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AC/DC's Thunderstruck deserves a mention
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----
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* {{Music/ACDC}}'s song "Thunderstruck" is a popular audience participation song at concerts with the audience joining in shouting "Thunder!!!" in several parts of the song, especially the opening and later singing the "Na-ah, Na, Na-ah, na, na" part.
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* [[NeoclassicalPunkZydecoRockabilly Prog-reggae-ska]] band RX Bandits used to have a horn section, all of whom have now departed the band. However, during their older material, the crowd will regularly shout the horn lines along to what they're playing. Completely spontaneously.
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* [[NeoclassicalPunkZydecoRockabilly [[GenreMashup Prog-reggae-ska]] band RX Bandits used to have a horn section, all of whom have now departed the band. However, during their older material, the crowd will regularly shout the horn lines along to what they're playing. Completely spontaneously.
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Just Goo Goo Dolls; they no definite article in their name.
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* During Music/TheGooGooDolls' concerts, John Rzeznik has the audience sing the chorus to "Iris".
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* During Music/TheGooGooDolls' the Music/GooGooDolls' concerts, John Rzeznik has the audience sing the chorus to "Iris".
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** The equally [[EarWorm ear-wormy]] song Usatei now has a [[https://www.youtube.com/watch?v=a8GGssAVlug band version]], also done by COOL&CREATE. This trope is practically a given.
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** The equally [[EarWorm ear-wormy]] catchy song Usatei now has a [[https://www.youtube.com/watch?v=a8GGssAVlug band version]], also done by COOL&CREATE. This trope is practically a given.
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* Given ''Series/{{Friends}}'' [[EarWorm stuck "I'll Be There For You" into the heads of a lot of people]], The Rembrandts [[https://www.youtube.com/watch?v=-NTTtydR5Hc make sure to exploit it live]], with both the claps at the opening and at a certain point turning the chorus into call and response (note how [[AudienceParticipationFailure a few don't know the line...]]).
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* Given ''Series/{{Friends}}'' [[EarWorm stuck "I'll Be There For You" into the heads of a lot of people]], people, The Rembrandts [[https://www.youtube.com/watch?v=-NTTtydR5Hc make sure to exploit it live]], with both the claps at the opening and at a certain point turning the chorus into call and response (note how [[AudienceParticipationFailure a few don't know the line...]]).
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-->"[[SugarWiki/FunnyMoments Shut up.]]"
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** And "Wonderwall", of course.
*** [[SugarWiki/MomentOfAwesome Especially when]] [[SugarWiki/FunnyMoments Jay-Z]] [[https://www.youtube.com/watch?v=mrDIOVXx-y8 is covering it.]]
*** [[SugarWiki/MomentOfAwesome Especially when]] [[SugarWiki/FunnyMoments Jay-Z]] [[https://www.youtube.com/watch?v=mrDIOVXx-y8 is covering it.]]
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** And "Wonderwall", of course.
*** [[SugarWiki/MomentOfAwesomecourse. Especially when]] [[SugarWiki/FunnyMoments Jay-Z]] when Jay-Z [[https://www.youtube.com/watch?v=mrDIOVXx-y8 is covering it.]]
*** [[SugarWiki/MomentOfAwesome
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*** During their final performance of ''One Down (Five to Go)'', Eric Idle invoked this and told everyone watching around the world, either in the cinema or there in the venue, to sing along to "Always Look on the Bright Side of Life" one last time. And thus TearJerker meets SugarWiki/{{Heartwarming Moment|s}}, with a large dose of SugarWiki/MomentOfAwesome too.
to:
*** During their final performance of ''One Down (Five to Go)'', Eric Idle invoked this and told everyone watching around the world, either in the cinema or there in the venue, to sing along to "Always Look on the Bright Side of Life" one last time. And thus TearJerker meets SugarWiki/{{Heartwarming Moment|s}}, with a large dose of SugarWiki/MomentOfAwesome too.
