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* AnArmAndALeg: Chiron and Demetrius cut off Lavinia's hands.

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* AnArmAndALeg: Chiron and Demetrius cut off Lavinia's hands.hands to prevent her from telling who raped her. [[spoiler: It does not work.]]
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* AffectionateParody: A few critics think that the reason this play was so violent was because Shakespeare was having a go at Marlowe's often gruesome plays. Indeed, there are some scholars who argue that Shakespeare wrote ''Titus'' with such an outrageous amount of {{Gorn}} (even for the time period) that he actually [[RefugeInAudacity intended for it to be a comedy]]. See the bit about the knife and the fly if you're skeptical. Noted Swiss author Friedrich Dürrenmatt reworked it into a comedy. Others dispute this, noting many other tragedies from the period with violence of similar nature, and likewise the presence of BlackComedy mixed with gruesome violence was a pretty common Elizabethan-Jacobean trope.

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* AffectionateParody: A few critics think that the reason this play was so violent was because Shakespeare was having a go at Marlowe's often gruesome plays. Indeed, there are some scholars who argue that Shakespeare wrote ''Titus'' with such an outrageous amount of {{Gorn}} (even for the time period) that he actually [[RefugeInAudacity intended for it to be a comedy]]. See the bit about the knife and the fly if you're skeptical. Noted Swiss author Friedrich Dürrenmatt reworked it into a comedy.comedy. Shakespearean scholar Harold Bloom also backs this point up by challenging readers who believe that the play is a serious drama to read out the scene where Titus tells his daughter to carry his severed hand off stage [[CrossesTheLineTwice by picking it up in her mouth, because she has had her own hands cut off]], and suggests that the only way the play would work was if it were directed by Creator/MelBrooks. Others dispute this, noting many other tragedies from the period with violence of similar nature, and likewise the presence of BlackComedy mixed with gruesome violence was a pretty common Elizabethan-Jacobean trope.
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* EvenEvilHasLovedOnes: Aaron loves [[MoralityPet his baby son]].
* EvenEvilHasStandards: Chiron and Demetrius have no compunctions about raping and dismembering Lavinia or attempting to kill Aaron's baby son, but they are still taken aback when Aaron murders the nurse. Aaron, for his part, has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save his son's life.
** Even Saturninus has a moment of this in Act V, being abjectly horrified when Titus kills Lavinia. On learning that it was Chiron and Demetrius who raped and mutilated her, he orders them brought forth out of a seemingly-sincere desire to punish them. [[TheSecretOfLongPorkPies However...]]

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* EvenEvilHasLovedOnes: Aaron loves [[MoralityPet his baby son]].
son]]. Tamora also genuinely loves all three of her sons.
* EvenEvilHasStandards: Chiron and Demetrius have no compunctions about raping and dismembering Lavinia or attempting to kill Aaron's baby son, but they are still taken aback when Aaron murders the nurse. Aaron, for his part, has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save his son's life.
life. Meanwhile, upon learning that their mother has given birth to a son that is obviously Aaron's and not Saturninus's - meaning she will be killed for treason if this is found out - their immediate instinct is to kill the child to destroy the evidence. Aaron, one of the most manipulative and ruthless characters in the story, isn't just horrified that it's his own son they're talking about, but remarks in horror that they would seriously kill their own half-brother. This also makes Aaron a foil for Titus, who would gladly kill his own son if he felt he committed treason against Rome.
** Even Saturninus has a moment of this in Act V, being abjectly horrified when Titus kills Lavinia. On learning that it was Chiron and Demetrius who [[RapeIsASpecialKindOfEvil raped and mutilated her, her,]] he orders them brought forth out of a seemingly-sincere desire to punish them. [[TheSecretOfLongPorkPies However...]]

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Outnumbered Sibling is being disambiguated, moving example to correct trope.


* MassiveNumberedSiblings: Titus had 25 sons and one daughter. But by the end of the play, he's down to one son.



* OutnumberedSibling: Titus had 25 sons and one daughter. But the ratio is down to 4:1 by the start of the play, and keeps "improving" (but falls back to 1:0 in the end).

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I Ate What clean up. The trope is when a character eats something, unaware of what they are consuming, and then reacts in disgust after they find out what it is. Misuse will be deleted or moved to another trope when applicable. Administrivia.Zero Context Examples will be removed or commented out depending on the amount of context within the entry.


