History Music / OnkelKonkelAndHisKonkelbar

* ScaryMusicianHarmlessMusic: Inverted. Despite making some of the grossest, weirdest and least PC music of all time, Florå was described by his friends as a handsome, physically fit man, who loved animals and was [[ReallyGetaAround quite popular with the ladies.]]

!!Tropes:

-->"Look who I discovered and he's all chilly! Son of a gun, if it isn't Olof Palme!"

Famous fans include Oscar Dronjak of Music/{{Hammerfall}}, Peter Tätgren of Music/{{Hypocrisy}} and Ebbot Lundgren of [[https://en.wikipedia.org/wiki/The_Soundtrack_of_Our_Lives The Soundtrack of Our Lives]]. Famous members include Tobias Forge of Music/{{Ghost}} who played bass under the 2003 tour.

Famous fans include Oscar Dronjak of Music/{{Hammerfall}}, Peter Tätgren of Music/{{Hypocrisy}} and Ebbot Lundgren of [[https://en.wikipedia.org/wiki/The_Soundtrack_of_Our_Lives The Soundtrack of Our Lives]].

Onkel Kånkel and His Kånkelbär [[note]]Uncle Dingleberry and his Dingleberries[[/note]] is an infamous Swedish music project which existed between 1979 and 2009. How to describe it... well, think of an UpToEleven mix between the lyrics of Music/TheMentors, Music/AnalCunt, Music/GGAllin and Music/FrankZappa at his most juvenile, with a musical backdrop rooted in the most poorly produced, lo-fi, dank-ass PunkRock you can think of, but occasionally branching out into (equally poor) attempts at everything from HipHop to {{Disco}} to [[CountryMusic Country.]] Last but not least, filter all of this through a rosy-cheeked [[TheForties 1940's]] aesthetic. Does this sound good? Well, then check into your nearest BedlamHouse for your injections, right away.

There's an argument to be made for Onkel Kånkel being "AcceptableTargets - The Band". They made fun of ''EVERYONE'' but had a certain soft spot for Homosexuals, the mentally and physically handicapped, ThoseWackyNazis (laughing ''with'' them of course!), and Pedophilia. Despite being a clear 11 on the MohsScaleOfLyricalHardness, it's hardly ever ''OFFENSIVE''. There's a peculiar old-timey charm to most of Onkel Kånkels lyrics, which was deliberate. Another famous trait of Onkel Kånkels lyrics is constant name-dropping of old school Swedish celebrities like [[https://en.wikipedia.org/wiki/Martin_Ljung Martin Jung]] and [[https://en.wikipedia.org/wiki/Lennart_Hyland Lennart Hyland]]. For those unfamiliar, it would be like singing about [[Series/MisterRogersNeighborhood Mr Rogers]] and Creator/BobHope eating shit and raping children.

* SuspiciouslySimilarSong: Stole a ''LOT'' of riffs. It would take up a whole lot of this page to list them all.

The person behind all of this insanity was a man named '''Håkan Florå'''. He pulled of the impressive feat of not blowing his cover for the entire time that the band was active. There were rumors and "opens secrets" that Håkan and Onkel were one and the same, but mostly he stayed anonymous up until his death of a heart attack in 2009. Onkel Kånkel made two live appearances, one in 1993 where they were joined on stage by a developmentally disabled man who told jokes and danced, and another one in 2002.

There's an argument to be made for Onkel Kånkel being "AcceptableTargets - The Band". They made fun of ''EVERYONE'' but had a certain soft spot for Homosexuals, the mentally and physically handicapped, ThoseWackyNazis (laughing ''with'' them of course!), and Pedophilia. Despite being a clear 11 on the MohsScaleOfLyricalHardness, it's hardly ever ''OFFENSIVE''. There's a peculiar old-timey charm to most of Onkel Kånkels lyrics, which was deliberate. Another famous trait of Onkel Kånkels lyrics is constant name-dropping of old school Swedish celebrities like [[https://en.wikipedia.org/wiki/Martin_Ljung Martin Jung]] and [[https://en.wikipedia.org/wiki/Lennart_Hyland Lennart Hyland]]. For those of you not familiar with who they where, it would be like singing about [[Series/MisterRogersNeighborhood Mr Rogers]] and Creator/BobHope eating shit and raping children.

[[BigNameFan Big name fans]], include Oscar Dronjak of Music/{{Hammerfall}}, Peter Tätgren of Music/{{Hypocrisy}} and Ebbot Lundgren of [[https://en.wikipedia.org/wiki/The_Soundtrack_of_Our_Lives The Soundtrack of Our Lives]].

