Episode - 3F06
First Aired - 11/19/1995After faking his own death and getting the mistake cleared up at the town courthouse, Homer makes a discovery: his mother, Mona (who supposedly died when Homer was a kid), is still alive, but the joyous reunion (at the cemetery after Homer discovers that the grave that allegedly belonged to his mom is, in fact, the grave of writer Walt Whitman) is cut short when the FBI comes after Mona for something she did in the 1960s, which is connected to Mr. Burns and is why she abandoned Abe and Homer.
- All Just a Dream: Averted. Mona tearfully kissed young Homer while he was asleep before leaving. Homer thought he dreamt it.
- And There Was Much Rejoicing: Marge is further dumbfounded by the strange claims of Homer's "death" when Patty and Selma gleefully come over, having prepared his tombstone, with the inscription "We are richer for having lost him".
- Animation Bump: All over the place, given it's a David Silverman helmed episode. The most obvious stand outs being Homer's faked death and the scenes immediately following it.
- Artistic License – History: In the flashback to the night Mona attacked Mr. Burns's germ warfare lab, Abe is seen watching Super Bowl III. Howard Cosell - voiced by Harry Shearer, in this case - is shown on-screen, talking about the two quarterbacks in the game, the New York Jets' Joe Namath, and the Baltimore Colts' Johnny Unitas. Cosell is seen wearing a jacket with the ABC's Wide World of Sports logo on it (or, at least, a crudely drawn representation of one). In real life, Super Bowl III was televised by NBC, with Curt Gowdy calling the game. However, Cosell is more well-known these days than Gowdy, despite the fact that Cosell never called a Super Bowl in his whole career...and Gowdy called seven of the first 13.
- Aww, Look! They Really Do Love Each Other: When the FBI raided the house to arrest Mona, Abe immediately jumped up to distract them, though even he's not sure if it was a distraction or just senility.Abe: A little from column A, a little from column B.
- Bait and Switch: As the FBI interrogate a cabby who saw Mona, Bill Gannon is tapping away at a computer, talking about an aging program it has... only when he switches it around all it does is show a large "25", rather than a digitally aged Mona.
- Bittersweet Ending: Homer had to watch his mom walk out of his life again after keeping her from getting caught by Mr. Burns. But this time, Homer was awake to see his mom leave.
- Both Sides Have a Point: While Abe was certainly justified in calling out Mona for abandoning Homer and leaving him as a single parent, Mona herself is equally justified in calling out Abe for lying to Homer about the reason for her absence.
- Brick Joke: The cabby that's interrogated declares he'd seen Mona, only to correct himself to the more accurate "saw". Later on, the man at the cemetery says he saw Mona, only to modify his statement to he "seen" her.
- Chekhov's Gun: Wiggum's asthma, and the fact the anti-germ bomb cleared it up.
- Cool Old Lady: Bart likes Mona because she's a rebel and a fugitive; Lisa admires her strength and intellect.
- Faking the Dead: Homer did it to get out of picking up garbage at a highway during a Burns-sponsored event.
- Abe is revealed to have done this to Mona after she is forced into hiding, believing Homer would be better thinking she had died than willingly abandoned him.
- Foil: Mona to Abe. Abe is a senile, cranky, and unpleasant old man who goes off on wild tangents and generally annoys Homer and his family, albeit his wear and tear largely coming from all he has gone through with his family. Mona has aged with dignity, retained all of her faculties, and is someone Homer and his family loves to have around, though is left with a incredibly distant relationship due to her occupation.
- Fridge Logic: Invoked. It's what created the actual episode, when the writers realised they'd never actually mentioned Homer's mother before.
- Grandma, What Massive Hotness You Have!: Subverted. Mona has aged a lot better compared to Abe, not just physically but mentally. Abe attributes this to being a single parent.
- I Did What I Had to Do: Mona's reason for leaving Abe and Homer.
- I Have Many Names: Mona's aliases include Mona Simpson, Mona Stevens, Martha Stewart, Penelope Olsen, Muddy Mae Suggins. Word of God says the first is her actual name, but see Mythology Gag.
- I Need to Go Iron My Dog: While Lisa was spending time with Mona:Mona: (sees something) Gotta go, grandma stuff!
(She runs back inside, leaving Lisa confused. Then she saw a police car drive by.)
Lisa: (concerned) Huh?
- Jerkass Has a Point: Abe was a pretty nasty father, but his anger toward Mona, for abandoning Homer, is somewhat understandable. She just rolls her eyes; though he was a lousy husband as well. Also, Mona reveals she tried to keep contact with Homer even while on the run, only her care packages were deliberately not being delivered due to the postal workers pissed at not getting tips during the holidays.