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* Music/AmandaPalmer of The Dresden Dolls has made an ''art form'' out of this. She sees absolutely no use for a difference between herself and her audience, and treats her shows as fun get-togethers, asking random fans to sing with her, hold up her props, or come bring her wine in her hotel room for a makeshift party. Her absolute SugarWiki/MomentOfAwesome was when, during a vaudeville tour across Europe, her crew got stuck in a different country because of the Iceland volcano. Instead of using her crew, she pulled two fans onto the stage to stay there throughout the show and play the theme from ''Film/{{Clue}}'' on her keyboard, while she ran around the stage between the songs acting out the theatre parts by herself "Creator/TimCurry style".
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* Music/AmandaPalmer of The Dresden Dolls has made an ''art form'' out of this. She sees absolutely no use for a difference between herself and her audience, and treats her shows as fun get-togethers, asking random fans to sing with her, hold up her props, or come bring her wine in her hotel room for a makeshift party. Her absolute SugarWiki/MomentOfAwesome was when, during During a vaudeville tour across Europe, her crew got stuck in a different country because of the Iceland volcano. Instead of using her crew, she pulled two fans onto the stage to stay there throughout the show and play the theme from ''Film/{{Clue}}'' on her keyboard, while she ran around the stage between the songs acting out the theatre parts by herself "Creator/TimCurry style".
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* The band VNV Nation requests that audiences sing along to Solitary (because [[SugarWiki/HeartwarmingMoments "this song is our hymn and our anthem"]]), and (at least in the Pastperfect recordings) Harris will complain during various songs that they aren't singing along loud enough.
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* The band VNV Nation requests that audiences sing along to Solitary (because [[SugarWiki/HeartwarmingMoments "this song is our hymn and our anthem"]]), anthem") and (at least in the Pastperfect recordings) Harris will complain during various songs that they aren't singing along loud enough.
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* Music/{{Nile}} has quite a few of these, as the songs often feature repeating chants, which lyricist Karl Sanders said was an attempt to call to mind a semi-ritualistic nature in keeping with the Egyptian sounding music. During some songs, particularly "4th Arra of Dagon," and "Black Seeds of Vengeance," the band will actually step away from the microphones, and simply chant along with the crowd ([[SugarWiki/MomentOfAwesome which is often just as loud as the band itself]]). Lots of songs also feature sections where the audience is encouraged to chant rhythmically to the beat of the music, usually just some form of shouting. The result is quite cool.
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* Music/{{Nile}} has quite a few of these, as the songs often feature repeating chants, which lyricist Karl Sanders said was an attempt to call to mind a semi-ritualistic nature in keeping with the Egyptian sounding music. During some songs, particularly "4th Arra of Dagon," and "Black Seeds of Vengeance," the band will actually step away from the microphones, and simply chant along with the crowd ([[SugarWiki/MomentOfAwesome which (which is often just as loud as the band itself]]).itself). Lots of songs also feature sections where the audience is encouraged to chant rhythmically to the beat of the music, usually just some form of shouting. The result is quite cool.
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* About a year after ''Theatre/AVeryPotterMusical'' went viral, Creator/TeamStarkid were at the Azkatraz convention. A bunch of them (Darren Criss, Joey Richter, Matt Lang, Brian Holden, and Dylan Saunders, namely) were hanging out in the lobby, playing songs from it for the fans. Cue up [[https://www.youtube.com/watch?v=ZHIhuHNRDEs "Get Back to Hogwarts"]], Joey telling everyone to sing along, and Darren being all verklempt that people know the lyrics to his songs. The SugarWiki/{{Funny Moment|s}} is at 5:09 when the entire crowd yells "BITCH I AIN'T CHO CHANG!".
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* About a year after ''Theatre/AVeryPotterMusical'' went viral, Creator/TeamStarkid were at the Azkatraz convention. A bunch of them (Darren Criss, Joey Richter, Matt Lang, Brian Holden, and Dylan Saunders, namely) were hanging out in the lobby, playing songs from it for the fans. Cue up [[https://www.youtube.com/watch?v=ZHIhuHNRDEs "Get Back to Hogwarts"]], Joey telling everyone to sing along, and Darren being all verklempt that people know the lyrics to his songs. The SugarWiki/{{Funny Moment|s}} is at 5:09 when the entire crowd yells "BITCH I AIN'T CHO CHANG!".
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** Also the end of "The Will of One". K.I.L.R.O.Y. chants the final lines of the song through a vocoder, and is promptly [[SugarWiki/MomentOfAwesome drowned out by the fans before long]].
