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Changed line(s) 147 (click to see context) from:
* GriefSong: DiMaggio's DarkReprise of "Mr. and Mrs. Smith."
to:
* GriefSong: DiMaggio's [=DiMaggio=]'s DarkReprise of "Mr. and Mrs. Smith."
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** "Mr and Mrs Smith" is all about how Monroe and DiMaggio want a normal life away from publicists and TV Cameras.
to:
** "Mr and Mrs Smith" is all about how Monroe and DiMaggio [=DiMaggio=] want a normal life away from publicists and TV Cameras.
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* InformedAbility: Many viewers wondered how Karen could ''possibly'' be considered an equal contender with Ivy for the role of Marilyn Monro. While Karen isn't ''un''talented it's clear from very early on that Ivy is better suited for Broadway than Karen's pop-music performance style. The frequent statements, especially from Derek, that Karen has "a quality" did little to convince the viewing audience.
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* TechnicianVersusPerformer: Ivy vs. Karen, respectively. Ivy comes out on top.
to:
* TechnicianVersusPerformer: Ivy vs. Karen, respectively. Ivy comes out on top.is a Broadway veteran who has all the technical skills for a stage production, and knows how to navigate the culture to get the role. Karen is a newcomer to the theatre scene who's learning the ropes but has a "quality" that wins over the crew. [[spoiler:After a ''lot'' of back and forth between them it's Ivy who ends up taking home a Tony award for ''Bombshell''.]]
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''I'm what you’ve been needing''\\
to:
''I'm what you’ve you've been needing''\\
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!This series contains examples of:
to:
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'''Sam:''' “Ish” being the operative word.
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'''Sam:''' “Ish” "Ish" being the operative word.
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Deleted line(s) 32 (click to see context) :
* UsefulNotes/{{Bollywood}}: The musical number "A Thousand and One Nights."
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* DidTheyOrDidntThey: [[spoiler: Ellis and Rebecca Duvall's (male) assistant.]]
to:
* DidTheyOrDidntThey: [[spoiler: Ellis [[spoiler:Ellis and Rebecca Duvall's (male) assistant.]]
Changed line(s) 56,57 (click to see context) from:
* DrivenToSuicide: [[spoiler: Ivy]] in the season 1 finale. [[{{Cliffhanger}} Maybe]].
* DownerEnding: In "The Producers", Kyle finally gets angry enough at everything Jimmy's done over the past season to kick him out of his apartment, so he packs up all Jimmy's things at his apartment and drops them off at Jimmy's old house... [[spoiler: and gets hit by a car on his way home.]]
* DownerEnding: In "The Producers", Kyle finally gets angry enough at everything Jimmy's done over the past season to kick him out of his apartment, so he packs up all Jimmy's things at his apartment and drops them off at Jimmy's old house... [[spoiler: and gets hit by a car on his way home.]]
to:
* DrivenToSuicide: [[spoiler: Ivy]] [[spoiler:Ivy]] in the season 1 finale. [[{{Cliffhanger}} Maybe]].
* DownerEnding: In "The Producers", Kyle finally gets angry enough at everything Jimmy's done over the past season to kick him out of his apartment, so he packs up all Jimmy's things at his apartment and drops them off at Jimmy's old house...[[spoiler: and [[spoiler:and gets hit by a car on his way home.]]
* DownerEnding: In "The Producers", Kyle finally gets angry enough at everything Jimmy's done over the past season to kick him out of his apartment, so he packs up all Jimmy's things at his apartment and drops them off at Jimmy's old house...
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** In the series finale, it looks like this may be the case with Tom and [[spoiler: Patrick Dillon]]. Then Tom kisses him.
to:
** In the series finale, it looks like this may be the case with Tom and [[spoiler: Patrick [[spoiler:Patrick Dillon]]. Then Tom kisses him.
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* JewishComplaining
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* JewishComplainingJewishComplaining:
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%%* KillTheCutie: [[spoiler: Kyle Bishop.]]
