Series / Death Note

http://static.tvtropes.org/pmwiki/pub/images/Death-Note-Main-Cast-001.jpg

"That's right this is a battle. I may not be able to do it but Kira can. Kira can change the world."
Light Yagami

A live action series and the latest incarnation of the Death Note franchise. The story follows Light Yagami, an ordinary college student with no ambitions beyond living a quiet life working for the government. One day after dealing with an old classmate known for harassing other people, a Shinigami named Ryuk drops a notebook called the Death Note in front of Light, with the notebook possessing the power to kill someone by writing their name down in it. While Light initially dismisses the notebook as ridiculous, when he sees his classmate is dead after writing his name down, Light begins to acknowledge its power is real. After being tempted to use the power of the notebook a second time in order to save his father, Light decides its burden is too much to bear but when Ryuk convinces him that the notebook could end up in the hands of someone evil, and that Light can use it however he wants, Light decides to use the notebook to purge the world of criminals becoming a Serial Killer known as Kira. When his activities catch the attention of a world-famous detective named L, an all-out battle between the two begins to see who can find the other first.


Death Note contains examples of the following tropes:

  • Adaptation Dye-Job: Since this is a live-action adaptation of an anime, there will be a few changes in hair and eye color.
    • Light has dark brown/black hair instead of light brown/red hair.
    • Misa has medium brown hair instead of blonde.
  • Adapted Out: A lot of superfluous characters and one or two semi-major ones were cut out.
    • Naomi Misora is replaced with someone else entirely as Raye Penber's fiancee. However, Halle Lidner essentially takes her place as L's female ally from the FBI, in this case going undercover as NPA Detective Shoko Himura.
    • Ukita and Ide aren't among the police task force that joins up with L.
    • Wedy and Aiber have absolutely no counterpart in the equivalent to the Yotsuba events.
    • Kiyomi Takada never logs an appearance.
    • Due to changes in how Mello's character played out, Matt had no reason to exist.
  • Adaptational Badass: Alongside generally not being an idiot, this version of Raye Penber is much more hands-on, personally fighting the busjacker and being seconds away from blowing Light's brains out.
  • Adaptational Intelligence:
    • Raye Penber of all people. Unlike his manga and anime counterparts he 1. doesn't actually give Light his real name during the busjacking and uses it to deepen the suspicion that Light is Kira, 2. During Light's plan to kill him, he has his conversation with Light wiretapped to figure out how he kills, 3. Catches on to Light's ploy with the FBI files and actually comes ridiculously close to killing him. The only reason he doesn't outright manage to defeat Light is Misa's intervention with her own Death Note.
  • Adaptational Heroism: Our Villain Protagonist is brought down to Anti-Hero levels in the early episodes of the series. He deeply cares about his family (even though he has a strained relationship with his father), kills the murderer of Misa's parents on her behalf and actually saves people using the Death Note, like getting rid of Jerk Jock Sakota and saving his father from the criminal arguably responsible for the pair's strained relationship (Soichiro chose to book him instead of being at his wife's deathbed). This is eventually subverted by the end of the series, at which point Light has allowed his own father to commit suicide because he was, in Light's own words, "in my way".
  • Adaptational Villainy:
    • Surprisingly not who you'd think but actually Ryuk. As opposed to his All-Powerful Bystander counterpart in the manga who just dropped the notebook into the human world at random and then proceeded to kick back, here he specifically makes sure it falls into Light's hands and actively goads him into continuing to use it when Light is initially fearful of its power.
    • While Near was far from heroic in the original manga and anime, early promotional material described this version of the character as "dangerous." In fact, Near himself is actually much more personable and friendly than before, while Mello is simplified into his Superpowered Evil Side.
    • Halle Lidner is The Mole for Mello's gang, which is in and of itself a much more evil organization here. Subverted when it's revealed that it's all part of L's plan and she's been an FBI under his authority the whole time.
