Actor Allusion: Cogsworth is a lot like David Ogden Stiers's M*A*S*H character, Major Charles Emerson Winchester III; in fact, like much like Charles, Stiers gave Cogsworth an accent to emphasize what an uptight snob he can be.
In the fantasy computer game King's Quest VI which said series references and spoofs all kinds of fantasy, fairy tales and mythology. Robbie Benson plays the protagonist, Prince Alexander, who at one point meets the game's own interpretation of Beauty and the Beast. One Non Standard Game Over has Alexander turning into a beast himself.
Jackie Chan was actually the Asian voice of the Beast, and sung a Chinese version of the classic theme song from Angela Lansbury, Celine Dion and Peabo Bryson. This got referenced in the final season of his cartoon Jackie Chan Adventures when he absorbs a beastly power.
Acting for Two: The woman who says: "Good Day!" in Belle is clearly voiced by Paige O'Hara.
Let's not forget the fact that David Ogden Stiers (Cogsworth) also did the opening narration.
In the Brazilian dub, Garcia Junior voiced both Beast and Gaston. Altough this trope sometimes happen in Brazilian dub, it's very rare to happen to 1) two major characters and 2) main hero and main villain.
"Human Again", animated and inserted into the 2002 IMAX reissue after it had already appeared in the stage musical.
The Beast was supposed to have a song of his own but it never made it past the pre-production stage. The stage musical makes up for this by giving him two songs and a reprise all to himself.
Development Hell: Walt himself had tried to develop an adaptation of this story back in the 1940s, but no one could figure out how to make the second act (the heroine's stay in the castle) work.
Doing It for the Art: Howard Ashman literally worked until the day he died, mere weeks before the film was finished. And even beforehand, he was directing the voice recording sessions via telephone while in bed, wasting away from AIDS.
Dueling Movies: An American Tail: Fievel Goes West and Rock-A-Doodle were in theaters at the same time, with Fievel even opening on the same weekend as Beauty. Needless to say it wasn't much of a fight - all other movies were pretty much Curb-Stomped as audiences flocked to the one with a story that broke through the Animation Age Ghetto, with watershed animation and with Broadway-caliber songs, as well as the still-evolving idea that such an important female character could be anything other than a Damsel in Distress. Fievel goes West still did okay, most likely due to having Steven Spielberg's name attached, but Rock-A-Doodle was completely crushed and began the downfall of Don Bluth's animation studio.
There was also Felix the Cat: The Movie that limped into theaters a few months prior, and this movie blasted that one apart as well.
Jossed: Many believe the Beast's "real" name to be Adam, but Word of God, including the animators, scriptwriters, and the Disney website, has stated he does not have an assigned name. Nonetheless, it was officially included in a Disney Princess quiz game, the D-Show CD, and even on some marketing for the Disney Princes.
Keep Circulating the Tapes: The only home release of the original theatrical cut to retain both its aspect ratio and its color scheme is the Walt Disney ClassicsLaserDisc that came out two years after the original theatrical release.note It came out on laser a year late to avoid video piracy, due to the format's lack of copy-protection and also thanks to Disney's rather slow international rollout of the film, which meant it wouldn't be available on video in most markets until 1993. As noted on IMDB, each of the DVD and Blu-ray releases, while they present the movie in widescreen (unlike the Pan and ScanVHS tapes), made a number of other changes. Most noticeably, the color scheme was altered to match the 2002 IMAX re-release, which actually makes the Beast very visible when he is first seen in the film, well before he meets Belle.
The Other Darrin: As of 2011, Page O'Hara was replaced by Julie Nathanson as Belle due to O'Hara's voice changing significantly over the course of twenty years. However, O'Hara still paints Belle for Disney Fine Art and continues to do promotional appearances for Disney.
In the House of Mouse episode "Mickey and the Culture Clash", she was voiced by Jodi Benson, who ironically was the first choice for Belle.
After Jerry Orbach's death, Jeff Bennett took the role of Lumiere starting from Kingdom Hearts and so on.
Angela Lansbury could not reprise her role as Mrs. Potts in the second DTV sequel Belle's Magical World. Anne Rogers replaced her.
Chip has been replaced several times due to all of his previous Voice Actors going through puberty. He was voiced by Bradley Pierce in the original, then later Haley Joel Osment (Enchanted Christmas), and then Greg Grudt (Belle's Magical World).
Recycled: The Series: For a short time, there was a live-action TV show starring Belle, a talking cat puppet and a bunch of modern day kids as she would read books to them, which were really Classic Disney Shorts with her dubbing over all the songs. It had nothing to do with Beauty and the Beast besides Belle. (Although Gaston would make a few appearances, albeit being much Lighter and Softer.)
Shrug of God: Some employees at Disney offhandedly tease that Gaston was the one who killed Bambi's mother.
Cogsworth mentioning that "promises you don't intend to keep" are among the usual things given to ladies was an adlib by David Ogden Stiers when he thought the advice as scripted wasn't sufficiently bad.
