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Dante Basco both spoke and sang for the nerd with the glasses


** Creator/JasonMarsden (from this movie onward) is now the voice of Max, though Max's singing voice is Aaron Lohr ([[Film/TheMightyDucks Dean Portman]]). [[https://www.youtube.com/watch?v=4DdxoLeZ2W8 Ironically, at the 2015 D23 Expo, during a panel celebrating the film's 20th anniversary, he and Bill Farmer sang a duet of "On the Open Road" together without any prior rehearsing.]]

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** Creator/JasonMarsden (from this movie onward) is now the voice of Max, though Max's singing voice is Aaron Lohr ([[Film/TheMightyDucks Dean Portman]]). [[https://www.youtube.com/watch?v=4DdxoLeZ2W8 Ironically, at the 2015 D23 Expo, during a panel celebrating the film's 20th anniversary, he Marsden and Bill Farmer sang a duet of "On the Open Road" together without any prior rehearsing.]]



** A strange case. For his one line in "After Today" ("And up with the comics"), the Trekkie with braces is voiced by Creator/EddieDeezen, but when cat-calling Stacey he's voiced by Creator/DanteBasco.
** Another similar case; the little girl at the department store photo studio Goofy and Pete work with is mostly voiced by Brittany Alyse Smith. But when she begins bawling after Pete snatches away her WesternAnimation/{{Bambi}} doll, she is voiced by Creator/ElizabethDaily, which explains why she cries like [[WesternAnimation/{{Rugrats}} Tommy Pickles]].

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** A strange case. For his one line in "After Today" ("And up with the comics"), the Trekkie with braces is voiced by Creator/EddieDeezen, but when cat-calling Stacey he's voiced by Creator/DanteBasco.
** Another similar case; the
The little girl at the department store photo studio Goofy and Pete work with is mostly voiced by Brittany Alyse Smith. But when she begins bawling after Pete snatches away her WesternAnimation/{{Bambi}} doll, she is voiced by Creator/ElizabethDaily, which explains why she cries like [[WesternAnimation/{{Rugrats}} Tommy Pickles]].
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No longer trivia


* ImageSource:
** AwkwardFatherSonBondingActivity
** WackyParentSeriousChild
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* FanNickname: "[[TrademarkFavoriteFood Cheez Whiz Dude]]" for Bobby.

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* CutSong: Has two. "Made in the Shade" and [[https://www.youtube.com/watch?v=F97ejuDGPrE "Born to be Bad"]], the latter of which is a cut VillainSong sung by the original BigBad, Don (who would have been Goofy's boss). What the former is remains unknown.



** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as they began to focus more on the father/son dynamic, the team found them to be unneccessary and muddying the story (as they intended Pete and PJ's relationship to serve as an nightmarish mirror to Goofy and Max's), thus, both were cut out entirely.

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** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were film, to the point of likely being present in the first drafts. drafts according to him. However, as they began to focus more on the father/son dynamic, dynamic and the contrast between Pete & PJ and Goofy & Max, the team found them to be felt their presence was unneccessary and muddying only muddied the story (as they intended Pete and PJ's relationship to serve as an nightmarish mirror to Goofy and Max's), thus, story, so both were cut out entirely.
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** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as they began to focus more on the father/son dynamic, the team found them to be unneccessary and needlessly muddying the story (as they intended Pete and PJ's relationship to serve as an nightmarish mirror to Goofy and Max's), thus, both were cut out entirely.

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** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as they began to focus more on the father/son dynamic, the team found them to be unneccessary and needlessly muddying the story (as they intended Pete and PJ's relationship to serve as an nightmarish mirror to Goofy and Max's), thus, both were cut out entirely.

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** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as the team began to hone in on the father/son dynamic of the final film, they felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, leading to both getting cut out.

