These are what we call the 'YMMV items.' Things that some people find in this work. We call them 'your mileage might vary' because not everyone sees these things in the same way. This starts discussions in the trope lists, a thing we don't want. Please use the discussion page if you'd like to discuss any of these items.
YMMV: King Lear
Alternate Character Interpretation: At least one critic has wondered if a few particular lines in the play indicate that Lear has sexually abused his two oldest daughters. He refers to Goneril's 'dishonoured body' and the specific wording the two use to lay on the flattery in the love test is rather sketchy.
Complete Monster: Not what you think. Goneril and Regan certainly are; even taking into account their bitterness over Lear's favoritism and Load-ism, its practically impossible to sympathize with either their awful treatment of him or their approval of Cornwall gouging out Gloucester's eyes. Edmund, however, is debatable. Since he is The Chessmaster and catalysed a lot of the pain in the play, we could label him this, however, he is saved the title thanks to his Heel Face Turn, which did allow for the King to be saved.
It really depends on the actors' choices how monstrous anyone in the play really is. Are Goneril and Regan horrible monsters, or are they trying to protect a nation from the rule of their senile father? Do they feud over Edmund out of ambition, or do they actually love him? All three could have quite a strong Freudian Excuse as their fathers make it pretty clear that they have favorites among their children.
Crowning Moment of Heartwarming: The scene where Lear reunites with Cordelia, especially when Cordelia reveals that she is not bitter as Lear had expected her to be.
Ensemble Darkhorse: The Fool steals the show, moreso than usual in this type of play.
The servant who fatally wounds Cornwall has caught the attention of a lot of readers.
Moral Event Horizon: Cornwall crosses the line with what he does to Gloucester.
