YMMV / Juno

  • Alternative Character Interpretation: Several, particularly regarding Vanessa, Mark, and Juno herself.
  • Angst? What Angst?: Becoming pregnant at such a young age doesn't seem to faze Juno all that much, but then she is an overly flippant teen. Averted later following the delivery, where she seems actually relatively upset.
    • For what it's worth, delivering a baby causes a HUGE hormone crash. Even terminating or losing a pregnancy fairly early on can cause some hormonal reaction, so 40 weeks of extra estrogen (and everything else) build-up to end fairly suddenly, well... talk to any woman who has given birth in the last few days and they'll probably start crying at some point. Add in the fact that Juno is 16 years old and relatively unprepared for what's about to befall her. While the scene with Juno is fairly heartbreaking, it's probably less about the whole situation and more just a very, very realistic depiction of postpartum reaction.
  • Awesome Music: The soundtrack. Barry Louis Polisar's "All I Want Is You" and The Moldy Peaches' "Anyone Else But You" are now inseparable from the movie. Sonic Youth's version of "Superstar" is also memorable.
  • Base-Breaking Character: Vanessa is either a Woobie who wants to be a mother or a Machiavellian, self-centered Jerkass who isn't as altruistic as she presents herself. There's seemingly no gray area; people who see the film are either with her or against her.
  • Esoteric Happy Ending: One of most contentious examples in recent years; more than a few people have very dark interpretations of where Vanessa's relationship with Juno's son might lead. Though Vanessa is painted sympathetically for her desire for motherhood, many viewers have expressed doubt if she's really up to the task, seeing her faults as a character and her treatment of Mark as rather ominous indicators.
  • Genius Bonus: While the movie mentions that Juno's named after the Roman goddess Juno, it doesn't mention that one of the main domains of the goddess is childbirth.
  • Harsher in Hindsight: With the economic recession of 2008 occurring just a year after the film's release, the future of Juno's son in Vanessa's hands can be seen as particularly bleak. In addition, with the increased cynicism in The New '10s towards The Power of Love, family, and human nature in general, a character like Vanessa would be seen as a Wide-Eyed Idealist at best.
  • Hilarious in Hindsight: After Ellen Page came out, it is ironic that Juno suggested giving the baby to "a couple of nice lesbos" or commented that she thinks the name Madison is "kinda gay".
  • Misaimed Fandom:
    • Not by a whole lot, but pregnancy fetishists have a great admiration for this movie, especially the scene in which Juno enthusiastically rolls up her shirt for Vanessa at the mall.
    • And then there's those that use the film as a tool to promote pro-life or pro-choice arguments with regards to abortion, when Word of God indicates that the film was meant to be neutral on the subject.
  • No Yay: Mark and Juno, when they dance together.
    • Mark and Juno in general. More than one viewer might have thought this movie was about to take a turn into much creepier adulterous May–December Romance territory with the way Mark kept being so friendly to Juno and the way she kept spending time alone with him, but no, that's not what happens.
  • Ron the Death Eater / The Scrappy: Vanessa is subject to this by haters of the film. Mark is by many people too.
  • Squick: Oh, GOD. Those PORK SWORDS!!!
  • Unintentionally Unsympathetic: We're supposed to sympathize with Juno who becomes pregnant at an early age. However, she seems oblivious of the consequences, doesn't think it's such a big deal and it all works out for her in the end... kind of.
    • Vanessa could count, depending on your point of view. Though the movie presents her in a positive light, many audience members found her character traits and behavior off-putting.
  • What Do You Mean, It's Not Political?: In vain with Misaimed Fandom above, there are pro-life activists who use the film as a tool against abortion, although Diablo Cody and Ellen Page are both pro-choice.
    • Likewise, critics have interpreted the film as being covertly right-wing; the actions of most of the characters (barring Mark) never fall outside of the framework of conservative American values, such as the importance of personal responsibility, hard work, and family.
  • The Woobie: Depending on who you ask, Vanessa.


http://tvtropes.org/pmwiki/pmwiki.php/YMMV/Juno