    • While his actions don't really change too significantly, the narrative makes the amorality of a few of L's own actions much clearer. This does eventually get subverted when he finds out that Light is Kira and wants him to atone for his crimes.
  • Adaptation Expansion:
    • As opposed to how quickly the manga established Light as Kira, this first episode of this version spends a lot of time highlighting Light's life before he makes the decision to become Kira and his struggles with the morality of that decision.
    • L is actually shown interacting with Near, properly setting up the notion of Wammy's House. He also takes action years before he did in the original.
    • Teru Mikami's character before becoming the later Ax-Crazy Dragon is explored from early on in the series.
  • Adaptation Origin Connection: Kuro Otoharada, originally a minor criminal (and the first person Light kills when testing the notebook), is reimagined as a criminal who Soichiro himself brought to justice at the cost of not being by his wife's deathbed. Light later kills Otoharada in the first episode, saving Soichiro who's being held hostage.
  • Age Lift: Instead of Light being in his late teens, it's implied that he may be somewhere in his early twenties. One episode confirms that his birthdate is the same as the original incarnation (February 28th), but his birth year is 1995 instead of 1986 (1989 in the anime).
  • Alternate Continuity: Of course But some notable changes include:
    • Light isn't a TV Genius and starts off as more of an everyman before becoming Kira.
    • Light's mother is dead in this continuity.
    • Light seems to actually have a thing for Misa and consciously aided in eliminating the murderer of her parents.
    • Near is already involved in the story while L is still active, and Mello is a doll that he uses and actually his Superpowered Evil Side.
    • Ryuk isn't hovering over Light like in the manga and anime and instead just hangs around the house, waiting for Light to return. This changes in the second episode where he does follow him around a little.
    • Soichiro finds out the truth about Light, throwing him over the Despair Event Horizon as he pleads with him, ultimately leading to his death.
  • Alternative Character Interpretation: Quite a few examples both In-Universe and compared to other versions of the story.
    • L's feelings of friendship towards Light are portrayed as genuine, and it's implied that, while he's still certain that Light is Kira, he really doesn't want him to be. It's as vague as ever with Light himself, though.
      • Considering Light's tearful proclamation that he wanted to be L's friend forever when he thinks L's about to die and his flashback to his moments with L in his dying moments, overlaid with L saying that Light was the first person he'd been interested in and that he wishes they could have met another way, followed by Light exclaiming that "our feelings are the same"... It looks like he really did genuinely care as well.
    • L is the subject of this In-Universe. Even Watari has no idea what his true stance on some things was, especially given that the final scene reveals that he'd prepared a video congratulating Near and Light on capturing Kira, apologizing to the latter... Just in case.
    • Near, and his Split Personality. It's left open to interpretation whether he really has one in the form of Mello, or whether the Mello persona is all an act and he's therefore Obfuscating Insanity.
  • Ambiguous Gender: Near. While the Crunchyroll subs refer to Near as male, the actual dialog never genders them, and in some early promotional material they were specifically described as "a person of unknown/undisclosed gender." They're played by a girl, but Near often is. Mello uses very masculine language, implying he's still male, but as he's still a separate person, that doesn't say anything about Near's gender.
  • Ascended Extra: Mogi goes from the least focused-on of the task force members to the most besides Soichiro, being an old friend of his who's apparently known Light and Sayu since they were babies. He even acts like a second Team Dad.
  • Big Fun: Mogi is a significantly nicer, warmer person than before who has been fond of Light since he was a baby.
  • Bratty Teenage Daughter: While Sayu wasn't exactly the perfect daughter/sister in the original series, here, she's a little more over privileged (watching TV while texting a friend, calling her brother stingy when he refuses to make dinner for her, expecting him to make dinner for her in general, etc.).
  • Canon Foreigner: Raye Penber's fiancé and Shoko Himura.
  • Catch Phrase:
    • "Another willful request," by Watari, whenever L, and later Near, asks him to do something.
    • Ryuk excitedly exclaims "Humans are so/very interesting!" just about Once an Episode.
  • Creepy Child: Near takes this trope and runs with it.
