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A Disney Princess just won over the hearts of an entire bar full of thugs.

See also the page for Tangled: The Series.

  • Rapunzel having the sheer strength to lift Mother Gothel up the tower's entrance with her hair, if not on a daily basis. No matter what Gothel says, that kind of feat is nothing to sneeze at.
  • Rapunzel apparently independently discovered astronomy (unless she has more than those three books), just from watching the stars outside her window and noting their consistent configuration and movement over time. She put enough study into it to paint a chart of the stars.
    • What's more, it was in response to Gothel's explanation that the "floating lights" were just "stars". Had Rapunzel been a tad less educated about astronomy, she might've believed it. But instead, it's her knowledge about stars and their natural movement through the sky that told her the yearly lanterns were anything but stars.
  • Maximus the horse. For one, he's severely badass (especially considering that he's a horse!) not only being able to have a sword fight with Flynn, using his teeth to wield the sword, but also nearly winning as well. There's also his determination which is downright scary. This beast is probably up there with Inspector Zenigata and Javert as the world's most determined lawman (er, horse)! By the end, he's even taken over the job of the head guard for the entire kingdom, and, as a result, crime disappeared "almost overnight" (as did most of the apples).
  • Rapunzel manages to knock Eugene out... armed with nothing but a cooking implement. Talk about Rapunzel being a Pintsized Powerhouse.
    • After a sequence of trying to push Eugene into her closet, she looks at her mirror and says in stunned disbelief "I've got a person in my closet". She then repeats it in excited joy, amazed at what's she's done. It's the first time we see the capable woman she eventually becomes.
  • Fridge-Awesome: During "I've got a Dream", Gothel peeks through a window into the Snuggly Duckling and is mortified to see Rapunzel having fun with these thugs. The awesome part is, she's seeing first-hand that all her efforts (to mold Rapunzel into this timid, frightened, nervous, obedient little girl who would remain in her tower) were in vain. There before her stands a strong, confident, beautiful young woman who doesn't even hide from the very people she's been brought up to fear.
  • Flynn's and Maximus's brief duel at the dam scene was part this and part Funny Moment.
    Flynn: YOU SHOULD KNOW THAT THIS IS THE STRANGEST THING I HAVE EVER DONE!
    • The fact that he took out 4 members of the Royal Guard (the captain and 3 soldiers) with nothing but a frying pan. The surprised look on his face at the knocked-out guards on the ground clinches it, plus this:
      Flynn: Oh! Mama! I have got to get me one of these!
  • It's a tiny thing, but look at Rapunzel's face after Gothel insults her at the start of the reprise of "Mother Knows Best". When Gothel did the same earlier in the full song, Rapunzel looked sad. This time, she almost looks angry and confused or curious, as if she's wondering why Gothel would say such a thing if she's supposed to be the one who really cares about her. In other words, it marks her truly beginning to figure things out. And then, her sharp NO when Gothel keeps insisting she come along. It's just the strength in her voice as she says it.
  • The girls in the market being able to braid Rapunzel's, as earlier mentioned, 70 foot hair into one single thick braid hanging higher than her feet. As anyone who has had experience in braiding hair, dealing with long hair is no easy job, let alone something the length of a truck.
  • When Flynn's being led down the hall to his execution, his hands cuffed behind his back, and sees the Stabbington brothers in a cell, he pulls off the "jumping over the handcuffs" move to get his hands in front of him. Very impressive.
    • Keep in mind there are two guards leading Flynn by his arms. And he takes both of them out effortlessly before he "jumps the handcuffs". Also impressive how he cows down the big scary men he'd been running from all movie.
    • Also that he's visibly afraid while being led to the gallows. Then he sees the Stabbingtons and we see him go from anxious to furious. His anger beforehand has mostly just been snarky aggravation and grumpiness. This is probably the first time we've seen him this legitimately pissed off. It's no wonder the Stabbingtons are scared of him.
  • How about when Rapunzel stands up to Mother Gothel? After Rapunzel has an epiphany that she's the lost princess, she whispers in shock about what she's just realized, and Gothel retorts by saying: "Rapunzel, you know how I feel about the mumbling." She then says to her angrily "I'm the lost princess, aren't I?" In response to Gothel's shocked face she draws herself up and says coldly "Did I mumble, Mother? Or should I even call you that?"
    • Better, she grabs her arm. Gothel tries to break free, and CANNOT. Compared to how weak she was at the beginning of the movie, being unable to lift Flynn or anything, it shows how much stronger she has become.
