Literature / Gerald's Game
First edition cover

A horror novel by Stephen King. The setup is rather High Concept — during a bondage game proposed by husband Gerald, things go south. Gerald himself ends up dead, and protagonist Jessie Burlingame finds herself in a whole heap of trouble when she's still handcuffed to the bed.

Somewhat amazingly, a film adaptation was produced by Netflix in 2017, starring Carla Gugino as Jessie and Bruce Greenwood as Gerald.

Definitely not to be confused with Geri's Game.

But you said these tropes sounded like fun:

  • Abusive Parents: Jessie's father sexually molested her when she was 12.
  • Adaptation Name Change: Downplayed. It doesn't apply to a character's birth name, but nickname. In the book, Jessie's father nicknamed her "Punkin", in the movie, it's "Mouse".
  • Adapted Out: Ruth Neary, Nora Callahan, Meggie Landis, Brandon Milheron...basically, if the character wasn't in the house with Jessie in the book, they don't show up in the 2017 film.
  • Affectionate Nickname: Jessie's father calls her "Punkin". In the movie, he calls her "Mouse".
  • Amplified Animal Aptitude: Prince's intuition is described by King in a way that doesn't feel that farfetched.
  • Amoral Attorney: Gerald is slowly revealed to be one.
  • Arc Words: "You're not real. You're only made of moonlight."
  • Ascended Extra: In the book, Gerald lies dead on the floor and never shows up in Jessie's head at all. In the 2017 movie, he serves as a major hallucination that tries to talk her down and manipulate her.
  • Attempted Rape: Causes Jessie to kick Gerald in the groin, giving him a fatal heart attack.
  • Better Than Sex: When Jessie finally gets rid of the handcuffs, she feels ecstatic, and thinks that if sex was even half this good, people would be doing it on every street corner.
  • Bitch in Sheep's Clothing: Jessie's father first appears as a caring, devoted Family Man but is really a manipulative, sexually abusive asshole.
  • Bittersweet Ending: Jessie successfully broke free of the handcuffs and she even started a foundation to help victims of sexual abuse. But her husband is still dead, her world was turned completely upside down, and it seems her nights were (and may continue to be) plagued with visions of the Moonlight Man. Though she did confront said Moonlight Man on his court date and said essentially that she’s no longer afraid of him.
  • Body Horror
  • Bondage Is Bad: Surprisingly averted; it's the motivation that can be bad, yes, but not the act itself. Of course, you probably won't want to run off and play with some handcuffs right after reading this.
  • Canon Welding: In the 2017 movie, when Jessie is coming to terms with the likelihood that she's going to die when the Moonlight Man returns, Gerald tells her "All things serve the Beam." This could be either a Shout-Out to The Dark Tower, or have considerably deeper implications.
  • Chained to a Bed
  • Contrived Coincidence: Gerald's Game is set in motion by the stars aligning in such a ludicrous fashion that you kind of have to laugh. But the protagonist's ensuing predicament is awful enough that you won't be laughing for long.
  • Cool Old Lady: Meggie Landis, the housekeeper Jessie hires to take care of her after her ordeal in the book. She doesn't show up in the movie.
  • Creepily Long Arms: One of the more noticable traits of The Space Cowboy.
  • Creepy Souvenir: The Space Cowboy's attire is littered with the bones of past victims.
  • Daddy's Girl: Jessie was like this... until her father sexually molested her.
  • Dangerous Key Fumble: Befalls Jessie when she tries to escape in her car.
  • The Darkness Gazes Back: Jessie never is sure whether or not there is someone in the shadows, watching her at night.
  • Deadpan Snarker: Ruth Neary, the voice in Jessie's head that belongs to her old college roommate.
  • Depraved Homosexual: The Moonlight Man is revealed to be a serial killer who mutilates and sexually defiles male corpses.
  • Determinator: In between increasingly unsettling and haunting flashbacks that go way back to her childhood, the book is sectioned with Jessie's various attempts at releasing herself from the handcuffs.
  • Faux Affably Evil: Jessie's father is first shown as a loving father but shows his true colors when she sexually molests her. And just oozes his assholishness when he emotionally manipulates his daughter to keep his abuse of her secret.
  • Gory Discretion Shot: Due to her angle on the bed, Jessie is mostly able to only hear Prince eating Gerald's corpse. Mostly.
  • Gunman with Three Names: Raymond Andrew Joubert, although the name only comes up in the book's denouement.
  • Hearing Voices: In the book, Jessie hears four voices in her head: Ruth Neary (her old college roommate), Nora Callahan (a psychiatrist she stopped seeing), "Goodwife Burlingame" (a version of herself that is a devoted wife), and her 12-year-old self from the day the eclipse happened. In the 2017 movie, these are condesned into two characters: Gerald and herself as she is now.
  • Humanoid Abomination: How Jessie sees The Space Cowboy, in her dazed and near mad state.
