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** The innocent-looking cover of ''20 Jazz-Funk Greats'' has the band on Beachy Head, a popular suicide spot.

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** The innocent-looking cover of the band on ''20 Jazz-Funk Greats'' has the band on was taken at Beachy Head, a popular suicide spot.
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** Additionally, AB/7A and Walkabout from their studio albums, Day Song from their live shows. Chris Carter would eventually release his own material in the vein of said songs.
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A Date With Rosie Palms is no longer a trope; besides there's no context


* ADateWithRosiePalms: "Something Came Over Me"(the studio cut), "Five Knuckle Shuffle"
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* AffectionateParody: "Hot on the Heels of Love" for GiorgioMoroder, of whom the band were professed fans.

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* AffectionateParody: "Hot on the Heels of Love" for GiorgioMoroder, Music/GiorgioMoroder, of whom the band were professed fans.

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* Peter "Sleazy" Christopherson (tapes, found sounds, horns, vibraphone, synthesizer; also a member of the Creator/{{Hipgnosis}} studio; also also one half of the duo {{Music/Coil}})

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* Peter "Sleazy" Christopherson (tapes, found sounds, horns, vibraphone, synthesizer; also a member of the Creator/{{Hipgnosis}} studio; also also one half of the duo studio and {{Music/Coil}})


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* AffectionateParody: "Hot on the Heels of Love" for GiorgioMoroder, of whom the band were professed fans.
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** Second Annual Report and the succeeding album resemble an archival recording of some sort, with the cover being innocuous enough to be a document cover.
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* MoodWhiplash: Towards the end of ''20 Jazz Funk Greats'', the relatively pleasant and tender instrumental "Walkabout" is immediately followed by "What a Day", which is easily the harshest and heaviest song on the entire album.
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* VomitingCop: In "Hamburger Lady," there's a shortage of "qualified technicians" to change the titular burn victim's tubes because they can't keep their last meal down after encountering her.
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* NonIndicativeName: ''20 Jazz Funk Greats'' does not contain twenty jazz and/or funk greats; the name was picked as a joke.


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* PackagedAsOtherMedium: ''20 Jazz Funk Greats'' is made to resemble an easy-listening compilation, featuring an unassuming photo of the band in a green field (actually Beachy Head, a notorious suicide spot). According to Cosey Fanni Tutti, the idea was to make the album look like something from a bargain bin, so that unassuming buyers would grab a copy and get "decimated" by the harsh {{industrial}} material within.
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cut trope


* NeoclassicalPunkZydecoRockabilly: They touched on a ''very'' wide variety of different genres ({{Ambient}}, PunkRock, Lounge Music / Exotica, SynthPop, proto-{{Techno}} / HouseMusic, Spoken Word and more-or-less pure noise, among others), though it generally all counts as {{Industrial}} due to its noisiness and overall menacing feel.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/throbbing_gristle_mission_is_terminated.jpg]]
[[caption-width-right:350:[[RefugeInAudacity This is]] [[CrossesTheLineTwice just one]] [[ThoseWackyNazis of their]] [[BadassPreacher album covers]].]]

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tg1981.png]]
[[caption-width-right:350:And this is what the band looked like in 1981. Left to right: Christopherson, Carter, Cosey, P-Orridge and friend.]]


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%%Image selected per Image Pickin' thread: https://tvtropes.org/pmwiki/posts.php?discussion=1648796117086616800&page=1
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/throbbing_gristle_mission_is_terminated.jpg]]
[[caption-width-right:350:[[RefugeInAudacity This is]] [[CrossesTheLineTwice just one]] [[ThoseWackyNazis of their]] [[BadassPreacher album covers]].]]

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tg1981.png]]
[[caption-width-right:350:And this is what the band looked like in 1981. Left to right: Christopherson, Carter, Cosey, P-Orridge and friend.]]

org/pmwiki/pub/images/throbbinggristle3.png]]
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Removing an example for troping P-Orridge's personal life unrelated to TG, commenting out a ZCE


* {{Hermaphrodite}}: Genesis became one by choice as part of an unrelated project.



* LogicBomb: See DisobeyThisMessage.