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** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as the team they began to hone in focus more on the father/son dynamic of dynamic, the final film, team found them to be unneccessary and needlessly muddying the story (as they felt their presence would muddle their intention of PJ intended Pete and Pete's trip being a PJ's relationship to serve as an nightmarish mirror to Goofy and Max's trip, leading to Max's), thus, both getting were cut out.out entirely.
** According to the demo version of "On the Open Road", Roxanne was originally called Dolores.
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* ShrugOfGod: Regarding the absence of Peg and Pistol, Kevin Lima has stated that what happened with them during the film is [[https://twitter.com/goofymoviedir/status/1373497664004780036?s=21 left up to the viewer's imagination]].
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* FlipFlopOfGod: When initially asked if Pete and Peg divorced, [[https://twitter.com/goofymoviedir/status/1327414502506196993 Kevin Lima]] initially replied with [[ShrugOfGod "I honestly have no idea"]]. When asked the same question later on however, he replied with [[https://twitter.com/goofymoviedir/status/1373488205094289413 "They didn't"]], jossing the theory altogether.
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** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as the team began to hone in on the father/son dynamic of the final film, they felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, thus leading to both of them getting cut.

to:

** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as the team began to hone in on the father/son dynamic of the final film, they felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, thus leading to both of them getting cut.cut out.
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None


** According to director Kevin Lima, Peg and Pistol were originally planned to be in the film and were present in the first drafts. However, as the team began to hone in on the father/son dynamic of the final film, they felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, thus leading to both of them getting cut.

to:

** According to director Kevin Lima, Peg and Pistol from ''WesternAnimation/GoofTroop'' were originally planned to be in the film and were present in the first drafts. However, as the team began to hone in on the father/son dynamic of the final film, they felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, thus leading to both of them getting cut.
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None


** According to director Kevin Lima, Peg and Pistol were originally planned to be in the film and were present in the first drafts. However, as the film began to hone in on the father/son dynamic of the final film, the team felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, thus leading to both of them getting cut.

to:

** According to director Kevin Lima, Peg and Pistol were originally planned to be in the film and were present in the first drafts. However, as the film team began to hone in on the father/son dynamic of the final film, the team they felt their presence would muddle their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip, thus leading to both of them getting cut.
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** According to director Kevin Lima, Peg and Pistol were originally planned to be in the film and were present in the first drafts]], however they were cut as the film began to focus on the father/son dynamic and the team felt their presence would muddle the intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip.

to:

** According to director Kevin Lima, Peg and Pistol were originally planned to be in the film and were present in the first drafts]], however they were cut drafts. However, as the film began to focus hone in on the father/son dynamic and of the final film, the team felt their presence would muddle the their intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip.trip, thus leading to both of them getting cut.

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** According to director Kevin Lima, Peg and Pistol were originally planned to be in the film and were present in the first drafts]], however they were cut as the film began to focus on the father/son dynamic and the team felt their presence would muddle the intention of PJ and Pete's trip being a nightmarish mirror to Goofy and Max's trip.

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Tweaked wording and add new trope.


* DescendedCreator: Besides directing the film, Kevin Lima voiced Lester.



* NonSingingVoice: Creator/JasonMarsden (from this movie onward) is now the voice of Max, though Max's singing voice is Aaron Lohr ([[Film/TheMightyDucks Dean Portman]]). [[https://www.youtube.com/watch?v=4DdxoLeZ2W8 Ironically, at the 2015 D23 Expo, during a panel celebrating the film's 20th anniversary, he and Bill Farmer sang a duet of "On the Open Road" together without any prior rehearsing.]]

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* NonSingingVoice: NonSingingVoice:
**
Creator/JasonMarsden (from this movie onward) is now the voice of Max, though Max's singing voice is Aaron Lohr ([[Film/TheMightyDucks Dean Portman]]). [[https://www.youtube.com/watch?v=4DdxoLeZ2W8 Ironically, at the 2015 D23 Expo, during a panel celebrating the film's 20th anniversary, he and Bill Farmer sang a duet of "On the Open Road" together without any prior rehearsing.]]]]
** Lester's speaking voice is provided by director Kevin Lima, while songwriter Kevin Quinn provided his singing voice for "Lester's Possum Park".