The special edition added the song "Human Again", a song originally fully animated but cut for time reasons, where the servants clean up the whole castle. The animators ultimately chose to leave the West Wing ruined after Belle left the castle to save Maurice, rationalizing that the Beast wrecked it again during his Heroic B.S.O.D.. And to really drive the point home, they add in the sounds of glass breaking as Belle rides off.
Speaking of "Human Again" Paige O'Hara and Robby Benson ad-libbed their little "Twoe?- -Two" exchange.
The dummy lyrics written for Gaston's song were so impressive that they became the actual words used.
The Beast Face Palming at several points in the movie come from Robby Benson doing it in recording sessions when he was getting tired and hoarse from screaming all the time.
Troubled Production: The animators were given no vacation time during the film's production in order for everything to be absolutely flawless, partially owing to Jeff Katenberg's admitted impatience with the medium. Several of the artists' marriages were broken up as a result; some artists even claimed to buying new clothing on their break time because they couldn't go home to do laundry, and plenty more up and quit. The grueling work clearly shows, but Katzenberg decided not to do this again when he saw how miserable his staff was as a result.
Also, in the final fight, Gaston falling off the castle was intended to be deliberate, with Gaston actually letting go after stabbing the Beast (there were originally supposed to be two stab wounds that he inflicted), and while falling he was also going to laugh like the Joker in The Dark Knight under similar circumstances. For some reason, this was vetoed. Also, Gaston's line before nearly being hung over the edge was "It's over, Beast! Time to die!", but they changed it to "Belle is mine!" in order to fit Belle back into the scene and also to omit violence (Gaston's lip sync to the line was not changed however). There was apparently also supposed to be a scene where Gaston and D'Arque go into the actual asylum area.
There was an earlier draft where Gaston had Beast at his mercy and was prepared to shoot him, only for Belle to throw a rock at him and cause him to fall off a cliff. He survives with a broken leg, only to be mauled by several wolves. This was eventually reused in the ending for The Lion King when Scar is killed by the hyenas, ironically because its original ending was cut for the same reasons that ending was cut.
As mentioned, the Beast was actually supposed to have an entire song to himself, which was supposed to happen after he chases Belle out of the West Wing, but for whatever reason this was scrapped and he only had a brief singing line in "Something There". However, he does get a song in the stage musical called "If I Can't Love Her" (which happens, wouldn't you know it, right after he chases Belle out of the West Wing!).
Belle was originally going to be voiced by Jodi Benson, the voice of Ariel in The Little Mermaid, it was decided that Belle needed a more "European" sounding voice. Howard Ashman remembered working with Paige O'Hara and suggested she try out for the part.
The song Be our guest was originally going to be sung to Maurice, with several parts of the song being well into the animation stage like this, until the creators asked themselves "Wait a minute, Belle is the protagonist. Shouldn't they be singing to her?" And thus it was changed.
Rupert Everett auditioned for the role of Gaston, but was told by the directors he didn't sound arrogant enough. He remembered this when he voiced Prince Charming in Shrek 2.
The entire movie in fact was initially intended to be much different, being much closer to the original tale, dating back as early as 1989: Basically, Maurice was intended to be a merchant like in the original tale, and also like in the original tale, Belle's family lost their entire estate thanks to several of Maurice's ships being lost at sea, forcing them to move to a cottage, and eventually are nearly about to lose that as well thanks to Maurice being unable to pay his taxes (thanks in large part to the aforementioned loss of his fortune). Maurice was also going to sell his late wife's music box to get enough money to pay taxes, explaining why he left and eventually got imprisoned by the Beast. In addition, Belle would have a kind younger sister named Clarice, a pet cat named Charley, their horse was originally named Orson, and she was to have a snooty aunt named Marguerite who effectively stood in for Belle's wicked sisters from the original tale. In addition, Gaston was, as noted above, a marquis, and Belle politely turned him down. Oh, and eventually Gaston would enter a duel with Beast and eventually be punched over a wall after attempting to use his rapier to stab him in the back after being defeated, and the servants spoke in pantomime and apparently were enchanted to begin with rather than cursed servants. This draft can be found on the "Special Edition"/Platinum Edition and Diamond Edition DVDs (and Blu-ray for the latter), and was cut at Jeffrey Katzenberg's request because it was "too dark and too dramatic" and "it didn't work at all." This resulted in the director of this version, Richard Williams disciple Richard Purdam, quitting the film, and led to Katzenberg putting Howard Ashman & Alan Menken on and Trousdale & Wise taking the director's helm.
Jeffery Katzenberg loved the "Beauty and the Beast Song" so much that he wanted it at least doubled in length, but Howard Ashman shot down the idea for the simple reason that he had run out of suitable words that rhymed with "beast" to use.
Regis Philbin auditioned for the role of the Beast. Yes.
