Quotes from works:
"Word of mouth,
this is what everyone is talking about.
So you can tell somebody
to tell somebody
that the next big thing
is the same old thing."
— John Reuben, "Word of Mouth"
"Though I'm not the first king of controversy
I am the worst thing since Elvis Presley
To do Black music so selfishly
And use it to get myself wealthy!
Hey! There's a concept that works
20 million other white rappers emerge!"
—Eminem, "Without Me"
“Lack of originality, everywhere, all over the world, from time immemorial, has always been considered the foremost quality and the recommendation of the active, efficient and practical man.”
—Fyodor Dostoevsky, The Idiot
"File off the serial numbers, change the body lines a bit, give it a new paint job, switch it over the state line, and it's yours! —that's the secret of literary success. Editors always claim to be looking for new stories but they don't buy them; they buy 'mixture as before.' Because the cash customers want to be entertained, not amazed, not instructed, not frightened."
"I invented the first-person shooter, you know. Wish I hadn't bothered now. Have you seen how many of the things there are? I expect there's even a space marine in this game somewhere."
— The Lord of Games, Banjo-Kazooie: Nuts & Bolts
"That's how culture spreads. When someone has a new idea, it's immediately copied. It's only natural for this to happen. Your job as the original is to publish magazines that are of a higher quality."
TSA Agent: NCIS? That anything like C.S.I.?
Tony DiNozzo: Only if you're dyslexic.
— NCIS, "Yankee White"
"I know they copy WoW, and I know they do it because they hope THIS time they will take a slice of WoW market and maybe make everybody there rich.
[...] I also know with so many MMORPGs doing the same thing, they will be luck[y] if instead of a slice, they get even some crumbles."
THE THREE SCARIEST THINGS TO PUT IN YOUR DUMB INDIE HORROR GAME:
1) ENDLESS FORESTS OF PURE BOREDOM,
2) RUNNING AROUND LIKE AN IDIOT, COLLECTING PAPER SCRAPS,
—>— Rich "Lowtax" Kyanka - Video Game Abomination Broadcasting/Gaming Garbage, Slenderman: Nightmares from the Internet
Quotes from creators:
"Don't send in the clones—they're already here."
— Alan Chapman, "Everybody Wants To Be Sondheim"
"Imitation is the sincerest form of television."
— Fred Allen
“Two roads diverged in a wood, and I took the road less traveled by and they CANCELLED MY FRIKKIN' SHOW. I totally shoulda took the road that had all those people on it. Damn.”
"Find a fish tougher and more terrible than the great white."
"A guy walks up to me and asks 'What's Punk?' So I kick over a garbage can and say 'That's punk!' So he kicks over a garbage can and says 'That's Punk?', and I say 'No that's trendy.'"
"Animation is built on plagiarism! If it weren't for someone plagiarizing The Honeymooners, we wouldn't have The Flintstones. If someone hadn't ripped off Sergeant Bilko, there'd be no Top Cat. Huckleberry Hound, Chief Wiggum, Yogi Bear? Hah! Andy Griffith, Edward G. Robinson, Art Carney."
— Roger Meyers Jr., The Simpsons, "The Day the Violence Died"
"[John] Kerry's image-making stagecraft was amateur compared to that of the Bush administration. In a lame attempt to stage his own version of 'Mission Accomplished' nine months after the prototype, he had traveled to the unlikely location of Mount Pleasant, South Carolina, in September 2003 to formally announce his presidential campaign against the flag-and-veterans-bestrewn backdrop of the aircraft carrier Yorktown... Even hokier was the soundtrack: a recording of a military band playing 'Anchors Aweigh.'"
— Frank Rich, The Greatest Story Ever Sold
"I have all these people trying to hop aboard the Arpa express hoping that they become cool like me or earn my approval which will magically make their M.U.G.E.N video career somehow. That contest I originally held for the lulz might become the mental death of me..."
"In addition to great gameplay, the mid-August arrival of 'Legacy of Kain: Soul Reaver' is ideally timed. The horror movie-fueled summer of 1999, that began with 'The Mummy,' is reaching full fruition with the cult hit, 'The Blair Witch Project,' as well as 'The Haunting,' 'Lake Placid,' 'Deep Blue Sea' and "The Sixth Sense."
Quotes on works:
"So getting Soul Reaver in stores around the same time as a bunch of shitty horror movies that have nothing to do with Legacy of Kain or even with fucking vampires was more important to Eidos than releasing a game that wasn't just half-finished. It's a good thing I never quit smoking; otherwise I might be forced to take it up again."
— Pat R.
Yahtzee: I do love me that ragdoll physics in my 2-D platformers. That's what gets me, though, about gaming these days: Why the fuck does something like X-COM need a physics engine?
Gabriel: Stuffing a sandwich full of foie gras. You're not helping.