    • Indeed, it's that brief moment when Gothel gets the Oh, Crap! face that gives away everything. No denial can cover that look, and for the first time in the movie, you almost get the vibe of Tranquil Fury from Rapunzel. (Awesome and scary)
  • Sure, he gets stabbed immediately afterwards, but who didn't cheer for Flynn when he started ascending Rapunzel's tower at the climax? Especially since he strikes the famous "climbing the tower" pose associated with the fairy tale.
    • He even calls out "Rapunzel, Rapunzel! Let down your hair!"
  • Gothel's death.
    • Rapunzel, after Mother Gothel has just stabbed Flynn Rider to inflict a fatal wound. Bound and Gagged, she struggles until her gag comes off just to tell Gothel that no matter what Gothel does to her, she'll never stop fighting, never stop trying to escape, and will never sing to her again (which is the only thing keeping Gothel alive and young) unless she lets Rapunzel use her hair to save Flynn's life first, preparing to sacrifice her own freedom and happiness to save Flynn's life.
      • Immediately after, when Rapunzel is allowed to heal Flynn, Flynn chops off Rapunzel's hair, ensuring that Gothel will immediately wither up and die from old age, sacrificing his own life to free Rapunzel. Better, he had no idea that it would kill Gothel. All he knew was that it would save Rapunzel from being captive for the rest of her life.
      • Just the context of the act itself. It's an act of setting Rapunzel free!
      • It's as if the whole movie exists for the sake of that one moment. Everything before it leads up to it, and everything after it stems from it. More in-depth discussion here.
    • It's definitely a Moment of Awesome when you can manage to make blonde hair turning brown a death sentence. Which it was.
    • Fridge-Awesome: Eugene cutting Rapunzel's hair (and in that simple act, freeing her from Gothel) can be seen as symbolic that he's helping Rapunzel cut ties from her toxic 'mother', the one person standing in the way of her happiness and her true parents.
    • Pascal's The Dog Bites Back moment. When the rapidly aging Gothel is stumbling around, Pascal notices some of Rapunzel's hair next to him, so he grabs it with his mouth and holds it taut, leading Gothel to trip and plunge out the window - if she weren't already aging to dust, she would've suffered the standard Disney Villain Death at Pascal's own paws! Double points for the fact that Rapnunzel's hair was what Gothel wanted all her life, and it was (partly) responsible for doing her in!
  • The movie itself is a CMOA for animation in general. Start with the level of attention and focus paid to Rapunzel's hair, which is notoriously hard to render in CG. Next is when her tear heals Eugene, which is by far the most visually impressive and beautiful resurrection scene in any movie.
    • And a third for the Costume Porn. Holy cow, have you seen the detail on Rapunzel's dress alone? The complicated flower pattern on the front section of the skirt is not drawn on. It is embroidered with metallic thread. The whole damn thing. The rest of the costumes include all the actual seams, wrinkles, even weathering that actual, wearable clothes would have. (Contrast the The Incredibles' red spandex suits. Looks cool but how would you actually put it on?) The edging of the rest of Rapunzel's skirt is not just done in thread, it's done unevenly - as though she either handstitched it or was a bit uneasy on the sewing machine. And must we even mention the complex hair-braiding?!
    • Of course her dress would be wildly embroidered, there was not all that much else she could do in that tower room. She also painted every square inch of that room too.
      • The costume porn even extends to the sound the clothes make as they move, Flynn squeaks and jingles constantly due to all the leather and buckles he wearing.
      • Also, if you look closely during the Kingdom Dance sequence, Rapunzel gets some paint on her dress when she paints the kingdom's emblem in the square.
    • Add a fourth moment for them to the list. Watch the scene before the King and Queen release the lanterns again - the pain on the King's face is so very evident, even in CGI. They manage to get incredible emotion across in CGI without any sound whatsoever - just a character model's face.
    • The lantern scene, especially when seen in 3D. That is the point where the movie exceeds its genre and becomes, for a few magic minutes, a form of high art.
    • When you see Rapunzel's mother, she looks very similar to Rapunzel, but not exactly. In other words, just like a real mother/daughter would look. Instead of being a Generation Xerox, they actually look like real people, despite the stylised nature of the artwork.
    • Also, they pushed the technology another step past Madagascar and Horton Hears a Who! (2008) by incorporating smartly-placed squash-and-stretch into three-dimensional character models, an animation principle previously only reserved for hand-drawings!


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