The Protagonist, a princess who was kidnapped and locked in a tower her whole life thanks to her mother ingesting a flower that held an essence of the sun. As a result, her Magic Hair can reverse aging, heal wounds, and bring people back to life. At the start of the film, she is left wondering why thousands of lanterns appear in the sky on her birthday every year, and the movie is set into motion by her desire to see them.Tropes associated with Rapunzel:
Badass Adorable: Despite being sealed in that tower for nearly her entire life, she's very resourceful when on the outside. Certainly fills the "adorable" side.
Badass Princess: She is a princess, though not knowing it, but as the above states she is an incredibly resourceful young lady.
Beauty Is Never Tarnished: Rapunzel runs off to adventure with 70 feet of hair and bare feet. She gets wet but dries off quickly, and at no point are her hair and feet ever seen to get dirty. The hair is justified because it's magical. The feet have no excuse.
And then I'll brush and brush and brush and brush my hair!
Gothel has also made Rapunzel believe that she would be in constant danger outside the tower because selfish people want her healing power for themselves. Along with the actual truth in that statement and the resulting tower imprisonment as well.
It's stated in an official "fact book" of Tangled facts that it takes Rapunzel three hours to brush her hair, and six hours to wash it. She hangs it out of the tower to let it dry.
Rapunzel's complete, non-negotiable unwillingness to break her promises greatly informs the film's climax, when she promises to Mother Gothel that, if she lets Rapunzel heal Flynn, Rapunzel will stay with her forever and offer no resistance. Needless to say, it makes the scene pretty tense.
The fact that her hair glows helps her and Flynn escape a watery death.
Her passion for painting bright, colorful patterns and flowers on the walls of her tower proves essential to her realizing her true identity.
Compressed Hair: While touring the kingdom, her 70 feet of hair is compressed into one floor-length braid. Justified as it was braids that were braided to create one big braid.
Cute Clumsy Girl: Thanks to her hair. Even beyond this, however, she seems to have a bit of klutziness in general; witness her attempts to get Flynn into her cupboard, the way she accidentally clonks herself with her own frying pan, and so forth.
Ditzy Genius: She's incredibly multi-talented and capable of great insights, but also has her moments of (perfectly understandable) naive idiocy.
Does Not Like Shoes/Earthy Barefoot Character: Rapunzel is of the youthful innocence variety, plus she's just never needed shoes due to never leaving her tower. Interestingly, no one in the entire film comments on it, aside from Mother Gothel pointing a mirror down at Rapunzel's bare feet and commenting that she's "underdressed"— causing Rapunzel to immediately cup her fingers over her toes. In the storybook version of Tangled Ever After, she's still barefoot, even at her wedding. (In the short film, her dress is too long to tell.)
Expy: Designer Glen Keane designed both Ariel and Rapunzel. The similarity in both appearance and personality certainly shows. Especially interesting since Ariel was inspired by his wife and Rapunzel is inspired by his daughter. Strong Family ResemblancemeetsIdentical Stranger meets animation?
Genki Girl: Mostly thanks to the fact that she's pretty happy to be out of the tower.
Genre Savvy: For all her naivete, Rapunzel has a little of this near the end of the movie. When she realizes that Mother Gothel kidnapped her as a child, the way Rapunzel lashes out makes it sound like she's already figured out that Gothel also set things up so she would think Flynn had abandoned her.
Girly Bruiser: Though she doesn't discover that she's a badass until she leaves her tower at age 18. To make the example even more pronounced her weapons of choice are her 70 feet of hair and a frying pan.
Hair of Gold, Heart of Gold: Played with, in that while she is good and innocent, she uses said hair as a badass weapon. Flynn even nicknames her "Goldie". However, at the end she's revealed to be a natural brunette, which is actually foreshadowed by the fact that her eyebrows and eylashes are brown and both of her parents are brown-haired, but most obviously, the fact that her blonde hair lock turned brown when Gothel cut it.
Happily Married: To Eugene. Mentioned at the end of the movie. You see their wedding day in the short.
I Gave My Word: Whenever Rapunzel makes a promise, she intends to keep it, from promising to return Flynn the satchel that has the tiara he stole to promising Mother Gothel that she will go with her willingly only if Flynn can be healed first.
Meaningful Name: Rapunzel's name derives from the magical rampion of the beginning prologue.
Mood-Swinger: Rapunzel runs around yelling "I'm free!"/"Mother is going to kill me..."/"This is the best day of my life!"/"I'm the worst daughter ever!" Flynn points out, "You seem a little at war with yourself here."