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%%* KillTheCutie: [[spoiler: Kyle [[spoiler:Kyle Bishop.]]
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* OneWordTitle:
** The show title itself.
** The InUniverse ''Bombshell''
** The show title itself.
** The InUniverse ''Bombshell''
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* TimeTitle: The musical number "A Thousand and One Nights."
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Dewicking Completely Missing The Point
Deleted line(s) 46 (click to see context) :
* CompletelyMissingThePoint: Rebecca Duval seems to not realize that you need ''music'' in a ''musical''. She gets better, though.
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Not So Different has been renamed, and it needs to be dewicked/moved
* MirrorCharacter: Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesize that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
Deleted line(s) 93,94 (click to see context) :
* NotSoDifferent: Karen and Ivy are both noticeably out of their respective leagues and comfort zones when playing Marilyn - albeit in different ways. They only begin to get along when they admit it.
** Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesize that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
** Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesize that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
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* DeathSong: The DarkReprise of "Second Hand White Baby Grand."
* GhostSong: The finale, "Don't Forget Me."
* GriefSong: DiMaggio's DarkReprise of "Mr. and Mrs. Smith."
* GriefSong: DiMaggio's DarkReprise of "Mr. and Mrs. Smith."
Changed line(s) 146 (click to see context) from:
** "Mr and Mrs Smith" is all about how Monroe and Dimaggio want a normal life away from publicists and TV Cameras.
to:
** "Mr and Mrs Smith" is all about how Monroe and Dimaggio DiMaggio want a normal life away from publicists and TV Cameras.
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* SanitySlippageSong: "Let's Be Bad," in which Marilyn, who has taken a copious quantity of pills, can barely see straight through an in-universe musical number shoot.
to:
* LocationSong: "On Lexington & 52nd Street," named for the intersection where Marilyn's infamous subway-grate scene for ''Film/TheSevenYearItch'' was shot.
* OdeToFamily: "Second Hand White Baby Grand," which is about Marilyn's only fond memory of her mother.
* ParentalLoveSong: "Hang the Moon," in which Marilyn imagines her mother saying all the loving things she never said in real life.
* PatterSong: "Don't Say Yes Until I Finish Talking"
* SanitySlippageSong:"Let's "[[BadGirlSong Let's Be Bad," Bad]]," in which Marilyn, who has taken a copious quantity of pills, can barely see straight through an in-universe musical number shoot.
* OdeToFamily: "Second Hand White Baby Grand," which is about Marilyn's only fond memory of her mother.
* ParentalLoveSong: "Hang the Moon," in which Marilyn imagines her mother saying all the loving things she never said in real life.
* PatterSong: "Don't Say Yes Until I Finish Talking"
* SanitySlippageSong:
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* ShirtlessScene: "Don't Say Yes Until I Finish Talking" takes place entirely in a steam room filled with [[ModestyTowel towel-clad executives]].
* TitleTheAdaptation: ''Marilyn: The Musical''. They change it after the workshop though, to ''Bombshell''.
* YesMan: An entire steam room full of them.
* TitleTheAdaptation: ''Marilyn: The Musical''. They change it after the workshop though, to ''Bombshell''.
* YesMan: An entire steam room full of them.
to:
* ShirtlessScene: "Don't Say Yes Until I Finish Talking" takes place entirely in a steam room filled with [[ModestyTowel towel-clad towel-clad]] [[YesMan executives]].
* TitleTheAdaptation: ''Marilyn: The Musical''. They change it after the workshopthough, to ''Bombshell''.
* YesMan: An entire steam room full of them.
* TitleTheAdaptation: ''Marilyn: The Musical''. They change it after the workshop
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* SanitySlippageSong: "Let's Be Bad," in which Marilyn, who has taken a copious quantity of pills, can barely see straight through an in-universe musical number shoot.
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Your Cheating Heart is an index, not a trope.