* UncreditedRole: Creator/PaulyShore is not credited as Bobby.

to:

* UncreditedRole: Creator/PaulyShore is not voiced Bobby, but isn't credited as Bobby.in the final cut.
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* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when live pay-per-view specials were big events, mainly because they were still AppointmentTelevision; today, not only can even the biggest live events be watched on one's mobile device, but the entire broadcast can be viewed immediately after its initial airing. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, whose peak popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.
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Clarifying, Katzenberg resigned.


* ScrewedByTheNetwork: The film was seen as a contractual obligation work following the tempestuous departure of Jeffrey Katzenberg, who had greenlit the film, and so Disney didn't do much to promote the film leading up to its release, resulting in it doing poorly at the box office.

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* ScrewedByTheNetwork: The film was seen as a contractual obligation work following the tempestuous departure of Jeffrey Katzenberg, Katzenberg's resignation as chairman, who had greenlit the film, and so Disney didn't do much to promote the film leading up to its release, resulting in it doing poorly at the box office.
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** Early drafts of the movie had a new antagonistic character in Goofy's boss, Don, as well as a cut VillainSong, "Born to Be Bad."
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* TechnologyMarchesOn: Goofy uses a road map to navigate, which becomes a major plot point when [[spoiler:Max changes it]]. Today, the writers would either have to explain why he doesn't use a GPS or come up with some other way to have [[spoiler:his son trick him]].
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Added DiffLines:

* ScrewedByTheNetwork: The film was seen as a contractual obligation work following the tempestuous departure of Jeffrey Katzenberg, who had greenlit the film, and so Disney didn't do much to promote the film leading up to its release, resulting in it doing poorly at the box office.
Is there an issue? Send a MessageReason:
None


* MilestoneCelebration: D23 hosted 20th and 25th anniversary panels, featuring much of the cast and crew. The latter was done in a conference call during the coronavirus pandemic, and included a virtual watch party for the film, live tweeted by Lima and Farmer.

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* MilestoneCelebration: D23 hosted 20th and 25th anniversary panels, featuring much of the cast and crew. The latter was done in a conference call during the coronavirus pandemic, and included a virtual watch party for the film, live tweeted live-tweeted by Lima and Farmer.



** In an unusual same person scenario, Creator/BillFarmer recorded his lines as Goofy using his normal speaking voice due to Jeffrey Katzenberg's prodding. After a few sessions, everyone agreed that Goofy's voice should stay the same, and Farmer rerecorded his lines with the character's trademark voice.

to:

** In an unusual same person same-person scenario, Creator/BillFarmer recorded his lines as Goofy using his normal speaking voice due to Jeffrey Katzenberg's prodding. After a few sessions, everyone agreed that Goofy's voice should stay the same, and Farmer rerecorded his lines with the character's trademark voice.



** Jeffrey Katzenberg felt that audiences wouldn't tolerate listening to Goofy's trademark cartoonie voice for ninety minutes and, at one point, considered replacing Bill Farmer with Creator/SteveMartin. When it was decided that Farmer would stay, Katzenberg instead had Farmer record Goofy's lines in his normal speaking voice instead of his "cartoony" one. However, after a few sessions, Farmer, along with director Kevin Lima and studio head Roy E. Disney, agreed that nobody wanted to hear Goofy having any voice than the one they all knew and loved, and Farmer re-recorded his lines accordingly.

to:

** Jeffrey Katzenberg felt that audiences wouldn't tolerate listening to Goofy's trademark cartoonie cartoony voice for ninety minutes and, at one point, considered replacing Bill Farmer with Creator/SteveMartin. When it was decided that Farmer would stay, Katzenberg instead had Farmer record Goofy's lines in his normal speaking voice instead of his "cartoony" one. However, after a few sessions, Farmer, along with director Kevin Lima and studio head Roy E. Disney, agreed that nobody wanted to hear Goofy having any voice than the one they all knew and loved, and Farmer re-recorded his lines accordingly.
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None


** In the Latin American Spanish dub, while Francisco Colmenero reprised his role as Pete, Creator/CarlosSegundo replaced Colmenero as the official voice of Goofy beginning with this movie. Segundo himself would eventually be replaced by Mario Filio.