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%% * LogicBomb: See DisobeyThisMessage.
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** In the same spirit, the compilation ''Greatest Hits'' depicts Cosey Fanni Tutti posing in a bikini inside a tiki hut, with only the subtitle of ''Entertainment Through Pain'' and perhaps Cosey's unnerving stare giving the hint that it's not some kind of bachelor pad exotica album.
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[[quoteright:246:https://static.tvtropes.org/pmwiki/pub/images/TGalbum_262.PNG]]
[[caption-width-right:246:[[RefugeInAudacity This is]] [[CrossesTheLineTwice just one]] [[ThoseWackyNazis of their]] [[BadassPreacher album covers]].]]

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[[quoteright:246:https://static.[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/TGalbum_262.PNG]]
[[caption-width-right:246:[[RefugeInAudacity
org/pmwiki/pub/images/throbbing_gristle_mission_is_terminated.jpg]]
[[caption-width-right:350:[[RefugeInAudacity
This is]] [[CrossesTheLineTwice just one]] [[ThoseWackyNazis of their]] [[BadassPreacher album covers]].]]
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[[caption-width-right:350:And this is what the band looked like in 1981. Left to right: Christopherson, Carter, Cosey and P-Orridge.]]


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[[caption-width-right:350:And this is what the band looked like in 1981. Left to right: Christopherson, Carter, Cosey Cosey, P-Orridge and P-Orridge.friend.]]

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tg1981.png]]
[[caption-width-right:350:And this is what the band looked like in 1981. Left to right: Christopherson, Carter, Cosey and P-Orridge.]]

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No longer tropes.


* MohsScaleOfLyricalHardness: A hard 9 at their softest. Most of their material is a solid 11.
* MohsScaleOfRockAndMetalHardness: They stay at the 10-11 ranges of the scale. Yes, their music is downright brutal even to this day. Back when they were first starting out, they were far, '''far''' off the scale.
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* LeadBassist: Genesis P-orridge

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* LeadBassist: Genesis P-orridgeP-orridge.
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* ScaryMusicHarmlessMusic: Inverted. Despite the harshness of their music and their twisted lyrics, the band members didn't look that intimidating, and they came across as friendly and well-adjusted off-stage.

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* ScaryMusicHarmlessMusic: ScaryMusicianHarmlessMusic: Inverted. Despite the harshness of their music and their twisted lyrics, the band members didn't look that intimidating, and they came across as friendly and well-adjusted off-stage.

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* CoversAlwaysLie: The title and cover of ''20 Jazz Funk Greats'', which were deliberately designed to make the album look much more populist than it is.

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* CoversAlwaysLie: The title and cover of ''20 Jazz Funk Greats'', which were deliberately designed to make the album look much more populist innocuous than it is.



* {{Deconstruction}}


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* ScaryMusicHarmlessMusic: Inverted. Despite the harshness of their music and their twisted lyrics, the band members didn't look that intimidating, and they came across as friendly and well-adjusted off-stage.

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Widely recognized as the UrExample and TropeNamer of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

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Widely recognized as the UrExample and TropeNamer of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the

The
group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.
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* SurprisinglyGentleSong: YES, even this group have a few moments of beauty in their catalog, in particular "United" and the instrumental tracks "Walkabout" and "Hometime".
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Widely recognized as the UrExample of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

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Widely recognized as the UrExample and TropeNamer of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.
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* MohsScaleOfLyricalHardness: A hard 9 at their softest. Most of their material is a solid 11.
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* BreakupBreakout:
** Sleazy joined with Jhonn Balance and formed Music/{{Coil}}
** Chris and Cosey have been performing as a duo for years.
** Genesis went on to form Psychic TV.

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* SpokenWordInMusic: Several of their songs included it. "Slug Bait - Live at Brighton" from their first album chillingly included the confession of a child rapist turned killer.

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* SpokenWordInMusic: Several of their songs included it. "Slug Bait - Live "Live at Brighton" from their first album chillingly included the confession of a child rapist turned killer.


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* TheReasonYouSuckSpeech: ''The Second Annual Report'' caps off the A-side with one aimed at the band, from a DJ at the Brighton show featured earlier in the album.
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* MeanCharacterNiceActor: All of the band members come off as extremely affable in interviews, standing in stark contrast to the brutality of their music. Genesis P-Orridge [[http://arthurmag.com/2010/10/22/my-top-ten-favorite-psychedelic-folk-songs-by-genesis-breyer-p-orridge-2004/ is a huge fan of folk music]], surprisingly enough.

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