* BeCarefulWhatYouWishFor: In taking her revenge against Titus, Tamora decides to not only destroy his family but also drive him insane. [[RoaringRampageOfRevenge Titus]] [[TheSecretOfLongPorkPies goes]] [[FamilialCannibalismSurprise insane]] [[IAteWhat all]] [[KillEmAll right]].

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* BeCarefulWhatYouWishFor: In taking her revenge against Titus, Tamora decides to not only destroy his family but also drive him insane. [[RoaringRampageOfRevenge Titus]] [[TheSecretOfLongPorkPies goes]] [[FamilialCannibalismSurprise insane]] [[IAteWhat all]] all [[KillEmAll right]].



* IAteWhat: Tamora is served a pie baked from her murdered sons Chiron and Demetrius in a ghastly attempt to evoke this reaction.
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* BeCarefulWhatYouWishFor: In taking her revenge against Titus, Tamora decides to not only destroy his family but also drive him insane. [[RoaringRampageOfRevenge Titus]] [[TheSecretOfLongPorkPies goes]] [[FamilialCannibalismSurprise insane]] [[IAteWhat al]][[KillEmAll right]].

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* BeCarefulWhatYouWishFor: In taking her revenge against Titus, Tamora decides to not only destroy his family but also drive him insane. [[RoaringRampageOfRevenge Titus]] [[TheSecretOfLongPorkPies goes]] [[FamilialCannibalismSurprise insane]] [[IAteWhat al]][[KillEmAll all]] [[KillEmAll right]].
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-->--''The Reduced Shakespeare Company''

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-->--''The -->--'''The Reduced Shakespeare Company''
Company'''

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Dewicking per TRS.


* MirrorCharacter: Titus and Tamora. Both "love" their kids. Both power-hungry. Both willing to kill other people's children in revenge. [[EvilVersusEvil Both sick nut-jobs]]. Titus kills his own children bear in mind, whereas Tamora doesn't.



* NotSoDifferent: Titus and Tamora. Both "love" their kids. Both power-hungry. Both willing to kill other people's children in revenge. [[EvilVersusEvil Both sick nut-jobs]]. Titus kills his own children bear in mind, whereas Tamora doesn't.
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* SmallRoleBigImpact: Alarbus appears for a few seconds and is led off to be sacrificed without a line. Yet it is largely this event which triggers Tamora's (and thus Titus') RoaringRampageOFRevenge.
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* HorribleJudgeOfCharacter: Titus is blind to all the signs that Saturninus is corrupt, jealous and small-minded, and that Bassianus would definitely have been the better choice for Emperor.
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* NoGoodDeedGoesUnpunished: Titus turns down the throne in favor of backing one of the legitimate heirs, a lawful and honorable act. This set in motion the downfall of himself and both heirs.
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* EvenEvilHasStandards: Chiron and Demetrius have no compunctions about raping and dismembering Lavinia or attemting to kill Aaron's baby son, but they are still taken aback when Aaron murders the nurse. Aaron, for his part, has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save his son's life.

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* EvenEvilHasStandards: Chiron and Demetrius have no compunctions about raping and dismembering Lavinia or attemting attempting to kill Aaron's baby son, but they are still taken aback when Aaron murders the nurse. Aaron, for his part, has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save his son's life.
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[[caption-width-right:285:Featuring wanton sex, violence, and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]

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[[caption-width-right:285:Featuring wanton sex, violence, cannibalism and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]
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Those Two Bad Guys is now Bumbling Henchmen Duo. If I'm cutting this example, it's either misuse or there's not enough context to tell if it's actually an example.


* ThoseTwoBadGuys: In the scene immediately after they rape Lavinia, Chiron and Demetrius both explain what just happened and demonstrate by that explanation how [[ColdBloodedTorture sadistic]] they are.
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same mother


** Tamora, Aaron, Chiron, and Demetrius cross the line early on when they rape and mutilate Lavinia. But all of them have some virtues, with Aaron going out of his way to save his son, and Chiron and Demetrius, after some threats and convincing, agree to help save their step-brother.

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** Tamora, Aaron, Chiron, and Demetrius cross the line early on when they rape and mutilate Lavinia. But all of them have some virtues, with Aaron going out of his way to save his son, and Chiron and Demetrius, after some threats and convincing, agree to help save their step-brother.half-brother.
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* AnachronismStew: There was no Roman emperor who fought a war against the Goths (who invaded during the declining years of the Empire)[[labelnote:*]]strictly speaking, no emperor fought them and ''survived'' — both Claudius II and Valens led armies against the Goths, but both died on the battlefield. At any rate, the idea of a victorious emperor dragging a captive Gothic princess back to Rome is complete fiction[[/labelnote]], and a Tribune (a political office from the era of the Roman Republic) wouldn't have served alongside the emperor. Possibly justified in some cases as the chronology of the tragedies places Titus Andronicus "during the reign of a fictional (late?) Roman emperor" with the plays it is between being Cymbeline, early first century AD, and Hamlet, c. ninth-tenth century AD.

