Literature: The Boy in the Striped Pyjamas
The Boy in the Striped Pyjamas
is a book by John Boyne about a young boy of nine named Bruno, who loved to play with his friends and go to school, among other fun things to do in Germany in the 1940s. Yeah, those 1940s
. That is, until his father's job forces his family to move to Poland, particularly to an odd camp called "Out With
", which consists of a small house with an odd fence beside it. His older sister, Gretel, informs him that it will only be 'for the foreseeable future", which she figures to be about two weeks.
However, things do not go as quickly as they'd hoped. So Bruno takes a look around and peers out a window to see what is beyond the fence. What he sees is, to him, amazing- so many people, old men, young men, boys of all ages, all wearing the same striped pyjamas! He asks Gretel about them, and finds out that they're called "Jews", which according to Gretel aren't really people
Later on, Bruno decides to investigate for himself. While walking around, he meets a young boy about his age named Shmuel. After talking for a while, they forge an odd sort of a friendship, meeting as often as they can at the one spot on the fence.
It was adapted into a film in 2008.
Provides Examples Of:
- Adult Fear: Considering it's a WWII story, fuck yes.
- Artistic License – History: The presence of an eight-year-old child in Auschwitz is unlikely but at least marginally possible (see Reality Is Unrealistic below), but Shmuel absolutely would not have been able to stroll up to the fence for chats. The first time he tried it would have gotten him shot.
- Bruno not even knowing who Hitler was is implausible to say the least.
- Brainwashed and Crazy: Bruno's sister seemed to get swept up in the whole propaganda at first because she had a crush on a soldier, but then became truly passionate about it.
- Children Are Innocent: The book depicts the Holocaust from a child's point of view.
- Coming-of-Age Story: Averted.
- Deadly Gas: At the climax, obviously enough.
- Does This Remind You of Anything?: When Gretel gets rid of her dolls, she puts them in a large pile in the basement without clothing. The shot of the pile of naked doll bodies is obviously meant to evoke certain images.
- Downer Ending: The book ends with Shmuel and Bruno being gassed in the "showers" and dying. And then there's the epilogue, where Bruno's father somehow figures out what happened to his son. Who's been missing for the past year. Considering this takes place at Auschwitz, it's somewhat justified. But still, *sniff*.
- The movie is not any better, as it has been modified such that Bruno's parents do realize their son is missing and may be at the concentration camp. The father runs into the camp only to find that one of the gas chambers has already begun working. The mother finds Bruno's clothes outside the camp and completely breaks down in tears.
- Even Evil Has Loved Ones: Bruno's father, an SS officer, obviously loves his son, and he totally breaks up when he (Bruno) dies in the chamber gas.
- Family-Unfriendly Death
- Family-Unfriendly Violence
- The Film of the Book: Some slight changes but mostly true to the original work.
- Heroic BSOD: Bruno's mother, after finding out what was really going on in the camp right next to her house, is so horrified and disgusted with her husband that she seems to just stop caring anymore. She stops keeping her hair tidy, no longer wears makeup, and argues with her husband openly.
- Hoist by His Own Petard: Bruno's father is the commandant of a concentration camp; his own son is killed in its gas chambers.
- Infant Immortality: this movie proves just how far an aversion can go.
- Ironic Echo: Bruno sees a propaganda movie telling people how wonderful and happy the Jews are in their camps, and shows a clip of happy children dancing on stepping stones surrounded by singing dancing people. After entering the camp himself he finds the same stepping stones in the movie, and can't help but pause at the realization of how wrong the film was.
- Laser-Guided Karma: After sending so many children to gas chambers, Bruno's father believes Bruno's death in the gas chamber to be this for him.
- Nothing Is Scarier: As if Bruno and Shmuel's fate wasn't horrific enough, there's a chilling lack of detail, attributed mainly to its PG-13 rating. Immediately after the deadly gas infiltrates the chamber, the place goes dark and it cuts away. The final shot of the movie is a panning-away shot of the now silent chamber.
- Odd Couple: Bruno, the son of a Nazi, and Shmuel, a Jewish child at a concentration camp.
- Person with the Clothing
- Reality Is Unrealistic: Some reviewers of the film and book expressed disbelief that Shmuel would still be alive at the camp, given that Nazis would gas those who couldn't work first. However, statistics recovered from Auschwitz showed that up 600-700 boys around the ages of eight were registered to be alive at the camp during 1944-45.
- Say My Name: Ralf yells Bruno's name just after the gas chamber he's in starts working.
- Together in Death: Bruno and Shmuel, though their relationship is platonic, not romantic.
- Villainous BSOD: Once Bruno's father realizes what has happened to his son, he just completely gives up. It's stated that when the Soviets arrive to liberate the camp and arrest him, he doesn't struggle in the slightest.
- Wide-Eyed Idealist: Played painfully straight.
Bruno: It's not fair, me being stuck over here all on my own while you're in there playing with friends all day.
Bruno: Well, isn't it part of a game with your number?
Schmuel: It's just my number.
- You Monster!: When Bruno's mother finds out what's really going on at the concentration camp she starts having frequent fights with her husband (the SS commander of the camp in question), at one point stating that she married a monster whose own mother couldn't even love him.