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** It's iconic enough that Isokawa does an impression of it to identify which ex-MusAni employee he was wanting to talk about with Aoi
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Articles like "a", "an" and "the" don't count for alphabetization. Also commenting out ZCE.
Deleted line(s) 70 (click to see context) :
* TheStoic
%%* TheStoic
Deleted line(s) 168 (click to see context) :
* AFriendInNeed: When he knows that Kinoshita's having a major [[HeroicBSOD downtime]] [[spoiler:especially during episode 23]], he will go into Kinoshita's office to feed him Mont Blanc cakes and give Kinoshita the encouragements he needs to move on.
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* AFriendInNeed: When he knows that Kinoshita's having a major [[HeroicBSOD downtime]] [[spoiler:especially during episode 23]], he will go into Kinoshita's office to feed him Mont Blanc cakes and give Kinoshita the encouragements he needs to move on.
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One trope per line.
Changed line(s) 20 (click to see context) from:
* TheDitz / DumbBlonde: airheadedly entered the danger zone of Hiraoka and Madoka's quarrel that if it weren't for secretary Okitsu's badass save, he would've had his [[BoomHeadshot head stabbed]] by a flying [[https://www.currys.com/catalogpc.htm?CATEGORY=CHROMACOLOUR_METAL_PEG_BAR peg bar.]]
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* TheDitz / DumbBlonde: TheDitz: airheadedly entered the danger zone of Hiraoka and Madoka's quarrel that if it weren't for secretary Okitsu's badass save, he would've had his [[BoomHeadshot head stabbed]] by a flying [[https://www.currys.com/catalogpc.htm?CATEGORY=CHROMACOLOUR_METAL_PEG_BAR peg bar.]]
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Three Amigos is a disambiguation
Deleted line(s) 54 (click to see context) :
* ThreeAmigos: She was enrolled in the same vocational school as Hiraoka and Isokawa, only she's the younger of the three since the two men enrolled after they earned their bachelor's degrees.
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* FreudianExcuse: Episode 21 sheds light on the origins of his behavior: among [[ThreeAmigos his classmates]] in vocational school he was the most enthusiastic and serious about making anime, and thus was hit by the Cognitive Dissonance the most, coming to see everyone around him as an obstacle rather than ''people''. Subsequent episodes also reveal that his terrible work experiences and having an indirect hand in the AdaptationDecay of one of his favorite manga shattered whatever semblance of optimism Hiraoka had for the animation industry.
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* FreudianExcuse: Episode 21 sheds light on the origins of his behavior: among [[ThreeAmigos his classmates]] classmates in vocational school he was the most enthusiastic and serious about making anime, and thus was hit by the Cognitive Dissonance the most, coming to see everyone around him as an obstacle rather than ''people''. Subsequent episodes also reveal that his terrible work experiences and having an indirect hand in the AdaptationDecay of one of his favorite manga shattered whatever semblance of optimism Hiraoka had for the animation industry.
Deleted line(s) 107 (click to see context) :
* ThreeAmigos: In vocational school, he was in the same class with Erika Yano and Hisamitsu Isokawa, one of [=MusAni=] subcontractors, and they were great friends, but Hiraoka has since distanced from them due to his psychological trauma.
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Changed line(s) 172 (click to see context) from:
* BigFun: He's quite jolly and isn't generally bothered by his size.
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* BigFun: He's quite jolly when he isn't stressing out over deadlines, and isn't generally bothered by his size.size. This is no longer the case after he quits [=MusAni=] to work at a bakery; he's still affable, but also [[FormerlyFat much thinner]] thanks to working in a less stressful job.
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Bishonen is now a fanspeak term.
Deleted line(s) 65 (click to see context) :
* {{Bishonen}}
Deleted line(s) 174 (click to see context) :
* {{Bishonen}}: When he reappears in Episode 17, Honda has lost a lot of weight (despite opening a bakery, ironically) because he is no longer so stressed out.
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* FormerlyFat: Episode 17, he revealed his new look, and ''man'' was that transformation dramatic or what?
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* FormerlyFat: When he reappears in Episode 17, Honda has lost a lot of weight (despite now working at a bakery, ironically) because he revealed his new look, and ''man'' was that transformation dramatic or what?is no longer so stressed out.