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** In the Latin American Spanish dub, while Francisco Colmenero reprised his role as Pete, Creator/CarlosSegundo replaced Colmenero as the official voice of Goofy beginning with this movie. Segundo himself would eventually be replaced by Mario Filio.

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* CreatorCameo: Director Kevin Lima has a handful of minor roles as Lester the Possum, Roxanne's dad and the security guard at the concert. Caricatures of him and writer Brian Pimental appear in the “After Today” opening number.



** A strange case. For his one line in "After Today" ("And up with the comics"), the Trekkie with braces is voiced by Eddie Deezen, but when cat-calling Stacey he's voiced by Creator/DanteBasco.

to:

** A strange case. For his one line in "After Today" ("And up with the comics"), the Trekkie with braces is voiced by Eddie Deezen, Creator/EddieDeezen, but when cat-calling Stacey he's voiced by Creator/DanteBasco.



** In an unusual same person scenario, Bill Farmer recorded his lines as Goofy using his normal speaking voice due to Jeffrey Katzenberg's prodding. After a few sessions, everyone agreed that Goofy's voice should stay the same, and Farmer rerecorded his lines with the character's trademark voice.

to:

** In an unusual same person scenario, Bill Farmer Creator/BillFarmer recorded his lines as Goofy using his normal speaking voice due to Jeffrey Katzenberg's prodding. After a few sessions, everyone agreed that Goofy's voice should stay the same, and Farmer rerecorded his lines with the character's trademark voice.voice.
** Music/BobbyBrown was originally cast as Powerline, but was cut from the production due to his drug problems. A couple of the songs he recorded for the part were later reworked as tracks for his album ''Forever''.



* UncreditedRole: Pauly Shore is not credited as Bobby.

to:

* UncreditedRole: Pauly Shore Creator/PaulyShore is not credited as Bobby.



* VoicesInOneRoom: Bill Farmer mentioned how he [[https://mobile.twitter.com/GoofyBill/status/1248768016394776576 and]] Jason Marsden recorded many of their lines together.

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* VoicesInOneRoom: Bill Farmer Creator/BillFarmer mentioned how he [[https://mobile.twitter.com/GoofyBill/status/1248768016394776576 and]] Jason Marsden Creator/JasonMarsden recorded many of their lines together.



** Music/BobbyBrown was originally cast as Powerline, but was cut from the production due to his drug problems. A couple of the songs he recorded for the part were later reworked as tracks for his album ''Forever''.



** Originally, a bear was going to invade the campground instead of Bigfoot.

to:

** Originally, a bear was going to invade the campground instead of Bigfoot.Bigfoot.
----
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Mostly fixing typos in the Unintentional Period Piece example, though I decided to trim it a bit too


* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when live pay-per-view specials were big events, mainly because they were still AppointmentTelevision; today, not only can even the biggest livestreamed events be watched on one's mobile device rather than requiring them to sit in front of the TV, but the entire broadcast can be viewed immediately after it's initial airing. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.

to:

* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when live pay-per-view specials were big events, mainly because they were still AppointmentTelevision; today, not only can even the biggest livestreamed live events be watched on one's mobile device rather than requiring them to sit in front of the TV, device, but the entire broadcast can be viewed immediately after it's its initial airing. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek whose peak popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.



** Jeffrey Katzenberg felt that audiences wouldn't tolerate listening to Goofy's trademark cartoonie voice for ninety minutes and, at one point, considered replacing Bill Farmer with Creator/SteveMartin. When it was decided that Farmer would stay, Katzenberg instead had Farmer record Goofy's lines in his normal speaking voice instead of his "cartoonie" one. However, after a few sessions, Farmer, along with director Kevin Lima and studio head Roy E. Disney, agreed that nobody wanted to hear Goofy having any voice than the one they all knew and loved, and Farmer re-recorded his lines accordingly.

to:

** Jeffrey Katzenberg felt that audiences wouldn't tolerate listening to Goofy's trademark cartoonie voice for ninety minutes and, at one point, considered replacing Bill Farmer with Creator/SteveMartin. When it was decided that Farmer would stay, Katzenberg instead had Farmer record Goofy's lines in his normal speaking voice instead of his "cartoonie" "cartoony" one. However, after a few sessions, Farmer, along with director Kevin Lima and studio head Roy E. Disney, agreed that nobody wanted to hear Goofy having any voice than the one they all knew and loved, and Farmer re-recorded his lines accordingly.
Is there an issue? Send a MessageReason:
None