  • I Love the Dead: The creepy stranger Jessie sees is Raymond Andrew Joubert, a necrophiliac serial killer and cannibal, who regularly broke into crypts and mortuaries for years and violated male corpses.
  • I'm a Man; I Can't Help It: How Goody Burlingame, the more submissive voice in Jessie's head, tries to rationalise Gerald's attempt at rape.
  • Innocence Lost: When Jessie's father sexually molested her and manipulated her into silence, she loss her childhood and sense of self.
  • Karma Houdini: Jessie's father is presumably never faced comeuppance for his crime.
  • Kinky Cuffs: After a while, Gerald only finds Jessie sexually attractive if she's tied to the bed. Unfortunately, he likes to use real handcuffs. However, he could only get the type made for males; this is what makes Jessie's escape possible.
  • Life-or-Limb Decision: Not exactly, but close enough. Jessie eventually breaks a glass and effectively degloves her hand, so blood would serve as a lubricant and allow her to pull her hand through the cuff.
  • Like Parent, Like Spouse: Jessie's inner self speculates that her sexually abusive history with her father is why she married Gerald: an older man, someone who objectifies her, and happens to be a lawyer as well. It's the only dynamic she really knows.
  • Living Shadow: How Jessie percieves The Space Cowboy
  • Looks Like Orlok: The creepy stranger, mostly.
  • Marital Rape License: Gerald gives off this vibe when he attempts to rape Jessie despite her explicitly saying no to him.
  • Maybe Magic, Maybe Mundane: Jessie remains uncertain if the "Space Cowboy" is just a hallucination or an apparition of Death itself. He's real, but a merely a mortal Serial Killer.
  • May–December Romance: Implied. Their ages are not specified, but Gerald is described to be older than Jessie.
  • Meaningful Background Event: References to a dog barking in the woods are spread throughout the first two chapters or so.
  • Parental Favoritism: Jessie was her father's favorite out of his three children. Their close relationship took a dark turn however when he sexually molested her.
  • Parental Incest: And not just confined to backstory either. No, King tackles this ugliness head on.
  • Pet the Dog: In the movie, Hallucination!Gerald is genuinely horrified that Jessie was sexually molested by her father and gives her a proud farewell when she escapes her bondage.
  • Plot-Triggering Death: Gerald's death causes most of the plot.
  • Psychological Horror: In spades.
  • Secondary Character Title: The title of the book/movie is the protagonist's husband who dies early on.
  • Shadow Archetype: Possibly the Space Cowboy to Jessie, given his implied back story.
  • Shout-Out: In the film, "Gerald" calls the dog Cujo, which is another Stephen King work. He also mentions that all things serve the Beam.
  • Setting Update: The 2017 film moves the setting to the present day, rather than 1992, when the book was written. By extension the day of the eclipse moves forward from 1963 to somewhere around 1989.
  • Signature Style: Stream-of-consciousness writing? Italicized, parenthetical snatches of phrases representing the main character's little brainfarts? Multiple contexts for the same phrase, all of them disturbing? Must be a Stephen King book.
  • Spared by the Adaptation: In the book, Prince (Jessie's canine visitor) is shot by police. The film version doesn't tell us the dog's ultimate fate.
  • Too Dumb to Live: The couple break one of the most intrinsic rules of bondage in that the restrained person must always be able to escape or call for help if the restrainer is incapacitated for any reason. Likewise metal police handcuffs are not recommended for the same reasons.note  Justified in that the fact that he didn't bother with any of the safety measures and insisted on real handcuffs is used deliberately to establish Gerald's character. There's also the fact that, at the time the novel was written (1992), the internet effectively did not exist for the average person, removing one of the primary means of easily discovering typical safety procedures for this sort of activity. You would have to know someone "in the scene" or do a lot of surreptitious research, neither of which Gerald is likely to do, not to mention he's not exactly the type who would care that much about his wife's safety anyway.
  • Urban Legend: A much darker take on an old yarn regarding, of all things, Batman.
  • Vomiting Cop: Sheriff Norris Ridgewick throws up, when he finds what is in the truck of Raymond Andrew Joubert, a necrophiliac cannibal (for example, a sandwich with a human tongue) but manages to get out of the truck just in time. A character says that "the State Police would have torn him a new asshole if he'd puked on the evidence. On the other hand, I'd have wanted him removed from his job for psychological reasons if he hadn't thrown up."
  • What Happened to the Mouse?: In the book, Prince (the dog that feasts on Gerald) is shot by the police. In the 2017 film, we don't learn his fate.
  • Xenofiction: Some parts of the book are told from the perspective of Prince, the stray dog.
  • Your Cheating Heart: Implied in the film. Hallucination!Jessie implies that Gerald would have "late work nights" and "trips" to cheat on Jessie.

Alternative Title(s): Geralds Game