Film: The Mission
"Your Holiness, I write to you in this year of Our Lord 1758 from the southern continent of the Americas, from the town of Asunción, in the Province of La Plata, two weeks march from the great mission of San Miguel. These missions have provided a refuge for the Indians against the worst depredations of the settlers and have earned much resentment because of it. The noble souls of these Indians incline towards music. Indeed, many a violin played in the academies of Rome itself has been made by their nimble and gifted hands. It was from these missions the Jesuit fathers carried the word of God to the high and undiscovered plateau to those Indians still existing in their natural state, and received in return martyrdom."The Mission is a 1986 British drama film about the experiences of a Jesuit missionary in 18th-century South America. The film was written by Robert Bolt and directed by Roland Joffé. It stars Robert De Niro, Jeremy Irons, Ray McAnally, Aidan Quinn, Cherie Lunghi and Liam Neeson. It won the Palme d'Or and the Academy Award for Best Cinematography. In April 2007, it was ranked number 1 on the Church Times Top 50 Religious Films list. The music, scored by Italian composer Ennio Morricone, was listed at #23 on AFI's 100 Years of Film Scores.
Tropes from The Mission:
- Actual Pacifist: Father Gabriel refuses to fight back physically against the Portuguese, unlike Mendoza.
- The Atoner: Mendoza.
- Doomed Moral Victor: The Jesuits and the Guarani, in the end.
- Downer Ending: Gabriel, Mendoza, Fielding, and most of the Guaraní are killed by the Portuguese strike force. However, the ending quote suggests all is not lost."The light shines in the darkness, and the darkness has not overcome it." - John 1:5
- Foregone Conclusion: Cardinal Altamirano makes the decision he does in order to prevent the suppression of the Society of Jesus. Historically, the Jesuits were suppressed anyway just a few years later.
- Good Shepherd: Father Gabriel is about as saintly as they come.
- Heel-Face Turn: Rodrigo Mendoza is a slaver who undergoes penance and eventually dies protecting those he had hurt in the past.
- I Did What I Had to Do: Cabeza and Hontar, the Spanish and Portuguese governors, try to justify their actions this way. Cardinal Altamirano (who is clearly guilt ridden after condemning the missionaries) doesn't buy it.
- Inevitable Waterfall: The most famous shot from the movie is of a priest being tied to a cross and being sent downriver to Iguazu Falls.
- Real Men Love Jesus: Most of the main characters are either priests or convert at some point and often their faith lead to moments of badassery such as Mendoza climbing up a mountain with a coffin full of armor and weapons tied to him.
- Redemption Equals Death: Mendoza's ultimate fate.
- Redemption Quest
- Scenery Porn: Well, Iguazu Falls, no less.
- Soundtrack Dissonance: A triumphant choral piece (called "Vita Nostra" in the soundtrack) plays when the Guarani are building their church - and when they attack the Portuguese at the end despite certain to lose. Or perhaps not dissonant since they're Doomed Moral Victors.
- To Be Lawful or Good: The Cardinal has a choice between pulling support for the Guaraní, dooming them, or letting the Catholic Church be condemned. He chooses the former.
- Also counts as a Sadistic Choice; whatever the Cardinal decides, one group is going to end up being persecuted; the natives, or the Jesuits.
- Who Dares?: Don Cabeza doesn't take kindly to Mendoza calling him out on his lies:Cabeza: "I cannot and will not accept a challenge from a priest! His cloth protects him!"Mendoza: "My cloth protects you!"