Deleted line(s) 133,140 (click to see context) :
* YourCheatingHeart:
** Eileen's husband liked to sleep around with blondes until Eileen had enough and filed for divorce.
** Julia cheated on her husband Frank with Michael at some point before the series began and [[spoiler: they sleep together in episode 6. To complicate things since their last affair, Michael is now married with a kid too]]
*** In episode 7, [[spoiler: Julia breaks it off with Michael]]. In episode 9, [[spoiler: Frank finds out about the affair and leaves Julia, but they later get back together. In the season one finale, Michael tells Julia that he told his wife, resulting in her(the wife) leaving him]]
** Derek [[spoiler: on Ivy, with Rebecca.]]
** [[spoiler: Dev and Ivy.]]
** [[DidTheyOrDidntThey Possibly]] [[spoiler:Ellis on his girlfriend, with Rebecca Duvall's assistant.]]
** Kyle on his boyfriend Blake the Lighting Designer [[spoiler: with Tom.]]
** Eileen's husband liked to sleep around with blondes until Eileen had enough and filed for divorce.
** Julia cheated on her husband Frank with Michael at some point before the series began and [[spoiler: they sleep together in episode 6. To complicate things since their last affair, Michael is now married with a kid too]]
*** In episode 7, [[spoiler: Julia breaks it off with Michael]]. In episode 9, [[spoiler: Frank finds out about the affair and leaves Julia, but they later get back together. In the season one finale, Michael tells Julia that he told his wife, resulting in her(the wife) leaving him]]
** Derek [[spoiler: on Ivy, with Rebecca.]]
** [[spoiler: Dev and Ivy.]]
** [[DidTheyOrDidntThey Possibly]] [[spoiler:Ellis on his girlfriend, with Rebecca Duvall's assistant.]]
** Kyle on his boyfriend Blake the Lighting Designer [[spoiler: with Tom.]]
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* MoodWhiplash: In "The Producers," the episode ends with Kyle [[spoiler:getting hit by a bus and dying]]. Cue the upbeat end credits music.
** Averted in the next episode, after Tom tells Derek and Karen that Kyle [[spoiler:died]], the opening title lacks it's usually upbeat track.
** Averted in the next episode, after Tom tells Derek and Karen that Kyle [[spoiler:died]], the opening title lacks it's usually upbeat track.
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* DiegeticMusical: An odd case in that it features characters performing in in-universe musicals, characters spontaneously bursting into "real-life" choreographed numbers, characters singing in neither context and "mind palace" choreographed numbers.
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* RealLifeWritesThePlot: In-Universe: Written by Jimmy and Kyle, it follows a young struggling songwriter and recovering drug addict coming from a hard life, falling in love, and accompanied by his best friend and roommate. Sound familiar?
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Changed line(s) 18 (click to see context) from:
Not to be confused with the ''VideoGame/SuperSmashBros'' series. Or [[Series/FridayNightLights Smash Williams]].
to:
Not to be confused with the ''VideoGame/SuperSmashBros'' series. Or series, ''VideoGame/SmashTV'', or [[Series/FridayNightLights Smash Williams]].
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Changed line(s) 71 (click to see context) from:
** [[ZigZaggingTrope At the end of the zig-zag,]] this is finally averted at the end of the second season: While playing Marilyn does take its toll on Ivy, she has lots of success, and [[spoiler: wins the Tony award for Best Actress]].
to:
** [[ZigZaggingTrope At the end of the zig-zag,]] this is finally averted at the end of the second season: While playing Marilyn does take its toll on Ivy, she has lots of success, and [[spoiler: wins the Tony award Award for Best Actress]].