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** Also the end of "The Will of One". K.I.L.R.O.Y. chants the final lines of the song through a vocoder, and is promptly [[SugarWiki/MomentOfAwesome drowned out by the fans before long]].long.
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** Particularly prominent within the live performances of Blank Space, in which Taylor struts menacingly across the stage carrying a golf club, telling the audience she has 'a lesson for them'. The audience chant the words 'Boys only want love if it's torture, don't say I didn't, say I didn't warn ya' until Taylor's echoes of the line become increasingly frantic andshe raises her hands, [[SugarWiki/MomentOfAwesome knocking every dancer on stage to the ground.]]
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** Particularly prominent within the live performances of Blank Space, in which Taylor struts menacingly across the stage carrying a golf club, telling the audience she has 'a lesson for them'. The audience chant the words 'Boys only want love if it's torture, don't say I didn't, say I didn't warn ya' until Taylor's echoes of the line become increasingly frantic andshe raises her hands, [[SugarWiki/MomentOfAwesome knocking every dancer on stage to the ground.]]
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* ''Music/ChickCorea'' of all people managed to do this on a London concert, with a ''Synthesizer''. He made the audience copy a number of jazz phrazes, gradually making them harder to follow. The event crossed between SugarWiki/MomentOfAwesome and CRMOF.
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* ''Music/ChickCorea'' of all people managed to do this on a London concert, with a ''Synthesizer''. He made the audience copy a number of jazz phrazes, gradually making them harder to follow. The event crossed between SugarWiki/MomentOfAwesome and CRMOF.
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* Bodysnatcher often has the audience do the lead-in to the final breakdown on "Ego Killer":
-->The only thing bigger than your mouth, is your fucking ego! SHUT YOUR GOD DAMN MOUTH!
-->The only thing bigger than your mouth, is your fucking ego! SHUT YOUR GOD DAMN MOUTH!
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Changed line(s) 107 (click to see context) from:
* Similar to Rush's ''La Villa Strangiato'', and probably taking the prize for the unlikeliest music genre to have chanting fans in the process, French technical death metal band Gorod will often try to get crowds to chant along to the lengthy tapping solo in the middle of ''[[https://www.youtube.com/watch?v=ziLmDlvE_hU Disavow Your God]]''.
to:
* Similar to Rush's ''La Villa Strangiato'', Strangiato''[[note]]In that the chanting is just the frontman and the crowd shouing "HEY!!" every other beat[[/note]], and probably taking the prize for the unlikeliest music genre to have chanting fans in the process, French technical death metal band Gorod will often try to get crowds to chant along to the lengthy tapping solo in the middle of ''[[https://www.youtube.com/watch?v=ziLmDlvE_hU Disavow Your God]]''.
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Changed line(s) 107 (click to see context) from:
* Similar to Rush's ''La Villa Strangiato'', Gorod - a ''technical death metal'' band - will often try to get crowds to chant along to the lengthy tapping solo in the middle of ''[[https://www.youtube.com/watch?v=ziLmDlvE_hU&t=48s Disavow Your God]]''.
to:
* Similar to Rush's ''La Villa Strangiato'', and probably taking the prize for the unlikeliest music genre to have chanting fans in the process, French technical death metal band Gorod - a ''technical death metal'' band - will often try to get crowds to chant along to the lengthy tapping solo in the middle of ''[[https://www.youtube.com/watch?v=ziLmDlvE_hU&t=48s com/watch?v=ziLmDlvE_hU Disavow Your God]]''.
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* Similar to Rush's ''La Villa Strangiato'', Gorod - a ''technical death metal'' band - will often try to get crowds to chant along to the lengthy tapping solo in the middle of ''[[https://www.youtube.com/watch?v=ziLmDlvE_hU&t=48s Disavow Your God]]''.
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* Music/{{Nightwish}}:
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* Music/{{Nightwish}}:Music/{{Nightwish}} always has the audience join in on the "We were here" bits of "The Greatest Show on Earth".