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* RealMenWearPink: He likes to bake, and has always dreamed to be a baker one day.
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* RealMenWearPink: He likes to bake, and has always dreamed to be a baker one day. After production on ''Exodus!'' wraps up, he quits to work at a bakery.
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* WeightWoe: Zigzagged. Episode 17 implied that Honda was a FormerlyFit guy who gained wieght due to the animation industry's unhealthy lifestyle, but he lost it again after leaving the business.
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* WeightWoe: Zigzagged. Episode 17 implied that Honda was a FormerlyFit guy who gained wieght weight due to the animation industry's unhealthy lifestyle, but he lost it again after leaving the business.
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None
Changed line(s) 175 (click to see context) from:
* CatchPhrase: His "We're out of ideas!" ("Bansaku tsukita!") was so catchy Aoi and Watanabe [[BorrowedCatchphrase caught his influence]].
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* CatchPhrase: His "We're "I'm out of ideas!" ("Bansaku tsukita!") was so catchy Aoi and Watanabe [[BorrowedCatchphrase [[GotMeDoingIt caught his influence]].influence]].
** This becomes CatchphraseInterruptus in episode 23, when Honda stops Kinoshita from saying it in order to encourage him.
** This becomes CatchphraseInterruptus in episode 23, when Honda stops Kinoshita from saying it in order to encourage him.
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* {{Irony}}: After quitting to start a bakery, he somehow ''loses'' weight.
* PutOnABus: In Episode 10, he decided that once ''Exodus!'' is finished, he'll quit the company to start his bakery business.
* PutOnABus: In Episode 10, he decided that once ''Exodus!'' is finished, he'll quit the company to start his bakery business.
to:
* {{Irony}}: After quitting to start work at a bakery, he somehow ''loses'' weight.
* PutOnABus: In Episode 10, he decided that once ''Exodus!'' is finished, he'll quit the company tostart chase his bakery business.dream of becoming a baker.
* PutOnABus: In Episode 10, he decided that once ''Exodus!'' is finished, he'll quit the company to
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Up To Eleven is a defunct trope
Changed line(s) 28 (click to see context) from:
* TheLoad: This guy seems to exist to get in everyone's way, and make things harder than they already are. Though to be fair, he can actually perform well given the right guidance, and even he would look like a ''workhorse'' compared to [[UpToEleven Shinsuke Chazawa]], the liaising editor assigned to oversee their adaptation of ''Third Aerial Girls' Squad''.
to:
* TheLoad: This guy seems to exist to get in everyone's way, and make things harder than they already are. Though to be fair, he can actually perform well given the right guidance, and even he would look like a ''workhorse'' compared to [[UpToEleven Shinsuke Chazawa]], Chazawa, the liaising editor assigned to oversee their adaptation of ''Third Aerial Girls' Squad''.
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Meganekko is no longer a trope. It's a Fanspeak term. Moving wicks to Bespectacled Cutie when appropriate.
Deleted line(s) 136 (click to see context) :
* {{Meganekko}}
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None
Changed line(s) 114,115 (click to see context) from:
'''Voiced by:''' Ikumi Hayama (Japanese), Creator/MargaretMcDonald (English)
to:
'''Voiced by:''' Ikumi Hayama Creator/IkumiHayama (Japanese), Creator/MargaretMcDonald (English)
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Multicolored Hair is no longer a trope
Deleted line(s) 120 (click to see context) :
* MulticoloredHair: Though being a normal black-haired girl sporting gold highlights "seem" normal in real life, but the way she wears it really stood out within the cast, even beating those ''with'' bold colors.
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Deleted line(s) 44 (click to see context) :
* BeautyMark: She has one under her left eye.
