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  • Big-Lipped Alligator Moment: In Chapter 10, the chickens decide to randomly start fighting over pieces of bread roll crust and get so into it that they end up starting a tornado which throws Tita halfway across the garden, brings Esperanza's nappies off the washing line and only ends after the chickens force themselves into a hole. Or at least it appears to be an example of this trope, until you realise there's more to it than meets the eye.
  • Critical Backlash: From the way it's talked about on this website you would think it was something akin to The Twilight Saga but if you actually watched it or read it you would find something completely different.
  • Dead All Along: Arguably played with by Esquível about Rosaura. By not telling us until late on that she died a year before Chapter 12, she makes us temporarily wonder why Pedro felt even worse when Tita picks John Brown.
  • Moment of Awesome: Tita standing up to Mama Elena's ghost.
  • Moral Event Horizon: Mama Elena goes past that line when she beats her own daughter, breaks her nose, then calls her a crazy Lunatic.
  • The Woobie: Tita, through and through.
  • Too Bleak, Stopped Caring: The book and movie pile so many disgraces on the protagonist Tita, make her Love Interest Pedro so spineless and selfish, and reduce the other characters (specially Tita's big sister/Pedro's wife Rosaura) to such unlikeable assholes... that many readers have given up mid-reading/mid-watching, since it's a chore to read/watch and wonder "what's gonna happen to her now?!"
  • Tough Act to Follow: Laura Esquivel has said that Como agua wasn't her favourite that she had written, but her next few books were not nearly as successful.
  • Unintentionally Sympathetic: Rosaura is a very dependent Clingy Jealous Girl and has rather inconsiderate, repressing plans for Esperanza, but the readers often ended up feeling bad for her too. Knowing that her husband only married her to be close to her little sister since the Evil Matriarch won't let him marry her is just the beginning to lots of humiliations coming from him, and one can't imagine how bitter such shit will make someone like Rosaura in the end. Tita is very sympathetic too, and a good part of the book is a genuine Break the Cutie for her, but it's unsettling to see how the narrative takes Rosaura's more or less understandable objections and makes her look like she's stupid, bitchy or plainly evil... to the point of having her want Esperanza to stay there for her like Tita did to Elena for no reason than making Tita wangst in her inner monologues... followed later by a ridiculously humiliating death and a And There Was Much Rejoicing. (Especially considering that Gertrudis, when she said that Pedro and Tita were meant to be, also added that Rosaura understood it to some point. Why did Laura Esquivel forget about that plot point?)
    • One of the worst offenses in the book is a scene when the already married Pedro sums up the courage to give Tita some roses. Yes, it gives the repressed, abused Tita some solace... but Rosaura runs off crying at the scene. With Mama Elena's disapproving glance, he is frightened off to go comfort Rosaura; however, it's portrayed as a cowardly thing that he goes to comfort Rosaura after, oh you know, giving a gift of love to someone else that he never gave to his own wife.
    • It does not help matters in the film adaptation where Rosaura is given a few more human moments, such as one where she reaches out to Tita and genuinely is grateful they get along.
  • Unintentionally Unsympathetic: Pedro only marries Rosaura to be close to Tita, neglects his wife so badly that it furthers her increasing Jerk Assery and ultimately destroys her and Tita's already shaky relationship, causes Tita quite the misery as well due to his selfishness and his stalking of her (which she doesn't forget to call him out on), and years later bullies and pressures Tita when Nice Guy Dr. Brown shows interest in her, etc. He is supposed to be Tita's One True Love and the right guy for her... WHY? Rosaura's death fixes it all and he is only remorseful because he was not there for Tita, but he gives little to no consideration for what he did to his late wife. (And does he even give a damn toward the deceased Roberto and his little sister Esperanza, his own children?)
    • Pedro's fondness for his daughter is mentioned incredibly briefly like Informed Love as Esperanza does become a reason why Pedro is wary of leaving Rosaura. It takes Tita to call out on his disregard for both of them, for him to realize his (unshown) affection for Esperanza.
  • Why Would Anyone Take Him Back?: Pedro suddenly asks Tita to marry him and they're suddenly madly in love. Even though he betrays her by marrying Rosaura, which makes her get angry at Rosaura, she's not mad at him (that is, when she finds out why he married Rosaura). He accepts Mama Elena's decision to send him and his wife and son away to Texas and Rosaura's decision to continue the family tradition, even though they're both bad decisions and hurt the woman he loves. He comes across as rather spineless and useless, yet Tita still thinks the sun shines out of his lily-livered ass.

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