* TheJimmyHartVersion: Stole a ''LOT'' of riffs. It would take up a whole lot of this page to list them all.

* ThoseWackyNazis: "Schnitzel-Fritz", "Nazi dick in the Führers anus", "Retard-Goebbels" etc, etc.

.

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/r_1219908_1201612272jpeg.jpg]]

Onkel Kånkel and His Kånkelbär [[note]]Uncle Dingleberry and his Dingleberries[[/note]] is an infamous Swedish music project which existed between 1979 and 2009. How to describe it... well, think of an UpToEleven mix between the lyrics of Music/TheMentors, Music/AnalCunt, Music/GGAllin and Music/FrankZappa at his most juvenile, with a musical backdrop rooted in the most poorly produced, lo-fi, dank-ass PunkRock you can think of, but occasionally branching out into (equally poor) attempts at everything from HipHop to {{Disco}} to [[CountryMusic Country.]] Last but not least, filter all of this through a rosy-cheeked [[TheForties 1940's]] aesthetic. Does this sound good? Well, then check into your nearest BedlamHouse for your injections, right away.

There's an argument to be made for Onkel Kånkel being "AcceptableTargets - The Band". They made fun of ''EVERYONE'' but had a certain soft spot for Homosexuals, the mentally and physically handicapped, ThoseWackyNazis (laughing ''with'' them of course!), and Pedophilia. Despite being a clear 11 on the MohsScaleOfLyricalHardness, it's hardly ever ''OFFENSIVE''. There's a peculiar old-timey charm to most of Onkel Kånkels lyrics, which was deliberate. Another famous trait of Onkel Kånkels lyrics is constant name-dropping of old school Swedish celebrities like [[https://en.wikipedia.org/wiki/Martin_Ljung Martin Jung]] and [[https://en.wikipedia.org/wiki/Lennart_Hyland Lennart Hyland]]. For those of you not familiar with who they where, it would be like singing about [[Series/MisterRogersNeighborhood Mr Rogers]] and Creator/BobHope eating shit and raping children.

The person behind all of this insanity was a man named '''Håkan Florå'''. He pulled of the impressive feat of not blowing his cover for the entire time that the band was active. There were rumors and "opens secrets" that Håkan and Onkel were one and the same, but mostly he stayed anonymous up until his death of a heart attack in 2009. Onkel Kånkel made two live appearances, one in 1993 where they were joined on stage by a developmentally disabled man who told jokes and danced, and another one in 2002.

[[BigNameFan Big name fans]], include Oscar Dronjak of Music/{{Hammerfall}}, Peter Tätgren of Music/{{Hypocrisy}} and Ebbot Lundgren of [[https://en.wikipedia.org/wiki/The_Soundtrack_of_Our_Lives The Soundtrack of Our Lives]].

!!Tropes:

* TheAlcoholic: "Shut up bitch, ''WHERE'S THE BOOZE?!"''
* ButtMonkey: "Look upon Goebbels, look at his gait, the taunting it echoes in Goebbels wake. Look at the retard, laugh at the retard, everyone's stepping on Goebbels!"
* IAmTheBand: Håkan Florå ''was'' Onkel Kånkel. The two times he played live, he was backed by muscicians from a plethora of Swedish Punk and Metal bands like Insision, just to name one.
* TheJimmyHartVersion: Stole a ''LOT'' of riffs. It would take up a whole lot of this page to list them all.
* LastNoteNightmare: "The ballsack's hanging out".
* ThoseWackyNazis: "Schnitzel-Fritz", "Nazi dick in the Führers anus", "Retard-Goebbels" etc, etc.

The person behind all of this insanity was a man named '''Håkan Florå'''. He pulled of the impressive feat of not blowing his cover for the entire time that the band was active. There were rumors and "opens secrets" that Håkan and Onkel were one and the same, but mostly he stayed anonymus up until his death of a heart attack in 2009. Onkel Kånkel made two live appearances, one in 1993 where they were joined on stage by a developmentally disabled man who told jokes and danced, and another one in 2002.