Motor Mouth: When she's nervous, Rapunzel tends to start babbling rapidly.
Mundane Utility: Rapunzel's 70 feet of hair has magic that can heal grievous wounds and reverse aging. It also serves as a handy blanket to wrap around herself with when she's sleeping outdoors. It even serves as the world's longest flashlight.
Nature Lover: It's even enough to distract her from her guilt about deceiving her mother.
No Infantile Amnesia: Near the end of the film Rapunzel has an epiphany and realizes that she's been subconsciously painting the symbol of her city-state a sun — because of dormant memories from infancy. Or it was the magic flower, which just happens to also be the symbol of said city-state, since it was inside her to begin with.
Not Distracted by the Sexy: Flynn tries to woo his way out of being Rapunzel's guide, but unfortunately for him, she has absolutely no experience with or understanding of seduction of any kind, and so has absolutely no idea what he's even doing. When she's not amused, he reluctantly agrees.
Only Child Syndrome: Made more noticeable by the fact that her parents are hereditary monarchs and, even given Rapunzel's disappearance, would thus presumably need a child to keep the lineage going. Although considering the first pregnancy almost killed mother and child...
Parental Abandonment: Inverted, as Rapunzel is kidnapped from them as a baby. Otherwise averted in her case, as the girl has two loving parents to return home to at the end.
Rags to Royalty: A Goose Girl type; kidnapped as a baby so Mother Gothel can make use of her Magic Hair and ignoring that she's a long-lost princess.
Rapunzel Hair: Rapunzel's hair is 70 feet long. In this case it is explicitly magical hair, which both explains how it was able to grow that long to begin with and how she can move about without it weighing more than she does.
Remembered I Have Magic Hair: In the scene where Rapunzel and Flynn are trapped in a sealed cave while it gets flooded, Flynn fails to find an underwater exit since the cave is pitch-black. It takes a little while to Rapunzel to realize she can get some light with her hair.
Rapunzel:I have magic hair that glows when I sing. Flynn:What?! Rapunzel:I have... MAGIC HAIR THAT GLOWS WHEN I SING!
Required Secondary Powers: Rapunzel's magic hair must also include immunity to split ends and other problems that would plague normal hair that hasn't been cut for 18 years.
Speaks Fluent Animal: Rapunzel is surprisingly capable of having conversations with Pascal, like when she discusses with him whether they can trust Flynn or not. Coincidentally, Pascal was a squirrel in the first draft of the script. Then again, It seems to be an inherent ability of Disney princesses.
Spirited Young Lady: She doesn't want to disobey Mother Gothel, but she's determined to get what she wants.
Strong Family Resemblance: With her real mother, the queen. Especially at the end, when they're both brunette and the camera frames them reuniting, right down to the huge green eyes. Rapunzel does not need to do anything else to show that she's their daughter, despite having a completely different hair color when she was a baby.
Swiss Army Tears: At the very end, though you may see it coming if you're familiar with the fairy tale.
Tears of Remorse: When she thinks they are going to drown, and it's all her fault.
Teens Are Short: Despite being 18, Rapunzel is shorter than most adults, including her real parents.
Textile Work Is Feminine: Among other activities, she knits and does laundry to distract herself when alone in the tower.
They Do: Only in the narration — but then, she cuts in to Flynn's narration for the first time.
Traumatic Haircut: Not only does she get the hair she's been growing out her whole life chopped off, losing it means she can't save Flynn's life.
The film's Deuteragonist, a career thief on the run for stealing the missing princess's prized tiara who finds himself trying to hide out in her tower. Rapunzel, with no previous knowledge of the outside world, convinces him to accompany her to see the lanterns.Tropes associated with Flynn:
Be Yourself: His character development is kicked off with this from Rapunzel.
Brown Eyes: Noteworthy because of their easily recognizable symbolism: reflecting Flynn's naturally sarcastic and down-to-earth personality in contrast to the ridiculous scenarios he finds himself in. He is also one of the few male Caucasian characters in Western and Eastern animation to have brown eyes.
Butt Monkey: His second most prominent trait. Helps that he seems to be Made of Iron when it comes to physical comedy. Not so resistant to stabbing, though.
Character Development: He stops caring only about himself and learns to love, as well as to just be himself.
Deadpan Snarker: He takes every opportunity to snark about his current situation. except the 'almost drowning' part, which adds to the drama.
Decoy Protagonist: The trailers made it seem like Flynn was the star, even though he is very much the deuteragonist. In-movie, Flynn is the leading narrator, but he quickly denounces himself from being the main character and goes on to tell that yes, this is the story of Rapunzel.