"Part of the identity of the Thief series was its dry humour: a city of thick, drunken guards and blustering nobles; you, the wily outsider come to take them down a peg. But there's no wit or poetic justice in this city; just miserable people being serious. 'Eeeuyhh, the police are evil and everyone's got the plague. Who will save us? What's that? Dishonored? Never heard of it.'"
"In super happy video game land some things are about as sure as the sun coming up. One is, if a game is successful there will be a sequel, the other is if a game is successful, it will be copied."
— Bajo, Good Game 23rd November 2009 Episode
"Ghost in the Shell was great for its lofty ideas and biblical symbolism, and also for its striking visualization of a cyberpunk dystopia; Oni, and we might as well throw Rare's two Perfect Dark games in this while we're at it, sorta nails the latter while completely ignoring the former. Oni's protagonist is like an Americanized doppleganger of Ghost in the Shell's Major Kusanagi, but while Kusanagi personified the series' trademark sense of William Gibson-esque philosophy, Oni's Kusanagi impostor roils about in a boilerplate Tom Clancy novel of gub'mint corruption, replete with your prototypical bullshit backstory."
—Topless Robot, "The 10 Worst American "Anime" Ripoffs"
"Large swaths of the scenes are clearly there to tick off boxes. An entire subplot exists not because anything happens in it but to give the comedy robot, who is easily the worst comedy robot I have ever seen, an appropriate number of jokes. The show is cynical and uninterested in doing anything but stringing together action sequences with a plot basic enough that nobody will fail to follow it.
As with its creator's previous Star Wars ripoff, Battlestar Galactica, the series enjoyed some brief popularity before getting canned. It was in no way what audiences wanted, but rather an attempt to give them something supposedly just like what they had previously enjoyed but, in practice, nothing more than warmed over and cynical attempts at capturing what Blake's 7 can't manage even with some top notch creators on it. For those who want to argue that Star Wars killed science fiction there is little better ammunition."
"This season is the introduction of Cole Turner, a half-human, half-demon lawyer... Since he's half human, he switches between being Julian McMahon and this big, Darth Maul-looking guy. I'm not kidding, that's what his makeup was meant to emulate. You can pick anything to be inspired by, Charmed. Any mythology, folklore, animal or person, real or fictional...and you chose a character from Star Wars: The Phantom Menace. Hat's off to ya."
"Yo dog I heard you like ripping off movies, so we put a ripoff of Temple of Doom in your ripoff of The Hangover so you can rip off while you rip off.”
"The whole idea of CSI Cardiff is laughable, with aerial shots of the city at night looking for all the world like the most chic place to hang out in England...The zooms over Wales between scenes are supposed to be really hip but they just remind me of the spinning cuts between scenes in 60’s Batman."
"First she came for Madonna,
and I didn’t speak out because I’m not Madonna.
Then she came for Boy George,
and I didn’t speak out because I’m not Boy George.
Then she came for me,
and there was no one left to speak for me."
"Hey, remember when Taylor Swift had, like, a personality? This is the first song of hers that can be sung by anybody. But it's probably not the last."
"The creators of the 'grim and gritty' comics that followed in Watchmen's wake are like 1960s musicians who declared, 'The Beatles have revolutionized popular music! We must copy their haircuts!'"
— Adam Cadre
"What they can’t destroy, they absorb. They’re like Dracula (DraCula?)...'Aha!' says this imaginary version of DC, 'I get it now! The reason they liked Marvel, which was going for a slightly older audience, the reason I had competition that cut into my sales after bestriding the Earth like a mighty colossus for three solid decades, was that they wanted things that were mature. All that stuff that I used to do that was for kids, about cartoon characters with superpowers facing down weird situations, that wasn’t mature. They want violence and blood and cusswords and crying and moping and boy howdy they definitely want a whole lot of rapes. And since I can only do one kind of thing, that is what I must do.' Seriously, they have been chasing that dragon so hard that they actually did more Watchmen comics in an effort to drum up past glory."
— Chris Sims, "Here's the Fundamental Problem with DC Comics"
"The success of Marvels showed the Big Two that there was a market for stories set in the past starring characters that the audience had grown up with. That (Kurt) Busiek is a fantastic writer who can push characters into the future even while tying everything into older continuity (as he did in Avengers Forever) was largely ignored. All the Big Two saw were dollar signs in stories about the past. Naturally, they went too far in one direction, and now we're inundated with these kinds of comics. It's not Busiek's fault (hence the "unwittingly" in the title), but he definitely pointed the way."
— Greg Burgas, "How Kurt Busiek (unwittingly) ruined Marvel and DC superhero comics!"
"Marvel has had some success with darkening up their universe and giving away secret identities like SweetTarts on Halloween, so DC is looking to do the same. And here's where I can't help but feel a little insulted. In looking to draw new fans more interested in a darker, more bloodthirsty type of comic, DC is willing to alienate the older fans who've been with them all along."
"And finally, Great Gatsby was the answer to the question “What if Boardwalk Empire were directed by a prick?”"