  • Creepy Doll: Near is communicates with Mello through a ventriloquist dummy in the early episodes when all he really has to do is hang around alone.
  • Co-Dragons: Mikami and Misa end up playing this straighter than in the manga, where Misa eventually fell out of relevance compared to other Dragons.
  • Composite Character:
    • Raye Penber is significantly more competent in this adaptation, and Naomi Misora was Adapted Out in favor of... some girl. He pretty much inherits the surprisingly large deal of difficulty and cleverness she once had. He would've taken Light down during the third episode if it wasn't for Misa.
    • Mello is Near's Superpowered Evil Side.
    • Shoko Himura is Halle Lidner in name and role as Mello's Number Two, Ide in initial role to the task force (and his Out of Focus status until The Reveal), Naomi Misora in appearance and past involvement with L (they worked on a case together in the past and she's unfailingly loyal to him) and even shares a good deal with canon's version of Mello.
    • Light dies in a fire, like Takada.
  • Cool Old Guy: Watari, par for course, as L's friendly proxy, helper, and father figure, taking on the part for Near when he shows up as well.
  • The Corrupter: Ryuk intentionally drops the Death Note near Light in this version, rather than Light randomly being the one to find the book, and influences him to become Kira.
  • Death by Adaptation:
    • Light's mother died years before the series began, and his father's absence during it drove a bit of a wedge into their relationship.
    • Halle Lidner, also known as Himura Shoko in this setting, is killed by Mikami's Death Note. She gives Light back the stolen death note, rides off, and kills herself "somewhere she won't be found" as directed.
  • Deal with the Devil: While Light already believes he's dammed for having used the notebook, his partnership with Ryuk comes off more like this opposed to the manga as Ryuk goads him into using the notebook for his own purposes.
  • Demoted to Extra: While Mogi got the opposite trope, Matsuda and Aizawa were barely any more than Those Two Guys, and the former's most impressive moments were either given to somebody else, written out, or someone else's idea.
  • Dramatic Unmask: More like dramatic hood flip when L shows his face to the audience after the Lind L. Tailor ploy and eggs Light on to try and kill him.
  • Driven to Suicide: Light nearly pulls this off after realizing the Death Note's powers are real. His dad does so after realizing that Light is too far gone to turn himself in, blaming himself for ignoring what he perceived as cries for help early in the series.
  • It Amused Me: Ryuk's motivation for dropping the notebook and giving it to Light remains the same.
  • It Gets Easier: Light nearly commits suicide after confirming that he'd killed his first two victims. Cut ahead to a month later, and he's acting as Kira just fine.
  • Kill It with Fire: Light's death here. Instead of being killed by Ryuk writing his name down, he burns in a fire.
  • Lighter and Softer: Instead of Light's descent into madness being a complete bloodbath, he kills over fifty people within a month via heart attacks. Most of his murders in this version are just people dying of heart attacks, even when people dying of heart attacks is probably a dead giveaway.
  • Missing Mom: Light's mother Sachiko is dead in this incarnation and his father Soichiro's absence from her deathbed and subsequently from Light's life in general puts a bit of a strain on their relationship.
  • Mr. Fanservice: L briefly has a scene where he changes shirts because the one he wore had a small pulp stain from the juices he drinks. This appears to happen quite frequently.
  • Never My Fault: Light blames Lind L. Taylor for getting in his way and thus, provoking him to kill.
  • Not His Sled: The plot mostly follows the original, but it still throws more than one of these moments at viewers, greatly changing certain aspects of various plot points.
    • L allows police to meet him in person much faster, though admittedly only with Soichiro at first.
    • First, Raye Penber presents Light with a false ID of a businessman. This is quickly resolved, but then when Light writes his name in... It's not his name. Then, he figures out the scheme that killed him in the original and manages to confront Light, failing only because of Misa's unexpected interference. His fiancee is pretty much a non-entity.