Distressed Dude: It's always Flynn who has to be rescued by Rapunzel, not the other way round! Even when Rapunzel gets Bound and Gagged toward the end of the film, she's able to save Flynn from his mortal knife wound by working off her gag and begging Mother Gothel to let her heal him, which gives Flynn a chance to pull off his would-be Heroic Sacrifice.
Easily Forgiven: Between the start of the movie and the Epilogue, Flynn goes from being wanted for grand theft, to presumably becoming Prince or Prince Consort, and eventually King of the same country. Wow. (Well, given that he did bring back their daughter who had been missing for 18 years, you can see the King and Queen issuing a pardon there).
I Want My Beloved to Be Free: In Flynn's last moments of life (as far as he knows), Rapunzel makes a promise to never resist Mother Gothel again so long as she is allowed to save his life. Rather than allow her to save him, Flynn decides to use the last of his strength to cut Rapunzel's hair with a shard of glass, causing it to lose its power and depriving Gothel of the reason Rapunzel was so important to her. In a way, this is a case of this trope going both ways.
Ironic Echo: In the trailer, Flynn calling for Rapunzel to let down her hair was humorous. Less so for the single time he uses it in the movie.
Love Redeems: Rapunzel's love for Flynn causes him to change his thieving ways and return to bearing his old name Eugene Fitzherbert.
Made of Iron: Flynn should at least be bruised from head to toe with many broken bones and concussions from all the abuse he goes through in this movie, but most of it doesn't leave a scratch on him. Though, he's still vulnerable to daggers and pointy rocks.
When Flynn and Rapunzel are about to see the lights appear, Rapunzel is worried about what to do with her life after she realizes her dream of seeing the lanterns. He consoles her by telling her, "Well, that's the good part I guess. You get to go find a new dream." This turns up again later when Eugene has returned to the tower in an attempt to free Rapunzel. Dying, he says, "You were my new dream." Rapunzel responds, in a tear-filled voice, "And you were mine."
The first and last times Flynn sees Rapunzel's long hair emerge from her tower are nearly identical, with her golden hair forming a loop as it flies out of the window into the sunlit air as he clings to the wall of the tower. The second time, it's not Rapunzel.
Mr. Fanservice: According to an interview, Flynn's design came from the artists having the female staff members writing down all of the celebrities they thought were most good-looking and borrowing from that.
Word Of God called the gathering of female staff members "The Hot Man Meeting".
Oh, and X Dies: The opening narration starts off with Flynn stating, "This is the story of how I died." By the time it comes up in the story, odds are good you've forgotten about that line. Additionally, the first-time viewer, after observing his personality, would think he was exaggerating for drama.
That Man Is Dead: Flynn Rider dies as he begins embracing his true name and personality. So the Tonight Someone Dies warning at the beginning is very true, it is the story of Flynn's death and his rebirth as Eugene.
They Do: In the narration, Eugene and Rapunzel assure us it is so. We see their wedding in the short.
Too Dumb to Live: You'd think that Flynn, a career thief, would know that the woods alone at night is the last place you ever want to have a hand-off with two violent, untrustworthy thugs who have very good reasons to be mad at you. Though, it could be seen as more proof of his Character Development; he's too concerned with Rapunzel's safety to worry about himself, and he had no way of knowing Gothel was skulking about.
Unreliable Narrator: He announces that the story isn't about him, but rather Rapunzel, it's actually about both of them.
You Have Got To Be Kidding Me: The only appropriate response to seeing your not-quite girlfriend making friends with the hell-beast of a horse that's been chasing you all over the place.
Voiced by: Donna Murphy
An old woman who was, prior to the film, the only person who knew of the magic flower that could reverse her aging. When the flower is taken from her and ingested by the queen, Gothel instead kidnaps the queen's daughter, who had the essence of the flower, and raises her as her own. Eighteen years later, Gothel is content with keeping Rapunzel as her personal Fountain of Youth, which is forced to change once Rapunzel decides she wants to see the outside world.Tropes associated with Mother Gothel:
(looking in the mirror with Rapunzel) Look in that mirror. I see a strong, confident, beautiful young lady. Oh look, you're here too. (laughs).
Evil Is Hammy: Subverted. Gothel definitely counts as a ham in the beginning when she pretends to be a mother figure to Rapunzel, but later in the film when she decides to become "the bad guy", she's basically all evil and no ham.