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* AnachronismStew: There was no Roman emperor who fought a war against the Goths (who invaded during the declining years of the Empire)[[labelnote:*]]strictly speaking, no emperor fought them and ''survived'' — both Claudius II and Valens led armies against the Goths, but both died on the battlefield. At any rate, the idea of a victorious emperor dragging a captive Gothic princess back to Rome is complete fiction[[/labelnote]], and a Tribune (a political office from the era of the Roman Republic) wouldn't have served alongside the emperor. Possibly justified in some cases as the chronology of the tragedies places Titus Andronicus "during the reign of a fictional (late?) Roman emperor" with the plays it is between being Cymbeline, early first century AD, and Hamlet, c. ninth-tenth century AD.
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* CynicismCatalyst: At the start of the play, twenty-one of Titus' 25 sons are dead. It's the mutilation of Lavinia, though, that tips him over the edge into madness, angst, and [[HollywoodAtheist atheism]].

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* CynicismCatalyst: At the start of the play, twenty-one of Titus' 25 sons are dead. It's the mutilation of Lavinia, though, that tips him over the edge into madness, angst, and [[HollywoodAtheist [[EvilStoleMyFaith atheism]].
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* AlienLunch: The infamous pie served to Tamora.
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* EvilVsEvil: As mentioned above, there are only about three characters who don’t commit any moral atrocities over the course of the play, and one of them is a baby.

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* EvilVsEvil: EvilVersusEvil: As mentioned above, there are only about three characters who don’t commit any moral atrocities over the course of the play, and one of them is a baby.



* NotSoDifferent: Titus and Tamora. Both "love" their kids. Both power-hungry. Both willing to kill other people's children in revenge. [[EvilVsEvil Both sick nut-jobs]]. Titus kills his own children bear in mind, whereas Tamora doesn't.

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* NotSoDifferent: Titus and Tamora. Both "love" their kids. Both power-hungry. Both willing to kill other people's children in revenge. [[EvilVsEvil [[EvilVersusEvil Both sick nut-jobs]]. Titus kills his own children bear in mind, whereas Tamora doesn't.
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None


[[caption-width-right:285:Featuring wanton sex, extreme violence, and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]

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[[caption-width-right:285:Featuring wanton sex, extreme violence, and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]
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None


[[caption-width-right:285:Featuring sex, violence, and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]

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[[caption-width-right:285:Featuring wanton sex, extreme violence, and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]
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[[caption-width-right:285:Featuring sex, violence, and an "IBangedYourMom" joke. Truly a masterpiece of English literature.]]

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* EvilVsEvil: As mentioned above, there are only about three characters who don’t commit any moral atrocities over the course of the play, and one of them is a baby.



* TorturePorn: With all the violence, gore, and torture that occurs this play, it makes a good candidate for JustForFun/TheZerothLawOfTropeExamples here.

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* TorturePorn: With all the violence, gore, and torture that occurs in this play, it makes a good candidate for JustForFun/TheZerothLawOfTropeExamples here.
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''The Lamentable Tragedy of Titus Andronicus'' is considered to be Creator/WilliamShakespeare's first tragedy. It is set in UsefulNotes/TheRomanEmpire, albeit a very fantastic and fictional version that is melange of different periods and settings. It is noted to have been produced and performed by 1594. It is arguably one of the few Shakespeare plays (alongside ''Theatre/AMidsummerNightsDream'' and perhaps ''Theatre/TheTempest'') that is entirely original to Shakespeare[[note]]There is in addition to the play, a prose book on Titus Andronicus, and a popular ballad that has survived, and all three are dated to 1594, but nobody knows for sure whether the play, the prose, or the ballad came first, and which came second, and so on[[/note]]. Some scholars believe that the first parts of the play were co-written by George Peele, but this hypothesis is disputed.

