Music: Moby

Moby is an experimental/ambient Electronic Music artist. Known mostly for his touching orchestrations and his ability to take just about any sample imaginable and make an epic techno song out of it, Moby is one of the most respected artists in his field.

He got his start out in the late 80s and early 90s playing in small clubs. He released his debut effort, a Self-Titled Album, in 1992, and followed it up with another release the next year called Ambient, which was sort of akin to Aphex Twin's Selected Ambient Works 85-92 record. Besides the song "Go", which served as his first hit, and the song "Thousand", which holds a Guinness World Record for fastest BPM (take a guess), his first two releases received general shrugs from the masses. His next release, 1995's Everything Is Wrong, saw his first taste of critical acclaim.

Then, in 1997 he attempted a genre shift that did not work in his favor. His third album, titled Animal Rights, is his attempt at tackling the Punk Rock / Alternative Metal (sources argue over the album's actual genre) movements. Critics laughed at his frail-sounding vocals and semi-pretentious lyrics, coupled by overly-long songs and repetitive riffs. The album sold so poorly that it sent Moby into a depressive stupor, drinking heavily every night in a desperate attempt to construct better songs.

This resulted in the release of his breakthrough album, Play in 1999. Though ignored by critics at first (they were still laughing at him for Animal Rights), eventually it received critical acclaim and became the best-selling techno album of all time. Then, just to give him more credit, in 2000 the album became the first album to have every single one of its tracks used in movie and television soundtracks.

After this he released two more warmly received albums, and then finally returning to his techno roots with his two latest albums. Play was featured on many "greatest of all time" album lists, and Animal Rights has become little more than a footnote in his discography. His reputation has gained him much respect from fellow musicians in many different genres.


Discography:

  • Moby (1992)
  • Ambient (1993)
  • Everything Is Wrong (1995)
  • Animal Rights (1996)
  • Play (1999)
  • 18 (2002)
  • Hotel (2005)
  • Last Night (2008)
  • Wait for Me (2009)
  • Destroyed (2011)
  • Innocents (2013)
  • Hotel: Ambient (2014)


Moby contains examples of the following tropes:

  • After the End: "South Side"
  • Album Filler: Though most people think otherwise, some of his tracks were literally just thrown in there for nothing more than padding. (Though he has stated that he's written hundreds more songs than have appeared on his albums, but he scraps the ones that aren't any good, so it could be worse.)
  • Audience Participation Song: "The Perfect Life"
  • Bald of Awesome: Hard to believe that there was a time where he had hair.
  • Bookends: His re-version of the James Bond theme starts and ends with "Bond. James Bond."
  • Distinct Double Album: The album Hotel by Moby is another classic example. The first disc is mainly rock-oriented songs, all with vocals (except for the intro, coda, and Hidden Track), while the second disc is entirely ambient techno.
  • Epic Rocking: Many of the songs on Animal Rights span past 5 minutes. "Face It" clocks in at almost exactly 10 minutes.
  • Everything Is an Instrument: Just listen to an album and you'll hear a variety of different things most techno artists wouldn't dare to touch.
  • I Am the Band: When on tour for Animal Rights he pulled this image.
  • Iconic Song Request: "Extreme Ways", his most famous song, especially because it was used in The Bourne Series.
  • Metal Scream: Animal Rights was jam packed with this.
  • Mohs Scale of Rock and Metal Hardness: Most of his stuff ranges from a 2 to a 6, but he's done everything from a 1 to an 11.
  • Mood Whiplash: His albums tend to be almost jarringly diverse. Everything Is Wrong, for example, follows a euphoric rave song ("Bring Back My Happiness") with a seriously over-the-top Heavy Metal song ("What Love").
  • Non-Appearing Title: "Natural Blues"note , "Down Slow", "The Rafters", "Look Back In", "18", "My Weakness", "Machete", "Signs of Love", "Sleep Alone", "Fireworks", "Rushing", "7", "If Things Were Perfect", "Everloving", "Inside", "Guitar Flute & String", "Porcelain", and "Temptation" to name a few.
  • Out-of-Genre Experience: Animal Rights saw an electronica artist delving into hardcore rock and punk. Understandably, it backfired horribly on him.
  • Sampling: Specializes in it.
  • Self-Titled Album: His debut album in 1993.
  • Special Guest: Appeared as a judge for a Nerd Anthem challenge in series 3 of King Of The Nerds.
  • Surprisingly Gentle Song: "Inside" off of Play.
  • Stage Names: Real name Richard Melville Hall. He gets his stage name from the fact that "supposedly Herman Melville was my great-great-great-granduncle." Herman Melville, of course, wrote Moby-Dick.
    • Has also released music under the name Voodoo Child. His album Baby Monkey was released under this name so he could "concentrate on the music without having to worry about promotion or record sales".