old man visiting his archaeologist daughter who shows him the a ritual ground of a old snake god. An Indian shaman tempts the man into killing his daughter as a sacrifice to the god to regain his youth. But he fails to mention till the last moment, that the man now "lives like the god lives" which said god is a statue. The man promptly starts slowing down as a result till he can hardly move at all.
  • Giant Spider: "A Bond of Silk".
  • "Jeopardy!" Intelligence Test: The hero in the adaptation of Stephen King's "The Moving Finger" does this with a generic quiz show.
  • Laser-Guided Karma: A lot of the stories usually involve greedy people who usually get whats coming to them.
  • One-Word Title
  • Spiritual Successor: To Tales from the Darkside, which has the same producer, though as mentioned before, there were some differences from the previous series.
  • Squick: The Reveal in "Bug House".
  • Sympathetic Magic: In "Hostile Takeover", the rather slimy Corrupt Corporate Executive Villain Protagonist uses voodoo magic to get a leg up on his business rivals.
  • Too Dumb to Live: In "A Bond of Silk", honeymooning husband Nash is convinced that he is stuck inside some kind of giant silk hammock, when it is clear he is stuck in a giant spider web and that the honeymoon suite he and his wife are in was too good to be true. His wife Portia, by contrast, was smart enough to have reservations, and smart enough not to jump on the web. It's hard to fault her for not being able to do something too soon when she tries to convince Nash that there was something wrong and he's too stupid to listen. In fact, he pitifully and desperately tries to convince himself that the whole thing is a prank being pulled by his friends before the spider that made the web showed up.