** Jason Marsden replacing Dana Hill as the ''de facto'' voice of Max, due to the latter growing up.

to:

** Jason Marsden replacing Dana Hill as the ''de facto'' voice of Max, due to the latter growing up. This isn’t a bad thing either, since many people actually prefer him voicing Max.
Is there an issue? Send a MessageReason:
None


* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when live pay-per-view specials were big events, mainly because they were still AppointmentTelevision; today, not only can even the biggest livestreamed events be watched on one's mobile device rather than requiring them to sit in front of the TV, but they're commonly available for viewing on whichever platform they aired on immediately after their broadcast. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.

to:

* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when live pay-per-view specials were big events, mainly because they were still AppointmentTelevision; today, not only can even the biggest livestreamed events be watched on one's mobile device rather than requiring them to sit in front of the TV, but they're commonly available for viewing on whichever platform they aired on the entire broadcast can be viewed immediately after their broadcast.it's initial airing. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.
Is there an issue? Send a MessageReason:
None


* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when pay-per-view TV specials were big events, mainly because they were still AppointmentTelevision, unlike today, when even the biggest livestreamed events are typically posted online in their entirety after their live broadcast. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.

to:

* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when live pay-per-view TV specials were big events, mainly because they were still AppointmentTelevision, unlike AppointmentTelevision; today, when not only can even the biggest livestreamed events are typically posted online be watched on one's mobile device rather than requiring them to sit in their entirety front of the TV, but they're commonly available for viewing on whichever platform they aired on immediately after their live broadcast. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.
Is there an issue? Send a MessageReason:
None


** Jason Marsden replacing Dana Hill as the ''de facto'' voice of Max. Justified in-universe due to Max growing up.

to:

** Jason Marsden replacing Dana Hill as the ''de facto'' voice of Max. Justified in-universe Max, due to Max the latter growing up.
Is there an issue? Send a MessageReason:
None


* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when pay-per-view was seen as the most high-end form of entertainment before livestreaming and VOD made it less so. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.

to:

* UnintentionalPeriodPiece: One of the best exampled of pure undistilled [[TheNineties nineties]] culture committed to animated film: everyone's dressed in flannel and baggy clothes, Pauly Shore plays yet another variation of his "Weasel" character, the soundtrack is full of NewJackSwing-style pop and Pete passively refers to his and Goofy's sons as "the MTV generation." It also captures the time in the mid-90s when pay-per-view was seen as TV specials were big events, mainly because they were still AppointmentTelevision, unlike today, when even the most high-end form of entertainment before livestreaming and VOD made it less so.biggest livestreamed events are typically posted online in their entirety after their live broadcast. Like many [[AnimationLeadTime animated]] examples, much of this has been dated for a couple of years by the time the movie came out, though unlike most, it's less the result of trying to capitalize on trends (save Pauly Shore, who's peek popularity at the time would come crashing down a year later thanks to ''Film/BioDome'') and more a circumstance of a plot that's largely grounded in reality.
Is there an issue? Send a MessageReason:
None


** A strange case. For his one line in "After Today" the Trekkie with braces is voiced by Eddie Deezen, but when cat-calling Stacey he's voiced by Creator/DanteBasco.

to:

** A strange case. For his one line in "After Today" ("And up with the comics"), the Trekkie with braces is voiced by Eddie Deezen, but when cat-calling Stacey he's voiced by Creator/DanteBasco.
Is there an issue? Send a MessageReason:
None


** Bobby Brown was originally cast as Powerline, but was cut from the production due to his drug problems. A couple of the songs he recorded for the part were later reworked as tracks for his album ''Forever''.

to:

** Bobby Brown Music/BobbyBrown was originally cast as Powerline, but was cut from the production due to his drug problems. A couple of the songs he recorded for the part were later reworked as tracks for his album ''Forever''.

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