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None
Changed line(s) 20 (click to see context) from:
* TheDitz/DumbBlonde: airheadedly entered the danger zone of Hiraoka and Madoka's quarrel that if it weren't for secretary Okitsu's badass save, he would've had his [[BoomHeadshot head stabbed]] by a flying [[https://www.currys.com/catalogpc.htm?CATEGORY=CHROMACOLOUR_METAL_PEG_BAR peg bar.]]
to:
* TheDitz/DumbBlonde: TheDitz / DumbBlonde: airheadedly entered the danger zone of Hiraoka and Madoka's quarrel that if it weren't for secretary Okitsu's badass save, he would've had his [[BoomHeadshot head stabbed]] by a flying [[https://www.currys.com/catalogpc.htm?CATEGORY=CHROMACOLOUR_METAL_PEG_BAR peg bar.]]
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Changed line(s) 20 (click to see context) from:
* TheDitz: He airheadedly entered the danger zone of Hiraoka and Madoka's quarrel that if it weren't for secretary Okitsu's badass save, he would've had his [[BoomHeadshot head stabbed]] by a flying [[https://www.currys.com/catalogpc.htm?CATEGORY=CHROMACOLOUR_METAL_PEG_BAR peg bar.]]
to:
* TheDitz: He TheDitz/DumbBlonde: airheadedly entered the danger zone of Hiraoka and Madoka's quarrel that if it weren't for secretary Okitsu's badass save, he would've had his [[BoomHeadshot head stabbed]] by a flying [[https://www.currys.com/catalogpc.htm?CATEGORY=CHROMACOLOUR_METAL_PEG_BAR peg bar.]]
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None
* RedOniBlueOni: The Red Oni to Satou.
* ThoseTwoGuys: She's almost always seen with Satou, who joined Production at the same time as her.
* ThoseTwoGuys: She's almost always seen with Satou, who joined Production at the same time as her.
Changed line(s) 141 (click to see context) from:
* [[StraightMan Straight Girl]]: Along with [[SassySecretary Okitsu]], she's one of the most frequent voices of reason within [=MusAni=]'s motley crew.
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* RedOniBlueOni: The Blue Oni to Andou.
* [[StraightMan Straight Girl]]: Along with [[SassySecretary Okitsu]], she's one of the most frequent voices of reason within [=MusAni=]'s motleycrew. crew.
* ThoseTwoGuys: She's almost always seen with Andou, who joined Production at the same time as her.
* [[StraightMan Straight Girl]]: Along with [[SassySecretary Okitsu]], she's one of the most frequent voices of reason within [=MusAni=]'s motley
* ThoseTwoGuys: She's almost always seen with Andou, who joined Production at the same time as her.
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Changed line(s) 40,41 (click to see context) from:
'''Voiced by:''' Yuri Yamaoka (Japanese), Creator/ShanaeaMoore (English)
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'''Voiced by:''' Yuri Yamaoka Creator/YuriYamaoka (Japanese), Creator/ShanaeaMoore (English)
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* PrecisionFStrike: After Chazawa hangs up on him, he asks, "What the hell is his problem?! ...[[BorrowedCatchphrase Funny story]]."
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* SmallNameBigEgo: Downplayed. He's far less of a braggart than Tarou, but he seems to consider most of his colleagues beneath him despite the poor quality of his work. Madoka calls him out on this during his TheReasonYouSuckSpeech against Hiraoka.
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* DistinctionWithoutADifference: Aoi accuses him of making her panic during her first time as episode director because he hid the key animation. Tarou then says, "I never hid it; I just didn't tell you that it didn't get done."
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* EstablishingCharacterMoment: He's a bit brusque during his self-introduction to the rest of the [=MusAni=] staff, but when he snidely suggests that Segawa is nicer to women than to men, the audience gets the first indication that he's a jerk.
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* StrawMisogynist: Some of his more petty {{Jerkass}} moments also happen to be somewhat misogynistic. In his first conversation with Aoi, he observes that Segawa is nicer to other women, and after almost running into Midori, he complains that women can simply make "googly eyes" to be forgiven.
to:
* StrawMisogynist: Some of his more petty {{Jerkass}} moments also happen to be somewhat misogynistic. In his first conversation with Aoi, he observes that Segawa is nicer to other women, women(never mind that she'd harshly criticized Ema several episodes ago), and after almost running into Midori, he complains that women can simply make "googly eyes" to be forgiven.