    • The creepy guy with a camera evokes the creep who nearly killed Misa in the original, and Light even takes measures with one of her bodyguards to prevent her from being attacked after Ryuk tips him off... But then it turns out that same bodyguard was the real would-be killer.
    • In L's final confrontation with Light to force him to admit he's Kira, he breaks down and shows his true side after receiving a message from Mikami revealing L's true name, L. Lawliet; thus Light becomes the first to scrawl his name into the Death Note instead of Rem in the original. However, L doesn't die, as the Note Light scrawled on was a fake. L is then killed by Mikami instead, who writes his name into a scrap of Death Note he has as backup, preventing him from revealing the truth to the investigation team.
    • Himura, the Affirmative Action Girl of the Task Force, replaces Mello as Sayu's kidnapper out to get the Notebook... But she's basically Mello's Dragon at the end of the day. Regardless, a member of the task force being a villain is still this trope.
    • Mello is Near.
    • The one consistent detail of Light's fate in other adaptations, that Ryuk ultimately does him in, is changed. Instead, Ryuk simply watches him burn.
  • Pan Up To The Sky Ending: The final shot is the sky above L's grave after Near and Watari leave. For bonus symbolism, the full moon, which has been representative of Light throughout, is visible above the cross, suggesting they might be Together in Death after all.
  • Promotion to Parent: Since his mother is dead and his father is at work most of the time, Light has taken on the responsibility of being both a brother and a parental figure for Sayu.
  • Protagonist Journey to Villain: Far more pronounced than in the original due to Light's descent coming significantly slower, particularly with him genuinely caring for Misa even more than just an annoying pawn.
  • Running Gag: L changing shirts every time he gets something on one.
  • Shower Scene: L and Light have one in Episode 4, and it's played for all the Ho Yay Fanservice it's worth!
  • "Shut Up" Kiss: Light does this to Misa when she's about to reveal him as Kira. At the time, she didn't realize that L had set up cameras and microphones in his room and she thought his jitteriness meant that he was nervous around girls or was just oblivious to the reason why she was there.
  • Spared by the Adaptation:
  • Split-Personality Takeover: Mello overtakes Near, complete with Evil Costume Switch.
    • This turns out to be a ruse; Near was never out of control and Mello was just helping Near carry out L's plan.
  • Stalker with a Crush: Ryuk jokingly claims that Light has become this for Misa. Though this may have been Foreshadowing for who was originally supposed to kill her.
  • Stalker Without A Crush:
    • Ryuk follows Light around for a good chunk of the first episode and drops the notebook specifically behind him. This time, he meant for Light to pick it up.
    • Raye Penber, the FBI agent following Light, is this.
  • Stress Vomit: Light nearly hurls after hearing Sakota died of a heart attack.
  • The Tape Knew You Would Say That: Even from beyond the grave, L still manages to make a fool of Matsuda in one of his many posthumous video messages.
  • These Hands Have Killed: As opposed to his more sociopathic manga counterpart, Light is much more bothered by the first two murders he commits and even attempts suicide before making the decision to become Kira.
  • Took a Level in Dumbass:
    • Light is noticeably stupider than his original counterpart. He yells at Ryuk to shut up while he's being pestered in class, he fails at trying to tell Misa that she will be killed without looking like a crazy fan, and it takes him a moment to realize that her security guard was supposed to be the one to kill Misa.
    • Speaking of Misa, she's even stupider than her original counterpart. She messes up left and right as the Second Kira and almost reveals Light as Kira while there were still cameras and microphones set up in his room. It certainly doesn't help her character when she asks Rem what "paranoid" means while Rem was warning her the dangers of owning a Death Note and she only took the eye deal just to find out who Kira is and decided that she didn't want the eyes anymore after that.
  • Took a Level in Jerkass: L, surprisingly. While he wasn't exactly pleasant all of the time in the manga, here he comes off as much more smug and condescending, only bothered by being compared to Kira when Soichiro calls him out on how hypocritical the Lind L. Tailor stunt was.

http://tvtropes.org/pmwiki/pmwiki.php/Series/DeathNote