Changed line(s) 83 (click to see context) from:
* KillTheCutie: [[spoiler: Kyle Bishop.]]
to:
Changed line(s) 89 (click to see context) from:
* NaiveNewcomer: Both Karen and Ivy have elements of this. Karen is introduced as a small town girl from Iowa trying to make it big in New York but is realistic about how show business operates. In contrast Ivy is a ten year Broadway veteran but still has a lot of naivety about things like the CastingCouch. The other characters lampshade the fact that this makes them a great fit to play the part of Marilyn Monroe.
to:
* NaiveNewcomer: Both Karen and Ivy have elements of this. Karen is introduced as a small town small-town girl from Iowa trying to make it big in New York but is realistic about how show business operates. In contrast Ivy is a ten year Broadway veteran but still has a lot of naivety about things like the CastingCouch. The other characters lampshade the fact that this makes them a great fit to play the part of Marilyn Monroe.
Changed line(s) 91 (click to see context) from:
** Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesise that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
to:
** Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesise hypothesize that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
Changed line(s) 94 (click to see context) from:
* PlatonicLifePartners: Tom and [[Series/WillAndGrace Julia]]. Observe the automatic, synchronised leg-crossing in [[EstablishingCharacterMoment their first scene in the pilot.]]
to:
* PlatonicLifePartners: Tom and [[Series/WillAndGrace Julia]]. Observe the automatic, synchronised synchronized leg-crossing in [[EstablishingCharacterMoment their first scene in the pilot.]]
Changed line(s) 100 (click to see context) from:
* RunningGag: For a time, when Eileen's soon-to-be ex-husband Jerry approaches her in a restaurant she throws her drink in his face. Lampshaded when they have a dinner together and he orders her a Manhattan ahead of the conversation so she has something to throw.
to:
* RunningGag: For a time, when Eileen's soon-to-be ex-husband Jerry approaches her in a restaurant she throws her drink in his face. Lampshaded when they have a dinner together and he orders her a Manhattan ahead of the conversation so she has something to throw.
Changed line(s) 110 (click to see context) from:
** {{Invoked}} in-universe. One of the plays Tom and John go to see.
to:
** {{Invoked}} in-universe.InUniverse. One of the plays Tom and John go to see.
Changed line(s) 121 (click to see context) from:
* TragicBromance: [[spoiler: Jimmy and Kyle.]]
to:
Changed line(s) 154 (click to see context) from:
* ShirtlessScene: "Don't Say Yes Until I Finish Talking" takes place entirely in a steam room filled with towel-clad executives.
to:
* ShirtlessScene: "Don't Say Yes Until I Finish Talking" takes place entirely in a steam room filled with [[ModestyTowel towel-clad executives.executives]].
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* [[YesMan Yes Men]]: An entire steam room full of them.
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* [[YesMan Yes Men]]: YesMan: An entire steam room full of them.
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* [[YesMan Yes Men]]: JB (Sam's character) is constantly surrounded with these.
to:
* [[YesMan Yes Men]]: YesMan: JB (Sam's character) is constantly surrounded with these.
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Changed line(s) 7 (click to see context) from:
''It's all here and my heart’s pleading''\\
to:
''It's all here and my heart’s heart's pleading''\\
Changed line(s) 50,52 (click to see context) from:
-->'''Sam:''' Yeah, um, isn’t she a little old to be playing Marilyn?\\
'''Julia:''' No, she’s perfect.\\
'''Sam:''' Yeah but wasn’t Marilyn, like, 36 when she died?\\
'''Julia:''' No, she’s perfect.\\
'''Sam:''' Yeah but wasn’t Marilyn, like, 36 when she died?\\
to:
-->'''Sam:''' Yeah, um, isn’t isn't she a little old to be playing Marilyn?\\
'''Julia:''' No,she’s she's perfect.\\
'''Sam:''' Yeah butwasn’t wasn't Marilyn, like, 36 when she died?\\
'''Julia:''' No,
'''Sam:''' Yeah but
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-->'''Derek''': For me to audition, Marilyn herself would have to pop out of that envelope and do me right here.
-->(Cut to Derek directing a musical number.)
-->'''Derek''': Five, six, seven, eight...
-->(Cut to Derek directing a musical number.)
