Series / Fargo

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Fargo is a 2014 FX crime series based on the Coen Brothers movie of the same name. It also draws inspiration from their entire library of works, while the brothers themselves take the role executive producers alongside show creator and primary writer Noah Hawley. Originally conceived as a Mini Series, acclaim of the show's first season led to its renewal and evolution into an anthology. Each season focuses on a new set of characters and a different year and plot, but retains similar themes and tropes that ultimately keep them connected. Hawley stated around the end of the third season that it would likely be the last one, as he was running low on ideas and didn't want to keep it going unless there was a quality story to tell, plus he was being stretched thin by several other projects. However, he hasn't completely ruled out bringing the show back if another good idea does come to him.

Season Index

There was also a failed television pilot released in 2003 starring a pre-The Sopranos Edie Falco that failed to get picked up, despite the critical praise.

SPOILER WARNING: The plot of Fargo is pretty unpredictable, and many tropes on this page and the character page are spoilers simply by their name. Read at your own risk.


The series as a whole contains examples of:

  • Ambition Is Evil: A theme that carries over from the film; the heroic characters are happy because they appreciate what they have, and care more about each other than money or status. The villains are willing to throw anyone and everyone under the bus to get what they want, and inevitably come to a sticky end.
  • Anyone Can Die: The show isn't shy about bumping off major characters, especially in Season 2. The miniseries format and highly unpredictable nature of the series means that nobody is safe.
  • Arc Words: "I'm the victim here."
  • Based on a Great Big Lie: In a Shout-Out to the original film, every episode opens with a declaration that it's based on a true story with the names changed. The caption even holds the word "true" onscreen for a second or two after the rest have faded. Season three starts to change this, showing "true" fade out before the rest, with only "story" remaining.
  • Crapsaccharine World: Minnesota and the Dakotas are a friendly, quirky, old-fashioned place. The region is also brimming with bigotry, organized crime, and disturbed and dangerous individuals.
  • Expanded Universe: The series is this to the original film, and there is a subtle web of connections between the film and the different seasons:
    • Season 1 shows what happens to the money Carl Showalter buried in the film.
    • Season 2 includes a number of characters from Season 1 (Lou and Molly Solverson, Ben Schmidt, Mr. Tripoli, Mr. Numbers and Mr. Wrench) and shows the events surrounding the oft-mentioned Sioux Falls massacre.
    • Season 3 has a mention of Stan Grossman from the film and Mr. Wrench from Season 1 appears.
  • Good Cannot Comprehend Evil: A Central Theme from the film that carries into the show.
  • Gosh Darn It to Heck!: Just like in the film, many of the characters have an aversion towards swearing.
  • Idiosyncratic Episode Naming: Season 1 uses logical paradoxes and Zen Buddhist koans. Season 2 uses literary and artistic allusions (except for "Did You Do This? No, You Did It!")
  • Massive Multiplayer Crossover / Ultimate Universe: With the number of Expy characters, it really does feel like Coen Brothers: The Series. Word of God has described Season 1 as Fargo meets No Country for Old Men and A Serious Man, while Season 2 is Fargo meets Miller's Crossing and The Man Who Wasn't There.
  • Maybe Magic, Maybe Mundane: As the series goes on there's a surprising addition of more fantastical elements sprinkled throughout. While season 1's comparison of Lorne to the Devil may have just been Lorne being poetic, season 2 features aliens and season 3 delves into some surreal elements. They blur the line between being real supernatural events happening in an otherwise grounded story or just being the themes of the series manifesting in odd ways not meant to be taken literally.
  • Minnesota Nice: Characters from Minnesota and the Dakotas almost always affect a chipper and upbeat tone even when they're criticizing or insulting each other.
  • Mordor: Fargo itself is portrayed as this, the seat of organized crime in the Midwest, bringing its corruption into otherwise peaceful towns and people.
  • Politically Incorrect Villain: Villains tend to be very conservative in their views. Lorne Malvo, Dodd Gerhardt, and Yuri Gurka in particular hate women, and V.M. Varga is quite hostile to minorities, the overweight, refugees/migrants, and especially the poor.
  • Previously On: Its own Minnesota Nice variations: "Erstwhile On" and "Precedently On."
  • Shout-Out: Has enough to the original film and other Coen Brothers movies to warrant its own page.
  • Stupid Crooks: As with the film, a large part of the plot for each season involves very clumsy attempts at criminality.
  • Thematic Series: Each season takes place in a different time period with a different group of characters, but they all share a continuity that includes the events of the movie, as well as a common setting of rural Minnesota. A What Happened to the Mouse? from the movie is addressed in the series, and season 2 details the Sioux Falls case that Lou Solverson referenced several times in season 1.
    Noah Hawley (Fargo showrunner): I like the idea that somewhere out there is a big, leather-bound book that's the history of true crime in the Midwest, and the movie was Chapter 4, Season 1 was Chapter 9 and [Season 2] is Chapter 2. You can turn the pages of this book, and you just find this collection of stories... But I like the idea that these things are connected somehow, whether it's linearly or literally or thematically. That's what we play around with.
  • Those Two Bad Guys: In the spirit of Carl and Grimsrud from the film, each season has a pair: Mr. Numbers and Mr. Wrench in Season 1, the Kitchen brothers in Season 2, and Yuri and Meemo in Season 3.
  • True Crime: What it claims to be and how it structures its stories. However, like the film, it is fictional. It starts playing with this in Season 3.
  • Vicious Cycle: It is repeatedly demonstrated that the power and wealth gained through crime and violence can't be held for long, as Villain Decay and Always a Bigger Fish inevitably come into play. The Fargo underworld was controlled by a mobster named Kellerman until he was killed in 1951 on orders of Otto Gerhardt. The Gerhardt Family then ruled the region with an iron fist until they were destroyed in a Mob War with the Kansas City Syndicate in 1979. Kansas City was then in command until they were ousted at some point by Moses Tripoli's organization. He reigned supreme until he was gunned down in 2006 along with all of his associates. By 2010, V.M. Varga's international criminal network has moved into the region, but it is unlikely they will remain forever. Without fail, "great empires fall and are forgotten."

http://tvtropes.org/pmwiki/pmwiki.php/Series/Fargo