(also known as The Atlan Saga
) is a series of British fantasy novels written by Jane Gaskell and originally published in the 1960s. The books take place in a prehistoric civilization—"before the continents had changed," state some of the back cover descriptions. Gaskell's intent seems to have been to combine every prehistoric myth into one lengthy narrative. The primary thesis of the novels is that they tell the story of how the human race really
came to be. For instance, Gaskell explains in the introduction to the first novel that the legendary Mesoamerican country Aztlan is synonymous with the lost continent of Atlantis (hence the title of the series), among other alternative historical tidbits.
Princess Cija, the heroine, begins as a naive seventeen-year-old kept sheltered in her royal tower. Her mother, known only as the Dictatress, has maintained her daughter's ignorance because of a prophecy that Cija would destroy the kingdom if she ever left her tower. As a result, Cija believes that the male half of the human race has gone extinct, that female humans reproduce through laying eggs, and that there is no land war going on around her. When the half-man, half-reptile General Zerd invades Cija's home country, the Dictatress offers him her daughter in marriage after instructing her to kill him. Zerd takes Cija prisoner, and there begin some intercontinental adventures that change the princess irrevocably....
Flawed and obscure though it is, Atlan
is notable for being one of the earliest Tolkien-contemporary fantasy series not to resemble The Lord of the Rings
. It's also probably the only series that can be accurately described as a Gothic Jungle Opera
, influenced as it is by Mervyn Peake's Gormenghast
, the works of Rider Haggard, the Tarzan
series, old Gothic novels, and obsolete anthropological studies. If nothing else, this series was probably the last gasp of prehistoric fantasy—Earth's Children
and the like are entirely different from Cija's perils in the jungle. The fantasy genre would never revisit the "elder Earth" in quite the same way. Furthermore, Tanith Lee has cited this series as an influence on her work.
In order, the books are:
- The Serpent
- The Dragon
- The City
- Some Summer Lands
Some editions combine The Serpent
with The Dragon
These novels provide examples of:
- All Men Are Rapists: Not literally every man in the series is a rapist, but Cija's suspicions of the men she meets on her travels are often well-founded. She spares the reader the details.
- Anachronism Stew: One might think that this series takes place in the Mesozoic era, given the descriptions of people riding dinosaurs. However, this impossible coexistence is merely one of several preposterous elements in the series. All evidence indicates that the events of the series predate life on Earth as we know it.
- At one point in Atlan, a character uses the word "lesbian," even though the novel is set several million years before the existence of the isle of Lesbos. Similarly, the first book contains the word "sublimating."
- Aztec Mythology: A major influence on the series, as was Theosophy.
- Bittersweet Ending: The conclusion of the final novel.
- Blue-Skinned Space Babe: The Atlanteans are blue-skinned Earth people, and Cija describes herself and her serving women as having "blue-white" legs.
- Brainless Beauty: Cija, initially.
- Brother-Sister Incest
- Camp Gay: In The Serpent, Cija encounters Lel, an effeminate boy who describes himself as "wishing [he] had been born a girl." Before the reader can assume that Gaskell included an impressively early example of a transsexual character in a fantasy novel, Lel appears as the catamite to a decadent aristocrat from a court full of "woman-hating men."
- Classical Antihero: Cija begins as a pitifully weak heroine and improves as she grows older.
- Contemptible Cover: Several editions of the books have blatantly sexual or otherwise unappealing covers. The Orbit editions, the first of which is pictured above, invert the trope with lush landscape covers that present the narrative as more tasteful than it is.
- Disappeared Dad: Cija grew up without a father, but she eventually finds him. The results are not heartwarming.
- Distressed Damsel and The Ingenue: Cija absolutely fits the definition (see One Gender Race below).
- Foregone Conclusion: After all, it is the story of Atlantis.
- Good Girls Avoid Abortion: The perennially virtuous Cija wants to keep her half-human fetus at first, but her mother urges her to abort it.
- Gratuitous Rape: Every now and then.
- Half-Human Hybrid: General Zerd. His daughter Seka is three-fourths human.
- Infant Immortality: Possibly averted in Atlan, in which Cija's son Nal wanders off in the middle of an earthquake.
- Interspecies Romance: Zerd was born by a reptile mother to a human father. Zerd's marriage to Cija also counts, despite the lack of actual romance in their relationship.
- In The City, Cija wanders into a grove inhabited by apes, where she becomes a bull ape's paramour. He goes so far as to impregnate her, which she strangely welcomes. In fact, she loves him more than any of the actual men she meets.
- When Cija finds her father in a temple, she notices that he has married an alligator.
- Jungle Opera: The Serpent, The Dragon, and The City.
- Keep Circulating the Tapes: These novels were last printed in the 1980s, to say nothing of some of the books Gaskell cites as sources. H.S. Bellamy's work in particular is nearly impossible to find.
- Lost World: The setting as a whole qualifies (being lost temporally in the same way as Middle-Earth, not just physically), but the titular island of Atlan (short for Atlantis) merits this term especially, being shielded by a force field and accessible only via an underwater tunnel.
- Male-to-Female Universal Adaptor
- Mars Needs Women: Cija's aforementioned non- and semi-human lovers count, but there are equal-opportunity instances as well.
- Maybe Magic, Maybe Mundane: Is Cija actually related to the nebulous deities of her country's pantheon, or is she just full of herself? Her inadequacy may seem to suggest the latter, but the interspecies reproduction throughout the series implies that the laws of nature in this prehistory are not what they are now. (That said, the series contains no magic-users.)
- No Woman's Land: One of the villages Seka visits in Some Summer Lands has shades of cultural misogyny. Girls and women are not counted in population records, and mothers refer to all their children, regardless of their sex, with masculine pronouns—feminine pronouns themselves are considered insults.
- Obfuscating Stupidity: The Dictatress urges Cija to use this tactic on her enemies. Problematically, Cija is genuinely stupid at first.
- One Gender Race: As a child, Cija was taught that the human race consisted entirely of women who reproduced by laying eggs. Learning that the storybook creatures called men actually exist surprises her.
- Physical God: Cija believes that she is directly related to divinity and insists on referring to herself as a goddess.
- Royals Who Actually Do Something
- Science Marches On: One of the most overt instances of the trope in action. Both The Serpent and The Dragon conclude with bibliographies of mostly discredited reference books. Most famous among these are Robert Graves's The White Goddess and James Churchward's The Lost Continent of Mu. note
- Sex Slave: After running from Zerd's castle, Cija gets kidnapped and sold into slavery at a brothel, but she escapes before being forced into any more sex acts.
- Silent Snarker: Cija's daughter Seka is mute. She also narrates Some Summer Lands in a far more perceptive and sarcastic manner than her mother could manage.
- Somewhere a Paleontologist Is Crying: People coexist with dinosaurs in these books.note
- Spiritual Successor: To the general Edgar Rice Burroughs canon.