-->'''Derek''': Five, six, seven, eight...
to:
-->'''Derek''': For me to audition, Marilyn herself would have to pop out of that envelope and do me right here.
-->(Cuthere.\\
(Cut to Derek directing a musical number.)
-->'''Derek''':)\\
'''Derek''': Five, six, seven, eight...
-->(Cut
(Cut to Derek directing a musical number.
-->'''Derek''':
'''Derek''': Five, six, seven, eight...
Changed line(s) 109,113 (click to see context) from:
* SoBadItsGood: {{Invoked}} in-universe. One of the plays Tom and John go to see.
-->'''John''': Shouldn't we go in? It's supposed to start soon.
-->'''Tom''': Meh, I heard it's a train wreck.
-->'''John''': Then why are we seeing it?
-->'''Tom and Sam''': Because it's a train wreck!
-->'''John''': Shouldn't we go in? It's supposed to start soon.
-->'''Tom''': Meh, I heard it's a train wreck.
-->'''John''': Then why are we seeing it?
-->'''Tom and Sam''': Because it's a train wreck!
to:
* SoBadItsGood: SoBadItsGood:
** {{Invoked}} in-universe. One of the plays Tom and John go to see.
-->'''John''': --->'''John''': Shouldn't we go in? It's supposed to start soon.
-->'''Tom''':soon.\\
'''Tom''': Meh, I heard it's a trainwreck.
-->'''John''':wreck.\\
'''John''': Then why are we seeingit?
-->'''Tomit?\\
'''Tom and Sam''': Because it's a train wreck!
** {{Invoked}} in-universe. One of the plays Tom and John go to see.
-->'''Tom''':
'''Tom''': Meh, I heard it's a train
-->'''John''':
'''John''': Then why are we seeing
-->'''Tom
'''Tom and Sam''': Because it's a train wreck!
Changed line(s) 125 (click to see context) from:
-->'''Daisy:''' You don't get it. You're a bigshot director. You're in a position of power from the minute you wake up in the morning, and you don't treat that power with respect. [[CastingCouch Or did you really think women say yes because they actually]] ''[[CastingCouch like]]'' [[CastingCouch you..?]]
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Changed line(s) 170,173 (click to see context) from:
-->'''Ivy''': C'mon, Karen Cartwright!
-->'''Karen''': Where are we going?
-->'''Ivy''': The show's over!
to:
-->'''Karen''':
'''Karen''': Where are we
-->'''Ivy''':
'''Ivy''': The show's over!
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Changed line(s) 158 (click to see context) from:
* EvilDiva: The Diva, who kills Karen's character in a FlashForward at the beginning.
to:
* DownerEnding: Amanda is dead, the Diva has suffered a complete nervous breakdown (and will probably at the very least be arrested for murder) and Jesse is left devastated by the death of his girlfriend.
* EvilDiva: The Diva, who killsKaren's character Amanda in a FlashForward at the beginning.beginning.
* HowWeGotHere: The show starts with the Diva shooting someone at a concert - the rest of the show is a flashback showing the sequence of events that led to it.
* IWantSong: "Rewrite This Story" is all about Jesse and Amanda's desire to...[[ExactlyWhatItSaysOnTheTin rewrite their destinies]].
* LoveMakesYouStupid: There is absolutely no reason for Jesse to keep supplying Amanda with music and allow himself to be exploited after she's already stolen his songs once...except for the fact that he's in love with her.
* SanitySlippageSong: "Haddonfield, 15 Years Later" (in the defictionalised concert version of the show), which is sung by the Diva after she returns home to find no one remembers or recognises her.
* EvilDiva: The Diva, who kills
* HowWeGotHere: The show starts with the Diva shooting someone at a concert - the rest of the show is a flashback showing the sequence of events that led to it.
* IWantSong: "Rewrite This Story" is all about Jesse and Amanda's desire to...[[ExactlyWhatItSaysOnTheTin rewrite their destinies]].