Onkel Kånkel And His Kånkelbär [[note]]Uncle Dingleberry and his Dingleberries[[/note]] is an infamous Swedish music project which existed between 1979 and 2009. How to describe it... well, think of an UpToEleven mix between the lyrics of Music/TheMentors, Music/AnalCunt, Music/GGAllin and Music/FrankZappa at his most juvenile, with a musical backdrop rooted in the most poorly produced, lo-fi, dank-ass PunkRock you can think of, but occasionally branching out into (equally poor) attempts at everything from HipHop to {{Disco}} to [[CountryMusic Country.]] Last but not least, filter all of this through a rosy-cheeked [[TheForties 1940's]] aesthetic. Does this sound good? Well, then check into your nearest BedlamHouse for your injections, right away.

There's an argument to be made for Onkel Kånkel being "AcceptableTargets - The Band". They made fun of ''EVERYONE'' but had a certain soft spot for Homosexuals, the mentally and physically handicapped, ThoseWackyNazis (laughing ''with'' them of course!), and Pedophilia. Despite being a clear 11 on the MohsScaleOfLyricalHardness, it's hardly ever ''OFFENSIVE''. There's a peculiar old-timey charm to most of Onkel Kånkels lyrics, which was deliberate. Another famous trait of Onkel Kånkels lyrics is constant name-dropping of old school Swedish celebrities like [[https://en.wikipedia.org/wiki/Martin_Ljung Martin Jung]] and [[https://en.wikipedia.org/wiki/Lennart_Hyland Lennart Hyland]]. For those of you not familiar with who they where, it would be like singing about [[MisterRogersNeighborhood Mr Rogers]] and Creator/BobHope eating shit and raping children.

'''Onkel Kånkel And His Kånkelbär''' [[note]]Uncle Dingleberry and his Dingleberries[[/note]] is an infamous Swedish music project which existed between 1979 and 2009. How to describe it... well, think of an UpToEleven mix between the lyrics of Music/TheMentors, Music/AnalCunt, Music/GGAllin and Music/FrankZappa at his most juvenile, with a musical backdrop rooted in the most poorly produced, lo-fi, dank-ass PunkRock you can think of, but occasionally branching out into (equally poor) attempts at everything from HipHop to {{Disco}} to [[CountryMusic Country.]] Last but not least, filter all of this through a rosy-cheeked [[TheForties 1940's]] aesthetic. Does this sound good? Well, then check into your nearest BedlamHouse for your injections, right away.

There's an argument to be made for Onkel Kånkel being "AcceptableTargets - The Band". They made fun of ''EVERYONE'' but had a certain soft spot for Homosexuals, the mentally and physically handicapped, ThoseWackyNazis (laughing ''with'' them of course!), and Pedophilia. Despite being a clear 11 on the MohsScaleOfLyricalHardness, it's hardly ever ''OFFENSIVE''. There's a peculiar old-timey charm to most of Onkel Kånkels lyrics, which was deliberate. Another famous trait of Onkel Kånkels lyrics is constant name-dropping of old school Swedish celebrities like [[https://en.wikipedia.org/wiki/Martin_Ljung Martin Jung]] and [[https://en.wikipedia.org/wiki/Lennart_Hyland Lennart Hyland]]. For those of you not familiar with who they where, it would be like singing about [[MisterRogersNeighborhood Mr Rogers]] and BobHope eating shit and raping children.

* ThoseWackyNazis: "Schnitzel-Fritz", "Nazi dick in the Führers anus", "Retard-Goebbels" etc, etc.

The person behind all of this insanity was a man named '''Håkan Florå'''. He pulled of the impressive feat of not blowing his cover for the entire time that the band was active. Onkel Kånkel made two live appearances, one in 1993 where they were joined on stage by a developmentally disabled man who told jokes and danced, and another one in 2002.

* ExecutiveMeddling: Their second and fourth albums can probably never be reprinted since the covers festure {{Disney}} charcters in less than wholesome situations.

'''Onkel Kånkel And His Kånkelbär''' [[note]]Uncle Dingleberry and his Dingleberries[[/note]] is an infamous Swedish music project which existed between 1979 and 2009. How to describe it... well, think of an UpToEleven mix between the lyrics of Music/TheMentors, Music/AnalCunt and Music/FrankZappa at his most juvenile, with a musical backdrop rooted in the most poorly produced, lo-fi, dank-ass PunkRock you can think of, but occasionally branching out into (equally poor) attempts at everything from HipHop to {{Disco}} to [[CountryMusic Country.]] Last but not least, filter all of this through a rosy-cheeked [[TheForties 1940's]] aesthetic. Does this sound good? Well, then check into your nearest BedlamHouse for your injections, right away.