Many scenes were storyboarded but never animated. Those include Maurice actually visiting the fair (with a song called "The Invention Convention") before getting lost on the way home, a scene where Gaston visits the Asylum and a scene where the Beast is seen dragging a carcass of an animal he killed. Both were considered too gruesome for the film (and it was feared that the latter would cause the audience to lose sympathy for the Beast) and the ideas were dropped.
The original "cute" character of the movie was a music box, which was supposed to be a musical version of Dopey from Snow White and the Seven Dwarfs. But when the character Chip's role was expanded, the music box idea was scrapped. However the music box can be seen for a brief moment on a table next to Lumière just before the fight between the enchanted objects and the villagers in the Beast's castle.
Howard Ashman started lyric work on at least two songs for The Beast. He wanted to show things from his perspective as he felt previous versions had placed enough focus on the Beauty character, and since he has the greatest Character Development, the Beast was the main character anyway. For one reason or another they were scrapped but some of the ideas were worked into the character, like the anger than went with his despair and the Broadway took inspiration from his work to craft "If I Can't Love Her".
Naturally, since this film was deemed an "instant classic", it was the last of the four movies released under the Walt Disney Classicslabel in 1992, one year after its theatrical release and a little bit before Aladdin's release (the other movies that year were 101 Dalmatians, The Great Mouse Detective, and The Rescuers (the original 1977 film). This tape's program is a shortened 1991 green F.B.I. warning, a handwritten bumper saying "Coming to Movie Theaters", the Aladdin theatrical trailer, a reissue trailer for Sleeping Beauty dated the following spring (this was cancelled between this tape's release and then), another handwritten bumper saying, "Stay tuned after the feature", the lilac-blue cursive "Feature Presentation" screen, the 1992 distorted Sorcerer Mickey Walt Disney Classics logo, the 1990 Walt Disney Pictures logo, and the film; the film is followed by a home video trailer for 101 Dalmatians, and some copies have a Pinocchio reissue trailer either in between the faux Sleeping Beauty trailer and the Classics logo, or between the film's ending credits and the Dalmatians trailer. The demo tape has no trailers and contained the 1988 Classics logo with non-distorted music before the WDP logo, while the LaserDisc with the original aspect ratio AND color scheme, along with the "Work-in-progress" NYFF LD cut, don't have the Classics logo, instead opening with the animation-standard 1986 Sorcerer Mickey Walt Disney Home Video logo.
The majority of the sculptures seen in the castle are different earlier versions of the Beast.
The film was previewed at the New York Film Festival in September 1991 in a "Work-In-Progress" format. Approximately 70% of the footage was the final color animation. The other 30% consisted of storyboard reels, rough animation pencil tests, clean-up (final line) animation pencil tests, and computer animation tests of the ballroom sequence. This marked the first time that Disney had done a large-scale preview of an unfinished film. There was some concern at the studio as to what the audience, consisting of only adults, would think of the work-in-progress version. According to producer Don Hahn the audience gave the film a standing ovation. It's rumored that it was this reason that the film ended up being the first animated feature to be nominated for a Best Picture Oscar, as it was the first time the press had truly seen and experienced the kind of labor and attention to detail required to make what what otherwise considered a sub-par art form work as well as it did here.
Many of paintings on the walls of the castle are undetailed versions of famous paintings by such artists as Vermeer, Rembrandt, and Goya.
It was lyricist Howard Ashman who came up with the idea of turning the enchanted objects into living creatures with unique personalities.
The signs that Maurice comes upon when going to the fair, according to the movie commentary, read from top to bottom: Saugus, Newhall, Valencia and Anaheim, all towns in Southern California. The sign just above Saugus reads Ramona, another town in Southern California, although the commentary did not mention it specifically.
Caricatures of the directors, Kirk Wise and Gary Trousdale, can be seen in the scene where Belle is given the book as a gift. As she is leaving the store three men are seen pretending to not look through the window and then they sing, "Look there she goes. The girl who's so peculiar. I wonder if she's feeling well." They are the two men on the outside of the large blonde man.
The Beast had hundreds of designs before they finally settled on the chimera-like form seen in the movie because too many of them were just variations of animal heads on human bodies. Lead animator Glen Keane, who had final design on the character, came up with the official design by literally dictating what features he likednote A lion's mane, a buffalo's head and beard, a boar's tusks and nose bridge, a gorilla's brow, a wolf's legs and tail, a bear's physique and... a cow's ears (supposedly to make him a little softer). as he sketched them.
The library in the Beast's castle bears a strong resemblance to the oval reading room of the Richelieu Building at the Bibliothèque nationale de France, Paris.
The first stained glass window seen in the prologue has the Latin phrase 'vincit qui se vincit', which means, in a subtle prefiguring of the arc of the whole story, 'He conquers who conquers himself'.
The supervising animator for Wardrobe was Tony Anselmo - the current voice of Donald Duck.
One interesting fun fact; Beauty and the Beast is one of only three animated films note The other two being The Lion King and Toy Story 2 to win Best Picture note In Musical or Comedy at the Golden Globes. And this was the before the creation of the Animation Category.