* LoveMakesYouStupid: There is absolutely no reason for Jesse to keep supplying Amanda with music and allow himself to be exploited after she's already stolen his songs once...except for the fact that he's in love with her.
* SanitySlippageSong: "Haddonfield, 15 Years Later" (in the defictionalised concert version of the show), which is sung by the Diva after she returns home to find no one remembers or recognises her.
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* VillainSong: "I'm Not Sorry" is arguably one for both Amanda and the Diva.
** Though it was never performed in the series, JB also got one in the defictionalised concert version of the show called "The Guide To Success", which he sung to Jesse to convince him to keep writing songs for Amanda.
* WaitingForABreak: Both Amanda and Jesse before they meet each other, as expressed in "Rewrite This Story".
* [[YesMan Yes Men]]: JB (Sam's character) is constantly surrounded with these.
** Though it was never performed in the series, JB also got one in the defictionalised concert version of the show called "The Guide To Success", which he sung to Jesse to convince him to keep writing songs for Amanda.
* WaitingForABreak: Both Amanda and Jesse before they meet each other, as expressed in "Rewrite This Story".
* [[YesMan Yes Men]]: JB (Sam's character) is constantly surrounded with these.
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Changed line(s) 145 (click to see context) from:
** Also referenced directly in ''I Never Met a Wolf Who Didn't Like to Howl''.
to:
** Also referenced directly in ''I Never Met a Wolf Who Didn't Like Love to Howl''.
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** Also referenced directly in ''I Never Met a Wolf Who Didn't Like to Howl''.
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** If you're a person who knows their Broadway stars, there's plenty of these to keep you entertained, including (but not limited to): Norbert Leo Butz, Marc Kudisch, Analeigh Ashford, and Seth Rudetsky.
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Changed line(s) 57 (click to see context) from:
* FaceHeelTurn: Throughout Season 2, Scott is presented as a genuinely good person and BenevalentBoss, offering his theatre to stage ''Hit List'' and, despite having an early (and not entirely unwarranted) argument with Julia, he gets on well with pretty much everyone he interacts with - even to the point of acting as a mediator between Derek and Jimmy several times. That all goes out the window after [[spoiler: Kyle's death]] when he is suddenly apparently fine with exploiting the tragedy hours after it happened purely for the sake of ticket sales.
to:
* FaceHeelTurn: Throughout Season 2, Scott is presented as a genuinely good person and BenevalentBoss, BenevolentBoss, offering his theatre to stage ''Hit List'' and, despite having an early (and not entirely unwarranted) argument with Julia, he gets on well with pretty much everyone he interacts with - even to the point of acting as a mediator between Derek and Jimmy several times. That all goes out the window after [[spoiler: Kyle's death]] when he is suddenly apparently fine with exploiting the tragedy hours after it happened purely for the sake of ticket sales.
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Added DiffLines:
* FaceHeelTurn: Throughout Season 2, Scott is presented as a genuinely good person and BenevalentBoss, offering his theatre to stage ''Hit List'' and, despite having an early (and not entirely unwarranted) argument with Julia, he gets on well with pretty much everyone he interacts with - even to the point of acting as a mediator between Derek and Jimmy several times. That all goes out the window after [[spoiler: Kyle's death]] when he is suddenly apparently fine with exploiting the tragedy hours after it happened purely for the sake of ticket sales.
* FaceHeelRevolvingDoor: Derek is pretty much the king of this. In Season 2, Jimmy joins him. [[spoiler:They both end up on the "face" side by the end]].
* FaceHeelRevolvingDoor: Derek is pretty much the king of this. In Season 2, Jimmy joins him. [[spoiler:They both end up on the "face" side by the end]].
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* NotSoDifferent: Karen and Ivy are both noticeably out of their respective leagues and comfort zones when playing Marilyn - albeit in different ways. They only begin to get along when they admit it.
** Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesise that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
** Jimmy and Derek have this [[LampshadedTrope lampshaded]] about the two of them several times in Season 2: both are highly temperamental artists who believe that their way is the right way and are incredibly poor at taking any kind of criticism (personal or professional). Several characters even hypothesise that the similarities between them are why they fight so much, and the few PetTheDog moments that occur between them are usually accompanied by one of them (mostly Derek) admitting they fit this trope.
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* AllThereInTheManual: Of a kind. Though plenty about the plot of ''Hit List'' was given throughout the second season, the media website Vulture [[https://www.vulture.com/2013/05/smash-hit-list-plot-revealed.html published a complete synopsis of the show]] (complete with song list) after the season finale aired.
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** Also Derek and pretty much everyone he's paired up with. He even gets called out on it early in Season 2:
-->'''Daisy:''' You don't get it. You're a bigshot director. You're in a position of power from the minute you wake up in the morning, and you don't treat that power with respect. [[CastingCouch Or did you really think women say yes because they actually]] ''[[CastingCouch like]]'' [[CastingCouch you..?]]
-->'''Daisy:''' You don't get it. You're a bigshot director. You're in a position of power from the minute you wake up in the morning, and you don't treat that power with respect. [[CastingCouch Or did you really think women say yes because they actually]] ''[[CastingCouch like]]'' [[CastingCouch you..?]]
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** For the most part, it's a DeconstructedTrope: Ivy sleeps with Derek and spends a lot of Season 1 subsequently worried that it's the sole reason she got the part of Marilyn over Karen - and several of the ensemble members make it no secret that they believe this to be the case. In Season 2, Derek is accused of sexual harassment by multiple women and is told in no uncertain terms that, while to him this trope appears to actually be unintentionally invoked, every actress he hits on knows this trope is in full play and it all depends on who's willing to use it to their advantage.
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* TheCameo: Creator/LinManuelMiranda in one episode.
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* TheCameo: TheCameo:
** Creator/LinManuelMiranda in oneepisode.episode.
** Tom bumps into Harvey Fierstein on the street, as one does.
** Liza Minelli sings a birthday song to Ivy.
** Creator/LinManuelMiranda in one
** Tom bumps into Harvey Fierstein on the street, as one does.
** Liza Minelli sings a birthday song to Ivy.
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When duo songwriters Julia Houston (Creator/DebraMessing) and Tom Levitt (Creator/ChristianBorle), director Derek Wills ([[Franchise/PiratesOfTheCaribbean Jack Davenport]]), and producer Eileen Rand (Creator/AnjelicaHuston) put on a Broadway musical based on the life of Creator/MarilynMonroe, small town girl Karen Cartwright ([[Series/AmericanIdol Katharine [=McPhee=]]]) and veteran actress Ivy Lynn (Megan Hilty) audition for the star role. But things won't be easy when both women are favored for the role and must compete for it.
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When duo songwriters Julia Houston (Creator/DebraMessing) and Tom Levitt (Creator/ChristianBorle), director Derek Wills ([[Franchise/PiratesOfTheCaribbean Jack Davenport]]), and producer Eileen Rand (Creator/AnjelicaHuston) put on a Broadway musical based on the life of Creator/MarilynMonroe, small town girl Karen Cartwright ([[Series/AmericanIdol Katharine [=McPhee=]]]) (Creator/KatharineMcPhee) and veteran actress Ivy Lynn (Megan Hilty) audition for the star role. But things won't be easy when both women are favored for the role and must compete for it.
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from Lin Manuel Miranda
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* TheCameo: Creator/LinManuelMiranda in one episode.
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this is not the Awesome Moments page
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* CastingCouch: This is how Derek operates. Karen manages to both reject him and [[CrowningMomentofAwesome deliver a brilliant audition for the part. At the same time.]]
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* CastingCouch: This is how Derek operates. Karen manages to both reject him and [[CrowningMomentofAwesome deliver a brilliant audition for the part. At the same time.]]