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Changed line(s) 20 (click to see context) from:
* DumbassHasAPoint: In Episode 9, Tarou, while discussing Exodus' preorders with Honda, mentions that the final episode will be key to determining how well the show sells, to which Honda replies that if Kinoshita heard that, he'd break down and give up on the storyboards for the latter half of the episode. Tarou then replies, "But if you're so concerned with sales that it affects your work, you won't be able to make anything good." Honda is rendered speechless for a moment, before saying, "[[LampshadeHanging Sometimes you say the smartest things.]]."
to:
* DumbassHasAPoint: In Episode 9, Tarou, while discussing Exodus' preorders with Honda, mentions that the final episode will be key to determining how well the show sells, to which Honda replies that if Kinoshita heard that, he'd break down and give up on the storyboards for the latter half of the episode. Tarou then replies, "But if you're so concerned with sales that it affects your work, you won't be able to make anything good." Honda is rendered speechless for a moment, before saying, "[[LampshadeHanging Sometimes you say the smartest things.]].things]]."
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Changed line(s) 20 (click to see context) from:
* DumbassHasAPoint: In Episode 9, Tarou, while discussing Exodus' preorders with Honda, mentions that the final episode will be key to determining how well the show sells, to which Honda replies that if Kinoshita heard that, he'd break down and give up on the storyboards for the latter half of the episode. Tarou then replies, "But if you're so concerned with sales that it affects your work, you won't be able to make anything good." Honda is rendered speechless for a moment, before remarking that Tarou "[[LampshadeHanging can actually say some decent stuff sometimes]]."
to:
* DumbassHasAPoint: In Episode 9, Tarou, while discussing Exodus' preorders with Honda, mentions that the final episode will be key to determining how well the show sells, to which Honda replies that if Kinoshita heard that, he'd break down and give up on the storyboards for the latter half of the episode. Tarou then replies, "But if you're so concerned with sales that it affects your work, you won't be able to make anything good." Honda is rendered speechless for a moment, before remarking that Tarou saying, "[[LampshadeHanging can actually Sometimes you say some decent stuff sometimes]].the smartest things.]]."
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Deleted line(s) 29 (click to see context) :
* SmallNameBigEgo: He's pretty much a useless and incompetent dumb-ass, but his self-image is very flattering. Become the head PA for ''Third Aerial Girls' Squad'', mostly due to a lack of personnel,[[note]]A fact that he chose to ignore.[[/note]] made him swell visibly.
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* SmallNameBigEgo: He's pretty much a useless and incompetent dumb-ass, but his self-image is very flattering, and he believes he has the potential to become a director one day. He becomes the head PA for ''Third Aerial Girls' Squad'', mostly due to a lack of personnel,[[note]]A fact that he chose to ignore.[[/note]] made him swell visibly.
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* WhatTheHellHero: He calls Aoi out on making Iguchi character designer for ''Third Aerial Girls' Squad'' instead of Ogasawara after the latter refused the role and nominated the former.
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Changed line(s) 24 (click to see context) from:
* TheFriendNobodyLikes: Why he isn't fired yet is a mystery of the ages -- one of the traditional perks of the Japanese employment system that the animation industry most emphatically ''doesn't'' have is permanent employment.
to:
* TheFriendNobodyLikes: Tarou's coworkers' opinions range from polite tolerance to outright contempt, and no one seems to have a positive opinion of him. Why he isn't fired yet is a mystery of the ages -- one of the traditional perks of the Japanese employment system that the animation industry most emphatically ''doesn't'' have is permanent employment.
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* FirstNameBasis: Oddly enough, he ends up being called by his first name in the English dub, despite being significantly better respected than Tarou is.
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* {{Foil}}: To Hiraoka. The two tend to cause problems for the Production Department, but while Tarou is cheerful and rather insensitive, Hiraoka is surly and cynical.
Changed line(s) 27 (click to see context) from:
* NeverMyFault: Taro never really owes up to the fact that a whole lot of the studio's recent problems were because of ''his'' screw-ups.
to:
* NeverMyFault: Taro never really owes up to the fact that a whole lot of the studio's recent problems were because of ''his'' screw-ups. For example, he tries to guilt-trip Aoi into taking on part of the responsibility for the PoorCommunicationKills incident he caused when her only role in it was hanging up on him when he bothered her while she was drinking with her friends and he failed to explain the problem.
