"It pays to overact."
—Dot Warner, Animaniacs
"Oh, I could get sent to prison for the scenes I'm gonna steal!"
—Daffy Duck, Looney Tunes short "A Star is Bored"
St. George: 3:05 pm. I was riding back into the courtyard to make my report to the lab. Then it happened. It was the dragon.
Dragon: Hey! I'm the fire-breathin' Dragon! You must be St. George, right?
St. George: Yes, Sir.
Dragon: I see you got one of them new .45 caliber swords!
St. George: That's about the size of it.
Dragon: Ha-ha-ha-ha-ha-ha!! You slay me!!
St. George: That's what I wanted to talk to you about.
Dragon: Whadda mean?
St. George: I'm taking you in on a 502. You figure it out.
Dragon: What's the charge?
St. George: Devouring maidens out of season.
Dragon: Out of season?!? You'll never pin that rap on me!! Do you hear me, COP?!?!
St. George: Yeah, I hear you. I got you on a 412 too.
Dragon: A 412!!! What's a 412?!?!?
St. George: Over-acting. Let's go.
"Sorry, I get carried away."
—Magica DeSpell, DuckTales
"I may not be a hero, but I can act like one."
—Thunderbolt, 101 Dalmatians II: Patch's London Adventure
Titan: This town isn't big enough for two supervillains.
Megamind: Oh, you're a villain alright. Just not a super one!
Titan: Yeah? What's the difference?
Your think pan comes with two settings: "asleep" and "melodrama."
"The extra "H" stands for Ham-azing!
— Thanatos in Kid Icarus: Uprising, explaining why he changed his name from Tanatos.
A man will not reach eloquence if he is afraid of bombast just as a man will not jump a hedge if he is afraid of falling in a ditch.
Other choices I can plan ahead of time? SCREAMING ALL MY LINES because I’m really intense AND THE THINGS I’M FEELING are really intense ‘cause I’M AN INTENSE ACTOR!
Finn: Let's keep the acting subtle. Less is more.
Lumpy Space Princess: NO. WAY.
Hobbes: (doing a mosquito check) We're in the clear... supposedly.
The Riddler: For if knowledge is power, then a GOD AM *IIIIIII*! [pauses] Was that over the top? I can never tell.
"My whole family delighted in Huey Long not for his politics but for his comic speechifying...The Kingfish, as Long was known, began performing when he stepped out of the elevator in the morning and confronted the day in the form of a desk clerk, a meek young man, whom Huey enjoyed lecturing on Success, to the young man's embarrassment. Huey would declaim: "Why, when I was your age I would spend what little idle time I had with an instructive book not that racing form I see that you're now trying to hide. Of course I was not given to late-night dissipation in the fleshpots of the District of Columbia! Oh, you can't hide your ruinous habits from me! I can see by the trembling of your hands what demon rum is doing to you…" The poor clerk was indeed trembling-with terror-as the great voice thundered in his ears and Huey, particularly if an audience had now filled the lobby, would become prayerful as he invoked the lad's aged mother back in Butte, Montana. "I know how each night she prays for your success-on her knees, little suspecting that all those hours that should be golden with study are scarlet with vice…" Tears would fill Huey's eyes on cue as he contemplated that little old lady who had mothered a son so reprobate."
—Gore Vidal, Point to Point Navigation
"There are three main types of movie nerds. One is an academic stereotype who doesn't talk much. The second is a hilarious weirdo who would be totally popular if he wasn't in a movie script. In Weird Science, Anthony Michael Hall perfected the third: the nerd whose sexual frustration has driven him insane. Hall performs in Weird Science like his captured family will be killed if he's not funny. He packs more manic desperation into his lines than a dry-humping seventh grader. He delivers lines in ways that would make Christopher Walken say, "What a strange WAY to deliver your lines."
"You haven't seen Tom Hanks act until you've seen him bawl like a toddler in a phone booth in Mazes & Monsters. He sounds like a retarded person trying to ask for directions... "AUUUGH BWA HUH HUH HUH!!" Robbie whimpers over the phone, gushing snot into the receiver. Which for this particular New York phone is nothing new. It's seen worse bodily fluids.
"Calm down, Robbie!" Kate pleads. "Where are you?"
"OOHHHHH WAAAH HAAAH HAAAH!!"
"New York? The fuck you doing there?"
"AH DUNNO!! AAAAH HUNNH...HUNNHH...AAAH BLOOD! WAAAH KAAAAAATE!"...aaand so on."
"I take back everything I said about (Kelsey) Grammar not being the best choice for Beast, because the way he delivers 'ORORO! CHARLES!' like a pirate captain calling for rum is the second-best thing about this movie so far."
"So, how about that Nic Cage, huh? At a certain point, soon after the Wicker Man edits hit Youtube, Nic Cage transcended his position as ‘pretty weird guy’ to become the icon of cinematic insanity. Imagine if you will, that Gary Busey was still getting the big roles; all Stonehenge-teeth and bellowed acronyms that make no sense; and in movies that got trailed on TV and opened big at the box office. That’s what’s happening here. Is Cage acknowledging and embracing his own madness? Like the Iron Shiek becoming a cartoon of himself as a springboard to an irony-laced reinvention? Or, like when the studios had some old time movie star with a penchant for murdering call girls, and finally got tired of sweeping the bodies under the rug, is Hollywood accepting that his natural Cageness cannot and should not be covered up any longer? Cage became a thing unto himself, where directors be all “just go be Nic Cage and we’ll roll” like some modern day Klaus Kinski, riding his craziness like a bucking bull, and pointing cameras at him to preserve it for the ages."
"Nicolas Cage is hands down one of my favorite actors working today, and it's not for any respectable reason. It's chiefly due to his bear-who-drop-kicks-ladies opus, The Wicker Man, but also such feel-good hits as Season of the Witch, Ghost Rider, Bangkok Dangerous, and Face/Off. I feel like any acting accolades Cage has ever received were the result of his incessantly being on film to the point that one day they ran out of films to give awards to and all that was left on the table that year was Leaving Las Vegas so they had to give Cage some acting awards for it or just have surplus that they wouldn't get a refund on from the trophy shop. Nicolas Cage approaches every role the same way — how wouldn't a real person tackle this situation? This is often executed on camera by a series of facial spasms to shame even Jim Carrey or a Tex Avery cartoon, as Cage contorts and tics his way through a serious of either unrestrained emotion or unpleasant bowel turmoil."
"Come to think of it, I’d give vital parts of my anatomy to see a conversation between Hopper and Shatner. I’ve seen his episode of Inside the Actors Studio, and believe me, even clean and sober, Hopper can bring the crazy."