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* Music/{{Sabaton}}:
** Joakim always thrusts his mic out to the audience several times during the chorus of "Ghost Division".
** The live versions of "Uprising" and "Carolus Rex" insert an extra beat between the bridge and closing chorus to let the audience shout out respectively "War-saw!" and "I was chosen by heaven!" The audience also usually sings the closing "Warszawo, walcz!" on "Uprising".
** On the ''Heroes'' live album from the Sabaton Cruise, Joakim invites the Swedish-speaking members of the audience to sing the first half of the first verse of "En livstid i krig" all by themselves, to rebut claims he's heard that the Swedish crowds are lame.
* Music/{{Nightwish}}:
** Joakim always thrusts his mic out to the audience several times during the chorus of "Ghost Division".
** The live versions of "Uprising" and "Carolus Rex" insert an extra beat between the bridge and closing chorus to let the audience shout out respectively "War-saw!" and "I was chosen by heaven!" The audience also usually sings the closing "Warszawo, walcz!" on "Uprising".
** On the ''Heroes'' live album from the Sabaton Cruise, Joakim invites the Swedish-speaking members of the audience to sing the first half of the first verse of "En livstid i krig" all by themselves, to rebut claims he's heard that the Swedish crowds are lame.
* Music/{{Nightwish}}:
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My Shot from Hamilton is the other one that you can sing along to when Laurens says Everybody, Lin himself has mentioned in the Hamilcast (his episode of it which was called Lintoberfest) that he encourages the crowd to sing along only when they say Everybody
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---> ''"whoa whoa whoaaa in "My Shot" when Laurens says Everybody sing,
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* Of course, Music/{{Queen}}'s "We Will Rock You". The clapping rhythm through the song was intended to get the audience to clap along.
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* Of course, Music/{{Queen}}'s "We Will Rock You". As detailed in ''Film/BohemianRhapsody'', after an incident where their concert audience sang to the band after they finished playing, Music/BrianMay decided to write a song that the crowd could perform with the band. The double stomp and clapping rhythm through the song was intended to get the audience to clap along.do it themselves.
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** BilingualBonus: The chorus lyrics literally mean "Can you hear me? (We hear you!) Can you see me? (We see you!) Can you feel me? (We feel you!) I DON'T UNDERSTAND YOU!".
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** BilingualBonus: The chorus lyrics literally mean "Can you hear me? (We hear you!) Can you see me? (We see you!) Can you feel me? (We feel you!) I DON'T UNDERSTAND CAN'T HEAR YOU!".
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Changed line(s) 111 (click to see context) from:
** BilingualBonus: The shouts are "Wir hören dich", "Wir sehen dich" and "Wir fühlen dich"(We hear you, we see you, we feel you). The singer is the only one to say "Ich verstehe euch nicht"(I don't understand you).
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** BilingualBonus: The shouts are "Wir hören dich", "Wir sehen dich" and "Wir fühlen dich"(We chorus lyrics literally mean "Can you hear you, we me? (We hear you!) Can you see you, we me? (We see you!) Can you feel you). The singer is the only one to say "Ich verstehe euch nicht"(I don't understand you).me? (We feel you!) I DON'T UNDERSTAND YOU!".
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* In a SubvertedTrope ''of a DefiedTrope'', folk artists Molly & The Tinker perform an "Anti-Singalong Song", getting the audience to [[MindScrew sing about how they won't]].
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* In a SubvertedTrope ''of a DefiedTrope'', folk artists Molly & The Tinker perform an "Anti-Singalong Song", getting the audience to [[MindScrew sing about how they won't]]. And to do so more angrily with every chorus.
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Changed line(s) 41,48 (click to see context) from:
--> ''I will NOT sing along!
--> Keep your stupid song.
--> We're the audience,
--> it's you we came to see!
--> You're not supposed to train us,
--> You're 'sposed to entertain us,
--> So GET TO WORK
--> and leave me be!''
--> Keep your stupid song.
--> We're the audience,
--> it's you we came to see!
--> You're not supposed to train us,
--> You're 'sposed to entertain us,
--> So GET TO WORK
--> and leave me be!''
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--> ''I will NOT sing along!
along!''
-->Keep ''Keep your stupid song.
song.''
-->We're ''We're the audience,
audience,''
-->it's ''it's you we came to see!
see!''