Mother Gothel looks very similar to the way Bernadette Peters portrayed the character in Into the Woods. They even have the exact same motive for locking Rapunzel in the tower (protection from the outside world). There's also the young and old forms both take, the arrogant insistence of being right, and the awesome singing voices. However, the former fills in the blanks with much darker reasons to the point of being a Deconstruction of the latter.
Her eternal youth shtick might also be something of a surviving trait of the original concept of Yzma. Further evidence of this one comes from the fact that The Emperors New Groove started life as a much more standard Disney flick under the working title Kingdom of the Sun. Note the motif of the kingdom in Tangled. The key difference here is that Proto-Yzma believed that the sun itself was what robbed her of her youth and beauty, while Mother Gothel actually gains hers from the essence of sunlight.
Her over-protectiveness and passive-aggressive emotional manipulation also call to mind Frollo from Disney's The Hunchback of Notre Dame. The song "Mother Knows Best" and Frollo's part of "Out There" are, lyrically, uncannily similar.
Immortal Immaturity: Mother Gothel acts immature for how old she looks, let alone her actual age.
Immortality Immorality: Gothel has lived so long in her youthful form that if she stops, death will be almost instantaneous. Hence her mania at the prospect of Rapunzel leaving her, and (when the chips are down) the claws coming out when Flynn gets in her way.
In the Back: Mother Gothel does this to Flynn/Eugene when she fatally stabs him in the back with her dagger, unseen, while he's trying to save Rapunzel (though, of course, Gothel may or may not be a Dirty Coward, yet she does fight dirty). Guess he should have seen that one coming.
KarmicDisney Villain Death: Although the villain indeed falls from a great height, she dies before she hits the ground due to the rapid aging brought on by Rapunzel's hair being cut. The movie even shows her empty cloak striking the ground.
Knife Nut: Gothel's preferred method of combat, when she's not using her hundreds of years of cunning. She doesn't get around to actually stabbing anyone. Until the end, where she really makes it count.
Manipulative Bitch: What she does to Rapunzel for 18 years and how she recruits the Stabbington Brothers.
Marshmallow Hell: Mother Gothel does this a couple of times...or manipulates Rapunzel into running into it, which is basically the same.
Meaningful Echo: Mother Gothel's weary proclaim that she looks like "the bad guy" after an argument with Rapunzel in the beginning of the film. The second time she says it, she decides to take the role much more literally.
Murder the Hypotenuse: Her love for Rapunzel, if it exists, is a twisted and warped thing. It doesn't mean she can't kill Flynn for winning Rapunzel's actual love, leading to Rapunzel's realizing that she doesn't love her.
No Immortal Inertia: The immortality granted by Rapunzel's hair is immediately revoked if her hair is cut, causing anyone surviving in such a way to age rapidly if they touch the hair while it is losing its powers.
No Honor Among Thieves: She promises the Stabbington brothers more wealth, and revenge. They get the latter, and an arrest.
Oh Crap: Mother Gothel when she sees Maximus; she quickly deduces Rapunzel is gone, fearing the royal guard have found her at last. And again when Mother Gothel returns Rapunzel to the tower after her adventure. As she checks up on her, Rapunzel walks out of her room in a daze and says, "I'm the lost princess." You know Gothel can't think anything but this!
Rapid Aging: Happens to Mother Gothel when she no longer has the power of Rapunzel's hair to maintain her longer-than-normal youth. Definitely doubles as Accidental Nightmare Fuel, as it appears to be pretty damn painful. It happens throughout the rest of the movie too, only more slowly; in only two days away from Rapunzel, she already looks pretty aged by the time they go back to the tower.
Hero Secret Service: Played for laughs, as Pascal seems to view himself as one of these for Rapunzel, often acting as her protector and defender... which gets a bit tricky, seeing as he's a very small chameleon. Although he does manage to stare down Flynn and Maximus. He's the one ultimately responsible for Gothel falling out of the tower at the end.
Hollywood Chameleons: Zig-zagged trope. Most evident at the beginning with the flower vase, but he does change color with mood, like real chameleons, just with a different code.
The Captain of the Guard's horse, who is unfortunately more competent than the captain himself. At the beginning of the movie, he dedicates himself to hunting Flynn down for getting the tiara.Tropes associated with Maximus:
All Animals Are Dogs: Maximus hunts things by following their scent, sits on the ground with his front legs extended, and can wag his tail. All in the name of Rule of Funny.
Amplified Animal Aptitude: Maximus is the most badass character in the entire movie: if he had been around when Rapunzel was a baby he would have tracked down the missing princess before the sunrise. He's also more skilled with a sword than his rider.
