It ain't easy saving the world, even one case at a time.
A Time To Kill is a 1996 film adaptation of John Grisham's 1989 legal thriller novel of the same name. Directed by Joel Schumacher, the film features an ensemble cast that includes Sandra Bullock, Matthew Mc Conaughey, Samuel L. Jackson, Kiefer Sutherland, Donald Sutherland, Kevin Spacey, and Kurtwood Smith.Two white supremacists (Nicky Katt and Doug Hutchison) come across a ten-year-old black girl named Tonya (Rae'Ven Larrymore Kelly) in rural Mississippi. They violently rape and beat Tonya and dump her in a nearby river after a failed attempt to hang her; she survives, and the men are arrested.Tonya's father, Carl Lee Hailey (Samuel L. Jackson), seeks out Jake Brigance (Matthew McConaughey), an easygoing white lawyer. Carl Lee is worried that the men may be acquitted due to racism in the Mississippi Delta area. Hailey acquires an M16 rifle, goes to the county courthouse, and opens fire; he kills both rapists and unintentionally injures a police deputy (Chris Cooper) with a ricochet.Carl Lee is arrested without resistance, and the plot then follows the trial of Carl Lee (who is defended by Brigance) and the racial undertones denoting the trial, as well as a number of sub-plots.
Tropes associated with this work:
Adaptation Distillation / Pragmatic Adaptation: The book, having the luxury of time, paid a lot of attention to the jury. The DA is also more openly racist. Most significantly, the "reverse the races" thought experiment was put forth by a juror, not Brigance. The necessarily narrowed focus most likely forced it into Brigance's summation (which in the book was actually fairly "safe" and dry; it was even only paraphrased), creating a very powerful scene. Additionally, the Klan mole who alerted the police to the Klan activities and saves Ellen's life is eventually found out and murdered by them. And the sexual tension between Jake and Ellen isn't as palpable as in the film, and rather than their borderline angelic personas in the movie, there are plenty of moments where both Jake and Carl Lee are frankly, jackasses.
Adult Fear: Imagine your little girl was beaten and raped, and her rapists stood a very likely chance of getting off.
Angry Black Man: Carl Lee Hailey, in the courthouse, with an assault rifle.
Artistic License - Law: Carl commits cold-blooded pre-meditated murder. He pleads temporary insanity. The defense's closing argument does not mention insanity, but plays on the jury's emotions to convince of justifiable homicide, after failing to prove temporary insanity. And that's justthe biggest example. Of course, they're not actually trying to prove insanity, and it's privately acknowledged several times that he knew exactly what he was doing. What they're trying to do is go for jury nullification.
Black and Grey Morality: What the men did to his daughter was undoubtedly reprehensible, but did that give Carl Lee the right to take their lives? If it had been a black rapist getting shot, would there be as much discussion? What if it had been your child? Well, much depends on the personal standpoint.
With that said, it does range very much to Black and White Morality though, as the protagonists(Brigance & consorts, Hailey) are goodly good, and the antagonists (Buckley, the KKK & neonazis) are badly bad. None of the aforementioned leads seem to have any controversial faults or redeemable qualities respectively. Sure, the film makers did attempt to warp the lines of morality a little bit by adding minor characters who are Villain Protagonists or Hero Antagonists (the methodist lawyers who may or may not try to pass Hailey as a martyr of black suffrage by attempting to lose the trial, or the psychological consultant of Brigance & consorts who turns out to be a sex offender, or the KKK-member who tips off the police regularily and saves Brigance's wife and later, Ellen), but those ended up having a comparably minor impact on the actual storyline and outcome. In the end,"good" still triumphs over "evil".
Then again, the injured deputy introduces some additional Black and Grey Morality for those who might be overly sympathetic to Carl Lee. While the deputy is not embittered by his injury (as he had every right to be), the fact remains that he is crippled for life due to Carl Lee's actions. The end of the movie cookout loses a lot of its charm when you imagine that deputy at that very moment, struggling to get out of bed.
December December Romance: Jake's mentor and his secretary. It's implied she was his mistress back in their younger days and the scene after husband's funeral makes it pretty obvious the feelings are still there.
Fake American: Dublin-native Brenda Fricker; Canadians Kiefer Sutherland, Donald Sutherland, and Oliver Platt; and New York-born, England-raised Patrick McGoohan.
Hello Attorney: Jake Brigance and Ellen Roark, although it's technically Hello Law Student in her case.
Infant Immortality: Subverted as Tonya Hailey isn't killed, but is brutally beaten and raped. Played straight with Jake's dog Max. When Jake's house is torched by the Klan, he frantically tries to get inside to rescue him, but is held back. The house collapses in flames as he screams the dog's name. The next morning, as he sifts through the rubble, he continues to call out to Max. It seems futile—until Max finally emerges from the woods, frightened and covered with soot, but unharmed and just as overjoyed to see Jake as Jake is to see him.
Ironic Echo: When Brigance asks Carl Lee to seek a lesser guilty plea, he refuses, telling Brigance that his views on justice and race are wrong, adding "Our kids will never play together." At the end after Carl Lee is aquited, Brigance brings his wife and daughter to a family cookout at Carl Lee's house saying, "Just thought our kids could play together."
Kick the Dog: The attack on Tonya Hailey and just about every stunt the Klan pulls.
The Klan: The Ku Klux Klan plays a pretty big role in the film. They support Carl's conviction, and Freddie Lee Cobb (whose grandfather was a Klansmen) enlists their help to sow mayhem. They protest in front of the courthouse, starting a riot with a black crowd, which interupts the court's proceedings. The Grand Wizard is killed, but Freddie and the remaining Klan members continue to intimidate and send death threats to Jake to make him step down as Carl's defense attorney. He doesn't.
Meaningful Name: Judge Omar Noose. Ironic, as he's not a bigot and appears to be thoroughly impartial in his handling of the case.
My God, What Have I Done?: Played with when Carl Lee talks with his wife about killing Tanya's assailants and tells her it's the only thing that gives him solace while he languishes in jail away from his family—"I think about those boys. . .God help me, Gwen, that's the only thing that gives me comfort." He seems far more disturbed by his lack of remorse than by what he did.
Rape Is a Special Kind of Evil: Jake argues this during his closing statement, describing rape as worse than murder on the basis that it is the rape victim who has to deal with lasting trauma, outweighing the grief felt by a murder victim's family.
Jake: Yes, I want you to stay. (pauses) So you'd better go.
We Do The Impossible: Brigance attempts to defend the Afrian American worker Carl Lee Hailey - who killed two white men and stands by it - by pulling an Insanity Defence in a Deep South judicial system (with death row awaiting Hailey), pitted against a ruthless white prosecutor with a socially and politically influential background, a highly suggestible (as well as very opportunistic) magistrate, an all-white well-to-do jury who just wants to go home, a corrupted black suffrage activist group that holds out for a martyr (Hailey), KKK-members and neo-Nazis spreading terror and intimidating Brigance's co-workers into quitting one by one, and (to add insult to injury) weak and powerless local authorities who fail to hinder any of this. Oh, and there's also the rioting that breaks out halfway through the trial. And then the National Guard has to be called in. Well yeah, it really couldn't get any worse. But hey, guess who wins in the end?