-->You're ''You're not supposed to train us,
us,''
-->You're ''You're 'sposed to entertain us,
us.''
-->So ''So GET TO WORK
WORK''
-->and ''and leave me be!''
-->
-->
-->
-->
-->
-->
-->
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Changed line(s) 40 (click to see context) from:
* The folk artists Molly & The Tinker perform "The Anti-Singalong Song", getting the audience to sing about how they won't.
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* The In a SubvertedTrope ''of a DefiedTrope'', folk artists Molly & The Tinker perform "The Anti-Singalong an "Anti-Singalong Song", getting the audience to [[MindScrew sing about how they won't.won't]].
--> ''I will NOT sing along!
--> Keep your stupid song.
--> We're the audience,
--> it's you we came to see!
--> You're not supposed to train us,
--> You're 'sposed to entertain us,
--> So GET TO WORK
--> and leave me be!''
--> ''I will NOT sing along!
--> Keep your stupid song.
--> We're the audience,
--> it's you we came to see!
--> You're not supposed to train us,
--> You're 'sposed to entertain us,
--> So GET TO WORK
--> and leave me be!''
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* Metal band Music/{{Ghost}} incorporates a lot of vocal parts sung by a church choir into their songs. The audience is often requested to sing these parts during live shows.
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* Metal band Music/{{Ghost}} incorporates a lot of vocal parts sung by a church choir into their songs. The audience is often requested to sing these parts during live shows.
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Changed line(s) 42,43 (click to see context) from:
* On the ''Discworld/SoulMusic'' soundtrack album, two choruses of the stadium rock pastiche "The Messanger" are sung by a distant crowd, presumably the audience at the Hide Park Free Festival. It even has the bit where Buddy suddenly comes back in on the last line.
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* On the ''Discworld/SoulMusic'' soundtrack album, two choruses of the stadium rock pastiche "The Messanger" Messenger" are sung by a distant crowd, presumably the audience at the Hide Park Free Festival. It even has the bit where Buddy suddenly comes back in on the last line.
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Changed line(s) 369 (click to see context) from:
* One of the reasons Music/FaithNoMore caught a luck break having "Epic" as their big hit, not just because the lyrics were so fun to toy with, but because of the interactive potential of the song's infamous breakdown ([[PunctuatedForEmphasis "What?! Is?! ]][[RuleOfThree It?!]]""What the ''[[PrecisionFStrike fuck]]'' is it?!" "What is it, kiddies?!"). "Be Aggressive" is another favorite in this regard, as there's nothing more CrazyAwesome than hearing a big crowd comprised predominantly of heterosexual males scream "I swallow! I swallow! I swallow! [[FourIsDeath I swallow!]]"
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* Music/FaithNoMore:
** One of the reasonsMusic/FaithNoMore they caught a luck break having "Epic" as their big hit, not just because the lyrics were so fun to toy with, but because of is the interactive potential of the song's infamous breakdown ([[PunctuatedForEmphasis "What?! Is?! ]][[RuleOfThree It?!]]""What the ''[[PrecisionFStrike fuck]]'' is it?!" "What is it, kiddies?!"). "Be Aggressive" is another favorite in this regard, as there's nothing more CrazyAwesome awesome than hearing a big crowd comprised predominantly of heterosexual males scream "I swallow! I swallow! I swallow! [[FourIsDeath I swallow!]]"swallow!"
** One of the reasons
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- one old, classical example (Radetzky March)
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* [[OlderThanRadio Older than radio]]: One of the most famous pieces by the Austrian composer Johann Strauss Sr., "Radetzky March" is traditionally accompanied by rhythmic clapping of the audience in one of its parts, which is uncommon to classical music.
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Changed line(s) 82 (click to see context) from:
** Brian May and Roger Taylor have theorized that songs like "I Want It All" and "The Miracle" would have become these if Freddie Mercury hadn't become too ill to tour after 1986.
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** Brian May and Roger Taylor have theorized that songs like "I Want It All" and "The Miracle" would have become these if Freddie Mercury hadn't become too ill to tour after 1986.
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** Brian May and Roger Taylor have theorized that songs like "I Want It All" and "The Miracle" would have become these if Freddie Mercury hadn't become too ill to tour after 1986.