Jay: Well, this is a case of somebody in the studio system, some executive saying, "Who's hot right now? Oh, John Stamos! Vanity! Let's get all these people in a movie. What is popular right now in movies? Oh, Mad Max and post-apocalypse movies are popular, too! So our villains will inexplicably be Mad Max villains even though it doesn't make any sense!"
Josh: Right at the beginning, they're starting off with scenes of Gene Simmons, and he's leading this broken-down amphitheater full of freaks, and I was like, "Oh, it's gonna be post-apocalyptic." And then they just cut to John Stamos doing gymnastics.
— Best of the Worst reviews Never Too Young to Die (1986)
"Bemusing, how much money and effort go into the making of such a movie, and how little thought. It's months of hard work—for what? The movie is essentially an Alien clone with a fresh paint job. You know something's wrong when a fearsome tentacle rears up out of the water and opens its mouth, and there are lots of little tentacles inside with their own ugly mouths, all filled with nasty teeth, and all you can think is, 'Been there, seen that.'"
"This movie aims to be a comedy, but ultimately, the real punchline is that it got made in the first place. It’s based on a comic book published by Dark Horse, so I’m guessing someone somewhere thought, 'it’s a comic book movie, and people love comic book movies, so it’s gotta make money!' They should have run that idea past the makers of Scott Pilgrim or The Losers to see what they thought."
"The original Alex's face was pinned over the machinery, a human face stretched over the corporate machine to make it more acceptable. The new face looks like someone wearing a face-forming helmet, because Iron Man really made a lot of money and Hollywood really is that blatant."
"This helicopter footage is accompanied by really bad ‘operatic’ music, no doubt intending to recall Apocalypse Now. And to the extent that I find myself muttering, 'The horror…the horror…' well, mission accomplished."
"One of the responses from people when I mention this movie is 'Cuba [Gooding Jr.] is playing the Denzel Training Day role!? Really?' ...Dirty is so incompetent and over the top I was laughing quite a bit throughout. There is no subtlety to anything in this movie. Salim is not just a bent cop, he might as well be tying women to railroad tracks and bombing orphanages while twirling a mustache. In five minutes alone he sexually assaults a woman on a public beach in broad daylight, all the while screeching the N word at anyone within earshot, then goes back to his patrol vehicle where he guzzles from a gallon size bottle of vodka...Someone like Clint Eastwood in his 80’s can still say 'You ever meet someone you know you just shouldn’t have fucked with *spit * That’s me', and people would still be nervous. With Cuba I still think he should be driving an ice cream truck with Skeet Ulrich."
"Look, I'm not gonna say you can't manufacture a guaranteed hit movie based on a mathematical formula. If you apply metrics and stastical analysis to human behavior well enough to assemble a winning baseball team out of otherwise-middling players, or correctly predict election results in defiance of once-ironclad political logic, I'm sure you can use it to make a movie.
It's just that the actual solid models for that don't actually exist yet, so Hollywood opts to use stupid models to try to achieve the same results.
For instance, if Johnny Depp clowning around in makeup and/or some kind of a stupid hat was the main shared element of three big-budget effects-driven movies based on well-known but questionably-viable nostalgia properties, then clearly this big-budget movie based on a well-known but questionably-viable nostalgia property also requires Johnny Depp and a stupid hat!"
"Jerry Bruckheimer tells me, 'No, we can’t do 2 ½ hours of things blowing up.' I defended, “Well, we could, actually. See, here’s what I’m thinking: ‘Titanic.’ Huh? Over a billion dollars worldwide. Three hours…love story…human tragedy…only nothing blew up. WE can blow things up!”... “Who’s gonna play the chick?” someone asked. I hadn’t thought of that. Cameron had Kate Winslet, whom nobody ever heard of. So I thought, ‘let’s get another somewhat obscure art-house non-American actress named Kate and see what happens.’ To make a long story short, we got Benny Fleck and Kate Beckenslavage, or something like that."
— Colin Souter, "Michael Bay's Diary"
"Steve Austin’s feud with Vince McMahon [proved] to promoters everywhere that every wrestling program needed its angles to revolve around an on-screen authority figure such as Vince Russo, Terry Funk, Kevin Nash, Mike Sanders, Ric Flair, Ernest Miller, Don Callis, Mick Foley, William Regal, Eric Bischoff, Stephanie McMahon, Paul Heyman, Kurt Angle, TeddyLong, Jonathan Coachman, Mike Adamle, Vickie Guerrero, Tiffany, a laptop computer, John Laurinaitis, Triple H, Booker T, AJ Lee, Brad Maddox, Erik Watts, Jeff Jarrett, Dusty Rhodes, Larry Zybysko, Jim Cornette, Dixie Carter, Hulk Hogan, Brooke Hogan, or some combination thereof. "
Something that jumps up from the crowd — only to hit its head on the ceiling — is always better in my eyes than
the games that keep their heads down and risk nothing.