Character Development: Maximus in the beginning was all about protocol and rules and regulations, going so far as to track down the lawbreaker even after his rider, the head guard, had fallen off. Later, it turns out he's a real softie for cute young girls and their dreams, and even gives the aforementioned lawbreaker some leeway for the sake of their love, lending his super-horse strength and fighting skills to break Eugene out of prison and the gallows.
Determinator: When hunting Flynn, he's not gonna stop for anything. Except for Rapunzel calling him a good boy.
Expy: This may be unintentional, but whenever Maximus is on screen, it's hard not to think of the horse Altivo from The Road to El Dorado - ESPECIALLY when together with Flynn, since he kind of looks like Tulio from the same movie.
Hazy Feel Turn: After he realizes that Eugene truly cares about Rapunzel, and assembles the Pub Thugs to help him escape execution. From a certain point of view, this could also be considered a Face-Heel Turn. Or it could be that Maximus felt he had an obligation since he'd promised to cut Flynn slack for 24 hours as a favor to Rapunzel (it was her birthday). Maximus has a funny Animal Reaction Shot when Flynn starts acting heartfelt about being rescued.
Improbable Weapon User: A sword normally isn't the world's most improbable weapon, but when a horse is wielding it, it could count. In the end, Maximus trains an entire squad of frying-pan wielding guards.
Chekhov's Gun: The hilarious song "I've Got A Dream", performed by the Pub Thugs, illustrates all their most cherished dreams. Later, these dreams come in handy when they band together to rescue Flynn from execution, thanks in part to Maximus. Combined with Chekhov's Skill, especially in the case of the mime.
The first big clue to their Big Damn Heroes moment was when Flynn spots a ceramic unicorn in the room.
Fluffy the Terrible: The Snuggly Duckling sounds a very fitting name for a bar whose main patrons are a bunch of scary-looking rogues. Subverted since said rogues are actually nice guys.
Freeze-Frame Bonus: Pausing when the thugs are fighting over which one will claim Flynn's reward (before the musical number starts), you can see that Atilla (the baker) has a tattoo of a pair of swords crossed over a cupcake.
Hook Hand: The thug who dreams of being a pianist.
"I Want" Song: Their commemorative musical number of the light-heart, upbeat and comically lampshading "I've Got A Dream". They're aware they're not the nicest group of fellows, but they still have dreams.
Real Men Wear Pink: All of the pub thugs at the Snuggly Duckling. Some of their dreams include: floral arrangements, interior design, miming, baking cupcakes, knitting, puppet shows, and collecting ceramic unicorns.
Flynn's partners-in-crime at the beginning of the film, whom he leaves at the mercy of the kingdom guards to save his own ass. They're clearly not happy about it, and partner up with Mother Gothel to get him.
Chronic Backstabbing Disorder: This trope typefies the relations between Flynn and the Stabbington brothers. Ironically, the Stabbington Brothers are never the ones who do the betraying. (Perhaps they aren't clever enough to manage it.)
The Guards Must Be Crazy: With the exception of Maximus the horse, Corona's guards are incredibly incompetent. First they couldn't catch an old lady running and carrying a baby or find the nearby tower where she hid. Then they couldn't catch Flynn until he was literally tied up and handed to them, despite the fact that he was dancing around town in plain sight and they knew he was accompanied by a girl who really stands out in a crowd. They leave their wimpiest guy alone with two humongous brutes, and he turns out about as effective as you would expect. Finally, it was laughably easy for Flynn to swipe the tiara in the first place.
Mystical Pregnancy: The Queen's pregnancy is of the "normal, supernaturally complicated" variety; she fell ill while carrying Rapunzel. The magic flower that she ingested as a cure gave Rapunzel's hair its magic powers.
The Royal Guard Is Useless: It says a lot that the most competent, efficient and devoted member of the guards is the guard leader's horse. Who ends up getting the guard leader's job.
For his part, the Captain of the Guard has shown an incredible amount of devotion (how many guys can immediately resume chasing a thief after getting knocked unconscious?) and his heart's certainly in the right place. Unfortunately, he's let down by his poor decision-making, his men, his lack of intelligence and his tendency to get knocked out at the worst possible time.
Proper Lady: The Queen. She is more emotionally resilient, or at least better at looking the part. She's also the one who literally pulls Eugene into the group hug at the end, when he hesitates.
The sisters who braid Rapunzel's hair all look alike.
The Voiceless: The King and Queen never speak on-screen. The fact that these two characters have three of the most emotionally charged scenes in the entire movie is a testament to the animation quality of the movie.