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Changed line(s) 73 (click to see context) from:
* Of course, Music/{{Queen}}'s ''We Will Rock You''. The clapping rhythm through the song was intended to get the audience to clap along.
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* Of course, Music/{{Queen}}'s ''We "We Will Rock You''.You". The clapping rhythm through the song was intended to get the audience to clap along.
Changed line(s) 75,76 (click to see context) from:
** ''Radio Ga Ga'' is just like that. Try to listen to it and not clap, is almost impossible. Freddie Mercury once stated that having the audience to take a part in their song was exactly what he wanted.
** Queen would have the whole audience singing along to "Love of My Life" in their live concerts - usually the song would be performed mid-show as just a vocals-and-guitar duet between Freddie Mercury and Brian May, and as the audience sang all the lyrics together Freddie would stop singing now and then & let the crowd carry the song. One gets the impression that this was to give the band (except Brian) a bit of a break.
** Queen would have the whole audience singing along to "Love of My Life" in their live concerts - usually the song would be performed mid-show as just a vocals-and-guitar duet between Freddie Mercury and Brian May, and as the audience sang all the lyrics together Freddie would stop singing now and then & let the crowd carry the song. One gets the impression that this was to give the band (except Brian) a bit of a break.
to:
** ''Radio "Radio Ga Ga'' Ga" is just like that. Try to listen to it and not clap, is almost impossible. Freddie Mercury Music/FreddieMercury once stated that having the audience to take a part in their song was exactly what he wanted.
** Queen would have the whole audience singing along to "Love of My Life" in their live concerts - usually the song would be performed mid-show as just a vocals-and-guitar duet between Freddie Mercury andBrian May, Music/BrianMay, and as the audience sang all the lyrics together Freddie would stop singing now and then & let the crowd carry the song. One gets the impression that this was to give the band (except Brian) a bit of a break.
** Queen would have the whole audience singing along to "Love of My Life" in their live concerts - usually the song would be performed mid-show as just a vocals-and-guitar duet between Freddie Mercury and
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*** When George Michael performed "Somebody To Love" at the Freddie Mercury Tribute Concert, [[https://www.youtube.com/watch?v=oYAR8RigqDA&feature=player_detailpage#t=226s he managed to get the audience to sing the long, descending "love" near the end.]] Brian May's reaction is worth seeing.
*** Freddie's [[https://www.youtube.com/watch?v=Klr5z0hoP04 vocal competition]] with the audience at shows, it was even shown at the 2012 Olympics, they wisely decided to cut out the part where he points at an audience member who out did him and says 'F*** you.' to much laughter.
** Live Aid at Wembley Stadium in 1983, [[https://www.youtube.com/watch?v=t-JcbK4Z5Gk which is widely regarded as the best live performance in modern history]].
*** Freddie's [[https://www.youtube.com/watch?v=Klr5z0hoP04 vocal competition]] with the audience at shows, it was even shown at the 2012 Olympics, they wisely decided to cut out the part where he points at an audience member who out did him and says 'F*** you.' to much laughter.
** Live Aid at Wembley Stadium in 1983, [[https://www.youtube.com/watch?v=t-JcbK4Z5Gk which is widely regarded as the best live performance in modern history]].
to:
*** When George Michael Music/GeorgeMichael performed "Somebody To Love" at the Freddie Mercury Tribute Concert, Concert in 1992, [[https://www.youtube.com/watch?v=oYAR8RigqDA&feature=player_detailpage#t=226s he managed to get the audience to sing the long, descending "love" near the end.]] Brian May's reaction is worth seeing.
*** Freddie's [[https://www.youtube.com/watch?v=Klr5z0hoP04 vocal competition]] with the audience atshows, it shows. His 1986 Wembley competition was even shown at the 2012 Olympics, they wisely decided to cut out the part where he points at an audience member who out did him and says 'F*** you.' to much laughter.
** Live Aid at Wembley Stadium in1983, 1985, [[https://www.youtube.com/watch?v=t-JcbK4Z5Gk which is widely regarded as the best live performance in modern history]].