- Knight Templar Parent: Homer first meets Mona after she obliviously roars at him as an "awful, AWFUL man" for accidentally tripping into her son's grave. This fierce side of Mona vanishes the moment he defiantly claims his grave and the two figure it out.
- Lazy Bum: Homer faked his death just to get out of trash duty.
- Loud of War: Mr. Burns plays an audio casette recording of Ride of the Valkyries as he storms the Simpsons' household...and the tape quickly cuts to Abba's Waterloo, which Smithers admits he recorded over the original music.
- Manly Tears: Smithers displays this when the Power Plant workers think Homer died from being sucked into a power turbine.
- Moment Killer: Homer, by his own admission. Seconds after a tender reunion with his mother, a pelican comes out of nowhere and drops a fish down his pants.
- Mood-Swinger:Mr. Burns: Smithers, who was that corpse?
Smithers: (crying) Homer Simpson, sir. One of the finest, bravest men ever to grace Sector 7G. (normal) I'll cross him off the list.
- Mood Whiplash: The episode is full of this, with wacky scenes immediately followed by dramatic, emotional ones.
- Mythology Gag: "Penelope Olson" is the name of Homer's mother on the family tree in Bart Simpson's Guide to Life, although much in this source is most likely non-canonical.
- Never My Fault: Lenny complains about picking up bottles on the freeway because half of them aren't even his.
- No Celebrities Were Harmed: The FBI agents assigned to find Mona are Joe Friday and Bill Gannon. Harry Morgan reprised his role as Gannon.
- No Good Deed Goes Unpunished: Mona took part in the destruction of Burns' germ lab, then when back to help him when he was knocked down by the fleeing hippies. He labelled her a fugitive, forcing her to spend the next several decades on the run.
- Obnoxious In-Laws: Marge's first reaction upon learning she had a mother-in-law was commenting she couldn't live vicariously through her friends who do have in-laws, though this is averted, as Mona is actually nice to Marge and the kids. Though she was concern about Homer spending time with someone who walked out on him when he was a kid.
- Obstructive Bureaucrat: Defied. Homer thinks the bureaucrat will give him trouble, but the guy is actually quite helpful.
- Prematurely Marked Grave: After Homer is believed dead, Patty and Selma visit Marge to present her a gravestone with Homer's name on it for which (they say) they have been saving since Marge's wedding day. As Homer does not actually need it, they use it as a coffee table.
- Punctuated! For! Emphasis!: "I! Hate! You! Walt! Freakin'! Whitman! Leaves of Grass my ass!"
- Rhetorical Question Blunder: Homer doesn't understand them. This example is even used at the top of the trope's page.Mona Simpson: (singing) How many roads must a man walk down / Before you can call him a man?
Lisa: No, dad, it's a rhetorical question.
Homer: Rhetorical, eh? ... Eight!
Lisa: Dad, do you even know what "rhetorical" means?
Homer: Do I know what "rhetorical" means?
- Ride of the Valkyries: Mr. Burns plays it while assalting the Simpson home. However, Smithers had taped "Waterloo" by ABBA over it (Originally, it was supposed to be WHAM!'s "Wake Me Up Before You Go-Go," but the producers couldn't get the rights to that song. It works either way, as both ABBA and WHAM! have a following with gay men and Smithers is speculated to be gay [whether with other men or just his boss]).
- Screw the Rules, I'm Doing What's Right!: Wiggum is usually in Burns' pocket, but he turns against Burns this time and helps Mona escape, because he owes her.
- As Mona and her hippie associates plan to destroy Burn's germ-lab, a snippet of Jimmy Hendrix's "All Along The Watchtower" plays.
- The '60s: Mona's rebelliousness is encouraged when she notices Joe Namath's long hair and the spirit of the 1960s falls upon her.
- Solemn Ending Theme: In place of the usual Simpsons credits theme is a sad orchestral piece as Homer stares at the stars.
- What the Hell, Hero?: When Abe meets Mona for the first time in years, they both call each other out for A: abandoning the family and B: telling Homer Mona was dead.Mona: Oh Abe, you've aged terribly.Abe: Well what'd you expect?! You left me to raise the boy on my own!Mona: I had to leave! But you didn't have to tell Homer I was dead!Abe: It was either that or tell him his mother was a wanted criminal! You were a rotten wife and I'll never, ever forgive you! ...Can we have sex, please?Mona (disgusted): Oh Abe...Abe: Well I tried. What's for dinner?