Changed line(s) 30 (click to see context) from:
* PoorCommunicationKills: Tarou turns a discussion about who would animate a particular shot into a feud between 3D and Key animators, just by misquoting each side to make them sound self-important.
to:
* PoorCommunicationKills: Tarou turns a discussion about who would animate a particular shot into a feud between 3D and Key animators, just by misquoting each side to make them sound self-important. He then calls Aoi for help but fails to explain what's going on, resulting in her hanging up on him.
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* DopeSlap: Does this to anyone who annoys her, especially Tarou.
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* EstablishingCharacterMoment: In his first scene, he's rather nervous despite the rest of the office celebrating Episode 1 of Exodus airing, and soon after, it's revealed why- he failed to deliver his cuts, putting Episode 2 in jeopardy.
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Deleted line(s) 49 (click to see context) :
* RealityEnsues: Her father becomes gravely ill, forcing her to be absent. While Aoi is able to step up and replace her, Erika not being there certainly leaves a dent on the whole department's performance.
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* FreudianExcuse: Episode 21 sheds light on the origins of his behavior: among [[ThreeAmigos his classmates]] in vocational school he was the most enthusiastic and serious about making anime, and thus [[RealityEnsues was hit by the Cognitive Dissonance the most]], coming to see everyone around him as an obstacle rather than ''people''. Subsequent episodes also reveal that his terrible work experiences and having an indirect hand in the AdaptationDecay of one of his favorite manga shattered whatever semblance of optimism Hiraoka had for the animation industry.
to:
* FreudianExcuse: Episode 21 sheds light on the origins of his behavior: among [[ThreeAmigos his classmates]] in vocational school he was the most enthusiastic and serious about making anime, and thus [[RealityEnsues was hit by the Cognitive Dissonance the most]], most, coming to see everyone around him as an obstacle rather than ''people''. Subsequent episodes also reveal that his terrible work experiences and having an indirect hand in the AdaptationDecay of one of his favorite manga shattered whatever semblance of optimism Hiraoka had for the animation industry.
Deleted line(s) 99 (click to see context) :
* RealityEnsues: Largely due to his initial enthusiasm about making anime, Hiraoka didn't take the harsh reality of the industry well, becoming [[CynicismCatalyst bitter and confrontational]].
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We're not supposed to put spoilers in character descriptions.
Changed line(s) 39 (click to see context) from:
A somewhat older, more experienced production assistant, who [[BigBrotherMentor takes Aoi under her wing]] and tries to beat some sense into Tarou — not that she ever succeeds, but he at least [[SitcomArchnemesis develops a genuine fear of her]]. Later in series she [[spoiler:[[PutOnABus takes a leave of absence]] to look after her sick father, essentially making Aoi a head of the production department -- even if Tarou technically has about a month of seniority on her.]]
to:
A somewhat older, more experienced production assistant, who [[BigBrotherMentor takes Aoi under her wing]] and tries to beat some sense into Tarou — not that she ever succeeds, but he at least [[SitcomArchnemesis develops a genuine fear of her]]. Later in series she [[spoiler:[[PutOnABus takes a leave of absence]] to look after her sick father, essentially making Aoi a head of the production department -- even if Tarou technically has about a month of seniority on her.]]
Changed line(s) 47 (click to see context) from:
* GirlishPigtails: Sports this hairstyle, though despite that she's one of the more mature characters.
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* GirlishPigtails: Sports this hairstyle, though despite that Inverted; she wears her hair in pigtails, but she's one of the more mature and straightlaced characters.
Changed line(s) 60 (click to see context) from:
Another veteran of the Production Department, he's already a somewhat known name, and ripe for promotion. [[spoiler:Before the finale of ''Exodus!'' he transfers to Studio Canaan to work on their troubled A-list mecha show at the behest of line producer and college upperclassman Hiroaki Houjou.]]
to:
Another veteran of the Production Department, he's already a somewhat known name, and ripe for promotion. [[spoiler:Before the finale of ''Exodus!'' he transfers to Studio Canaan to work on their troubled A-list mecha show at the behest of line producer and college upperclassman Hiroaki Houjou.]]