*** Freddie's [[https://www.youtube.com/watch?v=Klr5z0hoP04 vocal competition]] with the audience at
** Live Aid at Wembley Stadium in
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Changed line(s) 160 (click to see context) from:
*** During their final performance of ''One Down (Five to Go)'', Eric Idle invoked this and told everyone watching around the world, either in the cinema or there in the venue, to sing along to "Always Look on the Bright Side of Life" one last time. And thus TearJerker meets HeartwarmingMoment, with a large dose of SugarWiki/MomentOfAwesome too.
to:
*** During their final performance of ''One Down (Five to Go)'', Eric Idle invoked this and told everyone watching around the world, either in the cinema or there in the venue, to sing along to "Always Look on the Bright Side of Life" one last time. And thus TearJerker meets HeartwarmingMoment, SugarWiki/{{Heartwarming Moment|s}}, with a large dose of SugarWiki/MomentOfAwesome too.
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Changed line(s) 160 (click to see context) from:
*** During their final performance of ''One Down (Five to Go)'', Eric Idle invoked this and told everyone watching around the world, either in the cinema or there in the venue, to sing along to "Always Look on the Bright Side of Life" one last time. And thus TearJerker meets HeartwarmingMoment, with a large dose of AwesomeMoment too.
to:
*** During their final performance of ''One Down (Five to Go)'', Eric Idle invoked this and told everyone watching around the world, either in the cinema or there in the venue, to sing along to "Always Look on the Bright Side of Life" one last time. And thus TearJerker meets HeartwarmingMoment, with a large dose of AwesomeMoment SugarWiki/MomentOfAwesome too.
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-->"[[CrowningMomentOfFunny Shut up.]]"
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* Music/AmandaPalmer of The Dresden Dolls has made an ''art form'' out of this. She sees absolutely no use for a difference between herself and her audience, and treats her shows as fun get-togethers, asking random fans to sing with her, hold up her props, or come bring her wine in her hotel room for a makeshift party. Her absolute CrowningMomentOfAwesome was when, during a vaudeville tour across Europe, her crew got stuck in a different country because of the Iceland volcano. Instead of using her crew, she pulled two fans onto the stage to stay there throughout the show and play the theme from ''Film/{{Clue}}'' on her keyboard, while she ran around the stage between the songs acting out the theatre parts by herself "Creator/TimCurry style".
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* Music/AmandaPalmer of The Dresden Dolls has made an ''art form'' out of this. She sees absolutely no use for a difference between herself and her audience, and treats her shows as fun get-togethers, asking random fans to sing with her, hold up her props, or come bring her wine in her hotel room for a makeshift party. Her absolute CrowningMomentOfAwesome SugarWiki/MomentOfAwesome was when, during a vaudeville tour across Europe, her crew got stuck in a different country because of the Iceland volcano. Instead of using her crew, she pulled two fans onto the stage to stay there throughout the show and play the theme from ''Film/{{Clue}}'' on her keyboard, while she ran around the stage between the songs acting out the theatre parts by herself "Creator/TimCurry style".
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* The band VNV Nation requests that audiences sing along to Solitary (because [[CrowningMomentOfHeartwarming "this song is our hymn and our anthem"]]), and (at least in the Pastperfect recordings) Harris will complain during various songs that they aren't singing along loud enough.
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* The band VNV Nation requests that audiences sing along to Solitary (because [[CrowningMomentOfHeartwarming [[SugarWiki/HeartwarmingMoments "this song is our hymn and our anthem"]]), and (at least in the Pastperfect recordings) Harris will complain during various songs that they aren't singing along loud enough.
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* Music/{{Nile}} has quite a few of these, as the songs often feature repeating chants, which lyricist Karl Sanders said was an attempt to call to mind a semi-ritualistic nature in keeping with the Egyptian sounding music. During some songs, particularly "4th Arra of Dagon," and "Black Seeds of Vengeance," the band will actually step away from the microphones, and simply chant along with the crowd ([[CrowningMomentOfAwesome which is often just as loud as the band itself]]). Lots of songs also feature sections where the audience is encouraged to chant rhythmically to the beat of the music, usually just some form of shouting. The result is quite cool.
