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Awesome Music / Frozen II

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Trailers

  • The Hit House's Glacial features an amazing version of "Vuelie" sung by AURORA and used only in the trailers.
  • "Above and Beyond" by Audiomachine underscores the second full length trailer. The epic orchestral beats accompany the footage in a way that is impossible to put in words.

Movie

  • All is Found, a beautiful lullaby passed down through Queen Iduna's family.
  • Into The Unknown shows off more of Idina Menzel's singing power, letting her vocals soar euphorically during the second chorus as Elsa harmonizes with the sprite that's been tempting her, and the spirits of the enchanted forest dance to life around her.
  • The Triumphant Reprise of "Vuelie", the opening chant of the first movie. They took what sounded like a folk song and made it sound like it would fit perfectly in a battle scene for the trailer. And hearing it sung in-universe by the Northuldra is a true show-stopper.
  • Lost in the Woods, despite being mostly comical with its over the top cheesy 80s flavor, is still undeniably epic.
  • Show Yourself is simply breathtaking, as it perfectly shows Elsa's Character Development. There's no way one wouldn't shed a tear once Elsa harmonizes with the spirit of her mother. It's also open to a range of interpretations, especially as the lyrics, read in isolation from the movie, actually look like a passionate (and quite sexy) love song; Elsa herself doesn't know quite what she's discovering.
  • The Next Right Thing may be the bravest song ever sung by a Disney character. It's deceptively simple, without the grandiose feeling of most of the other songs in the movie, but it's about finding the strength to continue on when the world has essentially ended for you. It helps that Kristen Bell acts the absolute hell out of it while singing beautifully.
  • Reindeer Circle is an utterly cathartic choral piece that heads off the story's resolution, signalling that for all the terrible price that the sisters have paid, yes, they did the right thing and it was all worth it. The way the melody subtly calls back to both "Vuelie" and "Do You Want to Build a Snowman" is an icing on the cake.
  • Epilogue boasts a reprise of "Some Things Never Change" to symbolise what actually never changes. Not only that, it strikes a balance between being hopeful and triumphant, especially with a final grandiose reprise of "Vuelie".

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