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''The Lamentable Tragedy of Titus Andronicus'' is considered to be Creator/WilliamShakespeare's first tragedy. It is set in UsefulNotes/TheRomanEmpire, albeit a very fantastic and fictional version that is melange of different periods and settings. Unlike his [[Theatre/{{Coriolanus}} other]] [[Theatre/JuliusCaesar Roman]] [[Theatre/AntonyAndCleopatra plays]], it doesn't use real historical figures as characters. It is noted to have been produced and performed by 1594. It is arguably one of the few Shakespeare plays (alongside ''Theatre/AMidsummerNightsDream'' and perhaps ''Theatre/TheTempest'') that is entirely original to Shakespeare[[note]]There is in addition to the play, a prose book on Titus Andronicus, and a popular ballad that has survived, and all three are dated to 1594, but nobody knows for sure whether the play, the prose, or the ballad came first, and which came second, and so on[[/note]]. Some scholars believe that the first parts of the play were co-written by George Peele, but this hypothesis is disputed.
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* IronicName: Saturninus, in view of the fact that this play draws heavily from ''Literature/{{Metamorphoses}}'', the first book of which describes "Saturn's golden age" and equates Saturn's overthrow with a fall into darker times, whereas here it is the ''ascension'' of Saturninus that corresponds with the beginning of a (more) evil time.
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* EvenBadMenLoveTheirMamas: Chiron and Demetrius love their mother and do all their villainy to help her vengeance.
* EvenEvilHasLovedOnes: Aaron loves [[MoralityPet his baby son]].
* EvenEvilHasStandards: Chiron and Demetrius have no compunctions about raping and dismembering Lavinia or attemting to kill Aaron's baby son, but they are still taken aback when Aaron murders the nurse. Aaron, for his part, has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save his son's life.
** Even Saturninus has a moment of this in Act V, being abjectly horrified when Titus kills Lavinia. On learning that it was Chiron and Demetrius who raped and mutilated her, he orders them brought forth out of a seemingly-sincere desire to punish them. [[TheSecretOfLongPorkPies However...]]
* EvilMatriarch: Tamora, who is motivated by the deaths of some of her sons, and uses her living sons as her tools of vengeance.

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*BeCarefulWhatYouWishFor: In taking her revenge against Titus, Tamora decides to not only destroy his family but also drive him insane. [[RoaringRampageOfRevenge Titus]] [[TheSecretOfLongPorkPies goes]] [[FamilialCannibalismSurprise insane]] [[IAteWhat al]][[KillEmAll right]].



* EvenBadMenLoveTheirMamas: Chiron and Demetrius love their mother and do all their villainy to help with her vengeance.
* EvenEvilHasLovedOnes: Aaron loves [[MoralityPet his baby son]].
* EvenEvilHasStandards: Chiron and Demetrius have no compunctions about raping and dismembering Lavinia or killing Aaron's baby son, but they are still taken aback when Aaron murders the nurse. And Aaron has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save his son's life.
* EvilMatriarch: Tamora, who is motivated by the deaths of some of her sons, and uses her living sons as her tools of vengeance.

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* EvenBadMenLoveTheirMamas: Chiron and Demetrius love their mother and do all their villainy to help DespairEventHorizon: Titus Andronicus receiving the heads of his two sons along with her vengeance.
* EvenEvilHasLovedOnes: Aaron loves [[MoralityPet
his baby son]].
* EvenEvilHasStandards: Chiron
uselessly-sacrificed hand - after the rape and Demetrius have no compunctions about raping and dismembering mutilation of his daughter Lavinia or killing Aaron's baby son, - proves to be this for him. Notably, he ''doesn't'' go into a HeroicBSOD but they are still taken aback when Aaron murders the nurse. And Aaron has no compunctions about murdering the nurse (and practically every other misdeed in the play), but he'll also fight to the death to save instead briefly goes LaughingMad before becoming [[SanitySlippage insanely]] fixed on working toward his son's life.
* EvilMatriarch: Tamora, who is motivated by the deaths of some of her sons, and uses her living sons as her tools of vengeance.
revenge.
-->'''Marcus:''' Why dost thou laugh?
-->'''Titus:''' Why, [[UnableToCry I have not another tear to shed]].
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* AmbiguousTimePeriod: The chronology of the tragedies puts this play "during the reign of a a fictional (late?) Roman emperor" with the plays between it being Cymbeline, early first century AD, and Hamlet, c. ninth-tenth century AD.

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* AmbiguousTimePeriod: The chronology of the tragedies puts this play "during the reign of a a fictional (late?) Roman emperor" with the plays between it being Cymbeline, early first century AD, and Hamlet, c. ninth-tenth century AD.
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* AnAesop: Someone has to be the one to break the cycle of revenge.
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