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* Music/{{Nile}} has quite a few of these, as the songs often feature repeating chants, which lyricist Karl Sanders said was an attempt to call to mind a semi-ritualistic nature in keeping with the Egyptian sounding music. During some songs, particularly "4th Arra of Dagon," and "Black Seeds of Vengeance," the band will actually step away from the microphones, and simply chant along with the crowd ([[CrowningMomentOfAwesome ([[SugarWiki/MomentOfAwesome which is often just as loud as the band itself]]). Lots of songs also feature sections where the audience is encouraged to chant rhythmically to the beat of the music, usually just some form of shouting. The result is quite cool.
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* About a year after ''Theatre/AVeryPotterMusical'' went viral, Creator/TeamStarkid were at the Azkatraz convention. A bunch of them (Darren Criss, Joey Richter, Matt Lang, Brian Holden, and Dylan Saunders, namely) were hanging out in the lobby, playing songs from it for the fans. Cue up [[http://www.youtube.com/watch?v=ZHIhuHNRDEs "Get Back to Hogwarts"]], Joey telling everyone to sing along, and Darren being all verklempt that people know the lyrics to his songs. The CrowningMomentOfFunny is at 5:09 when the entire crowd yells "BITCH I AIN'T CHO CHANG!".
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* About a year after ''Theatre/AVeryPotterMusical'' went viral, Creator/TeamStarkid were at the Azkatraz convention. A bunch of them (Darren Criss, Joey Richter, Matt Lang, Brian Holden, and Dylan Saunders, namely) were hanging out in the lobby, playing songs from it for the fans. Cue up [[http://www.youtube.com/watch?v=ZHIhuHNRDEs "Get Back to Hogwarts"]], Joey telling everyone to sing along, and Darren being all verklempt that people know the lyrics to his songs. The CrowningMomentOfFunny SugarWiki/{{Funny Moment|s}} is at 5:09 when the entire crowd yells "BITCH I AIN'T CHO CHANG!".
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** Also the end of "The Will of One". K.I.L.R.O.Y. chants the final lines of the song through a vocoder, and is promptly [[CrowningMomentOfAwesome drowned out by the fans before long]].
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** Also the end of "The Will of One". K.I.L.R.O.Y. chants the final lines of the song through a vocoder, and is promptly [[CrowningMomentOfAwesome [[SugarWiki/MomentOfAwesome drowned out by the fans before long]].
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** Particularly prominent within the live performances of Blank Space, in which Taylor struts menacingly across the stage carrying a golf club, telling the audience she has 'a lesson for them'. The audience chant the words 'Boys only want love if it's torture, don't say I didn't, say I didn't warn ya' until Taylor's echoes of the line become increasingly frantic andshe raises her hands, [[CrowningMomentOfAwesome knocking every dancer on stage to the ground.]]
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** Particularly prominent within the live performances of Blank Space, in which Taylor struts menacingly across the stage carrying a golf club, telling the audience she has 'a lesson for them'. The audience chant the words 'Boys only want love if it's torture, don't say I didn't, say I didn't warn ya' until Taylor's echoes of the line become increasingly frantic andshe raises her hands, [[CrowningMomentOfAwesome [[SugarWiki/MomentOfAwesome knocking every dancer on stage to the ground.]]
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* ''Music/ChickCorea'' of all people managed to do this on a London concert, with a ''Synthesizer''. He made the audience copy a number of jazz phrazes, gradually making them harder to follow. The event crossed between CrowningMomentOfAwesome and CRMOF.
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* ''Music/ChickCorea'' of all people managed to do this on a London concert, with a ''Synthesizer''. He made the audience copy a number of jazz phrazes, gradually making them harder to follow. The event crossed between CrowningMomentOfAwesome SugarWiki/MomentOfAwesome and CRMOF.
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** During Chester Bennington's [[AuthorExistenceFailure memorial concert]], when "Numb" rolled around, the stage was left empty. With no prompt, the audience sang the song from start to finish. Mike also invited them to sing Chester's parts in "In The End". They didn't just sing Chester's parts.
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* On the ''Discworld/SoulMusic'' soundtrack album, two choruses of the stadium rock pastiche "The Messanger" are sung by a distant crowd, presumably the audience at the Hide Park Free Festival. It even has the bit where Buddy suddenly comes back in on the last line.
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* Many Music/SteeleyeSpan songs, but especially their signature tune "All Around My Hat".