"The most fun you'll have with a CD since you learned those suckers could fly!" — North American print ad slogan
(known as Switch!
in Japan) is a 1993 game for the Sega CD
, developed by Sega and Office Inote
and published in the United States by Data East USA
. It's the story of a boy and his dog, among other things
Okay, so there's this nasty computer virus that's infected the global network server which somehow controls pretty much everything in the world - and that includes things that aren't even computerized. To stop things from going all ker-flooey, your player character Slap
and his dog Stick
need to set about fixing the problem. Why?
Because the U.N. was busy, that's why.
Anyway, Slap and Stick must do this by manipulating various switches that will take them to the server and allow them to upload an anti-virus program. Are things making sense so far? Cool, because they're definitely
about to stop doing that.
Out of nearly a thousand unmarked switches, there are only a few that will allow you to reach your goal. The rest of them are nothing less than a gateway to madness. The game's style is at times reminiscent of an interactive Terry Gilliam animation, only without anything resembling context nine times out of ten. Some switches will affect things or characters in each scene, others will segue into a bizarre cameo of some odd creature or person saying something even odder, and still others will warp you to new areas, which is how you progress through the game. Oh, and buried in there somewhere are 30 booby-trapped switches that are each wired to destroy a different famous landmark (or, in lieu of that, some random guy's farmhouse or teepee); press all 30 of these and it's game over.
Gameplay-wise, there's not much to tell; you press a button, weird things happen, and your eyes immediately start insisting to your brain that yes; they really did just see that shit.
The game was later ported to the PS2
with some minor Bowdlerization
involving the booby traps, but unless you're willing to import it from Japan
, you're SOL. If you don't want to resort to either importing or emulation, there is an awesome Let's Play of this done by a Mr. Frankomatic of YouTube here
that provides the gist of the game.
- Amusing Injuries: Slap tends to be on the receiving end of these.
- Black Comedy: Some of the gags manage to get dark or risqué at times. This was the main reason Sega was initially reluctant to localize it for a US release before Data East stepped in and did it for them.
- The Cameo: Where have we seen that giant foot before? Hmm...
- Canine Companion: Slap has a pet dog named Stick. You get to play as him in a few recycled levels.
- Completely Different Title: The game is originally called SWITCH in Japan.
- Cut and Paste Environments: Uses it and subverts it. There are a few scenes where you enter the same area but as the dog Stick instead of Slap, and most of the gags in these areas are almost identical. There's also at least a couple of scenes that look exactly like earlier ones, but with different gags happening after you press buttons. For instance, a very late scene appears to repeat Slap teleporting into his TV, but the four buttons lead to a different set of areas.
- Cutaway Gag: At least one button per room triggers these.
- Cyberspace: The entire game takes place in this. But you wouldn't be aware of that if you skipped the opening text.
- Does This Remind You of Anything?: The mountain climber's dialogue as he scales the Mona Lisa sounds really suggestive.
- Dummied Out: Two rooms were completely removed from the US version, each for their own reason: 02-B, which takes place in front of a cigarette dispenser (removed due to tobacco reference), and 09-B, which involves a laptop with a Japanese keyboard (most likely removed for the sake of translation convenience, as there already was another room that had an English typewriter). Both rooms are only accessible in the Japanese version.
- Eenie, Meenie, Miny Moai: They make an appearance in numerous scenes, usually falling from above and turning your character into a Slap sandwich.
- Everything Is Online: We mince no words when we say "everything."
- Excited Show Title!: Doubly so in its international name.
- Excuse Plot: The entire set up is just a means of throwing as many random sight gags in as possible.
- Gag Boobs: Drinking a certain potion will cause Slap (or Stick!) to grow a large pair of breasts. He smiles sheepishly until another pair grows on his arms. And another pair on his head. And a dozen or so more before all of them vanish with a hiccup.
- Guide Dang It: Every area has at least one button that warps you to another scene, and the ones that have more than that often have one to send you backwards. So unless you have a photographic memory pertaining to which button does what, be prepared to spend a long time repeating scenarios.
- The Kid with the Remote Control: Except the remote is unlabelled and 50% of the time it results in injury.
- Let's Play: Done by Frankomatic in the description link, and it's awesome.
- And he's now doing a run of the game where he triggers all of the gags.
- Makes Just as Much Sense in Context: The fact that the game takes place in cyberspace doesn't make it one iota less strange.
- Meaningful Name: The boy protagonist is named "Slap" and his pet dog is named "Stick". Together, they form "slapstick".
- Mind Screw: This game could put any of the examples on the Mind Screw page to shame.
- Mona Lisa Smile: Level 05-A takes place in front of the painting.
- Nonstandard Game Over: Popping all 30 landmarks isn't the only way to lose. Some switches will instantly end the game. Without any warning, natch.
- Not Quite Back to Normal: Though you succeed in destroying the virus in the end, not quite all machines have turned back to normal, as evidenced by a scene of a soda machine randomly dispensing a bouquet of flowers.
- Off-the-Shelf FX: A large number of sound effects are obviously just some guy making noises with his mouth. It adds to the overall extremely silly effect the game is going for.
- Running Gag: That damn genie keeps popping up in the strangest places, hums a few bars of his little Leitmotif, and then jets off like a deflating balloon.
- If a machine has a large opening, one of the buttons will most likely make it vomit.
- Scenery Porn: Some buttons will trigger a brief change in scenery. Some of the time, it becomes so beautiful, it will enchant the young Slap.
- Scooby-Dooby Doors: Level 04-D is chock full of these kind of gags.
- Shout-Out: This◊ seems to be a parody of My Neighbor Totoro's Catbus.
- If your actions have caused the destruction of all 30 landmark buildings, you get a rather familiar shot of the Statue of Liberty in ruins before the game sends you back to the beginning.
- The music playing in the monolith rooms is an excerpt of Dies Irae, better known as the opening music of The Shining. This doubles as another indirect Shout-Out to 2001: A Space Odyssey, which was directed by the same person.
- Title Drop: Two cases; One in the introduction, dubbing the virus antidote "Panic". The other in a room with a machine that teaches lingo, one of the results being "Panic!"
- Updated Re-release: The game was ported to the PlayStation 2 in Japan around 2002 with a couple of changes, which include a re-recording of the acapella sound effects and the destruction of popular landmarks changed to have them covered in a fountain of poop instead.
- The Voiceless: Subverted. There's one room where Slap will repeat whatever phrase the strange gizmo in there shouts. Apart from that, he only makes general vocalizations a la Link.
- Warp Zone: The monolith rooms are these, sort of. They can transport Slap and Stick from Level 7 up to Level 11.